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Road Test: Strong Technobeam, page 40 - PLSN.com

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NEWS<br />

Maroon 5 Tour Taps Energy of Moving Lights, LEDs<br />

NORTH CREEK, NY — Creative<br />

Stage Lighting recently provided gear<br />

for Maroon 5, the Grammy award-winning<br />

group with hits including “Harder<br />

to Breathe,” “This Love,” “She Will Be<br />

Loved,” “Sunday Morning,” “Must Get<br />

Out,” “Makes Me Wonder,” “Wake Up<br />

The gear list for Maroon 5’s tour includes PixelRange LED<br />

fixtures and Martin Mac 2000 Profile II “E” moving lights.<br />

Call” and “Won’t Go Home Without You.”<br />

The band, which has toured extensively<br />

since the release of their first<br />

album Songs About Jane in 2002, released<br />

their second studio album in<br />

May 2007, It Won’t Be Soon Before Long<br />

last May.<br />

Equipment supplied by Creative<br />

Stage Lighting to Maroon 5 includes<br />

James Thomas Moving Light Truss and<br />

4-Lite units, Avolites Diamond 4 lighting<br />

consoles, Reel EFX DF-50 Hazers,<br />

PixelRange Pixel Micro W LED fixtures<br />

and Martin Mac 2000 Profile II “E” moving<br />

lights.<br />

Bill Sheldon handled the lighting<br />

design and direction and Wayne Bukovinsky<br />

served as a lighting technician.<br />

LEDs and Battery Power Help Energize Chris Brown Tour<br />

SACRAMENTO, CA — The “Up Close<br />

and Personal Tour,” headlined by 18-year<br />

old R&B standout Chris Brown, had a futuristic<br />

look crafted by lighting designer<br />

Daunte Kenner that relied extensively<br />

on LEDs and, to a lesser extent, battery<br />

power.<br />

“For Chris, the LED look is ‘in’ and he<br />

insisted he wanted to use High End’s<br />

new ShowGun to create a young trendy<br />

vibe,” Kenner said. “The PixelLine 1044 is<br />

the perfect <strong>com</strong>plement to the LED ring<br />

on the ShowGun,” Kenner added, saying<br />

its output and color-mixing capabilities<br />

helped fine-tune the lighting and Chris<br />

and his crew’s stage outfits.<br />

The PixelLines were attached at various<br />

points vertically to the set and lit up<br />

frosted Plexi Panels,<br />

creating a continuously<br />

changing backdrop<br />

of colors. Sixteen PixelArc<br />

Rs spiced up the<br />

B stage: a 12’ tall stage<br />

that pitches 60° and<br />

rotates 360°.<br />

“First we made the<br />

PixelArcs attached to<br />

the circular B stage<br />

p o w e r - d i s t r i b u t i o n<br />

friendly. We modified<br />

them by creating our<br />

own pass through. We<br />

also had to figure out<br />

how to power at least eight of them remotely<br />

without running a power or data<br />

cable to the stage,” he added, because of<br />

the B stage’s rotational movement.<br />

“After a full day of research, numerous<br />

calls and lots of fast food, we discovered<br />

that a 12-volt Optima dry-cell battery<br />

would power eight PixelArcs for over<br />

45 minutes,” Kenner said. “I also used<br />

another eight PixelArcs to uplight eight<br />

CryoJets for an eight-foot tall blast of liquid<br />

CO2.”<br />

In all, the rig included 28 PixelLine<br />

1044s, 24 PixelArc Rs and 18 ShowGuns,<br />

controlled by an Avolites Diamond 4 and<br />

an EDXM Tube. Performance Lighting Inc<br />

supplied all the lighting.<br />

Lighting on a circular stage B, which turns 360°, relies on rechargeable batteries.<br />

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