Richard Schultz Collection Brochure (50.84 MB) - Knoll

Our mission is to produce useful and enduring designs of the 

highest quality that have a simple, timeless beauty. 

Table of Contents 

History 6 

A Cultural Icon 18 

Our Factory 20 

Our House and Studio 21 

Mateo ® Collection 22 

Fresh Air Collection 34 

Wing Collection 42 

1966 Collection ® 54 

Swell ® Seating Collection 96 

Café ® Collection 112 

Topiary ® Collection 118 

Petal ® Collection 130 

Product Specifications 142 

Preceding Pages 

House (Left) and Studio (Right) 

Opposite 

1966-46B-OOO 

1966-24B-P14O 

Bar Height Armless Dining Chairs 

Bar Height Small Square Dining Table 

Following Pages 

Photograph: Ezra Stroller (Esto) 

Architect: Skidmore Owings and Merrill 

John Hancock, Chicago 

1966-45H-BWW Dining Chairs 

1966-41-BWW Contour Chaise 

Saarinen Tables 

5

6 

History

History 

1 9 2 6 

1 9 4 3 1 9 4 7 1 9 4 8 

Born September 22, 1926 

Lafayette, Indiana 

Navy 

Moholy-Nagy Foundation 

Course Book 

Richard Schultz, Summer in Europe 

1948 

The Early Years 

Before I went to high school I was interested in making things with my hands, making models. I had a workshop 

in my basement. It was a preoccupation of mine. 

Iowa State, Ames Iowa 

Mechanical Engineering 

I learned about the Institute of Design from a local high school teacher. I didn't know that there was even a 

profession of design. I had never heard of the Bauhaus. I was completely uninformed. 

Institute of Design, Chicago Illinois 1946-1950 

“The New Bauhaus” 

Founded by Moholy-Nagy 

The teaching was based on the foundation course methodology. The emphasis was on teaching creativity. 

The school was an old stone building in Chicago on North Dearborn Street, very dark and heavy, renaissance 

looking. You opened the door and inside they had painted everything white and primary colors. I was absolutely 

shocked. I had never been in an environment like that before. 

I began by studying architecture, photography, product design and graphic design. 

I felt born again. I was completely involved in it from the very beginning. 

There was no course in furniture design. You were trained to design anything, to apply this thinking that was so 

strongly presented as a way of life. 

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1 9 5 1 

1 9 5 3 1 9 5 6 1 9 5 7 

Florence Knoll Harry Bertoia Knoll 721H Bed Knoll 704 Sofa Bed 

1950 

MoMA Lamp Competition 

Honorable Mention 

1959 

MoMA Recent Sculpture USA 

Influences 

Wassily Kandinsky 

Paul Klee 

Herbert Read “Education through Art” 

Bauhaus approach to creativity would provide a richer education than book learning. 

Moholy-Nagy “Vision in Motion” 1947 

A book about the process. Like a bible. I always thought of myself as being connected to that whole movement. 

It was indoctrination, like joining a religion with emphasis on achievements in art in the 20th century. 

Everyone was so enthusiastic about the whole thing. For many years I felt as though I had inherited that 

culture and was in the line of those people, because I had gone to that school and was so indoctrinated in their 

way of thinking. 

I was always interested in sculpture. I tried to make abstractions of the European monuments that were somewhat 

sculptural in feeling. For example, I was very impressed by San Gimignano, which I had never heard of. It wasn't 

part of my art history course, but I found out about it and I went there from Florence on a bus. It is one of the 

extraordinary places, a very sculptural place. I started out by making realistic drawings of it and then made many 

abstractions of those drawings. 

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1 9 6 0 

1 9 6 0 1 9 6 3 1 9 6 5 

Knoll 320, 321, 311 Petal Tables Knoll 149 Pedestal Stacking Chair Knoll 715 Chaise Knoll 3454 Coffee Table, 4106 

and 4146 Executive Desks 

1962 

Staempfli Gallery, NYC 

Twenty Sculptors 

1963 

Knoll Chaise Included in the 

MoMA Design Collection 

Knoll 1951-1972 

In those days, if you were interested in furniture there were only two places to work: Knoll and Herman Miller. 

I applied to Knoll and got hired right away, which was a great piece of luck. When I went to apply for the job I had 

no idea what it would be like to work there. 

When I started, I worked in New York at the Planning Unit, which was essentially an interior design office where 

Florence Knoll worked on interiors for clients. It was a furniture company but also an interior design company, so 

you had the experience of designing for an actual use. 

Knoll was like not leaving school. It was like a postgraduate course. 

Knoll was a very simple company, no department of design and development, so you had to do everything yourself. 

You designed the furniture, you invented the way to make it, you designed the jigs and tooling, and for a little while, 

you were in charge of production until it got going and the various foremen and supervisors took over. Then you 

went onto something else. It was a fabulous education because it meant that what you designed had to be 

producible. It was an ivory tower existence. 

I also met Trudy there, and after we married we immediately went to Europe. 

Hans and Florence “Shu” Knoll 

They had the self-confidence that they knew what was the right thing. They were not market oriented. Shu said, 

“Good design is good business.” Their attitude was, “We do what we think is right, and we hope people will agree 

with us.” You were very conscious that you were working for a company that was in the forefront. 

Hans and Florence Knoll were an influence not so much in terms of form and style, but more in terms of quality 

and level of excellence. 

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1 9 6 6 

1 9 7 5 1 9 7 5 1 9 7 8 

1966 Collection ® 

(Knoll Leisure Collection) 

Knoll 1463 Sofa, 1462 Settee Harvey Probber 4046 

Schultz Arm Chair 

Stow/Davis Paradigm Series 

Office Seating System 

1967 

International Design Award 

A.I.D. 

1968 

Musée des Arts Décoratifs, Toronto 

Outdoor Chairs 

1970 

Victoria and Albert Museum, London 

Outdoor Chairs 

Harry Bertoia 

I was sent to Pennsylvania in the fall of 1951 where Harry was working in a small space in one corner of the factory. 

I couldn't be of much help because he wasn't ready for help at that time. He hadn't gotten to the point where he 

knew what he was doing yet. He was a wizard at working with metal and I learned those techniques. 

Harry was a very unique person because he was basically a sculptor who had gone to school with Florence Knoll 

at Cranbrook and had worked with Charles Eames. Hans and Shu gave him carte blanche and he started working 

with wire and invented a whole collection of wire furniture, which I was lucky enough to be involved in from the 

beginning. Harry did not have directions from Knoll. They didn't tell him, “we need a chair made out of wire.” 

It was his inner direction that produced those chairs. 

Harry worked constantly. He produced furniture and a whole showroom full of sculpture. It was pretty impressive. 

Working with Harry was intimidating in some ways. I didn't have much self-confidence about designing my own 

furniture after that. His furniture was so impressive, such a huge creative act, so different than anything that had 

been seen before or since. 

I have always been interested in reading the biographies of scientists and artists to learn how they have achieved 

what they did. With Harry I was right there watching him. 

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1 9 8 1 

1 9 8 4 1 9 8 5 1 9 8 5 

Knoll 1407 Pull Up Chair, 

1408 Pull Up Chair with Arms 

Do-More Barto Office Seating 

System 

Conde House Monica Chair 

4021 Lounge Chair, 4022 Love 

Seat, 4023 Sofa 

Conde House 1122 Stack Chair 

1985 

Philadelphia Museum of Art 

Design Since 1945 

1966 Collection ® (Knoll Leisure Collection) 

In October 1962 I began working on an aluminum outdoor group. Florence Knoll moved to Florida and took Bertoia 

chairs and put them in front of the ocean and they rusted badly. She said, “You have to make some decent 

outdoor furniture, something that is made out of materials that won't rust and corrode.” That appealed to me, 

and I started working. 

I experimented with button connectors for the slings, padded slings and plastic beading around the tabletops. 

Ultimately I devised concealed connections, which made the chairs more elegant. 

In April 1963 Florence Knoll approved the outdoor program. I had to develop all the patterns for all the cast parts. 

It took me a long time to develop the collection, as there wasn't a whole team of people to help me. Details 

were carefully considered. Attention to detail is expensive. We spent so much time refining it. That's why the 

furniture still looks fresh. 

In March 1966 the furniture was introduced. The furniture didn't have extraneous curves. Most outdoor furniture 

those days was designed to look as if it was designed before the French Revolution, with stamped out metal, 

bunches of flowers and leaves; it was very much period looking furniture. This was the first outdoor furniture that 

enthusiasts of modern design could say, “This is a breath of fresh air.” 

“God is in the details.” – Mies van der Rohe 

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1 9 8 5 1 9 8 5 1 9 8 6 1 9 8 7 

Conde House 5401-5406 

Colonnade Table 

Conde House 1132 Ricardo Chair Cadsana Lauren 163.220 

Cantalever Chair 163.222 

Swivel Chair 

Nienkämper RS48 Lounge and 

RS42 Dining Chair 

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1 9 9 2 

1 9 9 6 1 9 9 8 2 0 0 2 

Richard and Peter start Richard 

Schultz Design Inc. 

Topiary ® / Confetti ® Collection Café ® Collection 2002 Collection ® 

Richard Schultz Design, Inc. 1992 - present 

In 1992 my son Peter and I started Richard Schultz Design. Peter is an architect, and I have always enjoyed 

discussing my designs with him. We had talked about producing some of the more innovative designs ourselves, 

rather than trying to sell them to another company. 

We are all familiar with furniture that isn't furniture. You can't really sit on it very well. It may have some interesting 

form possibilities, but it is not furniture. The real challenge of furniture design as I see it is that the form is almost 

secondary to the comfort. It has to be comfortable and useful and the challenge is to make something that is also 

beautiful and graceful and enhances the environment. We began our company with this in mind. 

Topiary / Confetti 1996 

In 1988 I made and photographed a model of the Topiary Dining Chair. It was so unusual, so different in form than 

the office furniture I had been working on. It was also a chance for me to explore some exciting sculptural 

ideas. When we began our company we said to ourselves that this is the sort of risk that it would be fun to take, 

producing truly innovative furniture. Topiary is the only 100% sheet metal seating collection on the market and is 

absolutely unique. 

