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visitors' guide to the presentation (PDF, 341 kB) - Koninklijk Museum ...

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8<br />

Theodoor van Thulden (attributed <strong>to</strong>), Triumphal Arch of Philip IV,<br />

facade, 17th century, oil on panel, Antwerp Royal <strong>Museum</strong> of Fine<br />

Arts.<br />

This work is a copy of a lost Rubens sketch of <strong>the</strong> Triumphal Arch of<br />

Philip IV, on <strong>the</strong> occasion of <strong>the</strong> State Entry of Cardinal-Infante<br />

Ferdinand of Austria (1635). For <strong>the</strong> new governor’s state entry in<strong>to</strong><br />

Antwerp, <strong>the</strong> city was decorated with temporary triumphal arches<br />

designed by Rubens. The Triumphal Arch of Philip IV, a homage <strong>to</strong> <strong>the</strong><br />

Spanish king, was erected at <strong>the</strong> end of <strong>the</strong> Huidevettersstraat. Theodoor<br />

van Thulden (1606-1669) <strong>to</strong>ok part in <strong>the</strong> work preparing <strong>the</strong><br />

festive decorations for <strong>the</strong> State Entry and based his engravings on<br />

<strong>the</strong>se compositions.<br />

The Triumphal Arch, a wooden construction about 21 meters high,<br />

glorified <strong>the</strong> Habsburg dynasty and illustrated how <strong>the</strong> Ne<strong>the</strong>rlands<br />

came <strong>to</strong> be ruled by King Philip IV, <strong>the</strong> bro<strong>the</strong>r of <strong>the</strong> Cardinal-<br />

Infante. The arch had three passageways, separated by columns and<br />

pilasters set on high bases. The large tableau above <strong>the</strong> central passageway<br />

portrays <strong>the</strong> marriage of Maximilian of Austria and Maria of<br />

Burgundy, daughter and heir of Charles <strong>the</strong> Bold. As a result of this<br />

marriage, <strong>the</strong> Ne<strong>the</strong>rlands passed <strong>to</strong> <strong>the</strong> Habsburgs. The group of<br />

figures crowning <strong>the</strong> whole – <strong>the</strong> supreme Roman god Jupiter with his<br />

wife Juno – emphasises <strong>the</strong> his<strong>to</strong>rical importance of this marriage.<br />

Around <strong>the</strong> central arch are depicted <strong>the</strong> six Habsburg rulers over <strong>the</strong><br />

Ne<strong>the</strong>rlands, and at <strong>the</strong> <strong>to</strong>p, <strong>the</strong> ances<strong>to</strong>rs of Philip IV: Emperor<br />

Maximilian 1, Philip <strong>the</strong> Handsome, Philip II and Emperor Charles<br />

V; below <strong>the</strong> Emperors stand Philip III and Philip IV. The wedding<br />

scene and <strong>the</strong> six portraits were all separate paintings placed in <strong>the</strong><br />

wooden triumphal arch. The his<strong>to</strong>rical piece was painted by Jacob<br />

Jordaens, and <strong>the</strong> six portraits by Cornelis de Vos. The wedding scene<br />

(10)

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