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Road Test: Strong Technobeam, page 40 - PLSN.com

Road Test: Strong Technobeam, page 40 - PLSN.com

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What makes club lighting work? Energy! The<br />

visuals in the room should match the energy<br />

of the music.<br />

There’s no single way to do club lighting right, but there are lots of ways to do it wrong.<br />

Simple contrasts in colors can have more impact than <strong>com</strong>plex, busy effects.<br />

control of the speed and many fixtures lack<br />

a “random” setting. Other options include<br />

fanning an effect on the strobe channel<br />

(and assigning a speed group if your board<br />

allows) or building a stack of cues with<br />

shutter on and shutter off to run as a chase.<br />

Some fixtures have a lamp effect that looks<br />

similar to the strobe chase, but the jury is<br />

still out on whether that significantly shortens<br />

the lamp life. To be on the safe side, stick<br />

with the shutter chase since the effect is not<br />

that much different — at least not enough<br />

that drunken people would notice.<br />

Mixing and Wheeling<br />

Consider yourself lucky if you have fixtures<br />

with both color mixing and a color<br />

wheel. Color mixing gives you a much greater<br />

range of color, but a fixed color wheel allows<br />

you to snap between colors, create half<br />

colors, or do color spins. If your wheels don’t<br />

snap (and this goes for gobo wheels too), try<br />

building cues in four steps. First, open the<br />

shutter in color one. In the second step, close<br />

the shutter and change to color two. The<br />

third step is to open the shutter with color<br />

two, and the fourth step is to close the shutter<br />

and change to color one. The resulting effect<br />

is a heavy color bounce, especially if you<br />

have light and dark colors or colors on the<br />

opposite side of the color wheel. A bounce<br />

works well to keep a beat, while spinning the<br />

color wheel adds an extra punch of energy<br />

on a long build up.<br />

Spinning or Not Spinning<br />

Most fixtures now have at least two<br />

wheels with gobo patterns in them somewhere.<br />

The second set may be hiding on<br />

the effects wheel or even in some cases,<br />

(mysteriously), on the color wheel. Two different<br />

wheels make layering fun and you<br />

can create some unique effects by <strong>com</strong>bining<br />

gobos. But remember, your audience<br />

will be steadily progressing towards<br />

an inebriated state where they can’t walk<br />

a straight line, much less look at one. To<br />

get your message across, it’s best to keep<br />

it simple. Beams work better for club lighting<br />

than break ups. Break ups are generally<br />

too busy to register, and sometimes<br />

they’re so busy that it be<strong>com</strong>es difficult<br />

to tell when they’re rotating. Cones and<br />

single solid lines are some of the most<br />

effective gobos, but fancier ones are fine<br />

too. The same suggestions for color wheels<br />

also apply to gobo wheels.<br />

Where Have All the Scanners Gone?<br />

There are two types of automated<br />

lights; those with moving heads, and<br />

those with moving mirrors, or scanners.<br />

The industry seems to be dismissing<br />

moving mirror fixtures in favor of moving<br />

heads, probably because moving head<br />

fixtures have a greater range of motion.<br />

But a good rig has an equal number of<br />

both moving head fixtures and scanners.<br />

A moving mirror fixture allows quick,<br />

Ad info:http:// www.plsn.<strong>com</strong>/instant-info<br />

2008 MARCH <strong>PLSN</strong> 31

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