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MARCH 2013<br />
ART<br />
issue<br />
CELEBRATING CREATIVITY 2<br />
ART AROUND ISAIAH 4<br />
TRIBUTE IN TILE 6<br />
CALENDAR<br />
BACK COVER
CELEBRATING<br />
CREATIVITY<br />
SUPPORTING ARTISTS AND<br />
ENGAGING WITH THEIR<br />
WORK IS PART OF A LONG<br />
LEGACY AT TEMPLE ISAIAH.<br />
by Rabbi Zoë Klein<br />
Cantor Evan Kent with the cardboard orchestra created this winter at <strong>Temple</strong> <strong>Isaiah</strong> with artist in residence James Grashow.<br />
Welcome to our special Arts Edition of the<br />
Isaian. <strong>Temple</strong> <strong>Isaiah</strong> has a long history of<br />
engagement with the arts which goes far<br />
beyond the incredible projects our students<br />
and teachers create every day. Wandering<br />
through our classrooms, you see a wonderful<br />
variety of colorful materials and textures being<br />
used as part of experiential learning. What<br />
you might not know is that our students<br />
are the inheritors of <strong>Isaiah</strong>’s great legacy of<br />
commitment to supporting Jewish artists.<br />
In 1981, a committee of congregants<br />
including Jean and Jay Abarbanel and Nancy<br />
and Fred Golob envisioned and implemented<br />
the Jewish Artisan’s Festival. “They felt that<br />
a Jewish Artisan’s Festival could become an<br />
educational format that would address both<br />
the needs of the artists to show and sell their<br />
work and the needs of the general Jewish<br />
population to learn about the history of Jewish<br />
art and view and purchase Judaica,” wrote<br />
Marcia Reines Josephy and Meira Josephy in<br />
“A Gift to the Community: The Los Angeles<br />
<strong>Temple</strong> <strong>Isaiah</strong>’s Festival of Jewish Artisans,<br />
The Dream and Reality of Twenty Five Years<br />
of the Nurturing of Jewish Arts and Artists”<br />
(published recently in the CCAR Journal).<br />
Through lectures and discussions,<br />
<strong>Isaiah</strong> introduced the concept of<br />
contemporary Judaica, culminating<br />
in an opportunity for the community<br />
to view and purchase items and<br />
interact with Jewish artists. At the<br />
time, no venue like it existed.<br />
Jay Abarbanel, the chair of the<br />
committee at the time, explained<br />
that the primary goal was “to educate<br />
the public to the rich variety and endless<br />
possibilities of Jewish art.”<br />
Over the years, the Festival expanded in all<br />
sorts of ways. There were paper-cutting and<br />
calligraphy workshops, dance and music<br />
performances. There were local artists, and<br />
artists who came from Israel, Brazil and Italy.<br />
The organizers hosted a breakfast in order<br />
that the artists might be able to connect with<br />
one another.<br />
“The soul is a piano with many<br />
strings and the artist is the hand<br />
that plays.” – Kandinsky<br />
“The development of the <strong>Temple</strong> <strong>Isaiah</strong> model,<br />
the influence it had, the lessons learned and<br />
the ripple effect it produced in support for<br />
Judaica artists throughout the world, had an<br />
2 | THE ISAIAN ART ISSUE<br />
MARCH 2013
impact beyond the wildest dreams of<br />
its founders.” - Marcia Reines Josephy<br />
and Meira Josephy, “A Gift to the<br />
Community”<br />
<strong>Isaiah</strong>’s Jewish Artisan Festival inspired<br />
other festivals of Jewish artisans all over<br />
the country. Many founders of other<br />
festivals came to <strong>Isaiah</strong> for inspiration<br />
and guidance.<br />
After over 25 years, <strong>Isaiah</strong>’s Jewish<br />
Artisan’s Festival came to an end. In<br />
the beginning, <strong>Isaiah</strong> was visionary<br />
and became the central hub for Jewish<br />
art. Now there are so many venues<br />
and opportunities to share Jewish<br />
art. According to the Josephys: “The<br />
organizers hoped to bring recognition,<br />
artistic and financial, to artists who<br />
were donating their time, their souls,<br />
their inspiration, their dreams towards<br />
producing Jewish art.”<br />
It is with generous funds from the<br />