I wanted to design a chair that looked like a shrub pruned to look like a chair. I am fascinated by the way sunlight 

comes through the leaves of shrubbery, producing dappled shadows. This furniture acts as a light filter, 

disappearing into nature. Sometimes the pattern looks like flowers. Covered with dew it looks alive. 

Café Collection 1998 

We worked hard to design a form that was strong, yet light and comfortable. The folds in the seat and back 

triangulate the chair giving it enormous strength, and the shape of the seat provides critical pelvic support. 

We had to make many full size models in order to perfect the shape of the chair. 

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2 0 0 3 

Pavilion ® 

Richard with Pavilion 

2002 Collection 

Is it possible to design an interesting original chair out of tubing? 

If you look back and think in terms of inheriting the tradition of Mies van der Rohe and Gropius and Breuer – who 

all designed iconic tubular chairs – you can't make a chair that's more minimal than that in terms of exploiting those 

materials. I suppose it is how painters felt about Picasso who did everything – what was left for them to do? 

One of the ways of using those materials and achieving something interesting without repeating is to use different 

thicknesses. Use of heavy members and thin members is a device that allows you to produce a sculptural effect 

that is like a drawing that has thick and thin lines. It is a way of adding interest to the design. The arm is thicker 

because it is more comfortable for your arm, and then the weight is supported by a thin piece of material that is 

only minimally needed for the support of the seating surface and the arms. On a couple of different levels it works. 

One is that it makes it a more interesting sculpture by using different thicknesses. It also allows you to put the 

furniture together avoiding exposed welded joints. 

In many ways “form follows technique” is a more of a governing idea than “form follows function.” 

If comfort is a given then what controls form is the choice of material and technique. 

I think that is well illustrated in the 2002 Collection. 

Pavilion 2003 

I first developed the Pavilion while working for Knoll in 1976 as an alternate to an umbrella. The legs were made 

of plastic sewer pipes and we tested it against high winds by setting it up in front of an airplane at a local airport. 

It was never put into production. 

We now refined the design to create a stainless steel modular structure that defines space and creates shade. 

The pleated curtains look delicate and are slightly transparent. In the garden it is sculpture. 

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2 0 0 5 2 0 0 6 

2 0 0 7 2 0 0 8 

1966 Collection ® Serving Cart 1966 Collection ® Twinseat Swell ® Seating Collection Wing Collection 

Serving Cart 2005 and Twinseat 2006 

How wonderful to sit outside and eat or drink. In the summer Trudy and I often have a drink in the garden 

before dinner. For years customers have asked for a settee, and by stretching the lounge chair we were able to 

make a double width version. 

Using the same vocabulary as the rest of the 1966 Collection, we were able to make new pieces that 

integrate perfectly. 

Swell 2007 

Now people are creating outdoor rooms. And people are taller and heavier than they were in 1966. We designed 

Swell to create an outdoor sofa made with mesh fabric that does not require any cushions. By making it large in 

scale we were able to create a pleasing proportion and at the same time provide a sense of mass and scale. 

I can imagine Swell being used inside as well, in a lobby or reception area. I resisted the idea of larger scale 

furniture at first, but was surprised at how much I liked the result. 

Wing Collection 2008 

I designed the Wing Chair originally thinking that it would be made of wood slats. We produced it using a laser 

cutting process that allows us to create interesting shapes cut from sheet aluminum. The original design was for 

a high backed chair, but during the development process we cut down the back of the prototype and we realized 

that we liked the low backed version as well. Then we had a request for a settee which looked even better. 

So we added it to the collection. 

When we set up a group of high backed chairs in our garden they create a nice enclosure. I enjoy seeing them 

with the snow on them in the winter. The tables are so simple, but they are some of my favorites. 

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2 0 0 9 

2 0 1 0 2 0 11 

1966 Collection ® Bar and 

Counter Height 

Fresh Air Collection 

Mateo ® Collection 

1966 Bar and Counter Height Chairs and Tables 2009 

The original 1966 Collection never had Bar or Counter Height chairs or tables. Now many people enjoy eating on 

higher chairs. The counter height chair is perfect to use in a kitchen, as it can be so easily washed. The higher 

tables are graceful and allow you to see over a railing when dining. The large square table looks so elegant. 

Fresh Air Collection 2010 

The Fresh Air Collection is similar to Wing, in that it is made using the same technology. The tubular based chair 

has a nice spring to it, and I like its simplicity. The question of joining sheet metal is interesting to me, and I think 

that by creating tabs like you would when making a paper model we have achieved a beautiful detail. 

Mateo Collection 2011 

With Mateo we have updated the 2002 Collection playing on a theme that has interested me for years – using 

thick and thin tubing to create a sculptural contrast in the chair. By using aluminum we are able to make special 

extrusion shapes that look simple from the outside but have carefully designed details on the inside that allow us 

to make hidden connections. You will never see a weld on our Mateo chairs or tables because the joints are all 

carefully engineered to allow for assembly without exterior welds. 

17

A Cultural Icon 

Wallpaper 

August 1998 

Home & Garden 

January 2000 

Architectural Digest 

July 2002 

Vanity Fair 

May 2005 

Culture 

I was never involved in selling the furniture at Knoll, but I remember that the salespeople were always excitedly telling me things like, “I just sold Frank Sinatra some of your 

chairs.” Sometimes I didn't know whom they were talking about. I know that Pepsi had lots of chairs on their corporate terrace for years, and sometimes I would see the furniture 

in someone's home or on a record cover. Recently our furniture has been used in catalogs and in advertisements. It also has a dignified history of being used in movies such as 

the original Thomas Crown Affair of 1968 with Steve McQueen and Faye Dunaway, Unbreakable of 2000 with Bruce Willis and Samuel Jackson or on television in Sex and the City. 

Left to Right 

The Thomas Crown Affair - 1968; 

Happy Endings - 2005; 

My Architect - 2003 

18

W 

July 2005 

Architectural Digest France 

June 2010 

Marie Clair Maison 

July 2011 


October 2011 

Clockwise from Left 

Art Garfunkel Watermark - 1977; 

Brad & Angelina, W - 2005; 

Sex and the City, Season 3, 

Episodes 33 & 34 - 2000; 

Unbreakable - 2000 

19

Our Factory 

Preparing castings Building a frame Grinding joints Boxes on the loading dock 

Factory 

In 1992 we established our headquarters in the old Acorn Glove factory in Palm, Pennsylvania. We assemble everything in our factory, although we buy many items from vendors. 

Most of our vendors are in Pennsylvania or New Jersey. We enjoy working with local vendors and are proud to sell furniture that is designed & manufactured in the United States. 

20

Our House & Studio 

2002 Chair prototypes in our field 

with wildflowers 

Trudy gardening 1966 Chair with studio Topiary figures on lawn 

House and Studio 

Trudy and I live in a 200 year-old stone farmhouse surrounded by gardens in the woods in Pennsylvania. I've always been impressed by the way modern furniture works well in 

an old house that is simple, with no pretension to being anything fancy. My design studio is a simple Pennsylvania Dutch building with one room on each floor and a walk-in 

fireplace. Our house is across the driveway so I can easily join Trudy for lunch. 

21

22 

Mateo ® Collection


Mateo represents an important advance in the world of outdoor furniture. 

The sturdy frames are constructed of specially engineered aluminum 

extrusions and are carefully crafted to conceal all the connections within the 

frame. No welds are visible to lessen the precision of the design. 

When finished with our metallic powder coat colors, the frames reflect light in 

lines and arcs. 

The slings are made with our proprietary elastomeric mesh that stretches to 

provide unparalleled comfort, is weather resistant, easily cleaned, and 

available in five colors. 

Complete Specification Guide on page 144 

MAT-25 

lounge chair 

MAT-45 

dining chair 

MAT-42 

chaise 

MAT-43 

chaise and a half 

Tables available in six sizes and two heights. Complete Specification Guide on page 144 

24

Above (Left to Right) 

MAT-24L-GEW Small Square Coffee Table 

MAT-45-RW Lounge Chairs 

MAT-28L-GEW Rectangular Coffee Table 

MAT-24L-GEW Small Square Coffee Table 

MAT-45-RW Lounge Chair 

A B C 

Details 

A Seat Support End Cap 

B Rear Leg Glide 

C Front Edge of Seat 

25

The Mateo ® chaise and chaise and a half create an extended solution 

for outdoor comfort and relaxation. 

Opposite 

MAT-43-RW 

MAT-18L-GEW 

MAT-42-RW 

Chaise and a half 

Square End Table 

Chaise 

Above (Top to Bottom) 

MAT-42-K10 Chaise Lounge 

MAT-43-B16 Chaise and a half 

27

With advanced outdoor materials and a low profile, the Mateo ® lounge chair 

is designed for visual lightness and maximum comfort. 

Above 

MAT-25-L10 

MAT-24L-GC10 

MAT-28L-GC10 

Lounge Chairs 

Small Square Coffee Table 

Rectangular Coffee Table 

28

The precision extruded aluminum frame and weatherproof 

elastomeric mesh combine to make Mateo ® an instant classic. 

Opposite 

MAT-45-L10 

MAT-90H-GE10 

Above 

MAT-45-LCUS 

MAT-28H-GECUS 


MAT-45-RW 

MAT-28H-GEW 

Dining Chairs 

Large Rectangular Dining Table 

Dining Chairs 

Rectangular Dining Table 

Dining Chairs 


31

34 

Fresh Air Collection

1966 Fresh Air Collection 

With it’s exciting modern design, our Fresh Air Dining Chair provides a new 

I classic designed to the the design collection world. in 1966 The at seat, the back request and of arm Florence rests Knoll, — made whofrom 

wanted powder coated well-designed sheet aluminum outdoor — furnishings are a modern that reinterpretation would withstand of the thetime- 

honored Windsor salt air at chair. her The home tubular in Florida. stainless Through steel base the of years, the chair the 1966 gives it a 

corrosive 

comfortable spring and is completely weatherproof. 

Collection has earned a special place in the world of outdoor furniture. 

