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FEEDING THE mACHINeS<br />
PROJECTION LIGHTS & STAGING NEWS<br />
No Shirt, No Shoes?<br />
By BradSchiller<br />
Ad info:http:// www.plsn.<strong>com</strong>/instant-info<br />
No Way!<br />
Imagine this: I was working on a stadium<br />
concert for a big rock band in an indoor<br />
stadium. We had a well known LD and were<br />
just about to start the first rehearsal with the<br />
band. Our front of house technician came<br />
walking out to the consoles wearing only his<br />
shorts. With no shirt and no shoes he paraded<br />
across the floor and right up to the LD. Then<br />
he took his seat and waited for the rehearsal to<br />
start. I am sure you can guess the LD’s reaction;<br />
no one was surprised when the FOH tech was<br />
replaced just a few days into the tour.<br />
Presentation is Key<br />
FTM<br />
When you’re working on any production,<br />
it is important to understand what is expected<br />
of you. Sometimes this means dressing a<br />
certain way and other times it means turning<br />
off your cell phone at certain times. A professional<br />
lighting programmer should always<br />
present him or herself in the best manner<br />
possible. While this may seem obvious, I am<br />
afraid that to some people it is not. Unfortunately<br />
many programmers let their position<br />
of “control” go to their heads and they forget<br />
about how they are presenting themselves to<br />
the audience, client, LD, producer and others.<br />
The Dress Code<br />
FTM<br />
I have worked on many different types<br />
of productions from heavy metal concerts<br />
to church events and I have learned that the<br />
dress code varies. Some corporate events<br />
may ask you to wear certain clothing if you<br />
will be operating the console and mingling<br />
with the audience. Other formal events may<br />
even require a suit or tuxedo. Of course when<br />
you are working a rock concert you can pretty<br />
much wear whatever you want (as long as it<br />
includes a shirt and shoes), but I do not suggest<br />
wearing a “Shout at the Devil” Mötley<br />
Crüe shirt when you’re programming the<br />
church’s Easter pageant.<br />
Earlier this year I was working a large corporate<br />
event. I asked the client ahead of time<br />
if there were any dress requirements and I<br />
was told there weren’t. Even so, I made the<br />
choice on the show days to wear slacks and<br />
a nice button down shirt. Although I was not<br />
required to dress up, I felt it was important<br />
to match the attire of most of the attendees.<br />
Since I would be walking through the audience<br />
and standing where many of them could<br />
see me, I did not feel it would have been appropriate<br />
to wear shorts and a T-shirt.<br />
When a client does ask you to dress up<br />
even more than normal, you need to consider<br />
the cost as well as any problems that could<br />
occur. For instance, I was on a show where<br />
they were going to have all the crew wear tuxedos<br />
during the performance. The producers<br />
were going to rent tuxedos for all of us until<br />
they decided to save the money and asked us<br />
to wear standard “blacks.” (“Blacks” are black<br />
clothing with no print.) When dressing up for<br />
an event you need to consider if the clothing<br />
will interfere with your job. For example<br />
a necktie will usually get in the way of console<br />
operations and cufflinks may interfere<br />
with button pressing. In these situations you<br />
should explain to the client your reasoning<br />
for not fully <strong>com</strong>plying with their request.<br />
Creative Clothing<br />
FTM<br />
Dave Rat is the audio FOH mixer for the<br />
Red Hot Chili Peppers and on a recent tour he<br />
came up with a cool idea. He decided to sell<br />
the back of his shirt during a concert! He is<br />
standing in the middle of the crowd for every<br />
show and figured that everyone behind<br />
him can see his shirt. So he created a page<br />
on EBay and sold the rights to the back of his<br />
shirt for one night. The winner could choose<br />
the message (certain wordings were banned),<br />
but they would still have to buy a ticket to the<br />
concert to see the shirt in person. I don’t suggest<br />
following<br />
his plan<br />
unless you get<br />
permission from the band or<br />
producers first. In a fun twist, I<br />
have seen many creative shirts<br />
with sayings like The Top 10 Answers<br />
to LD FAQs that you can<br />
find on the <strong>PLSN</strong> Web site.<br />
Avoid Distractions<br />
FTM<br />
In addition to being considerate<br />
with your attire, you<br />
should also always pay attention<br />
to non-lighting distractions.<br />
Most LDs will tell<br />
the programmer what to<br />
program and then go back<br />
to working on the plot for<br />
his next gig while the programmer<br />
is busy creating<br />
the look. This is acceptable<br />
for an LD, but a programmer<br />
should not spend<br />
spare time at a console<br />
working on another gig.<br />
I have heard stories of programmers who<br />
made an LD wait while he finished a phone<br />
call with a client for another show. Cell<br />
phones, e-mails, Blackberries, video games<br />
and the like should not interfere with your<br />
programming tasks. You are being paid for<br />
Top 10 Answers to LD FAQs<br />
10. No, I cannot get anything signed for you.<br />
9. Yes, I do know what all the knobs and buttons do<br />
(And yes, it took a long time to learn).<br />
8. No, I don’t know where the next show is<br />
(I’m not sure where I am right now).<br />
7. Yes, the “No Drinks” signs actually do apply to you!<br />
6. Yes, I travel with the band and talk to them every day.<br />
(Whether I want to or not).<br />
5. No, I’m not going to tell the band you’re here.<br />
(You know them, you call them).<br />
4. No, I don’t know where your seat is.<br />
3. No, I don’t know exactly how many watts we’re using.<br />
(We have more important @$!& to figure out).<br />
2. No, we don’t do birthdays, anniversaries or dedications.<br />
(After all, this isn’t a Bar Mitzvah!).<br />
1. Why would I want to take you backstage?<br />
the gig you are on, so you should give it<br />
your full attention.<br />
But It’s Really Boring!<br />
FTM<br />
When you’re running the lights on the<br />
third day of a corporate event, listening to<br />
doctors drone on about the latest medications<br />
might make you want to play a DVD<br />
on your laptop or surf the Internet and<br />
read <strong>PLSN</strong>’s breaking news. But you need<br />
to consider whether the distractions will<br />
cause you to miss a cue and consider who is<br />
watching you. If your FOH riser is backed up<br />
against the wall and no one can see, then<br />
surfing the Internet might be okay (check<br />
with your client first). However if you have<br />
audience members surrounding you, then<br />
it might be best to turn off the Simpson’s<br />
DVD and look interested in the production.<br />
Plus, if you happen to miss an important<br />
cue because you were not paying attention,<br />
then you will likely have lots of time to surf<br />
the Internet at home because you will not<br />
be working much longer.<br />
Common Sense Pays Off<br />
FTM<br />
Hopefully this is <strong>com</strong>mon sense for most<br />
of you. If it has given you new ideas then I am<br />
pleased to have helped. The important thing<br />
to remember is to act and dress as you would<br />
expect an employee of yours to do. Showing<br />
respect for your environment, audience,<br />
clients and LD are of the utmost importance<br />
when working as an automated lighting programmer.<br />
And remember, there is always<br />
something magical that happens when you<br />
allow your own light to shine.<br />
Brad Schiller can be reached at brads@plsn.<strong>com</strong>.<br />
62 <strong>PLSN</strong> September 2008