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TECHNOLOGY ASSOCIATION<br />

EDITOR’S NOTE<br />

PROJECTION LIGHTS & STAGING NEWS<br />

Ad info:http:// www.plsn.<strong>com</strong>/instant-info<br />

How much preparation does it take<br />

to be<strong>com</strong>e the best in the world?<br />

For Michael Phelps, the most<br />

prolific Olympic gold medalist of all time,<br />

it takes about two to five grueling hours<br />

per day, every day. That’s how much time<br />

he spent in the pool to prepare for eight<br />

Olympic events totaling less than 30 minutes<br />

in the water. His daily preparation<br />

time exceeds his performance time by<br />

more than 2,500 percent.<br />

On Top of Your Game<br />

<strong>PLSN</strong><br />

If you work 40 hours a week, then<br />

you would have to put in over 100,000<br />

hours of preparation to train like Michael<br />

Phelps. Impractical you say? Well, only if<br />

you have a life. But clearly, some preparation,<br />

training, polish, or brush up is necessary<br />

to improve your game, whatever it<br />

may be. Greatness falls in no one’s lap, not<br />

even the physically gifted Phelps, whose<br />

six-foot, seven-inch arm span is three<br />

inches longer than his height. He works<br />

doggedly to pursue his goals.<br />

You don’t have to work like a dog,<br />

but with moderate effort you can be top<br />

dog. For example, by writing for about<br />

an hour a day, you can finish an entire<br />

book in about three years. By running<br />

for about nine hours per week, you can<br />

train for a marathon in about six months.<br />

And by studying for about 20 hours per<br />

week, you can get through college with<br />

a full load. I know this because I did all<br />

of these things…with the possible exception<br />

of actually studying in college.<br />

That wasn’t my strong suit. But that all<br />

changed when I started working for a<br />

living and there was a paycheck at stake.<br />

Then I realized that the road to the top<br />

of the career ladder runs right through<br />

the library.<br />

By RichardCadena<br />

An Hour a Day<br />

Keeps the Cobwebs at Bay<br />

The brick walls are<br />

there to keep the<br />

other people out.<br />

Reading is Fundamental<br />

<strong>PLSN</strong><br />

If there is one thing you can do today<br />

— right now — to get a good grip<br />

on the next rung of the ladder, it would<br />

be to read all you can about things that<br />

relate to your job and to the industry. For<br />

some of us, that’s an obstacle that can’t be<br />

over<strong>com</strong>e because it requires effort. For<br />

others of us, it’s an opportunity because,<br />

as Randy Pausch, author of The Last Lecture<br />

said, the brick walls are there to keep<br />

the other people out. For those of us who<br />

want it badly enough, the brick walls let<br />

us prove it.<br />

If you’re ready to prove how badly you<br />

want to rise to the top of your profession,<br />

then crack some books, put in some extra<br />

effort and start climbing every brick wall<br />

that you encounter. Here are some specific<br />

reading re<strong>com</strong>mendations for the particular<br />

professions listed below:<br />

• Lighting Designers: A Practical Guide to<br />

Stage Lighting, by Steve Shelley; Stage<br />

Lighting Design, by Richard Pilbrow; Light<br />

Fantastic: The Art and Design of Stage<br />

Lighting, by Max Keller<br />

• Lighting Programmers: The Automated<br />

Lighting Programmer’s Handbook, by<br />

Brad Schiller<br />

• Master Electricians: Overcurrents and<br />

Undercurrents: All about GFCIs, AFCIs, and<br />

Similar Devices, by Earl W. Roberts; Automated<br />

Lighting: The Art and Science of<br />

Moving Light, by Richard Cadena; Practical<br />

Dimming, by Nick Mobsby<br />

• Lighting/Sound/Video Technicians:<br />

Rock Solid Ethernet, by Wayne Howell;<br />

Practical DMX, by Nick Mobsby; Control<br />

Systems for Live Entertainment, by John<br />

Huntington<br />

All can be found at www.plsnbookshelf.<br />

<strong>com</strong>.<br />

Greatness falls in<br />