The thick square legs of the Fresh Air Dining Table are made from powder 

The coated 1966 extruded Collection aluminum has — also and been create the a harmonious recipient of relationship many awards, with the 

including 

Fresh Air Dining 

American 

Chair. 

Institute 

The table’s 

of Interior 

rectilinear 

Designers 

design 

International 

both mirrors 

Design 

the chair’s 

slotted aluminum and contrasts with the thin polished lines of the chair’s 

Award, USA (1967) and the Designers Center Stuttgart Award, Germany, 

stainless steel tube base. 

(1969/70). 

Many films have also featured the 1966 Collection over the years. We 

have movie stills from some of these films on pages 15-17 of this catalog. 


FA-45TB 

dining chair 

Tables available in six sizes and two heights. Complete range of tables on page 146. 

36

Above 

FA-45TB-13 

FA-45P 

FA-28H-GE13 

FA-45TB-15 

Dining Chairs 

Dining Chair Pads 


Dining Chairs 

A 

B 

C 

Details 

A Chair Arm and Seat 

B Pin/Tab Connection 

C Glides 

37

Fresh Air tables are available in a wide range 

of sizes and in both coffee and dining heights. 

Above 

FA-45TB-13 

FA-45P 

FA-28H-GE13 

FA-45TB-14 

FA-45P 

Dining Chairs 



Dining Chairs 


38

Have fun with custom colors! 

Above 

FA-45TB-CUS 

Dining Chairs 

Opposite 

FA-45TB-4 Dining Chair 

FA-45P Dining Chair Pad 

40

42 

Wing Collection

Wing Collection 

Traditional wing chairs were designed to be drawn up to the hearth, protecting 

the user from cold drafts while gathering the warming heat of the fire. We have 

updated this classic form for use in outdoor rooms. When used in a circular 

or rectangular grouping around a fire pit or table our Wing Chair provides 

enclosure and protection. 

The tables are available with our porcelain, teak or fiberglass tops. The chairs 

are available without pads or with seat and back pads. The chairs and tables 

are designed to be bolted in place if desired, and all connections are welded 

creating a strong problem free product that can be appropriately used in both 

residential and commercial applications. 


WING-25L 

lounge chair, low back 

WING-25H 

lounge chair, high back 

WING-255L 

double lounge chair, low back 

WING-255H 

double lounge chair, high back 

WING-18L 

end table/stool 

WING-24L 

small square coffee table 

WING-26L 

large square coffee table 

WING-28L 

rectangular coffee table 

44

Above 

WING-25L Lounge Chairs, Low Back 

WING-24L Small Square Coffee Tables 

WING-25H Lounge Chairs, High Back 

A 

B 

C 

Details 

A Front of Armrest 

B Glide 

C Back Support/Armrest Joint 

45

Our Wing Collection is incredibly durable but looks 

transparently delicate and is comfortable. 

Above 

WING-25H-3 Lounge Chair, High Back 

WING-25L-15 Lounge Chair, Low Back 

WING-25H-4 Lounge Chair, High Back 

WING-18L-PCUS2 Square End Table 

Opposite 

WING-255H-13 

WING-26L-P1413 

Double Lounge Chair, High Back 

Large Square Coffee Table 

46

Use our Wing c hairs to define an outdoor space. 

Above 

WING-25H-15 

WING-26L-K15 

Lounge Chair, High Back 


Opposite (Left to Right) 


WING-25P Lounge Chair Seat/Lower Back Pad 


WING-25P Lounge Chair Seat/Lower Back Pad 

WING-24L-PMW Small Square Coffee Table 

WING-18L-PCUSW Square End Table 


WING-25P Lounge Chair Seat Pad 

WING-25L-W Lounge Chair, Low Back 

48

We can make seat/back 

pads. The back pad is 

removable. 

Above from Top 

WING-25L-13 

WING-25P 

WING-25L-13 

WING-25P 

Opposite 

WING-25H-10 

WING-25H-12 


WING-25L-14 

WING-255L-14 


Lounge Chair, Low Back 

Seat/Lower Back Pad 


Seat Pad 




Double Lounge Chair, Low Back 


50


54


I designed the collection in 1966 at the request of Florence Knoll, who wanted 

well-designed outdoor furnishings that would withstand the corrosive salt air 

at her home in Florida. Through the years, the 1966 Collection has earned a 

special place in the world of outdoor furniture and is considered a classic 

design for the garden. 

The 1966 Collection has also been chosen to be included in various 

museums, including the Permanent Design Collection of the Museum of 

Modern Art, New York (MoMA). 

We emphasize exceptional durability. We have re-engineered the furniture to 

incorporate the best modern materials, including Teflon thread, powder coat 

paint and stainless steel. 


1966-45H 

standard height dining 

chair with arms 

1966-46H 

standard height armless 

dining chair 

1966-46C 

counter height armless chair 

1966-46B 

bar height armless chair 

1966-25 

lounge chair with arms 

1966-25R 

single rocker 

1966-255R 

double rocker 

1966-250 

ottoman 

1966-255 

twin seat lounge chair with arms 

1966-355 

triple seat lounge chair with arms 

1966-55 

serving cart 

1966-41 

contour chaise lounge 

1966-42 

adjustable chaise lounge 

Tables available in eight sizes and four heights. Complete range of tables on page 152. 

56

Above 

1966-41-WWW Contour Chaise 

1966-42- WWW Adjustable Chaise 

1966-18L-PWW End Table 

A B C 

Details 

A Table Frame and Top 

B Chaise Lounge Back Support 

C Vinyl Strap and Stitching 

57

58 

Seat eight around our new 90" Dining Tables.

Above and Left 

1966-46H-WWW 

1966-90H-FWW 

Standard Height Armless Dining Chairs 

Large Rectangular Dining Tables 

59

Our classic 1966 Collection ® now comes in Counter and Bar heights. 

Above 

1966-46C-ZN14 

1966-46C-ZZ14 

1966-60C-P1414 

Opposite Top 

1966-46B-WWW 

1966-24B-PMW 

Opposite Bottom 

1966-46H-WWW 

1966-46C-WWW 

1966-46B-WWW 

Counter Height Armless Dining Chairs 

Counter Height Armless Dining Chairs 

Counter Height Large Square Dining Table 


Small Square Dining Table 

Standard Height Armless Dining Chair 

Counter Height Armless Dining Chair 

Bar Height Armless Dining Chair 

61

Above 

1966-42-WW3 

P320-W3 

Right 

1966-250-WW3 

1966-24L-PW3 

1966-25-WW3 

Adjustable Chaise Lounge 

Petal Side Table 

Ottoman 


Lounge Chair with Arms 

62

All of our standard colors can be used for our 1966 ® frames. 

63

Rock on with our Single and Double Rockers! 

Above 

1966-25R-OOO 

1966-255R-OOO 

P321-KO 

Single Rocker 

Double Rocker 

Petal Coffee Table 

64

A 

Opposite 

1966-46B-OOO 

1966-24B-P14O 


Bar Height Small Square Dining Table 

B 

Above and Left 

A 1966-46H-WWW Standard Height Armless Dining Chairs 

1966-90H-P10W Large Rectangular Dining Table 

B 1966-46B-OOO Bar Height Armless Dining Chairs 

1966-24B-P14O Bar Height Dining Table 

Our furniture looks beautiful indoors. 

67

Clockwise from Top 

1966-46C-ZN14 Counter Height Armless Dining Chairs 

1966-46C-ZZ14 Counter Height Armless Dining Chairs 

1966-60C-P1414 Counter Height Large Square Dining Tables 

1966-46B-OOO 

1966-28B-P14O 

1966-46H-WWW 

1966-90H-FWW 


Bar Height Square Dining Table 


Large Rectangular Dining Table 

68

Ultra Clear tempered glass tabletops available clear or etched. 

Above 

1966-46H-WWW 

1966-28H-GCW 

Standard Height Armless Dining Chair 


70

A 

Above 

1966-46H-WWW 

1966-28H-GCW 



A Glass Corner Support Detail 

71

72 

Use our Triple Seat and Twin Seat chairs with our new 90" table.

Above 

1966-355-SZ12 

1966-255-SZ12 

1966-18L-P1414 

1966-90L-P1414 

Triple Seat Lounge Chair 

Twin Seat Lounge Chair 

Square End Table 

Large Rectangular Coffee Table 


Photograph: Tim Street-Porter 

Architect: Richard Neutra 

Los Angeles, CA 

Elle Décor 

1966-42-BWW Adjustable Chaises 

1966-24L-PWW Small Square Coffee Tables 

1966-25-BWW Lounge Chairs 


1966-26H-PWW Square Dining Table 

Round Sunshade by Brown Jordan 

73

Our classic furniture enhances both modern and traditional architecture. 

Above 

Photograph: Ken Hayden 

Florida Inside Out 

1966-45H-WWW Dining Chairs 

1966-26H-WWW Square Dining Table 

Opposite 


Architect: Richard Neutra 

Los Angeles, CA 

1966-42-BWW Adjustable Chaises 



Photograph: Graeme Outerbridge 

Bermuda 

1966-45H-WWW Dining Chairs 

1966-28H-PWW Rectangular Dining Tables 

76

A 

B 

Above 

A 1966-42-OOO Adjustable Chaise 

1966-18L-P13O Square End Table 

B 1966-45H-BNN Dining Chairs 

1966-24H-PBN Small Square Dining Table 

Opposite 

Photograph: David Fenton 

Phoenix Home and Garden 

1966-42-GAS Adjustable Chaises 

1966-18L-P10S Square End Table 



Architect: Scott Hughes 

Jupiter Island, FL 

1966-42-WWW Adjustable Chaises 

1966-18L-PWW Square End Table 

80

Porcelain enamel tabletops are easy to clean and highly scratch resistant. 

Above 

Photograph: Bob Heimstra 

Design: Michael Formica 

House Beautiful 


1966-28H-PWW Rectangular Dining Table 

Opposite 

Photograph: Alan Weintraub 

Architect: John Lautner 

Arango Residence, Acapulco, Mexico 

1966-41-BWW Contour Chaises 

84

Our furniture is built to last outdoors. 

