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P R O J E C T I O N L I G H T S & S TA G I N G N E W S<br />
NEWS<br />
Scott Chmielewski Tests Out New Console, Software at Virgin Mobile’s FreeFest<br />
COLUMBIA, MD — When Scott<br />
Chmielewski, president of Digital Media Designs,<br />
put a pair of grandMA2 consoles to<br />
work for Virgin Mobile’s FreeFest, a day-long<br />
music and dance extravaganza, he and several<br />
of the bands’ LDs used grandMA’s new<br />
2.0 software.<br />
FreeFest drew 40,000 to the Merriweather<br />
Post Pavilion on Sept. 25 to hear headliners<br />
Joan Jett, Ludacris and M.I.A., among others.<br />
Chmielewski, whose Digital Media Designs<br />
offers innovative concepts in lighting design,<br />
marketing and media presentation, served as<br />
the designer, programmer and production<br />
provider for the event and was responsible<br />
for the dance stage and one of the two primary<br />
stages.<br />
“Everything went exceptionally well,” he<br />
said. “I was able to previz the show about a<br />
week before the event and, with the use of<br />
grandMA 3D (MA Lighting’s free visualization<br />
software), I was able to have most of the show<br />
done before we ever loaded in. Running the<br />
software on my MacBook Pro I never saw a<br />
hiccup in the previz, which was surprising<br />
given the amount of fixtures we were using.<br />
I was even able to run grandMA2 on PC and<br />
grandMA 3D at the same time.”<br />
Chmielewski used “every aspect” of the<br />
console family and its new 2.0 software, including<br />
grandMA 3D, NPUs, VPU, Art-Net and<br />
multi-user sessions. “The new layout views<br />
were an amazing tool, especially when using<br />
large amounts of fixtures and data,” he said.<br />
“The whole process was very logical. You’re<br />
no longer limited to a ‘grid’ for placing fixtures;<br />
they can be placed and dragged freely<br />
and more logically, and the amount of information<br />
that’s provided is invaluable. Combining<br />
this with the new effects engine made for<br />
a whole new array of tricks and abilities.”<br />
He spoke favorably of features including<br />
open-ended macros, preset-based effects<br />
and cue-list <strong>com</strong>mands and noted that the<br />
consoles and the software helped several of<br />
the bands’ LDs as well.<br />
“For most of them I provided console<br />
views that were executors and faders with<br />
the effects and cues that they requested,”<br />
he noted. “The Direct Action ability on those<br />
screens was a great feature and made operating<br />
for the touring guys very straightforward.<br />
The ability to set up worlds also meant I never<br />
had to worry about anyone going beyond<br />
their skill level or affecting other vital parts<br />
of the show, including key lighting or effects.”<br />
For FreeFest the grandMAs controlled<br />
12 High End Showpix fixtures, 24 Mac 700<br />
Profiles, 28 Stagebars, eight Mac 2K Performances<br />
which were used as key lights, a wall<br />
of 96 Mac 101s and eight Atomic Strobes with<br />
scrollers. The grandMAs also controlled media<br />
servers and 20 Martin LC+ 2140 LED panels.<br />
“The network sync-ability of the grand-<br />
MAs was flawless,” Chmielewski said, adding<br />
that “Freefest required us to use every aspect<br />
of the grandMA, and the system really delivered<br />
for us.”<br />
Virgin Mobile’s FreeFest gave the LD a chance to put the<br />
grandMA2 and new 2.0 software through its paces.<br />
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