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Richard Schultz Collection Brochure (50.84 MB) - Knoll

Richard Schultz Collection Brochure (50.84 MB) - Knoll

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<strong>Richard</strong> and Peter start <strong>Richard</strong><br />

<strong>Schultz</strong> Design Inc.<br />

Topiary ® / Confetti ® <strong>Collection</strong> Café ® <strong>Collection</strong> 2002 <strong>Collection</strong> ®<br />

<strong>Richard</strong> <strong>Schultz</strong> Design, Inc. 1992 - present<br />

In 1992 my son Peter and I started <strong>Richard</strong> <strong>Schultz</strong> Design. Peter is an architect, and I have always enjoyed<br />

discussing my designs with him. We had talked about producing some of the more innovative designs ourselves,<br />

rather than trying to sell them to another company.<br />

We are all familiar with furniture that isn't furniture. You can't really sit on it very well. It may have some interesting<br />

form possibilities, but it is not furniture. The real challenge of furniture design as I see it is that the form is almost<br />

secondary to the comfort. It has to be comfortable and useful and the challenge is to make something that is also<br />

beautiful and graceful and enhances the environment. We began our company with this in mind.<br />

Topiary / Confetti 1996<br />

In 1988 I made and photographed a model of the Topiary Dining Chair. It was so unusual, so different in form than<br />

the office furniture I had been working on. It was also a chance for me to explore some exciting sculptural<br />

ideas. When we began our company we said to ourselves that this is the sort of risk that it would be fun to take,<br />

producing truly innovative furniture. Topiary is the only 100% sheet metal seating collection on the market and is<br />

absolutely unique.<br />

I wanted to design a chair that looked like a shrub pruned to look like a chair. I am fascinated by the way sunlight<br />

comes through the leaves of shrubbery, producing dappled shadows. This furniture acts as a light filter,<br />

disappearing into nature. Sometimes the pattern looks like flowers. Covered with dew it looks alive.<br />

Café <strong>Collection</strong> 1998<br />

We worked hard to design a form that was strong, yet light and comfortable. The folds in the seat and back<br />

triangulate the chair giving it enormous strength, and the shape of the seat provides critical pelvic support.<br />

We had to make many full size models in order to perfect the shape of the chair.<br />

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