Above 

Photograph: Peter Aaron 

Architect: Audrey Matlock 



Opposite 


Architect: A. Quincy Jones 

Restoration Architect / Landscape Design: 

Rios Clementi Hale Studios 

Gary Cooper Residence, Los Angeles, CA 


1966-28H-PWW Rectangular Dining Table 


Preceding Pages 


Architect: Scott Hughes 

Jupiter Island, FL 

1966-42-WWW Adjustable Chaise 

1966-18L-PWW Square End Table 

1966-25-WWW Lounge Chairs 


89

Enjoy your furniture through the seasons. 

90

Above 

Photograph: James van Sweden, Gwaltney Garden 

Design: Oehme, van Sweden & Associates 




Photograph: Peter Mauss 

Architect: Pentagram, Jim Biber 

Levy-Hinte House, Montauk, NY 

1966-41-WWW Contour Chaises 

P320-WW Petal End Table 

P322-WW Petal Dining Table 

91

Top Left 

Photograph: Dean Isidro 

Model: Molly Sims 

Vogue 

Standard Hotel, Los Angeles, CA 


Above and Right 

Photograph: Todd Eberle 

Designer: Shawn Hausman 

Elle Décor 

Standard Hotel, Los Angeles, CA 

1966-24L-WWW Small Square Coffee Table 



94

Swell ® Seating Collection 

96


With the growth of outdoor rooms and appreciation for furnishing the 

exterior environment, customers have begun to look to large, luxurious sofa 

seating to furnish outdoor living rooms. We have created the Swell Seating 

Collection to fit this need. It is the only large-scale modular sling seating 

available and once again leads the market in innovation and design. 

The Swell Club Chair is based on the generous proportions used in other 

classic seating and will fit into a 30" cube. Use it and the Two and Three 

Seat Sofa in conjunction with our tables to create variously configured 

seating areas. 


SWELL-31 

single seat club chair 

SWELL-32 

two seat sofa 

SWELL-33 

three seat sofa 

98

Above 

SWELL-32-WWW 

SWELL-33-WWW 

1966-24L-PMW 

1966-28L-PMW 

Two Seat Sofa 

Three Seat Sofa 

Square Coffee Tables 


A B C 

Details 

A Front Leg 

B Seat and Frame 

C Logo on Rear Stretcher 

99

Swell ® is available in three sizes and all our standard color options. 

Above 

SWELL-31-BNN 

SWELL-32-BNN 

SWELL-33-BNN 

1966-28L-PBN 

Opposite 

SWELL-31-GTS 

SWELL-32-GTS 

SWELL-33-GTS 

Single Seat Club Chair 

Two Seat Sofa 




Two Seat Sofa 


100

101

Above 

SWELL-31-WWW 

SWELL-32-WWW 

SWELL-33-WWW 

1966-24L-PMW 

1966-28L-PMW 

Single Seat Club Chairs 

Two Seat Sofas 

Three Seat Sofas 



102

103

104

Single, double and triple seat versions of the Swell ® allow you to 

create your own outdoor living room. 

Above 

SWELL-31-GTS 

SWELL-33-GTS 

1966-26L-PWS 

Opposite 

SWELL-31-WWW 

SWELL-32-WWW 

SWELL-33-WWW 

1966-24L-PMW 

1966-28L-PMW 





Two Seat Sofa 

Three Seat Sofas 

Small Square Coffee Tables 


105

106 

Above 

SWELL-31-OOO 

SWELL-32-OOO 

SWELL-33-OOO 

1966-26L-P13O 


SWELL-32-SZ14 

SWELL-33 SZ14 

1966-90L-P1414 


Two Seat Sofa 


Square Coffee Table 

Two Seat Sofa 


Large Rectangular Coffee Table

107

108

109

Above 

SWELL-32-WWW 

SWELL-33-WWW 

1966-24L-PMW 

1966-28L-PMW 

Two Seat Sofas 


Small Square Coffee Tables 


110

111

Café ® Collection 

112

113

1966 Café ® Collection 

We designed the Stacking Chairs and the Café Table to be comfortable and 

I strong designed enough the collection for heavy-duty in 1966 use, at the while request retaining of Florence a delicate Knoll, appearance. who 

wanted The legs well-designed are made of electropolished outdoor furnishings stainless that steel would tubing, withstand the seat the and 

corrosive back are triangulated salt air at her for home maximum in Florida. strength. Through The aluminum the years, tabletop the 1966 has no 

Collection 

finish to wear 

has 

away 

earned 

under 

a special 

commercial 

place in 

use. 

the world of outdoor furniture. 

Our three patterns vary from Topiary ® , to Confetti ® , to the T-2000 Stacking 

Chair. The 1966 The chairs Collection stack has to also 15 high, been protected the recipient by rubber of many bumpers awards, on the 

bottom including of American each leg. Institute of Interior Designers International Design 

The Award, table USA has (1967) a cast and base the with Designers a stainless Center steel Stuttgart center column, Award, Germany, and a unique 

32" (1969/70). textured aluminum top with scalloped edges. 




TOP-15 

Topiary stacking chair 

CONF-15 

Confetti stacking chair 

T2000-15 

2000 stacking chair 

TCT-B 

Cafe table, base only 

TM-32 

aluminum top, 

requires TCT-B base 

114

Above 

Emmaus, PA 

CONF-15-6 Confetti Stacking Chairs 

TCTB Café Table Base 

TM-32 32" Textured Aluminum Tabletop 

A 

B 

C 

Details 

A Chair Stacking 

B Bumper Detail 

C Cast Iron Table Base 

115

116

A 

B 

C 

D 

A Clockwise from Top 

T2000-15-S 2000 Stacking Chair 

T2000-15-6 2000 Stacking Chair 

CONF-15-1 Confetti ® Stacking Chair 

CONF-15-3 Confetti ® Stacking Chair 

TOP-15-4 Topiary ® Stacking Chair 

TOP-15-2 Topiary ® Stacking Chair 

T2000-15-5 T2000 Stacking Chair 

TCTB Café Table Base 

TM-32 32" Natural Textured 

Aluminum Tabletop 

B 

Photograph: Richard Schultz 

Chicago Arts Club, Chicago, IL 

TOP-15-7 Stacking Chairs 

TOP-28-7 Topiary Table Bases 

C Photograph: Richard Schultz 

Chicago Arts Club, Chicago, IL 

TOP-15-S Stacking Chairs 

TOP-28-S Topiary Table Bases 

D C0NF-15-6 Confetti Stacking Chairs 

P322-WW Petal Dining Table 

Opposite 

TOP-15-7 

TCTB 

TM-32 

Topiary Stacking Chairs 

Café Table Base 

32" Natural Textured Aluminum Tabletop 

117

Topiary ® Collection 

118

119

1966 Topiary ® Collection 

I wanted to design a chair that looks like a shrub pruned to look like a chair. 

I am designed fascinated the collection by the way in sunlight 1966 at comes the request through of Florence the leaves Knoll, of shrubbery, who 

wanted producing well-designed dappled shadows. outdoor This furnishings furniture acts that as would a light withstand filter, disappearing the 

corrosive into nature. salt Sometimes air at her home the pattern in Florida. looks Through like flowers. the Covered years, the with 1966 dew it 

Collection 

looks alive. 

has 

Our 

earned 

clients 

a 

have 

special 

written 

place 

us 

in 

to 

the 

tell 

world 

us how 

of outdoor 

much joy 

furniture. 

it gives them 

to see it daily. 

The Topiary 1966 is made Collection of sheet has aluminum also been that the is recipient bent, stamped of many and awards, folded. We 

including powder coat American the aluminum Institute components of Interior resulting Designers in a International chair that you Design can leave 

outside throughout the year. 

Award, USA (1967) and the Designers Center Stuttgart Award, Germany, 

(1969/70). Topiary Of or characterized by the clipping or trimming of live shrubs into 

decorative shapes, as those of animals or birds. 

American Heritage Dictionary 




TOP-45 

dining chair 

TOP-25 

lounge chair 

TOP-455 

bench 

TOP-28 

dining table, base only 

TG-30 

tempered glass top, 

requires TOP-28 base 

TM-32 

textured aluminum top, 

requires TOP-28 base 

TOP-250 

small ottoman 

Table tops available in 5 sizes and 2 styles. Complete range of tables on page 157 

120

Above 

TOP-45-3 

TOP-28-3 

TM-56 

Dining Chairs 

Dining Table Base 

Textured Aluminum Top 

A 

B 

C 

Details 

A Table Base with Adjustable Glide 

B Carriage Bolt at Back of Chair 

C Typical Sheet Metal Connection 

121

122

A 

B 

Above 

A TOP-25-3 Lounge Chair 

TOP-250-3 Small Ottoman 

B TOP-455-5 Bench 

Opposite 

TOP-455-W 

TOP-45-W 

TOP-28-W 

TG-56 

Bench 

Dining Chairs 

Dining Base 

56" Tempered Glass Tabletop 

123

A 

B 

C 

D 

Our furniture is proudly designed, developed and assembled in the USA. 

Above 


Richard Schultz Residence 

A TOP-25-1 Lounge Chairs 

B 

Topiary Models by Richard Schultz with 

Topiary Seat Back 

C TOP-25-1 Lounge Chairs 

D TOP-45-5 Dining Chairs 

TOP-28-5 Dining Table Base 

TG-42 42" Tempered Glass Tabletop 

Opposite 

Private Residence, Boyertown, PA 

TOP-45-4 Dining Chair 





124

125

126

A 

B 

Topiary ® acts as a light filter, becoming one with nature. 

Above 

A Photograph: Richard Schultz 

Richard Schultz Residence 

TOP-455-S Bench 

B TOP-45-CUS Dining Chair 

TOP-455-CUS Bench 

Opposite 

TOP-45-3 

TOP-28-3 

TM-56 

Dining Chairs 

Dining Table Base 

56" Textured Aluminum Top 

127

128

In Forest Green, the chairs are camouflaged in the garden amongst the foliage. 

