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NEWS<br />
PROJECTION LIGHTS & STAGING NEWS<br />
Giant LED Video Screen for F1 Race Course in Germany<br />
The screen measured in at 23 meters by 13 meters and weighed only 2.5 tons.<br />
HOCKENHEIM, Germany — It was probably<br />
the biggest LED video screen ever used<br />
at a major motor racing event, and one of the<br />
largest systems ever<br />
supplied by G-LEC<br />
— a 23-meter-by-13-<br />
meter assembly of 299<br />
Phantom30 frames<br />
which gave race-goers<br />
at Hockenheim Ring<br />
something akin to a<br />
ringside seat to the<br />
Formula 1 Santander<br />
Grand Prix.<br />
Some of those<br />
spectators were viewing<br />
the screen, positioned<br />
inside the track, from up to 400 meters<br />
away. But the screen was big enough to<br />
give them a television view of the race.<br />
Built specifically for the three day<br />
event, the screen needed to be easy to<br />
construct and de-rig, but also needed to<br />
withstand inclement weather, and the G-<br />
LEC screen withstood the strong winds<br />
and torrential rains that hit Hockenheim in<br />
the pre-race days.<br />
Using a system that <strong>com</strong>prised 52 PSUs,<br />
two S-Drives and two Folsom video converters,<br />
the video feed was supplied by the Ring<br />
as <strong>com</strong>posite video over 150 meters of cable<br />
into the Folsom units.<br />
These then converted the signal DVI for the<br />
Phantom 30 S-Drives, which transmitted the LED<br />
drive signals over optical fiber daisy-chained to<br />
each of the 276 frames. Despite such a long feed,<br />
the video display performed as expected.<br />
“As well as showing the race on the day itself,<br />
the screen was also used with a solid white signal<br />
for announcements, timetables and weather<br />
forecasts,” said Lars Wolf, managing director of<br />
G-LEC. “I was delighted at how well the system<br />
performed, and we have received a lot of inquiries<br />
as a result. This is absolutely the best screen<br />
for outdoor events and I am sure we will see G-<br />
LEC used more and more at events of this type.”<br />
The freestanding truss structure, supplied<br />
and designed by Megaforce, included three<br />
levels of flooring on each side of the screen for<br />
special guests. The screen itself hung from a<br />
23-meter-wide single span truss frame. It was<br />
able to do so because it was 2.5 tons in weight,<br />
relatively light for a screen that size.<br />
With a level of brightness that exceeded<br />
the high-resolution screens used at the pit<br />
stops, the screen required no more than a<br />
100kW/150A power source. The structure as<br />
a whole was engineered to pass Germany’s<br />
TÜV standards, written with temporary building<br />
permits in mind.<br />
The project was managed for G-LEC by<br />
Achim Lehrke, who was assisted by Stephan<br />
Gerber, Markus Soroberto, Dario Santos and<br />
Stefan Jung.<br />
Video Helps All Points<br />
West Rock the East<br />
Ad info:http:// www.plsn.<strong>com</strong>/instant-info<br />
All Points West is named for a train station from yesteryear,<br />
not for the Statue of Liberty’s pointy crown.<br />
JERSEY CITY, NJ — Rumors about a<br />
“Coachella East” festival staged in 2008<br />
might have proved false, but only nominally<br />
so. The festival, held for three days<br />
in August at Liberty State Park, just behind<br />
the Statue of Liberty, was called “All<br />
Points West.”<br />
The event, organized by Coachella<br />
host Goldenvoice and AEG Live, included<br />
Radiohead, Jack Johnson and about 40<br />
other well-known indie bands. The festival’s<br />
name refers to an old Jersey rail yard,<br />
and the three stages were train names<br />
from the golden age of rail travel: Blue<br />
Comet, Bullet and Queen of the Valley.<br />
Video images from Upstage Video<br />
helped amplify the visuals, with images<br />
appearing on an 18-foot-by-32-foot video<br />
wall made from 48 Daktronics PST-12HD<br />
panels. Other gear onstage included two<br />
Toshiba 15-foot-by-23-foot 15mm video<br />
displays on stage left and right, five Sony<br />
DX50 triax camera chains and three New-<br />
Tek VT5 video switchers.<br />
There were also three mobile LED<br />
video screens in use: two Barco B10s,<br />
measuring nine feet by 12 feet, and one<br />
Daktronics ProTour 13mm screen measuring<br />
nine feet by 16 feet.<br />
58 <strong>PLSN</strong> SEPTEMBER 2008