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Callum Morton's Silverscreen The Marc and Eva Besen Commission

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MONASH UNIVERSITY MUSEUM OF ART<br />

New public sculpture made possible by leading philanthropists<br />

<strong>Callum</strong> Morton’s <strong>Silverscreen</strong><br />

<strong>The</strong> <strong>Marc</strong> <strong>and</strong> <strong>Eva</strong> <strong>Besen</strong> <strong>Commission</strong><br />

A 20-metre high public sculpture – part architecture, part drive-in<br />

screen, part sculpture, billboard <strong>and</strong> scaffold – is set to become<br />

the iconic entrance to the Monash University Museum of Art’s new<br />

premises at the Caulfield campus.<br />

Monash University has officially launched <strong>Silverscreen</strong> 2010 – <strong>The</strong><br />

<strong>Marc</strong> <strong>and</strong> <strong>Eva</strong> <strong>Besen</strong> <strong>Commission</strong> – by <strong>Callum</strong> Morton, one of<br />

Australia’s leading contemporary artists.<br />

A generous donation from <strong>Marc</strong> <strong>Besen</strong> AO (Hon LLD, Monash; Hon<br />

PhD, Tel Aviv) <strong>and</strong> <strong>Eva</strong> <strong>Besen</strong> AO (Hon LLD, Monash) enabled the<br />

commissioning of the new architecturally-integrated work.<br />

<strong>Marc</strong> <strong>and</strong> <strong>Eva</strong> <strong>Besen</strong> recently made a major philanthropic gift to create the<br />

<strong>Eva</strong> <strong>and</strong> <strong>Marc</strong> <strong>Besen</strong> International Research Chair in Design. This senior<br />

position is the first endowed research chair in the Monash Faculty of Art &<br />

Design. <strong>The</strong>se recent gifts extend their long history of support for Monash<br />

University.<br />

“We are proud <strong>and</strong> delighted to contribute to the new <strong>and</strong> vital museum<br />

by gifting an amazing major sculpture by one of Australia’s most eminent<br />

contemporary artists <strong>and</strong> to promote the value of good design by funding<br />

a Chair dedicated to the discipline for which Australia has a history of<br />

exceptional brilliance during the last half of the 20th Century”, said Dr. <strong>Marc</strong><br />

<strong>Besen</strong> AO.<br />

In thanking the <strong>Besen</strong>s for their philanthropy, Monash University Vice-<br />

Chancellor Professor Ed Byrne AO said that the sculpture would be enjoyed<br />

by thous<strong>and</strong>s of people, including students, staff, alumni <strong>and</strong> the public.<br />

<strong>Silverscreen</strong> gives the Museum a significant presence on D<strong>and</strong>enong Road,<br />

one of Melbourne’s principal gateways.<br />

“<strong>Silverscreen</strong> – <strong>The</strong> <strong>Marc</strong> <strong>and</strong> <strong>Eva</strong> <strong>Besen</strong> <strong>Commission</strong> – is a stunning<br />

addition to the Monash University Collection. We are indeed privileged to<br />

have been able to commission such a major work by <strong>Callum</strong> Morton, one of<br />

Australia’s most distinguished contemporary artists,” said Professor Byrne.<br />

“<strong>Marc</strong> <strong>and</strong> <strong>Eva</strong>, thank you for enhancing this campus <strong>and</strong> providing such<br />

an iconic focal point for MUMA, <strong>and</strong> for the University’s Art <strong>and</strong> Design<br />

precinct.”<br />

“<strong>Silverscreen</strong> will provide enjoyment, provoke thought, <strong>and</strong> inspire creativity.<br />

Fittingly, the work exists along the continuum of art, design <strong>and</strong> architecture<br />

– fields where Monash University strives to be a leader,” said<br />

Professor Byrne.<br />

Ground Floor, Building F<br />

Monash University, Caulfield Campus<br />

900 D<strong>and</strong>enong Road<br />

Caulfield East, VIC 3145 Australia<br />

www.monash.edu.au/muma<br />

Telephone +61 3 9905 4217<br />

muma@monash.edu<br />

Tues – Fri 10am – 5pm; Sat 12 – 5pm<br />

<strong>Callum</strong> Morton, <strong>Silverscreen</strong> 2010<br />

<strong>The</strong> <strong>Marc</strong> <strong>and</strong> <strong>Eva</strong> <strong>Besen</strong> <strong>Commission</strong><br />

under construction<br />

Monash University Museum of Art, Caulfield<br />

Photos: David Pidgeon, John Brash


MONASH UNIVERSITY MUSEUM OF ART<br />

About the work<br />

Propped between two buildings on D<strong>and</strong>enong Road, <strong>Silverscreen</strong> provides<br />

a declarative identity for the Museum, <strong>and</strong> a ceremonial entry for visitors<br />

to MUMA, ushering them from the street to the sculpture court <strong>and</strong> the<br />

entrance to the museum.<br />

More than 20 metres high, <strong>and</strong> constructed from galvanized steel <strong>and</strong><br />

energy-efficient LED lights, <strong>Silverscreen</strong> is inspired by the mid-twentieth<br />

century form of the drive-in cinema screen, a modern technology related to<br />

economies of entertainment, spectacle <strong>and</strong> visual modes of public address.<br />

