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TECHNOLOGY ASSOCIATION<br />
EDITOR’S NOTE<br />
PROJECTION LIGHTS & STAGING NEWS<br />
Ad info:http:// www.plsn.<strong>com</strong>/instant-info<br />
How much preparation does it take<br />
to be<strong>com</strong>e the best in the world?<br />
For Michael Phelps, the most<br />
prolific Olympic gold medalist of all time,<br />
it takes about two to five grueling hours<br />
per day, every day. That’s how much time<br />
he spent in the pool to prepare for eight<br />
Olympic events totaling less than 30 minutes<br />
in the water. His daily preparation<br />
time exceeds his performance time by<br />
more than 2,500 percent.<br />
On Top of Your Game<br />
<strong>PLSN</strong><br />
If you work 40 hours a week, then<br />
you would have to put in over 100,000<br />
hours of preparation to train like Michael<br />
Phelps. Impractical you say? Well, only if<br />
you have a life. But clearly, some preparation,<br />
training, polish, or brush up is necessary<br />
to improve your game, whatever it<br />
may be. Greatness falls in no one’s lap, not<br />
even the physically gifted Phelps, whose<br />
six-foot, seven-inch arm span is three<br />
inches longer than his height. He works<br />
doggedly to pursue his goals.<br />
You don’t have to work like a dog,<br />
but with moderate effort you can be top<br />
dog. For example, by writing for about<br />
an hour a day, you can finish an entire<br />
book in about three years. By running<br />
for about nine hours per week, you can<br />
train for a marathon in about six months.<br />
And by studying for about 20 hours per<br />
week, you can get through college with<br />
a full load. I know this because I did all<br />
of these things…with the possible exception<br />
of actually studying in college.<br />
That wasn’t my strong suit. But that all<br />
changed when I started working for a<br />
living and there was a paycheck at stake.<br />
Then I realized that the road to the top<br />
of the career ladder runs right through<br />
the library.<br />
By RichardCadena<br />
An Hour a Day<br />
Keeps the Cobwebs at Bay<br />
The brick walls are<br />
there to keep the<br />
other people out.<br />
Reading is Fundamental<br />
<strong>PLSN</strong><br />
If there is one thing you can do today<br />
— right now — to get a good grip<br />
on the next rung of the ladder, it would<br />
be to read all you can about things that<br />
relate to your job and to the industry. For<br />
some of us, that’s an obstacle that can’t be<br />
over<strong>com</strong>e because it requires effort. For<br />
others of us, it’s an opportunity because,<br />
as Randy Pausch, author of The Last Lecture<br />
said, the brick walls are there to keep<br />
the other people out. For those of us who<br />
want it badly enough, the brick walls let<br />
us prove it.<br />
If you’re ready to prove how badly you<br />
want to rise to the top of your profession,<br />
then crack some books, put in some extra<br />
effort and start climbing every brick wall<br />
that you encounter. Here are some specific<br />
reading re<strong>com</strong>mendations for the particular<br />
professions listed below:<br />
• Lighting Designers: A Practical Guide to<br />
Stage Lighting, by Steve Shelley; Stage<br />
Lighting Design, by Richard Pilbrow; Light<br />
Fantastic: The Art and Design of Stage<br />
Lighting, by Max Keller<br />
• Lighting Programmers: The Automated<br />
Lighting Programmer’s Handbook, by<br />
Brad Schiller<br />
• Master Electricians: Overcurrents and<br />
Undercurrents: All about GFCIs, AFCIs, and<br />
Similar Devices, by Earl W. Roberts; Automated<br />
Lighting: The Art and Science of<br />
Moving Light, by Richard Cadena; Practical<br />
Dimming, by Nick Mobsby<br />
• Lighting/Sound/Video Technicians:<br />
Rock Solid Ethernet, by Wayne Howell;<br />
Practical DMX, by Nick Mobsby; Control<br />
Systems for Live Entertainment, by John<br />
Huntington<br />
All can be found at www.plsnbookshelf.<br />
<strong>com</strong>.<br />
Greatness falls in<br />
no one’s lap.<br />
There may or may not be an Emerald<br />
City at the end of the Yellow Book Road<br />
— there are no guarantees. But following<br />
the road is richly rewarding in and<br />
of itself. Reading and learning is enjoyable,<br />
satisfying and it gives you a sense<br />
of self worth. And it certainly can’t hurt<br />
your chances of ascending the steps of<br />
your career.<br />
Free Live Web Event<br />
<strong>PLSN</strong><br />
If the idea of moving up the career<br />
ladder appeals to you, then join me in a<br />
free live Web event entitled “The Future<br />
of the Live Event and Performing Arts<br />
Production Industry: Meeting the Challenge<br />
of Technology and Change,” hosted<br />
by Creative Stage Lighting on Thurs.,<br />
Sept. 18 at 3:30 p.m. (EST).<br />
To sign up, visit www.creativestage<br />
lighting.<strong>com</strong>/events/2008/rcadena_<br />
webinar.html. It will be the first in a series<br />
of Webinars designed to help you<br />
train for the Olympics…or for other career<br />
goals.<br />
The Publication of Record for the Lighting,<br />
Staging and Projection Industries<br />
Publisher<br />
Terry Lowe<br />
tlowe@plsn.<strong>com</strong><br />
Editor<br />
Richard Cadena<br />
rcadena@plsn.<strong>com</strong><br />
Editorial Director<br />
Bill Evans<br />
bevans@plsn.<strong>com</strong><br />
Managing Editor<br />
Frank Hammel<br />
fhammel@plsn.<strong>com</strong><br />
Associate Editor<br />
Breanne George<br />
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Contributing Writers<br />
Vickie Claiborne, Bree Kristel Clarke,<br />
Stephen Ellison, Phil Gilbert, Rob Ludwig,<br />
Kevin M. Mitchell, Bryan Reesman, Brad<br />
Schiller, Nook Schoenfeld, Jennifer Willis<br />
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Steve Jennings<br />
Art Director<br />
Garret Petrov<br />
gpetrov@plsn.<strong>com</strong><br />
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William Hamilton Vanyo<br />
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Projection, Lights & Staging News (ISSN:<br />
1537-0046) Volume 09, Number 8 Published<br />
monthly by Timeless Communications<br />
Corp. 6000 South Eastern Ave.,<br />
Suite 14J, Las Vegas, NV 89119. It is<br />
distributed free to qualified individuals in the<br />
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ESTA<br />
ENTERTAINMENT SERVICES &