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7369 old music 2402 - KET

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this case, the designers were looking<br />

for something inspired by the <strong>music</strong><br />

and the format of the series. One idea<br />

was to create a set that had an <strong>old</strong>-time<br />

tent show feeling to it. That led them to<br />

a book of paintings by American artist<br />

Thomas Hart Benton. Find a book of<br />

his paintings for your students to<br />

explore, analyze, and enjoy.<br />

Other Family Traditions<br />

Ask each student to identify some<br />

aspect of folklore in their home life. It<br />

could be a story from their parents or<br />

family, a jump rope game, a rhyme or<br />

riddle learned from a friend or family<br />

member (other than a verbatim TV<br />

jingle). Organize a “Trading Traditions<br />

Day” when the students share their<br />

stories, games, and riddles by telling<br />

how they learned them and where they<br />

came from and then by teaching them<br />

to and performing them with classmates.<br />

Connections Across the<br />

Curriculum<br />

This series lends itself to research<br />

and writing opportunities; to exploring<br />

and analyzing time periods, patterns of<br />

migration, and other events in our<br />

nation’s history and development; and<br />

to learning about and appreciating<br />

ethnic and cultural contributions and<br />

influences.<br />

Social studies is an area where crosscurricular<br />

connections are natural. For<br />

example, you might enhance a social<br />

studies unit on the Civil War and<br />

slavery by using Program 4, in which<br />

Sparky and Rhonda Rucker sing a code<br />

song from the period, “The Gospel<br />

Train,” and Program 11, with Odetta<br />

talking about the westward movement<br />

of African-Americans following the<br />

war. In fact, many of the performers<br />

include songs about the life, history,<br />

and contributions of African-<br />

Americans as well as about contemporary<br />

issues such as civil rights.<br />

Several of the programs could also<br />

be used in an exploration of sound<br />

(science and <strong>music</strong>). Malcolm Dalglish<br />

(Program 1) and Mike Seeger (Program<br />

14), for example, both discuss how the<br />

length of a string or a pipe affects the<br />

highness or lowness of a <strong>music</strong>al pitch.<br />

Incorporating Community<br />

Resources<br />

Who are the artists and <strong>music</strong>ians in<br />

your community? Can you invite them<br />

into your classroom to share and<br />

perform? Where can you take your<br />

students so they can experience a<br />

<strong>music</strong>al performance firsthand? Here<br />

are some ideas to get you started:<br />

• Invite a community storyteller,<br />

singer, or <strong>music</strong>ian to class for a<br />

discussion. Perhaps a parent<br />

performs or carries on a traditional<br />

art form and would be<br />

willing to come to your class.<br />

• Ask teachers or other workers<br />

within your school for suggestions<br />

about artists/<strong>music</strong>ians in<br />

your community. A nearby<br />

college or arts organization<br />

might be able to lead you to<br />

artists who would be willing to<br />

come into your classroom.<br />

• Does your local college have a<br />

folklore department or someone<br />

in the <strong>music</strong> department who<br />

could visit your class?<br />

• Apply for a grant to bring in a<br />

<strong>music</strong>ian, storyteller, or instrument<br />

maker. Most states have<br />

arts councils that either provide<br />

grants to bring artists into<br />

schools or can help teachers find<br />

ways of bringing artists in.<br />

• Think about all of the cultures<br />

that may be represented in your<br />

community or school (African,<br />

Hispanic, Japanese, Vietnamese,<br />

Middle Eastern, Caribbean, or<br />

others represented by exchange<br />

students who may be in your<br />

school system for the year—the<br />

possibilities are endless). Are<br />

there volunteers from these<br />

groups willing to visit your<br />

class? If so, ask them to bring<br />

recordings of their <strong>music</strong> with<br />

them so students can compare<br />

and contrast the <strong>music</strong> from<br />

different cultures. Convey to<br />

students the importance of<br />

appreciating and showing<br />

respect for all types of culture<br />

that surround them.<br />

• Ask a traditional dance caller to<br />

come to class and teach.<br />

• Visit a local <strong>music</strong> festival, folk<br />

dance, or other community<br />

event.<br />

Sing-Along<br />

Many of the songs in this series have<br />

a purpose—to help a baby get to sleep,<br />

to make working a bit easier. Some<br />

songs are just meant to make us laugh<br />

and have fun. Whatever their other<br />

purposes, we hope the Old Music for<br />

New Ears songs will get you and your<br />

students singing, clapping, moving, and<br />

playing along.<br />

<strong>KET</strong>, The Kentucky Network 11

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