Morton’s <strong>Silverscreen</strong> makes reference to a number of canonical sculptural,<br />

museum <strong>and</strong> architectural forms: Vladimir Tatlin’s Monument to the Third<br />

International 1917, a utopian albeit unrealised symbol of modernity; Cedric<br />

Price’s Fun Palace 1961, with its experimental urbanism <strong>and</strong> interest in<br />

processes of transformation <strong>and</strong> play, information <strong>and</strong> identity; <strong>and</strong> Rogers<br />

<strong>and</strong> Piano’s Pompidou Centre 1972-76, with its principles of transparency<br />

<strong>and</strong> circulation, daring structural assemblage <strong>and</strong> interaction between<br />

museum <strong>and</strong> urban context.<br />

About the artist<br />

<strong>Callum</strong> Morton is one of Australia’s leading <strong>and</strong> most distinguished<br />

artists. He has represented Australia at the Venice Biennale, 2007, <strong>and</strong><br />

has participated in a wide range of prestigious exhibitions nationally <strong>and</strong><br />

internationally.<br />

Recent architectural <strong>and</strong> public projects include Valhalla, Venice Biennale<br />

2007 <strong>and</strong> Melbourne International Arts Festival 2009; Hotel, Eastlink<br />

Freeway 2008; <strong>and</strong> Grotto, Fundament Foundation, Netherl<strong>and</strong>s, 2009.<br />

<strong>Callum</strong> Morton, artist, on <strong>Silverscreen</strong>:<br />

“<strong>The</strong> brief was to suggest the design for a type of screen. I have been using<br />

the drive-in screen for a long time, as a type of object sitting somewhere<br />

between painting, sculpture <strong>and</strong> the moving image.<br />

“I am interested in <strong>Silverscreen</strong> working on a number of levels. On the<br />

one h<strong>and</strong> it’s a type of strange archaeological artefact from the recent<br />

past that has been plucked out of the urban l<strong>and</strong>scape <strong>and</strong> wedged into<br />

a relationship with the museum as a type of oversized object from the<br />

collection.<br />

“It is also an entrance from D<strong>and</strong>enong Road, a processional space<br />

through to the sculpture court. Equally it’s an armature for the Museum’s<br />

signage <strong>and</strong> perhaps to broadcast other activities. I was looking at Cedric<br />

Price’s Fun Palace, which connects to the Pompidou Centre, which in turn<br />

connects to Palais de Tokyo, etc. In keeping with these works, it will have a<br />

lighting sequence that announces its presence at night, <strong>and</strong> which can be<br />

altered <strong>and</strong> adapted over time.”<br />

Max Delany, Director, MUMA, on <strong>Silverscreen</strong>:<br />

“<strong>Silverscreen</strong> also engages with the history of its wider urban context.<br />

D<strong>and</strong>enong Road was the gateway to Melbourne’s first motel (in Oakleigh)<br />

<strong>and</strong> drive in cinema screen (opposite Monash University’s Clayton campus).<br />

It is a work of art conceived at drive-by scale, but which equally encourages<br />

adventure <strong>and</strong> diversion at ground level – through a dynamic opticality <strong>and</strong><br />

play of light, of shadows by day <strong>and</strong> illumination at night.”<br />

Monash University Museum of Art is located on the ground floor of Building<br />

F, 900 D<strong>and</strong>enong Road, at Monash University, Caulfield campus.<br />

For images <strong>and</strong> information please contact MUMA media contact<br />

Leith Thomas on 0411 055 299 or lt@leiththomas.com.au or<br />

Sarah Morris on 03 9905 1618 or sarah.morris@monash.edu<br />

<strong>Callum</strong> Morton, <strong>Silverscreen</strong> 2010<br />

<strong>The</strong> <strong>Marc</strong> <strong>and</strong> <strong>Eva</strong> <strong>Besen</strong> <strong>Commission</strong><br />

galvanised steel, LED lights<br />

17.7 x 21.0 x 7.4 m<br />

Monash University Collection<br />

Photos: David Pidgeon, John Brash<br />

Artist’s render: <strong>Callum</strong> Morton<br />

Elevations: Kerstin Thompson Architects rtz<br />

Gallery, Melbourne

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