Road Test: Strong Technobeam, page 40 - PLSN.com
Road Test: Strong Technobeam, page 40 - PLSN.com
Road Test: Strong Technobeam, page 40 - PLSN.com
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What makes club lighting work? Energy! The<br />
visuals in the room should match the energy<br />
of the music.<br />
There’s no single way to do club lighting right, but there are lots of ways to do it wrong.<br />
Simple contrasts in colors can have more impact than <strong>com</strong>plex, busy effects.<br />
control of the speed and many fixtures lack<br />
a “random” setting. Other options include<br />
fanning an effect on the strobe channel<br />
(and assigning a speed group if your board<br />
allows) or building a stack of cues with<br />
shutter on and shutter off to run as a chase.<br />
Some fixtures have a lamp effect that looks<br />
similar to the strobe chase, but the jury is<br />
still out on whether that significantly shortens<br />
the lamp life. To be on the safe side, stick<br />
with the shutter chase since the effect is not<br />
that much different — at least not enough<br />
that drunken people would notice.<br />
Mixing and Wheeling<br />
Consider yourself lucky if you have fixtures<br />
with both color mixing and a color<br />
wheel. Color mixing gives you a much greater<br />
range of color, but a fixed color wheel allows<br />
you to snap between colors, create half<br />
colors, or do color spins. If your wheels don’t<br />
snap (and this goes for gobo wheels too), try<br />
building cues in four steps. First, open the<br />
shutter in color one. In the second step, close<br />
the shutter and change to color two. The<br />
third step is to open the shutter with color<br />
two, and the fourth step is to close the shutter<br />
and change to color one. The resulting effect<br />
is a heavy color bounce, especially if you<br />
have light and dark colors or colors on the<br />
opposite side of the color wheel. A bounce<br />
works well to keep a beat, while spinning the<br />
color wheel adds an extra punch of energy<br />
on a long build up.<br />
Spinning or Not Spinning<br />
Most fixtures now have at least two<br />
wheels with gobo patterns in them somewhere.<br />
The second set may be hiding on<br />
the effects wheel or even in some cases,<br />
(mysteriously), on the color wheel. Two different<br />
wheels make layering fun and you<br />
can create some unique effects by <strong>com</strong>bining<br />
gobos. But remember, your audience<br />
will be steadily progressing towards<br />
an inebriated state where they can’t walk<br />
a straight line, much less look at one. To<br />
get your message across, it’s best to keep<br />
it simple. Beams work better for club lighting<br />
than break ups. Break ups are generally<br />
too busy to register, and sometimes<br />
they’re so busy that it be<strong>com</strong>es difficult<br />
to tell when they’re rotating. Cones and<br />
single solid lines are some of the most<br />
effective gobos, but fancier ones are fine<br />
too. The same suggestions for color wheels<br />
also apply to gobo wheels.<br />
Where Have All the Scanners Gone?<br />
There are two types of automated<br />
lights; those with moving heads, and<br />
those with moving mirrors, or scanners.<br />
The industry seems to be dismissing<br />
moving mirror fixtures in favor of moving<br />
heads, probably because moving head<br />
fixtures have a greater range of motion.<br />
But a good rig has an equal number of<br />
both moving head fixtures and scanners.<br />
A moving mirror fixture allows quick,<br />
Ad info:http:// www.plsn.<strong>com</strong>/instant-info<br />
2008 MARCH <strong>PLSN</strong> 31