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7369 old music 2402 - KET

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So John Henry hammered on the mountain<br />

His hammer was striking fire<br />

But he worked so hard that he broke his poor heart<br />

Laid down his hammer and he died … (2 times)<br />

Now the man who invented the steam drill<br />

He thought he was mighty fine<br />

But John Henry, he had driven fifteen feet<br />

And that steam drill had only made nine … (2 times)<br />

Now every Monday morning<br />

When the bluebirds begin to sing<br />

’Way off yonder, ’bout a mile or more<br />

You can hear John Henry’s hammer ring … (2 times)<br />

Hambone<br />

Hambone is the ultimate development of the body-rhythm exercises I introduced<br />

in my first program. I learned it from an African-American carnival performer when I<br />

was a child. It uses the whole body as a “drum set”—feet, hands, arms, face, and<br />

legs—to produce different sounds and combine these sounds for both<br />

accompaniment and solo work. My first exposure to hambone included a sing-song<br />

based on “The Mockingbird”:<br />

Hambone, Hambone, where you been?<br />

’Round the world and back again.<br />

Hambone, Hambone, have you heard?<br />

Papa’s gonna buy you a mockingbird.<br />

If that mockingbird won’t sing …<br />

and so on.<br />

The Awful Hilly Daddy-Willie Trip<br />

(Words and <strong>music</strong> by John and Willie McCutcheon)<br />

Finally, I go from an example of improvisational rhythmic <strong>music</strong>—the hambone—<br />

to the idea of creating your own songs with “The Awful Hilly Daddy-Willie Trip.” My<br />

<strong>old</strong>est son and I composed this song (one of our “car-tunes”) on a long trip. In it<br />

there are observations of where we are along the journey, dreams about what<br />

we’re going to do when we get there, what’s going on at home in our absence, and<br />

excitement about a birthday that’s coming up the next day. Writing songs can be<br />

one of the most exciting and liberating things a person can do.<br />

The guitar, used as the accompanying instrument on this song, is also an<br />

African instrument, this time from northern Africa. It was introduced to white<br />

<strong>music</strong>ians relatively late, about the turn of this century, mostly by African-American<br />

railroad crews.<br />

54 Old Music for New Ears Teacher’s Guide

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