Above 

Sculpture: J. Seward Johnson, Jr., 

“The Eye of the Beholder,” 1997 

Architect: Brian Carey, AC/BC Associates 

Grounds for Sculpture, Hamilton, NJ 

TOP-45-1 Dining Chairs 

TOP-28-1 Dining Bases 

TG-42 42" Tempered Glass Tabletop 

Opposite 

Grounds for Sculpture, Hamilton, NJ 

TOP-45-1 Dining Chairs 

TOP-28-1 Dining Table Base 

Custom Marble Tabletop 

129

Petal ® Collection 

130

131

1966 Petal ® Collection 

I designed the Petal Table to accompany the Bertoia Chairs that Harry Bertoia 

I designed designed for the Knoll. collection The tops in 1966 on these at the tables request are made of Florence of eight Knoll, petals, who which 

wanted are mounted well-designed on a beautifully outdoor crafted furnishings cast aluminum that would spider. withstand the 

corrosive salt air at her home in Florida. Through the years, the 1966 

I was inspired by Queen Anne's Lace, a weed that grows near our house in 

Collection Pennsylvania. has earned Each cluster a special of place flowers in the is world supported of outdoor on its furniture. own stem. 

By making a table in this manner there is no need for a ring support, and 

The each 1966 petal Collection is independent has which also been allows the the recipient table to of expand many and awards, contract 

including with the weather. American Institute of Interior Designers International Design 

Award, The tables USA were (1967) introduced and the Designers by Knoll Center in Los Stuttgart Angeles Award, in 1960 Germany, and were 

(1969/70). immediately made part of the MoMA Design Collection. 




P320 

end table 

P321 

coffee table 

P322 

dining table 

132

Above 

Designer: Abe Jerome Design 

Private Residence, Deal, NJ 

P321-WW Coffee Table 


A 

B 

C 

Details 

A Petal Edges 

B Cast Base 

C Cast Top Spider 

133

The Petal ® table is a flower that is always in bloom. 

Above 


P320-KW End Table 

1966-45D-WWW Dining Chair 

Opposite 

Private Residence, Bedford, NY 

P320-KW End Table 

P322 KW Coffee Table 

1966-25-BWW Lounge Chairs 


Photograph: Pieter Estersohn 

Architect: Fox-Nahem Design 

P322-KW Coffee Table 


134

135

136

137

138

Philip Johnson took special care not to disturb the lichen that grew on his Petal ® tables. 

Above 

Photograph: Roberto Schezen 

Architect: Philip Johnson 

Glass House, New Canaan, CT 

P320-KW End Tables 

Opposite 

Photograph: Douglas Friedman 

Design: Jonathan Adler 

Hamptons Cottages & Gardens 

P322-KW Coffee Table 

139

140 

Teak petals and new base colors.

Above 

P321-K12 

P320-K12 

Coffee Table 

End Table 

141

142 

Product Specifications

143


1966 Collection 

C O N S T R U C T I O N 

Frame: Extruded and machined aluminum 

Finish: Weather resistant Polyester Powder Coat 

Wheels: Molded ASA, TPU tires with differential axle 

Glides: Nylon, adjustable on tables 

Sling: Proprietary elastomeric stretch mesh 

Connectors: Stainless steel, internally welded joints 

Table tops: 3 / 8" Ultra Clear Tempered Glass 

Porcelain enamel on steel 

Vertical grain teak 

❚ Please supply the correct code for the shaded items when ordering. 

C U S T O M C O L O R S 

See Price List for information and upcharges on custom powder coat colors. 

C O V E R S 

Please speak to a Richard Schultz representative for pricing 

and details on covers. 

C O L O R / M A T E R I A L O P T I O N S 

Sling Colors 

Charcoal NEW! 

Bronze NEW! 

Slate NEW! 

Moss NEW! 

Silver NEW! 

CK 

CB 

CL 

CM 

CR 

Frame Colors (Powder Coat) 

CW 

White 

CS 

Weatherable Silver 

CO 

Onyx 

CN 

Chestnut 

C1 

Forest Green 

C2 

Daffodil Yellow 

C3 

Sky Blue 

C4 

Spring Green 

C5 

Terra Cotta 

C6 

Choice White 

C10 

Pearl Metallic 

C12 

Warm Wood 

C13 

Light Bronze 

C14 

Dark Bronze 

C15 

Rich Red NEW! 

16 Warm Bronze NEW! 

C 

Table Top Materials 

Ultra Clear Tempered Glass NEW! 

Teak 

Porcelain 

CG 

CK 

CP 

Glass Table Top Colors 

Clear NEW! 

Etched NEW! 

C 

CE 

Porcelain Table Top Colors 

CW 

White 

CB 

Brown 

CM 

Marine Blue 

C10 

Pearl Metallic NEW! 

C12 

Warm Wood NEW! 

C13 

Light Bronze NEW! 

C14 

Dark Bronze NEW! 


C 

Above 

MAT-25-L10 

MAT-24L-GC10 

MAT-28L-GC10 

Lounge Chairs 



144


Model Description Seat Height Arm Height Width Depth Height Weight 

MAT-45-❚❚ dining chair NEW! 18" 26" 23 1 /2" 24" 32" 17 lbs. 

MAT-45COV 

standard height dining chair cover 

MAT-25-❚❚ lounge chair NEW! 16 1 / 4 " 21 3 / 4 " 27 1 / 4 " 29" 27 3 / 4 " 18 lbs. 

MAT-25COV standard height lounge chair cover 

MAT-42-❚❚ chaise NEW! 31" 87 1 /2" 13 1 /2" 39 lbs. 

MAT-42COV 

chaise cover 

MAT-43-❚❚ chaise and a half NEW! 44 1 /2" 87 1 /2" 13 1 /2" 50 lbs. 

MAT-43COV 

chaise and a half cover 

Model 19" square 29" square 39" square 61" square 19"x61" 39"x61" 39"x91" 

Coffee Tables (15 5 /8" high | 3 1 /2" leg diameter round) NEW! 

Glass MAT-18L-G ❚❚ MAT-24L-G ❚❚ MAT-26L-G ❚❚ MAT-60L-G ❚❚ MAT-20L-G ❚❚ MAT-28L-G ❚❚ MAT-90L-G ❚❚ 

28 lbs. 66 lbs. 94 lbs. 178 lbs. 57 lbs. 127 lbs. 176 lbs. 

Porcelain MAT-18L-P ❚❚ MAT-24L-P ❚❚ MAT-26L-P ❚❚ MAT-60L-P ❚❚ MAT-20L-P❚❚ MAT-28L-P ❚❚ MAT-90L-P ❚❚ 


Teak MAT-18L-K ❚ MAT-24L-K ❚ MAT-26L-K ❚ MAT-60L-K ❚ MAT-20L-K ❚ MAT-28L-K ❚ MAT-90L-K❚ 


Cover MAT-18LCOV MAT-24LCOV MAT-26LCOV MAT-60LCOV MAT-20LCOV MAT-28LCOV MAT-90LCOV 

Dining Tables (28 5 /8" high | 3 1 /2" leg diameter round) NEW! 

Glass MAT-18H-G ❚❚ *MAT-24H-G ❚❚ MAT-26H-G ❚❚ MAT-60H-G ❚❚ MAT-20H-G ❚❚ MAT-28H-G ❚❚ MAT-90H-G ❚❚ 


Porcelain MAT-18H-P ❚❚ * MAT-24H-P ❚❚ MAT-26H-P ❚❚ MAT-60H-P ❚❚ MAT-20H-P ❚❚ MAT-28H-P ❚❚ MAT-90H-P ❚❚ 


Teak MAT-18H-K ❚ * MAT-24H-K ❚ MAT-26H-K ❚ MAT-60H-K ❚ MAT-20H-K ❚ MAT-28H-K ❚ MAT-90H-K ❚ 


Cover MAT-18HCOV MAT-24HCOV MAT-26HCOV MAT-60HCOV MAT-20HCOV MAT-28HCOV MAT-90HCOV 

For a table with 3 1 /2" square legs see Fresh Air tables on following page. 

* This table can be used as a large pedestal or as small dining table with our 1966-46H. 

145




Frame: 

Finish: 

Glides: 

Base: 

Connectors: 

Pads: 

Table tops: 

3 

/16" Aluminum stamped and formed 

Weather resistant Polyester Powder Coat 

Nylon, adjustable on tables 

1" Electropolished 304 stainless steel 

Stainless steel 

Outdoor fabric with open cell foam 

3 / 8 " Ultra Clear Tempered Glass 





Frame Color (Powder Coat) 

CW 

White 

CS 


CO 

Onyx 

CN 

Chestnut 

C1 

Forest Green 

C2 


C3 

Sky Blue 

C4 

Spring Green 

C5 

Terra Cotta 

C6 

Choice White 

C10 


C12 

Warm Wood 

C13 

Light Bronze 

C14 

Dark Bronze 

C15 

Rich Red NEW! 


C 


Ultra Clear Tempered Glass NEW! 

Teak 

Porcelain 

CG 

CK 

CP 


Clear NEW! 

Etched NEW! 

C 

CE 

Porcelain Table Top Colors 

CW 

White 

CB 

Brown 

CM 

Marine Blue 

C10 


C12 


C13 


C14 



C 



C O V E R S A N D P A D S 


and details on covers and pads. 

Above 

FA-45TB-CUS 

FA-45TB-6 

FA-45TB-15 

FA-26H-GC15 

Dining Chair 

Dining Chair 

Dining Chair 

Square Dining Table 

146



FA-45TB-❚ dining chair NEW! 17 1 /2" 25 1 /2" 26 1 /2" 23 7 /8" 35" 18 lbs. 

FA-45P 

dining seat and back pad 

FA-45COV 

standard height dining chair cover 

Model 16 3 /4" square 26 3 /4" square 36 3 /4" square 58 3 /4" square 16 3 /4"x58 3 /4" 36 3 /4"x58 3 /4" 36 3 /4"x88 3 /4"Coffee Tables 

Coffee Tables (15 5 /8" high | 3 1 /2" square legs) NEW! 

