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Download Section I: Analysis of the Personality of Adolf Hitler with ...

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- 17 -<br />

especially architecture later, also called for much<br />

constructiveness, which served to balance (operate<br />

as a reaction formation to, and atonement for) <strong>the</strong><br />

primitive tendency to destroy.<br />

<strong>Hitler</strong> has always<br />

enjoyed <strong>the</strong> painting <strong>of</strong> ruined temples (just as he<br />

has liked to contemplate <strong>the</strong> c.estruction <strong>of</strong> cit::es<br />

inhabited by his enemies); but he has likewise tekon<br />

pleasure in pa J.nting ir.::m8l1se ca8t~ ,=s<br />

(lust as he has<br />

occup!ed him~elf designing buildi~ga fG( ~he Third<br />

Reich) •<br />

A careful study <strong>of</strong> rr itle~'s w~itings an~ conduct<br />

has convinced U3 tha t he i 2 not ent~~ely devrtsd to<br />

destruction, as so many claim. In his naturn th0re<br />

is a deep valid strain <strong>of</strong> creativeness (lacking,<br />

to be sure, <strong>the</strong> necessary talent). His creativity<br />

has been engaged in combining ele~ents for an ideology,<br />

in organizing <strong>the</strong> National Socialist ,arty, and in<br />

composing <strong>the</strong> alle-eory <strong>of</strong> his own life. He is <strong>the</strong><br />

author and leading aotor <strong>of</strong> a great drama o<br />

Unlike o<strong>the</strong>r politiciana; Hl'cJ.'3;"<br />

n8C CDl1duct8d<br />

his life at certain seasons as a ROMe.nt~c<br />

ar~~st<br />

does, believing that it is <strong>the</strong> function <strong>of</strong> a nation's<br />

first statesman to furnish creative ideas, new poliCies ,<br />

and plans.

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