to download the production programme as a PDF ... - Almeida Theatre
to download the production programme as a PDF ... - Almeida Theatre
to download the production programme as a PDF ... - Almeida Theatre
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RECENT ALMEIDA<br />
PRODUCTIONS<br />
Eileen Atkins (Bridget) and Imelda<br />
Staun<strong>to</strong>n (Margaret) in There Came A<br />
Gypsy Riding, pho<strong>to</strong> by Mark Ellidge<br />
2003<br />
THE LADY FROM THE SEA<br />
“The Isling<strong>to</strong>n powerhouse opens with this<br />
tremendous <strong>production</strong> by Trevor Nunn…<br />
electrifying… leaves you reeling.”<br />
Daily Telegraph<br />
Sponsored by Hydro<br />
I.D.<br />
“A riveting <strong>production</strong>… full of wonderful<br />
<strong>the</strong>atrical invention… a rich and shameful<br />
period of his<strong>to</strong>ry and how memorably it is<br />
evoked.”<br />
Daily Mail<br />
Sponsored by Cadwalader, Wickersham & Taft LLP<br />
THE MERCY SEAT<br />
“Michael Attenborough’s <strong>production</strong> h<strong>as</strong> a<br />
high voltage charge that never dips for a<br />
moment. This play plumbs <strong>the</strong> depths and<br />
deserves <strong>to</strong> be seen.”<br />
Daily Telegraph<br />
FIVE GOLD RINGS<br />
“Bold, elegant, lyrical, finely wraught…<br />
gorgeously staged and beautifully<br />
performed.”<br />
Time Out<br />
Danny Sapani (Vic<strong>to</strong>r M<strong>as</strong>on), Ayesha An<strong>to</strong>ine<br />
(Caroline M<strong>as</strong>on) and Kedar Williams-Stirling (Phillip<br />
M<strong>as</strong>on) in Big White Fog, pho<strong>to</strong> by Ca<strong>the</strong>rine<br />
Ashmore<br />
2004<br />
THE GOAT, OR WHO IS SYLVIA?<br />
“Superbly written … brilliant… flawless<br />
<strong>production</strong>; you won’t find more blazing<br />
acting anywhere… see it if you see nothing<br />
else.”<br />
Mail on Sunday<br />
Sponsored by Aspen Re<br />
FESTEN<br />
“Electrifying, shocking and profoundly<br />
moving… such talent, such skill, such<br />
humanity. Something <strong>to</strong> celebrate.”<br />
Sunday Times<br />
WHISTLING PSYCHE<br />
“An intense, haunting and beautiful play…<br />
two remarkable performances...<br />
marvellously rewarding.”<br />
Mail on Sunday<br />
BRIGHTON ROCK<br />
“An intelligent, edgy, adult musical which<br />
gives you something <strong>to</strong> think about...<br />
Hooray for that... a <strong>production</strong> of brilliant<br />
clarity... crackles with energy and evil.”<br />
Daily Express<br />
THE EARTHLY PARADISE<br />
“Gorgeous writing… very compelling, lovely<br />
and tragic. My play of <strong>the</strong> year.”<br />
New Statesman<br />
Sponsored by Cadwalader, Wickersham & Taft LLP<br />
Kenneth Cranham (Max) in The Homecoming, pho<strong>to</strong> by Hugo Glendinning<br />
2005<br />
MACBETH<br />
“The most powerful, chilling, evil – feeling<br />
Macbeth since McKellen and Dench.”<br />
The Times<br />
Sponsored by Aspen Re<br />
HEDDA GABLER<br />
“An electrifying hit… a wonderful<br />
<strong>production</strong> by Richard Eyre”<br />
Daily Telegraph<br />
Sponsored by Hydro<br />
BLOOD WEDDING<br />
“Brilliantly directed by Rufus Norris.<br />
Ano<strong>the</strong>r indication of how well Michael<br />
Attenborough’s management is doing at<br />
<strong>the</strong> Isling<strong>to</strong>n playhouse.”<br />
Daily Express<br />
ROMANCE<br />
“You laugh uproariously... it’s a silly person<br />
who doesn’t.”<br />
Financial Times<br />
THE HYPOCHONDRIAC<br />
“Lindsay Posner’s exuberant, superbly<br />
acted <strong>production</strong> is rio<strong>to</strong>usly entertaining...<br />
h<strong>as</strong> you laughing like a drain.”<br />
Daily Telegraph<br />
18
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