Glass FA-18L-G ❚❚ FA-24L-G ❚❚ FA-26L-G ❚❚ FA-60L-G ❚❚ FA-20L-G ❚❚ FA-28L-G ❚❚ FA-90L-G ❚❚ 


Porcelain FA-18L-P ❚❚ FA-24L-P ❚❚ FA-26L-P ❚❚ FA-60L-P ❚❚ FA-20L-P❚❚ FA-28L-P ❚❚ FA-90L-P ❚❚ 


Teak FA-18L-K ❚ FA-24L-K ❚ FA-26L-K ❚ FA-60L-K ❚ FA-20L-K ❚ FA-28L-K ❚ FA-90L-K ❚ 


Cover FA-18LCOV FA-24LCOV FA-26LCOV FA-60LCOV FA-20LCOV FA-28LCOV FA-90LCOV 

Dining Tables (28 5 /8" high | 3 1 /2" square legs) NEW! 

Glass FA-18H-G ❚❚ *FA-24H-G ❚❚ FA-26H-G ❚❚ FA-60H-G ❚❚ FA-20H-G ❚❚ FA-28H-G ❚❚ FA-90H-G ❚❚ 


Porcelain FA-18H-P ❚❚ *FA-24H-P ❚❚ FA-26H-P ❚❚ FA-60H-P ❚❚ FA-20H-P ❚❚ FA-28H-P ❚❚ FA-90H-P ❚❚ 


Teak FA-18H-K ❚ *FA-24H-K ❚ FA-26H-K ❚ FA-60H-K ❚ FA-20H-K ❚ FA-28H-K ❚ FA-90H-K ❚ 


Cover FA-18HCOV FA-24HCOV FA-26HCOV FA-60HCOV FA-20HCOV FA-28HCOV FA-90HCOV 

For a table with 3 1 /2" round legs see Mateo tables on previous page. 

* This table can be used as a large pedestal or as small dining table with chairs that are under 19" in width. 

147




Frame: 

3 



Glides: Nylon 

Connectors: Fully welded joints 

Attachment: Contain 5 /16" holes in base for bolting to floor 

Pads: Outdoor fabric with open cell foam 

Table tops: Vertical grain teak 


Fiberglass 







CW 

White 

CS 


CO 

Onyx 

CN 

Chestnut 

C1 

Forest Green 

C2 


C3 

Sky Blue 

C4 

Spring Green 

C5 

Terra Cotta 

C6 

Choice White 

C10 


C12 

Warm Wood 

C13 

Light Bronze 

C14 

Dark Bronze 

C15 

Rich Red NEW! 


C 


Teak 

Porcelain 

Fiberglass 

CK 

CP 

CF 

Porcelain & Fiberglass Table Top Colors 

CW 

White* 

CB 

Brown 

CM 

Marine Blue 

C10 


C12 


C13 


C14 


C16 

Warm Bronze NEW! 

* Also available in Fiberglass 



Above 

WING-25L-13 

WING-255L-13 


Wing Lounge Chair, Low Back 

Wing Double Lounge Chair, Low Back 

Wing Large Square Coffee Table 

148



WING-25H-❚ lounge chair, high back 16 1 /2" 24 1 /2" 36 3 /4" 33 1 /2" 43 1 /2" 48 lbs. 

WING-25P 

seat/lower back pad 

WING-25HCOV 

lounge chair, high back cover 

WING-255H-❚ double lounge chair, high back 16 1 /2" 24 1 /2" 60 1 /4" 33 1 /2" 43 1 /2" 65 lbs. 

WING-255P 

double seat/lower back pad 

WING-255HCOV 

double loung chair, high back cover 

WING-25L-❚ lounge chair, low back 16 1 /2" 24 1 /2" 36 3 /4" 33" 32 1 /2" 40 lbs. 

WING-25P 

seat pad 

WING-25LCOV 

lounge chair, low back cover 

WING-255L-❚ double lounge chair, low back 16 1 /2" 24 1 /2" 60 1 /4" 33" 32 1 /2" 58 lbs. 

WING-255P 

double seat pad 

WING-255LCOV 

double lounge chair, low back cover 

Model Description Width Depth Height Weight 

Porcelain WING-18L-P❚❚ end table/stool with porcelain top 16 1 /8" 16 1 /8" 17" 22 lbs. 

Teak WING-18L-K❚ end table/stool with teak top 16 1 /8" 16 1 /8" 17" 29 lbs. 

Fiberglass WING-18L-F❚❚ end table/stool with fiberglass top 16 1 /8" 16 1 /8" 17" 28 lbs. 

WING-18LP 

WING-18LCOV 

stool pad 

end table/stool cover 

Porcelain WING-24L-P❚❚ small square coffee table/ottoman with porcelain top 26 1 /8" 26 1 /8" 17" 36 lbs. 

Teak WING-24L-K❚ small square coffee table/ottoman with teak top 26 1 /8" 26 1 /8" 17" 40 lbs. 

Fiberglass WING-24L-F❚❚ small square coffee table/ottoman with fiberglass top 26 1 /8" 26 1 /8" 17" 39 lbs. 

WING-24LCOV 

small square coffee table/ottoman cover 

Porcelain WING-26L-P❚❚ large square coffee table/ottoman with porcelain top 36 1 /8" 36 1 /8" 17" 56 lbs. 

Teak WING-26L-K❚ large square coffee table/ottoman with teak top 36 1 /8" 36 1 /8" 17" 64 lbs. 

Fiberglass WING-26L-F❚❚ large square coffee table/ottoman with fiberglass top 36 1 /8" 36 1 /8" 17" 62 lbs. 

WING-26LCOV 

large square coffee table/ottoman cover 

Porcelain WING-28L-P❚❚ rectangular coffee table with porcelain top 36 1 /8" 58 1 /8" 17" 71 lbs. 

Teak WING-28L-K❚ rectangular coffee table with teak top 36 1 /8" 58 1 /8" 17" 80 lbs. 

Fiberglass WING-28L-F❚❚ rectangular cofee table with fiberglass top 36 1 /8" 58 1 /8" 17" 78 lbs. 

WING-28LCOV 

rectangular coffee table cover 

149

1966 Collection ® 1966 Collection 

M U S E U M S & C O L L E C T I O N S 

Keiji Nagai Collection, Fukuoka, Japan 

Louvre Museum, Design Collection, Paris, France 

Musée des Arts Decoratifs, Paris, France 

Museum of Decorative Arts, Montreal, Canada 

Design Collection of Museum of Modern Art, New York 

Philadelphia Museum of Art, Philadelphia 

Vitra Design Museum, Weil am Rhein, Germany 

Victoria and Albert Museum, London, England 

A W A R D S 

American Institute of Interior Designers 

International Design Award, USA 1967 

Designers Center Stuttgart Award, Germany, 1969/70 

ICFF Editor's Award for Outside Furniture, 2007 


Frame: Cast and extruded aluminum 


Wheels: Cast aluminum, rubber tires with differential axle 

Glides: Clear butyrate plastic 

Upholstery: Woven vinyl coated polyester mesh 

Straps: Solid pure vinyl with no fillers 

Thread: Gore Tenara ® sewing thread (Teflon) 

Pads: COM Fabric with open cell foam 

Supports: Stainless steel 

Connectors: Stainless steel 

Table tops: Ultra clear tempered glass 



Fiberglass 

O R D E R I N G I N F O R M A T I O N : 

Please supply correct code for shaded items. 


Strap Colors Frame Colors (Powder Coat) Table Top Materials 

CW 

White CW 

White 

CG Ultra Clear Templered Glass NEW! 

CB 

Brown CS 

Weatherable Silver CP Porcelain 

CG 

Grey CO 

Onyx 

CK Teak 

CO 

Onyx CN 

Chestnut CF Fiberglass 

CS 

Sand C1 

Forest Green 

CZ 

Bronze C2 



C3 

Sky Blue 

C Clear NEW! 

Mesh Colors C4 

Spring Green CE 

Etched NEW! 

White C5 

Terra Cotta 

Camel Tone C6 

Choice White 

Porcelain & Fiberglass Table Top Colors 

Grey Tone C10 

Pearl Metallic CW 

White* 

Onyx C12 

Warm Wood CB 

Brown 

Pearl White C13 

Light Bronze CM 

Marine Blue 

Aluminum C14 

Dark Bronze C10 


Bronze C15 

Rich Red NEW! 

C12 

Warm Wood 

Sprout C16 


C13 

Light Bronze 

Chestnut 

C14 

Dark Bronze 

Silver 

C16 


* Also available in Fiberglass 



CW 

C 

CT 

CO 

CP 

CA 

CZ 

CS 

CN 

CV 





1966 Collection ® Chaises 


1966-41-❚❚❚ contour chaise lounge 13" 24 1 /2" 58" 33 3 /4" 32 lbs. 

1966-41P contour chaise lounge pad * 2 1 /2 yds. COM fabric required 

1966-41COV 

contour chaise lounge cover 

1966-42-❚❚❚ adjustable chaise lounge 14 1 /4" 25 1 /2" 76" 14 1 /2" 37 lbs. 

1966-42P adjustable chaise lounge pad * 2 1 /2 yds. COM fabric required 

1966-42COV 

adjustable chaise lounge cover 

150

1966 Collection ® Dining, Counter and Bar Chairs 


1966-45H-❚❚❚ standard height dining chair with arms 18" 25" 23" 24 1 /4" 31" 22 lbs. 

1966-45P dining seat and back pad * 1 1 /4 yds. COM fabric required 

1966-45HCOV 

standard height dining armchair cover 

1966-46H-❚❚❚ standard height armless dining chair 18" 19" 24 1 /2" 31" 20 lbs. 

1966-45P dining seat and back pad * 1 1 / 4 yds. COM fabric required 

1966-46HCOV 

standard height armless dining chair cover 

1966-46C-❚❚❚ counter height armless dining chair 26" 19" 24 1 /2" 39 1 /4" 24 lbs. 


1966-46CCOV 

counter height dining chair cover 

1966-46B-❚❚❚ bar height armless dining chair 31" 19" 24 1 /2" 39 1 /4" 24 lbs. 


1966-46BCOV 

bar height dining chair cover 

1966-25-❚❚❚ lounge chair with arms 14" 20 1 /4" 26" 28 1 /4" 26" 24 lbs. 