no one’s lap.<br />

There may or may not be an Emerald<br />

City at the end of the Yellow Book Road<br />

— there are no guarantees. But following<br />

the road is richly rewarding in and<br />

of itself. Reading and learning is enjoyable,<br />

satisfying and it gives you a sense<br />

of self worth. And it certainly can’t hurt<br />

your chances of ascending the steps of<br />

your career.<br />

Free Live Web Event<br />

<strong>PLSN</strong><br />

If the idea of moving up the career<br />

ladder appeals to you, then join me in a<br />

free live Web event entitled “The Future<br />

of the Live Event and Performing Arts<br />

Production Industry: Meeting the Challenge<br />

of Technology and Change,” hosted<br />

by Creative Stage Lighting on Thurs.,<br />

Sept. 18 at 3:30 p.m. (EST).<br />

To sign up, visit www.creativestage<br />

lighting.<strong>com</strong>/events/2008/rcadena_<br />

webinar.html. It will be the first in a series<br />

of Webinars designed to help you<br />

train for the Olympics…or for other career<br />

goals.<br />

The Publication of Record for the Lighting,<br />

Staging and Projection Industries<br />

Publisher<br />

Terry Lowe<br />

tlowe@plsn.<strong>com</strong><br />

Editor<br />

Richard Cadena<br />

rcadena@plsn.<strong>com</strong><br />

Editorial Director<br />

Bill Evans<br />

bevans@plsn.<strong>com</strong><br />

Managing Editor<br />

Frank Hammel<br />

fhammel@plsn.<strong>com</strong><br />

Associate Editor<br />

Breanne George<br />

bg@plsn.<strong>com</strong><br />

Contributing Writers<br />

Vickie Claiborne, Bree Kristel Clarke,<br />

Stephen Ellison, Phil Gilbert, Rob Ludwig,<br />

Kevin M. Mitchell, Bryan Reesman, Brad<br />

Schiller, Nook Schoenfeld, Jennifer Willis<br />

Photographer<br />

Steve Jennings<br />

Art Director<br />

Garret Petrov<br />

gpetrov@plsn.<strong>com</strong><br />

Graphic Designers<br />

David Alan<br />

dalan@plsn.<strong>com</strong><br />

Crystal Franklin<br />

cfranklin@plsn.<strong>com</strong><br />

Web Master<br />

Josh Harris<br />

jharris@plsn.<strong>com</strong><br />

National<br />

Advertising Director<br />

Gregory Gallardo<br />

gregg@plsn.<strong>com</strong><br />

Account Manager<br />

James Leasing<br />

jleasing@plsn.<strong>com</strong><br />

Production Manager<br />

Linda Evans<br />

levans@plsn.<strong>com</strong><br />

General Manager<br />

William Hamilton Vanyo<br />

wvanyo@plsn.<strong>com</strong><br />

Business and<br />

Advertising Office<br />

6000 South Eastern Ave.<br />

Suite 14J<br />

Las Vegas, NV 89119<br />

Ph: 702.932.5585<br />

Fax: 702.932.5584<br />

Toll Free: 800.252.2716<br />

Editorial Office<br />

10305 Salida Dr.<br />

Austin, TX 78749<br />

Ph: 512.280.0384<br />

Fax: 512.292.0183<br />

Circulation<br />

Stark Services<br />

P.O. Box 16147<br />

North Hollywood, CA 91615<br />

Projection, Lights & Staging News (ISSN:<br />

1537-0046) Volume 09, Number 8 Published<br />

monthly by Timeless Communications<br />

Corp. 6000 South Eastern Ave.,<br />

Suite 14J, Las Vegas, NV 89119. It is<br />

distributed free to qualified individuals in the<br />

lighting and staging industries in the United<br />

States and Canada. Periodical Postage paid<br />

at Las Vegas, NV, office and additional offices.<br />

Postmaster please send address changes to:<br />

Projection, Lights & Staging News, P.O. Box<br />

16147 North Hollywood, CA 91615. Mailed in<br />

Canada under Publications Mail Agreement<br />

Number 40033037, 1415 Janette Ave., Windsor,<br />

ON N8X 1Z1. Overseas subscriptions are available<br />

and can be obtained by calling 702.932.5585.<br />

Editorial submissions are encouraged, but must<br />

include a self-addressed stamped envelope to<br />

be returned. Projection, Lights & Staging News is a<br />

Registered Trademark. All Rights Reserved.<br />

Duplication, transmission by any method of<br />

this publication is strictly prohibited without<br />

permission of Projection, Lights & Staging News.<br />

ESTA<br />

ENTERTAINMENT SERVICES &

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