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FEEDING THE mACHINeS<br />

PROJECTION LIGHTS & STAGING NEWS<br />

No Shirt, No Shoes?<br />

By BradSchiller<br />

Ad info:http:// www.plsn.<strong>com</strong>/instant-info<br />

No Way!<br />

Imagine this: I was working on a stadium<br />

concert for a big rock band in an indoor<br />

stadium. We had a well known LD and were<br />

just about to start the first rehearsal with the<br />

band. Our front of house technician came<br />

walking out to the consoles wearing only his<br />

shorts. With no shirt and no shoes he paraded<br />

across the floor and right up to the LD. Then<br />

he took his seat and waited for the rehearsal to<br />

start. I am sure you can guess the LD’s reaction;<br />

no one was surprised when the FOH tech was<br />

replaced just a few days into the tour.<br />

Presentation is Key<br />

FTM<br />

When you’re working on any production,<br />

it is important to understand what is expected<br />

of you. Sometimes this means dressing a<br />

certain way and other times it means turning<br />

off your cell phone at certain times. A professional<br />

lighting programmer should always<br />

present him or herself in the best manner<br />

possible. While this may seem obvious, I am<br />

afraid that to some people it is not. Unfortunately<br />

many programmers let their position<br />

of “control” go to their heads and they forget<br />

about how they are presenting themselves to<br />

the audience, client, LD, producer and others.<br />

The Dress Code<br />

FTM<br />

I have worked on many different types<br />

of productions from heavy metal concerts<br />

to church events and I have learned that the<br />

dress code varies. Some corporate events<br />

may ask you to wear certain clothing if you<br />

will be operating the console and mingling<br />

with the audience. Other formal events may<br />

even require a suit or tuxedo. Of course when<br />

you are working a rock concert you can pretty<br />

much wear whatever you want (as long as it<br />

includes a shirt and shoes), but I do not suggest<br />

wearing a “Shout at the Devil” Mötley<br />

Crüe shirt when you’re programming the<br />

church’s Easter pageant.<br />

Earlier this year I was working a large corporate<br />

event. I asked the client ahead of time<br />

if there were any dress requirements and I<br />

was told there weren’t. Even so, I made the<br />

choice on the show days to wear slacks and<br />

a nice button down shirt. Although I was not<br />

required to dress up, I felt it was important<br />

to match the attire of most of the attendees.<br />

Since I would be walking through the audience<br />

and standing where many of them could<br />

see me, I did not feel it would have been appropriate<br />

to wear shorts and a T-shirt.<br />

When a client does ask you to dress up<br />

even more than normal, you need to consider<br />

the cost as well as any problems that could<br />

occur. For instance, I was on a show where<br />

they were going to have all the crew wear tuxedos<br />

during the performance. The producers<br />

were going to rent tuxedos for all of us until<br />

they decided to save the money and asked us<br />

to wear standard “blacks.” (“Blacks” are black<br />

clothing with no print.) When dressing up for<br />

an event you need to consider if the clothing<br />

will interfere with your job. For example<br />

a necktie will usually get in the way of console<br />

operations and cufflinks may interfere<br />

with button pressing. In these situations you<br />

should explain to the client your reasoning<br />

for not fully <strong>com</strong>plying with their request.<br />

Creative Clothing<br />

FTM<br />

Dave Rat is the audio FOH mixer for the<br />

Red Hot Chili Peppers and on a recent tour he<br />

came up with a cool idea. He decided to sell<br />

the back of his shirt during a concert! He is<br />

standing in the middle of the crowd for every<br />

show and figured that everyone behind<br />

him can see his shirt. So he created a page<br />

on EBay and sold the rights to the back of his<br />

shirt for one night. The winner could choose<br />

the message (certain wordings were banned),<br />

but they would still have to buy a ticket to the<br />

concert to see the shirt in person. I don’t suggest<br />

following<br />

his plan<br />

unless you get<br />

permission from the band or<br />

producers first. In a fun twist, I<br />

have seen many creative shirts<br />

with sayings like The Top 10 Answers<br />

to LD FAQs that you can<br />

find on the <strong>PLSN</strong> Web site.<br />

Avoid Distractions<br />

FTM<br />

In addition to being considerate<br />

with your attire, you<br />

should also always pay attention<br />

to non-lighting distractions.<br />

Most LDs will tell<br />

the programmer what to<br />

program and then go back<br />

to working on the plot for<br />

his next gig while the programmer<br />

is busy creating<br />

the look. This is acceptable<br />

for an LD, but a programmer<br />

should not spend<br />

spare time at a console<br />

working on another gig.<br />

I have heard stories of programmers who<br />

made an LD wait while he finished a phone<br />

call with a client for another show. Cell<br />

phones, e-mails, Blackberries, video games<br />

and the like should not interfere with your<br />

programming tasks. You are being paid for<br />

Top 10 Answers to LD FAQs<br />

10. No, I cannot get anything signed for you.<br />

9. Yes, I do know what all the knobs and buttons do<br />

(And yes, it took a long time to learn).<br />

8. No, I don’t know where the next show is<br />

(I’m not sure where I am right now).<br />

7. Yes, the “No Drinks” signs actually do apply to you!<br />

6. Yes, I travel with the band and talk to them every day.<br />

(Whether I want to or not).<br />

5. No, I’m not going to tell the band you’re here.<br />

(You know them, you call them).<br />

4. No, I don’t know where your seat is.<br />

3. No, I don’t know exactly how many watts we’re using.<br />

(We have more important @$!& to figure out).<br />

2. No, we don’t do birthdays, anniversaries or dedications.<br />

(After all, this isn’t a Bar Mitzvah!).<br />

1. Why would I want to take you backstage?<br />

the gig you are on, so you should give it<br />

your full attention.<br />

But It’s Really Boring!<br />

FTM<br />

When you’re running the lights on the<br />

third day of a corporate event, listening to<br />

doctors drone on about the latest medications<br />

might make you want to play a DVD<br />

on your laptop or surf the Internet and<br />

read <strong>PLSN</strong>’s breaking news. But you need<br />

to consider whether the distractions will<br />

cause you to miss a cue and consider who is<br />

watching you. If your FOH riser is backed up<br />

against the wall and no one can see, then<br />

surfing the Internet might be okay (check<br />

with your client first). However if you have<br />

audience members surrounding you, then<br />

it might be best to turn off the Simpson’s<br />

DVD and look interested in the production.<br />

Plus, if you happen to miss an important<br />

cue because you were not paying attention,<br />

then you will likely have lots of time to surf<br />

the Internet at home because you will not<br />

be working much longer.<br />

Common Sense Pays Off<br />

FTM<br />

Hopefully this is <strong>com</strong>mon sense for most<br />

of you. If it has given you new ideas then I am<br />

pleased to have helped. The important thing<br />

to remember is to act and dress as you would<br />

expect an employee of yours to do. Showing<br />

respect for your environment, audience,<br />

clients and LD are of the utmost importance<br />

when working as an automated lighting programmer.<br />

And remember, there is always<br />

something magical that happens when you<br />

allow your own light to shine.<br />

Brad Schiller can be reached at brads@plsn.<strong>com</strong>.<br />

62 <strong>PLSN</strong> September 2008

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