1966-25P lounge seat and back pad * 1 1 /2 yds. COM fabric required 

1966-25HCOV 


1966-255-❚❚❚ twin seat lounge chair with arms 14" 20 1 /4" 46" 28 1 /4" 26" 28 lbs. 


1966-25HCOV 


1966-355-❚❚❚ three seat lounge chair with arms 14" 20 1 /4" 66" 28 1 /4" 26" 32 lbs. 


1966-25HCOV 


1966-25R-❚❚❚ single rocker 14" 20 1 /4" 26" 35" 29" 30 lbs. 

1966-25P rocker seat and back pad * 1 1 / 2 yds. COM fabric required 

1966-25RCOV 

single rocker cover 

1966-255R-❚❚❚ double rocker 14" 20 1 /4" 46" 35" 29" 34 lbs. 

1966-25P double rocker seat and back pad * 1 1 / 2 yds. COM fabric 

1966-255RCOV 

double rocker cover 

1966-250-❚❚❚ ottoman 14" 23" 27" 14" 12 lbs. 

1966-250P ottoman pad * 1 1 / 4 yds. COM fabric required 

1966-250COV 

ottoman cover 

1966-55-P❚❚ serving cart with porcelain top 23 1 /4" 39" 26 1 /4" 55 lbs. 

1966-55-K❚ serving cart with teak top 23 1 /4" 39" 26 1 /4" 61 lbs. 

1966-55-F❚❚ serving cart with fiberglass top 23 1 /4" 39" 26 1 /4" 61 lbs. 

1966-55COV 

serving cart cover 

C O M 1 0 0 % A C R Y L I C O U T D O O R F A B R I C S 

We have chosen to offer pads for selected collections as COM (Customer’s Own Material) only, allowing you to create your unique design because so many beautiful fabrics are available. We recommend 

100% acrylic for pads. Yardage requirements are based on 54 inch plain goods and require pre-approval from a Richard Schultz representative. Please allow extra for narrower textiles or large pattern repeats. 

All fabrics should ship directly to our street address at 806 Gravel Pike, Palm, PA 18070 and be sidemarked with the Richard Schultz order number and customer name. 

151

1966 Collection ® Coffee Tables 

Model 18" square 20"x32" 28" square 38" square 60" square 18"x60" 38"x60" 38"x90" 

Coffee Tables (15" high) 

Glass NEW! 1966-18L-G❚❚ 1966-19L-G❚❚ 1966-24L-G❚❚ 1966-26L-G❚❚ 1966-60L-G❚❚ 1966-20L-G❚❚ 1966-28L-G❚❚ 1966-90L-G❚❚ 

17 lbs. 28 lbs. 34 lbs. 57 lbs. 138 lbs. 44 lbs. 85 lbs. 132 lbs. 

Porc elain 1966-18L-P❚❚ 1966-19L-P❚❚ 1966-24L-P❚❚ 1966-26L-P❚❚ 1966-60L-P❚❚ 1966-20L-P❚❚ 1966-28L-P❚❚ 1966-90L-P❚❚ 


Teak 1966-18L-K❚ 1966-19L-K❚ 1966-24L-K❚ 1966-26L-K❚ 1966-60L-K❚ 1966-20L-K❚ 1966-28L-K❚ 1966-90L-K❚ 


Fiberglass 1966-18L-F❚❚ 1966-19L-F❚❚ 1966-24L-F❚❚ 1966-26L-F❚❚ 1966-60L-F❚❚ 1966-20L-F❚❚ 1966-28L-F❚❚ 1966-90L-F❚❚ 


Cover 1966-18LCOV 1966-19LCOV 1966-24LCOV 1966-26LCOV 1966-60LCOV 1966-20LCOV 1966-28LCOV 1966-90LCOV 

18" 32" 28" 38" 60" 90" 

18" 

1966-20 

1966-18 

20" 

1966-19 

28" 

1966-24 

38" 

1966-26 1966-28 

1966-90 

60" 

1966-60 

152

1966 Collection ® Dining, Counter and Bar Tables 

Model 18" square 20"x32" 28" square 38" square 60" square 18"x60" 38"x60" 38"x90" 

Standard Height Dining Tables ( 28" high) 

SEE SUPPLEMENTAL PRICE LIST FOR CLASSIC HEIGHT 

Glass NEW! 1966-18H-G❚❚ 1966-19H-G❚❚ 1966-24H-G❚❚ 1966-26H-G❚❚ 1966-60H-G❚❚ 1966-20H-G❚❚ 1966-28H-G❚❚ 1966-90H-G❚❚ 


Porc elain 1966-18H-P❚❚ 1966-19H-P❚❚ 1966-24H-P❚❚ 1966-26H-P❚❚ 1966-60H-P❚❚ 1966-20H-P❚❚ 1966-28H-P❚❚ 1966-90H-P❚❚ 


Teak 1966-18H-K❚ 1966-19H-K❚ 1966-24H-K❚ 1966-26H-K❚ 1966-60H-K❚ 1966-20H-K❚ 1966-28H-K❚ 1966-90H-K❚ 


Fiberglass 1966-18H-F❚❚ 1966-19H-F❚❚ 1966-24H-F❚❚ 1966-26H-F❚❚ 1966-60H-F❚❚ 1966-20H-F❚❚ 1966-28H-F❚❚ 1966-90H-F❚❚ 


Cover 1966-18HCOV 1966-19HCOV 1966-24HCOV 1966-26HCOV 1966-60HCOV 1966-20HCOV 1966-28HCOV 1966-90HCOV 

Counter Height Tables ( 36" high) NEW! 

CHECK STOCK, LONGER LEAD TIMES MAY APPLY 

Glass NEW! 1966-18C-G❚❚ 1966-19C-G❚❚ 1966-24C-G❚❚ 1966-26C-G❚❚ 1966-60C-G❚❚ 1966-20C-G❚❚ 1966-28C-G❚❚ 1966-90C-G❚❚ 


Porc elain 1966-18C-P❚❚ 1966-19C-P❚❚ 1966-24C-P❚❚ 1966-26C-P❚❚ 1966-60C-P❚❚ 1966-20C-P❚❚ 1966-28C-P❚❚ 1966-90C-P❚❚ 


Teak 1966-18C-K❚ 1966-19C-K❚ 1966-24C-K❚ 1966-26C-K❚ 1966-60C-K❚ 1966-20C-K❚ 1966-28C-K❚ 1966-90C-K❚ 


Fiberglass 1966-18C-F❚❚ 1966-19C-F❚❚ 1966-24C-F❚❚ 1966-26C-F❚❚ 1966-60C-F❚❚ 1966-20C-F❚❚ 1966-28C-F❚❚ 1966-90C-F❚❚ 


Cover 1966-18CCOV 1966-19CCOV 1966-24CCOV 1966-26CCOV 1966-60CCOV 1966-20CCOV 1966-28CCOV 1966-90CCOV 

Bar Height Tables ( 42" hi gh) NEW! 

CHECK STOCK, LONGER LEAD TIMES MAY APPLY 

Glass NEW! 1966-18B-G❚❚ 1966-19B-G❚❚ 1966-24B-G❚❚ 1966-26B-G❚❚ 1966-60B-G❚❚ 1966-20B-G❚❚ 1966-28B-G❚❚ 1966-90B-G❚❚ 


Porc elain 1966-18B-P❚❚ 1966-19B-P❚❚ 1966-24B-P❚❚ 1966-26B-P❚❚ 1966-60B-P❚❚ 1966-20B-P❚❚ 1966-28B-P❚❚ 1966-90B-P❚❚ 


Teak 1966-18B-K❚ 1966-19B-K❚ 1966-24B-K❚ 1966-26B-K❚ 1966-60B-K❚ 1966-20B-K❚ 1966-28B-K❚ 1966-90B-K❚ 


Fiberglass 1966-18B-F❚❚ 1966-19B-F❚❚ 1966-24B-F❚❚ 1966-26B-F❚❚ 1966-60B-F❚❚ 1966-20B-F❚❚ 1966-28B-F❚❚ 1966-90B -F❚❚ 


Cover 1966-18BCOV 1966-19BCOV 1966-24BCOV 1966-26BCOV 1966-60BCOV 1966-20BCOV 1966-28BCOV 1966-90BCOV 

153




Frame: Cast and extruded aluminum 



Upholstery: Woven vinyl coated polyester mesh 

Straps: Solid pure vinyl with no fillers 

Thread: Gore Tenara ® sewing thread (Teflon) 


Supports: Stainless steel 


N O T E 

Mesh colors on Swell run perpendicular to the 1966 Collection ® . 

Swell ® Seating Collection 1966 Collection ® 




Strap Color 

CW 

White 

CB 

Brown 

CG 

Grey 

CO 

Onyx 

CS 

Sand 

Z Bronze 

C 

Mesh Colors 

CW 

White 

C Camel Tone 

CT 

Grey Tone 

CO 

Onyx 

CP 

Pearl White 

CA 

Aluminum 

CZ 

Bronze 

CS 

Sprout 

CN 

Chestnut 

V Silver 

C 


CW 

White 

CS 


CO 

Onyx 

CN 

Chestnut 

C1 

Forest Green 

C2 


C3 

Sky Blue 

C4 

Spring Green 

C5 

Terra Cotta 

C6 

Choice White 

C10 


C12 

Warm Wood 

C13 

Light Bronze 

C14 

Dark Bronze 

C15 

Rich Red NEW! 


C 








SWELL-31-❚❚❚ single seat club chair 16 1 /2" 30" 31 1 /2" 28" 22 lbs. 

SWELL-31P 

swell pad * 2 3 /4 yds. COM fabric required 

SWELL-31COV 

single seat club chair cover 

SWELL-32-❚❚❚ two seat sofa 16 1 /2" 58 1 /2" 31 1 /2" 28" 42 lbs. 

SWELL-31P 


SWELL-32COV 

two seat sofa cover 

SWELL-33-❚❚❚ three seat sofa 16 1 /2" 87" 31 1 /2" 28" 63 lbs. 

