Road Test: Strong Technobeam, page 40 - PLSN.com
Road Test: Strong Technobeam, page 40 - PLSN.com
Road Test: Strong Technobeam, page 40 - PLSN.com
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NEWS<br />
Maroon 5 Tour Taps Energy of Moving Lights, LEDs<br />
NORTH CREEK, NY — Creative<br />
Stage Lighting recently provided gear<br />
for Maroon 5, the Grammy award-winning<br />
group with hits including “Harder<br />
to Breathe,” “This Love,” “She Will Be<br />
Loved,” “Sunday Morning,” “Must Get<br />
Out,” “Makes Me Wonder,” “Wake Up<br />
The gear list for Maroon 5’s tour includes PixelRange LED<br />
fixtures and Martin Mac 2000 Profile II “E” moving lights.<br />
Call” and “Won’t Go Home Without You.”<br />
The band, which has toured extensively<br />
since the release of their first<br />
album Songs About Jane in 2002, released<br />
their second studio album in<br />
May 2007, It Won’t Be Soon Before Long<br />
last May.<br />
Equipment supplied by Creative<br />
Stage Lighting to Maroon 5 includes<br />
James Thomas Moving Light Truss and<br />
4-Lite units, Avolites Diamond 4 lighting<br />
consoles, Reel EFX DF-50 Hazers,<br />
PixelRange Pixel Micro W LED fixtures<br />
and Martin Mac 2000 Profile II “E” moving<br />
lights.<br />
Bill Sheldon handled the lighting<br />
design and direction and Wayne Bukovinsky<br />
served as a lighting technician.<br />
LEDs and Battery Power Help Energize Chris Brown Tour<br />
SACRAMENTO, CA — The “Up Close<br />
and Personal Tour,” headlined by 18-year<br />
old R&B standout Chris Brown, had a futuristic<br />
look crafted by lighting designer<br />
Daunte Kenner that relied extensively<br />
on LEDs and, to a lesser extent, battery<br />
power.<br />
“For Chris, the LED look is ‘in’ and he<br />
insisted he wanted to use High End’s<br />
new ShowGun to create a young trendy<br />
vibe,” Kenner said. “The PixelLine 1044 is<br />
the perfect <strong>com</strong>plement to the LED ring<br />
on the ShowGun,” Kenner added, saying<br />
its output and color-mixing capabilities<br />
helped fine-tune the lighting and Chris<br />
and his crew’s stage outfits.<br />
The PixelLines were attached at various<br />
points vertically to the set and lit up<br />
frosted Plexi Panels,<br />
creating a continuously<br />
changing backdrop<br />
of colors. Sixteen PixelArc<br />
Rs spiced up the<br />
B stage: a 12’ tall stage<br />
that pitches 60° and<br />
rotates 360°.<br />
“First we made the<br />
PixelArcs attached to<br />
the circular B stage<br />
p o w e r - d i s t r i b u t i o n<br />
friendly. We modified<br />
them by creating our<br />
own pass through. We<br />
also had to figure out<br />
how to power at least eight of them remotely<br />
without running a power or data<br />
cable to the stage,” he added, because of<br />
the B stage’s rotational movement.<br />
“After a full day of research, numerous<br />
calls and lots of fast food, we discovered<br />
that a 12-volt Optima dry-cell battery<br />
would power eight PixelArcs for over<br />
45 minutes,” Kenner said. “I also used<br />
another eight PixelArcs to uplight eight<br />
CryoJets for an eight-foot tall blast of liquid<br />
CO2.”<br />
In all, the rig included 28 PixelLine<br />
1044s, 24 PixelArc Rs and 18 ShowGuns,<br />
controlled by an Avolites Diamond 4 and<br />
an EDXM Tube. Performance Lighting Inc<br />
supplied all the lighting.<br />
Lighting on a circular stage B, which turns 360°, relies on rechargeable batteries.<br />
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