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ADAPTING COPYRIGHT TO THE INFORMATION ... - IViR

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present copyright system does not protect each genre equally; in most European<br />

countries, e.g., a computer program is better protected than, say, a novel 5 . Moreover, in<br />

many countries the rightholder's exploitation rights are defined in platform or genre<br />

specific terms: right of printing, right of broadcasting, right of cable distribution, etc.<br />

Convergence of roles<br />

As the Internet experience clearly demonstrates, traditional actors in the communications<br />

process (information producer, provider, publisher, intermediary and user) will take on<br />

new roles in the digital networked environment. The Internet is structured as an `open<br />

platform model', as opposed to the `broadcasting model' of most existing mass media. On<br />

the Internet authors may freely disseminate their works without the intervention of<br />

traditional publishers: authors are becoming `publishers'. Moreover, digital technology<br />

enables users to actively search and manipulate information available on the network:<br />

users are becoming authors. Furthermore, traditional intermediaries, such as university<br />

libraries, may take on new roles as information providers: intermediaries are becoming<br />

publishers as well. This convergence of roles may eventually affect the existing system<br />

of rights allocation in copyright and neighbouring rights legislation.<br />

1.3 Communicating on the superhighway: a change of paradigms?<br />

The digital networked environment of the superhighway represents a change of<br />

paradigms for the traditional copyright industries. Mass circulation of copies carrying<br />

identical information products is replaced by transmission of customized information on<br />

demand. In this process, the `public sphere' between information provider and<br />

information user is gradually dissolving. 6 The act of `publishing' thereby loses much of<br />

its original connotation. The increasingly `private' nature of information distribution on<br />

the superhighway is amplified by the increasing use of encryption techniques.<br />

Information on demand<br />

The superhighway infrastructure enables users to actively communicate with information<br />

providers: interactivity. Users can retrieve information of their choice from information<br />

banks at innumerable points on the network. Conversely, publishers and other<br />

information providers will `customize' information to accommodate specific user<br />

demands, employing detailed `user profiles' drawn up from previous usage patterns. In<br />

this process of interactive and customized information usage, the information product<br />

will gradually lose its `concrete' form of expression. Instead, the product will merely<br />

serve as a source file for an infinite variety of derivative information products on<br />

demand.<br />

Interactivity and customization combined will make existing (or future) legal distinctions<br />

between `stand-alone' and collective works (such as audiovisual works and databases)<br />

difficult to maintain. On the superhighway, the collective work will rarely be consumed<br />

5 Pursuant to the European Software Directive, supra note 3, most copyright exemptions that apply to<br />

ordinary `writings', e.g. for private copying, are not valid in respect of computer programs.<br />

6 Th. Dreier, `Copyright digitized: philosophical impacts and practical implications for information<br />

exchange in digital networks', paper presented at WIPO Worldwide Symposium on the Impact of<br />

Digital Technology on Copyright and Neighbouring Rights, Harvard University, 31 March - 2 April<br />

1993, p. 11-14.

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