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PDF, 5 MB - McKnight Foundation

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with narration using the language of hand<br />

gestures, the hastas-mudras of Bharatanatyam.<br />

I have also enjoyed Ranee’s choreography<br />

of The Transposed Heads with Deaf actress<br />

Nicole Zapko, which combined Bharatanatyam<br />

with American Sign Language; and Return of<br />

the Rainseed, a modern folktale of India that<br />

combined theater, dance, and music. Through<br />

works like these, Ranee reveals the universal<br />

power of communication.<br />

Whether the music is opera or the<br />

thundering Taiko drums of Japan, whether the<br />

dance springs from modern-dance movements<br />

or from Bharatanatyam, Ranee reaches<br />

out to diverse audiences the world<br />

over, displaying the vitality of the<br />

respective arts her works<br />

encompass. Her dedication, vision, and<br />

desire to explore diverse forms while retaining<br />

the essential core of classical Bharatanatyam<br />

have contributed to the formidable reputation<br />

(and the vast repertoire) she has built over the<br />

years. I have followed her career as part of my<br />

studies of the contribution of Indian-diaspora<br />

dancers in the United States, and during my<br />

illustrated talks on dance in India and abroad<br />

I invariably include excerpts of her diverse<br />

choreographic works to emphasize how Ranee—<br />

with her innumerable outreach programs and<br />

through consistently excellent performances by<br />

her, her daughter Aparna, and members of her<br />

company—has set very high standards.<br />

In March 2011, I saw Ragamala’s<br />

performance at the Maximum India festival at<br />

the Kennedy Center in Washington, D.C.,<br />

which won them high praise not only from<br />

American audiences but also from the members<br />

of the Indian diaspora who flocked to the<br />

festival. This was no mean achievement. No<br />

wonder Ranee Ramaswamy has been given<br />

such a prestigious award. One looks forward to<br />

seeing her scaling even greater artistic heights.<br />

Dr. Sunil Kothari is a dance historian, scholar, and critic<br />

who has written numerous books about Indian dance<br />

and has held positions that include membership on the<br />

executive committee of the International Dance Council of<br />

UNESCO. He lives in New Delhi.<br />

Ranee Ramaswamy 2011 mcknight distinguished artist 24

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