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Report Media for Children1.pdf - AIBD

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SESSION II<br />

DEVELOPING INNOVATIVE AND CREATIVE CHILDREN’S<br />

PROGRAMMING CONTENT<br />

The next session, intended as an exchange of experiences, examples and<br />

views on creative and innovative programming and production, was<br />

chaired by Ms. Jai Chandiram, Managing Trustee, International<br />

Association of Women in Radio and Television, India Chapter. It featured<br />

four speakers: Ms. Catherine Nebauer, Senior Vice President/General<br />

Manager, Nickelodeon Networks Asia; Ms. Hyunsook Chung, Head of<br />

Children’s Programming, Korea Educational Broadcasting System (EBS),<br />

presently on secondment to ABU; Mr. Haruo Sakitsu, Director<br />

Programmes, Asian Broadcasters’ Union (ABU); and Mr. Zhang<br />

Xiaojun, Deputy Director, Youth and Children’s Programming Center,<br />

(CCTV).<br />

In her presentation titled “Connecting<br />

with Asian Audiences,’’ Ms. Nebauer<br />

began by describing the special qualities<br />

of children in Asia. For example,<br />

according to her, they use technology<br />

differently, are under pressure to succeed<br />

and especially to excel in education, have<br />

more parental guidance and have to fit<br />

into defined roles within the family<br />

structure.<br />

Surprising though it may seem,<br />

there is greater penetration of<br />

mobile phones among Asian<br />

children than their U.S.<br />

counterparts. An estimated 75<br />

million 5-14 year-olds will<br />

own mobile phones by 2007.<br />

Korea is likely to be the first<br />

country in the world to be<br />

completely wireless.<br />

Nickelodeon’s research has<br />

also revealed that a large number of<br />

children actually like school.<br />

According to Ms. Nebauer, Nickelodeon<br />

attempts to strike a balance between<br />

universal and local content and to<br />

celebrate children’s lives in a non-violent,<br />

...it is essential<br />

to create<br />

innovative<br />

content,<br />

including<br />

compelling<br />

educational<br />

content.<br />

fun way. They believe that content is still<br />

key and that it is essential to create<br />

innovative content, including compelling<br />

educational content. In order to remain<br />

relevant they are committed to research,<br />

conducting hundreds of focus groups and<br />

interviewing thousands of children in<br />

order to determine their interests and<br />

concerns. They also involve parents to<br />

gain their trust.<br />

Among the new programmes<br />

<strong>for</strong> Asian children that seek<br />

to tap into the channel’s<br />

areas of strength are<br />

Downward Doghouse<br />

(working title), a programme<br />

that will explore aspects of<br />

Chinese culture through the<br />

eyes of a five-year-old, and<br />

Confucius High, in which<br />

modern children are placed<br />

in a traditional setting <strong>for</strong> a present-day<br />

take on the teachings of the Chinese<br />

philosopher.<br />

The popular programme, Dora the<br />

Explorer, which is produced in a number<br />

of Asian languages, besides English, was

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