SWELL-31P 


SWELL-33COV 

three seat sofa cover 

SWELL-20PL 20" square pillow * 3 /4 yds. COM fabric required 20" 20" 

154

Café ® Collection 


C H A I R S P E C I F I C A T I O N S 

Seat and Back: 3 

/16" Thick perforated aluminum sheet rolled and bent 


Legs: 

3 

/4" 16 Gauge electropolished stainless steel 


Hardware: Stainless steel throughout 

Glides: Natural color injection molded nylon 

Bumpers: Grey vinyl 

Ship: Packed four per carton 

Stack Density: Chairs stack with 1¼" vertical and forward displacement 

T A B L E S P E C I F I C A T I O N S 

Base: 32 Pound cast iron 

Base finish: Grey Polyester Powder Coat 

Stem: 2" Diameter bead blasted and electropolished stainless steel tube 

Top plate: Grey Polyester Powder Coated steel 

Glides: 2¼" Non-marking black rubber pads 


Table Top: 32" Stucco textured aluminum top with patterned edge 

(raw aluminum or powder coated) 

F I N I S H C O L O R O P T I O N S 

C 

W White 

CS 


CO 

Onyx 

CN 

Chestnut 

C1 

Forest Green 

C2 


C3 

Sky Blue 

C4 

Spring Green 

C5 

Terra Cotta 

C6 

Choice White 

C10 


C12 

Warm Wood 

C13 

Light Bronze 

C14 

Dark Bronze 

C15 

Rich Red NEW! 


C 




Topiary ® Pattern Confetti ® Pattern 







T2000-15-❚ 2000 stacking chair, powder coated 18¼" 22" 21" 30¼" 26 lbs. 

TSC 

stacking chair pad * 1 1 /4 yds. COM fabric required 

TSCOV 

stacking chair cover 

TSCOV4 

stacking chair cover for stack of four 

CONF-15-❚ Confetti ® stacking chair, powder coated 18¼" 22" 21" 30¼" 24 lbs. 

TSC 


TSCOV 


TSCOV4 


TOP-15-❚ Topiary ® stacking chair, powder coated 18¼" 22" 21" 30¼" 23 lbs. 

TSC 


TSCOV 


TSCOV4 


TCT-B café table base, assembly only 18¼" 18¼" 27¼" 38 lbs. 

TM-32-❚ 32" natural textured aluminum top, requires TCT-B base 32" 12 lbs. 

Assembly of top to base required. 

TM-32COV 

table cover 

155




Frame: 

3 





Cushions: DuPont Comforel ® filling with acrylic fabric 

Connectors: Stainless steel, Polyurethane and vinyl 

Table tops: 1 

/2" Tempered Glass or Textured Aluminum 




F I N I S H C O L O R O P T I O N S 

CW 

White 

CS 


CO 

Onyx 

CN 

Chestnut 

C1 

Forest Green 

C2 


C3 

Sky Blue 

C4 

Spring Green 

C5 

Terra Cotta 

C6 

Choice White 

C10 


C12 

Warm Wood 

C13 

Light Bronze 

C14 

Dark Bronze 

C15 

Rich Red NEW! 


C 



Topiary® Pattern 




TOP-25-1 

Topiary Lounge Chairs 

156



TOP-45-❚ dining chair 18" 25" 26 1 /2" 24" 34" 38 lbs. 

TDCP 

TOP-45COV 

dining chair pad * 1 yd. COM fabric required 

dining chair cover 

TOP-25-❚ lounge chair 16" 21 1 /2" 32" 32" 30 1 /2" 45 lbs. 

TLCP 

lounge chair pad * 1 yd. COM fabric required 

TOP-25COV 

lounge chair cover 

TOP-455-❚ bench 18" 25" 55" 26" 34 1 /2" 84 lbs. 

TBP 

bench pad * 2 yds. COM fabric required 

TOP-455COV 

bench cover 

TOP-250-❚ small ottoman/end table 20 3 /4" 22" 15" 23 lbs. 

TSOP 

ottoman pad * 1 yd. COM fabric required 

TOP-250COV 

small ottoman/end table cover 

Model Description Width Depth Height Weight 

TOP-28-❚ dining table base only 24" 24" 28" 45 lbs. 

TH-❚ 

umbrella support, powder coated, accepts 1 1 /4" diameter umbrella shaft 

TI umbrella weight 13 lbs. 

TM-32-❚ 32" diameter, natural textured aluminum top 32" 32" 12 lbs. 

TM-56-❚ 56" diameter, natural textured aluminum top 56" 56" 30 lbs. 

Assembly of top to base required. Standard 2’’ opening to allow for umbrella. 

TG-30 30" diameter, 1 /2" thick tempered glass top 30" 30" 30 lbs. 



with 2" umbrella hole, requires TOP-28 

157

Petal ® Collection 


M U S E U M S & C O L L E C T I O N S 

Museum of Modern Art, New York 


Teak Petals: Vertical grain Teak, natural finish 

White Petals: Machined HPDE (High Density Polyurethane) 

Top spider: Powder Coated Cast Aluminum 

Stem: Powder Coated Stainless Steel 

Base: Powder Coated Cast Aluminum 

Glides: Molded Nylon (P321 and P322 only) 



S T E M C O L O R O P T I O N S 

W White 

S Weatherable Silver 

O Onyx 

N Chestnut 

1 Forest Green 

2 Daffodil Yellow 

3 Sky Blue 

4 Spring Green 

5 Terra Cotta 

6 Choice White 

10 Pearl White 

12 Warm Wood 

13 Light Bronze 

14 Dark Bronze 

15 Rich Red NEW! 


C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

T A B L E T O P O P T I O N S 

K Teak 

W White HPDE (High Density Polyurethane) 

C 

C 







Model Description Diameter Height Weight 

P320-W❚ petal end table, white petals 16" 19" 5 lbs. 

P320-K❚ petal end table, teak petals 16" 19" 5 lbs. 

P320COV petal end table cover 16" 

P321-W❚ petal coffee table, white petals 42" 15" 60 lbs. 

P321-K❚ petal coffee table, teak petals 42" 15" 60 lbs. 

P321COV petal coffee table cover 42" 

P322-W❚ petal dining table, white petals 42" 28" 62 lbs. 

P322-K❚ petal dining table, teak petals 42" 28" 62 lbs. 

P322COV petal dining table cover 42" 

Opposite from Top 

P322-KW Petal Dining Table 

P320-KW Petal End Table 

P321-W Petal Coffee Table 

158

159

Exterior Elastomeric Mesh 

Actual colors and textures may vary 

(K) Charcoal NEW! 

(R) Silver NEW! 

(L) Slate NEW! 

(M) Moss NEW! 

(B) Bronze NEW! 

160

Clockwise from Top 

MAT-45-L10 Dining Chairs 

MAT-90H-GC10 Large Rectangular Dining Table 

MAT-24L-GC10 Small Square Coffee Table 

MAT-25-L10 Lounge Chair 

MAT-18L-GC10 End Table 

MAT-42-L10 Chaise 

MAT-28L-GC10 Rectangular Coffee Table 

MAT-25-L10 Lounge Chairs 

161

Powder Coat 


(15) Rich Red NEW! 

Smooth Gloss 

(1) Forest Green 

Smooth Glossv 

(2) Daffodil Yellow 

Smooth Gloss 

(3) Sky Blue 

Smooth Gloss 

(4) Spring Green 

Smooth Gloss 

(5) Terra Cotta 

Smooth Gloss 

(6) Choice White 

Smooth Gloss 

(W) White 

Textured Semi-Gloss 

(O) Onyx 

Textured Semi-gloss 

(N) Chestnut 


(S) Weatherable Silver 


(10) Pearl Metallic 

Smooth Metallic Gloss 

(12) Warm Wood 


(16) Warm Bronze NEW! 

Smooth Metallic Satin 

(13) Light Bronze 


(14) Dark Bronze 


162

Porcelain 

Tabletops 


(W) White 

Also available in Fiberglass 

(10) Pearl Metallic NEW! 

(12) Warm Wood NEW! (14) Dark Bronze NEW! 

(M) Marine Blue 

(B) Brown 

(16) Warm Bronze NEW! 

(13) Light Bronze NEW! 

Ultra Clear Tempered Glass 

(C) Clear NEW! 

(E) Etched NEW! 

Other Materials 

(K) Teak (TM) Textured Aluminum (W) White HPDE 

Petal Collection Only 

163

Mesh 


(P) Pearl White (S) Sprout (A) Aluminum (Z) Bronze 

(W) White (C) Camel Tone (T) Grey Tone (O) Onyx 

(N) Chestnut 

(V) Silver 

164

Vinyl Straps 


(W) White 

(G) Grey 

(O) Onyx 

(B) Brown 

(S) Sand 

Metallic 

(Z) Bronze 

Metallic 

165

Richard Schultz Design 

P.O. Box 96 

806 Gravel Pike 

Palm, PA 18070 

United States of America 

215 679-2222 

215 679-7702 fax 

www.richardschultz.com 

Special thanks to our staff, customers and dealers for supporting our creative efforts. 

We are proud to publish our furniture in actual settings. Please submit photographs to us 

for our use in future publications, and provide the names of the designer, photographer 

and location for credit. 

The Richard Schultz logo and the names: Richard Schultz, 2002 Collection, 1966 

Collection, Swell, Pavilion, Topiary, Confetti, Café, Petal, Mateo and each of the furniture 

designs contained herein are registered trademarks of Richard Schultz Design Inc. 

Wing and Fresh Air and each of the furniture designs contained herein are trademarks 

of Richard Schultz Design Inc. 

All the furniture designs herein are protected by the Copyright Laws of the United States. All 

rights reserved. © Richard Schultz Design Inc. The foregoing designs are covered by one 

or more United States Patents and Patent Applications. 

All photographs by Hub Wilson unless otherwise noted. 

Published by BRIO Press 

12 South 6th Street #1250 

Minneapolis, MN 55402 

Printed in the United States of America 

© 2011 Richard Schultz Design, Inc. 

$25.00 

Preceding Page: Richard Schultz, Pyramid Sculpture, 1993 


168

Richard Schultz Collection Brochure (50.84 MB) - Knoll

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