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NEWS<br />

PROJECTION LIGHTS & STAGING NEWS<br />

Giant LED Video Screen for F1 Race Course in Germany<br />

The screen measured in at 23 meters by 13 meters and weighed only 2.5 tons.<br />

HOCKENHEIM, Germany — It was probably<br />

the biggest LED video screen ever used<br />

at a major motor racing event, and one of the<br />

largest systems ever<br />

supplied by G-LEC<br />

— a 23-meter-by-13-<br />

meter assembly of 299<br />

Phantom30 frames<br />

which gave race-goers<br />

at Hockenheim Ring<br />

something akin to a<br />

ringside seat to the<br />

Formula 1 Santander<br />

Grand Prix.<br />

Some of those<br />

spectators were viewing<br />

the screen, positioned<br />

inside the track, from up to 400 meters<br />

away. But the screen was big enough to<br />

give them a television view of the race.<br />

Built specifically for the three day<br />

event, the screen needed to be easy to<br />

construct and de-rig, but also needed to<br />

withstand inclement weather, and the G-<br />

LEC screen withstood the strong winds<br />

and torrential rains that hit Hockenheim in<br />

the pre-race days.<br />

Using a system that <strong>com</strong>prised 52 PSUs,<br />

two S-Drives and two Folsom video converters,<br />

the video feed was supplied by the Ring<br />

as <strong>com</strong>posite video over 150 meters of cable<br />

into the Folsom units.<br />

These then converted the signal DVI for the<br />

Phantom 30 S-Drives, which transmitted the LED<br />

drive signals over optical fiber daisy-chained to<br />

each of the 276 frames. Despite such a long feed,<br />

the video display performed as expected.<br />

“As well as showing the race on the day itself,<br />

the screen was also used with a solid white signal<br />

for announcements, timetables and weather<br />

forecasts,” said Lars Wolf, managing director of<br />

G-LEC. “I was delighted at how well the system<br />

performed, and we have received a lot of inquiries<br />

as a result. This is absolutely the best screen<br />

for outdoor events and I am sure we will see G-<br />

LEC used more and more at events of this type.”<br />

The freestanding truss structure, supplied<br />

and designed by Megaforce, included three<br />

levels of flooring on each side of the screen for<br />

special guests. The screen itself hung from a<br />

23-meter-wide single span truss frame. It was<br />

able to do so because it was 2.5 tons in weight,<br />

relatively light for a screen that size.<br />

With a level of brightness that exceeded<br />

the high-resolution screens used at the pit<br />

stops, the screen required no more than a<br />

100kW/150A power source. The structure as<br />

a whole was engineered to pass Germany’s<br />

TÜV standards, written with temporary building<br />

permits in mind.<br />

The project was managed for G-LEC by<br />

Achim Lehrke, who was assisted by Stephan<br />

Gerber, Markus Soroberto, Dario Santos and<br />

Stefan Jung.<br />

Video Helps All Points<br />

West Rock the East<br />

Ad info:http:// www.plsn.<strong>com</strong>/instant-info<br />

All Points West is named for a train station from yesteryear,<br />

not for the Statue of Liberty’s pointy crown.<br />

JERSEY CITY, NJ — Rumors about a<br />

“Coachella East” festival staged in 2008<br />

might have proved false, but only nominally<br />

so. The festival, held for three days<br />

in August at Liberty State Park, just behind<br />

the Statue of Liberty, was called “All<br />

Points West.”<br />

The event, organized by Coachella<br />

host Goldenvoice and AEG Live, included<br />

Radiohead, Jack Johnson and about 40<br />

other well-known indie bands. The festival’s<br />

name refers to an old Jersey rail yard,<br />

and the three stages were train names<br />

from the golden age of rail travel: Blue<br />

Comet, Bullet and Queen of the Valley.<br />

Video images from Upstage Video<br />

helped amplify the visuals, with images<br />

appearing on an 18-foot-by-32-foot video<br />

wall made from 48 Daktronics PST-12HD<br />

panels. Other gear onstage included two<br />

Toshiba 15-foot-by-23-foot 15mm video<br />

displays on stage left and right, five Sony<br />

DX50 triax camera chains and three New-<br />

Tek VT5 video switchers.<br />

There were also three mobile LED<br />

video screens in use: two Barco B10s,<br />

measuring nine feet by 12 feet, and one<br />

Daktronics ProTour 13mm screen measuring<br />

nine feet by 16 feet.<br />

58 <strong>PLSN</strong> SEPTEMBER 2008

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