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Fall 2011 | Issue 21

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News from the Hans Arnhold Center | Life & Letters | N13<br />

Pfeiffer is the recipient<br />

of numerous awards and fellowships,<br />

most notably the<br />

inaugural Bucksbaum Award,<br />

given by the Whitney Museum<br />

of American Art (2000), as well<br />

as the Alpert Award in the Arts<br />

for Visual Arts (2009). Pfeiffer<br />

was an artist-in-residence at<br />

the Massachusetts Institute<br />

of Technology, Art Pace, and<br />

exhibition at the Museo de Arte<br />

Centemporáneo de Castillia y<br />

León, the Hamburger Bahnhof<br />

in Berlin, and currently at the<br />

Sammlung Goetz in Munich.<br />

ELIZABETH POVINELLI<br />

Multiculturalism and liberalism<br />

are currently in crisis, believes<br />

Elizabeth Povinelli, this semester’s<br />

German Transatlantic<br />

Worlds in the New Media and Late<br />

Liberalism, is intended to be the<br />

third and last volume of Dwelling<br />

in Late Liberalism. The three<br />

volumes examine the shattered<br />

lives, exhausting struggles, and<br />

enduring difference of alternative<br />

social worlds in late liberalism.<br />

Povinelli’s second project is a<br />

graphic memoir, which examines<br />

the “impossibility of memory,”<br />

Culture. Povinelli is the author of<br />

Economies of Abandonment: Social<br />

Belonging and Endurance in Late<br />

Liberalism (Duke University Press,<br />

<strong>2011</strong>), The Empire of Love: Toward<br />

a Theory of Intimacy, Geneology,<br />

and Carnality (Duke University<br />

Press, 2006), The Cunning of<br />

Recognition: Indigenous Alterities<br />

and the Making of Australian<br />

Multiculturalism (Duke University<br />

© HORNISCHER<br />

CLASS OF FALL <strong>2011</strong> (L TO R): JAMES DER DERIAN, JENNIFER CULBERT, PAUL PFEIFFER, SUSAN MCCABE, LELAND DE LA DURANTAYE,<br />

ELIZABETH POVINELLI, JOHN VAN ENGEN, TOM SLEIGH, ADAM HASLETT, ALICE EAGLY, DANIEL HOBBINS (NOT PICTURED: GEOFFREY O’BRIEN)<br />

the Atlantic Center for the Arts.<br />

His work has been exhibited<br />

at the Museum of Modern Art,<br />

the Whitney, the Guggenheim,<br />

P.S.I. Contemporary Art Center,<br />

the Studio Museum in Harlem,<br />

San Francisco Art Institute,<br />

Thomas Dane Limited, Kunst-<br />

Werke, carlier | gebauer, the<br />

Cairo Biennial, the Museum of<br />

Contemporary Art in Shanghai,<br />

and the Singapore Art Museum,<br />

among others. Pfeiffer was<br />

also subject of a major solo<br />

Program Fellow. Povinelli wishes<br />

to develop an “anthropology of<br />

the otherwise” in order to grasp<br />

the transformations that have<br />

taken place in how liberal regimes<br />

recognize and govern social difference<br />

in the wake of the anticolonial<br />

and postcolonial movements<br />

– and in the face of the<br />

continual emergence of alternative<br />

social worlds. Povinelli hopes<br />

to engage these themes with<br />

two Academy projects. The first,<br />

titled Geontologies: Indigenous<br />

and how the collapse of one world<br />

can lead to the expansion of<br />

another.<br />

Povinelli is a professor of<br />

anthropology and gender studies<br />

at Columbia University, where<br />

she has also been the director<br />

of the Institute for Research<br />

on Women and Gender and the<br />

co-director of the Center for the<br />

Study of Law and Culture. She is<br />

the author of numerous books<br />

and essays and a former editor<br />

of the academic journal Public<br />

Press, 2002), and Labor’s Lot:<br />

The Power, History, and Culture of<br />

Aboriginal Action (University of<br />

Chicago Press, 1994).<br />

TOM SLEIGH<br />

“The stone could have wept if<br />

stone could weep,” begins one<br />

of Tom Sleigh’s new poems,<br />

“Face,” sweeping the reader into<br />

instantaneous rhythm, emotion,<br />

and dream. While at the<br />

American Academy in Berlin, the<br />

Anna-Maria Kellen Fellow hopes

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