PDF, 5 MB - McKnight Foundation
PDF, 5 MB - McKnight Foundation
PDF, 5 MB - McKnight Foundation
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with narration using the language of hand<br />
gestures, the hastas-mudras of Bharatanatyam.<br />
I have also enjoyed Ranee’s choreography<br />
of The Transposed Heads with Deaf actress<br />
Nicole Zapko, which combined Bharatanatyam<br />
with American Sign Language; and Return of<br />
the Rainseed, a modern folktale of India that<br />
combined theater, dance, and music. Through<br />
works like these, Ranee reveals the universal<br />
power of communication.<br />
Whether the music is opera or the<br />
thundering Taiko drums of Japan, whether the<br />
dance springs from modern-dance movements<br />
or from Bharatanatyam, Ranee reaches<br />
out to diverse audiences the world<br />
over, displaying the vitality of the<br />
respective arts her works<br />
encompass. Her dedication, vision, and<br />
desire to explore diverse forms while retaining<br />
the essential core of classical Bharatanatyam<br />
have contributed to the formidable reputation<br />
(and the vast repertoire) she has built over the<br />
years. I have followed her career as part of my<br />
studies of the contribution of Indian-diaspora<br />
dancers in the United States, and during my<br />
illustrated talks on dance in India and abroad<br />
I invariably include excerpts of her diverse<br />
choreographic works to emphasize how Ranee—<br />
with her innumerable outreach programs and<br />
through consistently excellent performances by<br />
her, her daughter Aparna, and members of her<br />
company—has set very high standards.<br />
In March 2011, I saw Ragamala’s<br />
performance at the Maximum India festival at<br />
the Kennedy Center in Washington, D.C.,<br />
which won them high praise not only from<br />
American audiences but also from the members<br />
of the Indian diaspora who flocked to the<br />
festival. This was no mean achievement. No<br />
wonder Ranee Ramaswamy has been given<br />
such a prestigious award. One looks forward to<br />
seeing her scaling even greater artistic heights.<br />
Dr. Sunil Kothari is a dance historian, scholar, and critic<br />
who has written numerous books about Indian dance<br />
and has held positions that include membership on the<br />
executive committee of the International Dance Council of<br />
UNESCO. He lives in New Delhi.<br />
Ranee Ramaswamy 2011 mcknight distinguished artist 24