Jewish Artisan Festival Fund – managed<br />
by Sheila Gan, Susan Needelman and<br />
Jean Abarbanel – that we are able to<br />
bring ceramic artist Karen Koblitz this<br />
year to create an outdoor mural, in<br />
honor of Cantor Evan Kent, to capture<br />
the rhythm, joy and spirit of our<br />
community.<br />
Art itself is an ongoing revelation. It is<br />
a courageous search for identity. Jewish<br />
art magnifies our mitzvahs and elevates<br />
the ordinary into sacred space.<br />
We have a proud heritage of Jewish<br />
art and supporting Jewish artists, from<br />
those who have dedicated their lives<br />
to creating meaningful works, to those<br />
young hearts in our care exploring<br />
colors and textures with our talented,<br />
dedicated teachers, and the limitless<br />
wonder of their own imagination.<br />
Learn more about<br />
Karen Koblitz’s<br />
mural in honor<br />
of Cantor Kent<br />
on pages 6-7.<br />
photos by Jan Birch &<br />
Josh Rosenberg<br />
3 | THE ISAIAN ART ISSUE<br />
MARCH 2013
ART AROUND<br />
ISAIAH<br />
There are wonderful jewels<br />
hidden around our temple.<br />
You’ll find meaningful<br />
paintings and prints in<br />
offices, classrooms and shared<br />
spaces. Here are only a few<br />
of the pieces that elevate and<br />
enhance our environment,<br />
and a little of their story. How<br />
many of these pieces have you<br />
seen? As you move through<br />
<strong>Isaiah</strong> and notice other art<br />
pieces, know that what makes<br />
our community a masterpiece<br />
is you!<br />
Lobby: Broken Vessels/<br />
Sparks of Light<br />
– Sherry Karver<br />
From the artist:<br />
When I first heard the Kabbalistic<br />
story of “The Shattering of the Vessels”<br />
in l987, I knew that shattering and<br />
reconstructing the fired clay would<br />
become the essential underlying element<br />
in all of my work, whether the work<br />
was figurative or totally abstract. It is<br />
symbolic of repairing the world, and<br />
since no two pieces ever shatter in the<br />
exact same way, it also creates unique<br />
pieces each time, just as each of us is<br />
completely unique.<br />
The story begins with the concept that<br />
since God is infinite, God had to contract<br />
upon Him/Herself (Tzimtum) in order to<br />
Then, suddenly something happened,<br />
perhaps a cosmic accident, and not able<br />
to contain all of the light, the vessels<br />
shattered in a great explosion, sending<br />
sparks of light and broken shards<br />
throughout the Universe (Shevirat<br />
HaKayleem). Some of the light retraced<br />
its path back to its source, but the rest<br />
was scattered and became trapped in<br />
the strewn shards, which now littered<br />
creation. These shards containing divine<br />
light are the "stuff " of our material world.<br />
The divine sparks can also represent our<br />
buried passions that we need to uncover.<br />
Our job as humanity is to separate the<br />
sparks of light from the broken shards<br />
and to repair them (Tikkun Olam),<br />
thereby going back to the unity and<br />
wholeness of God's original design.<br />
In our role as Jews, according to the<br />
Kabbalah, we help in the repairing the<br />
world whenever we perform mitzvot.<br />
Courtyard: War Memorial<br />
– Jackie Kahn-Trauberman<br />
Veteran’s Day weekend 2010 we<br />
consecrated a memorial to soldiers killed<br />
in Iraq and Afghanistan. Designed by<br />
Jackie Kahn-Trauberman, it is a very<br />
simple canopy fastened to the brick<br />
wall in our front courtyard. The canopy<br />
looks as if it is silver wind chimes that<br />
shimmer in the sun and ring in a breeze.<br />
Upon closer look, one sees that it is made<br />
up of over 5,000 silver dog tags, one for<br />
every American soldier that has died<br />
in the war in Iraq and Afghanistan. The<br />
Hebrew inscription translates as “Spread<br />
a canopy of peace over them.” Every<br />
week at services we read the names of<br />
soldiers who have died and hang dog<br />
make a space in which the world could<br />
grow. God wanted to breathe a little<br />
creative light into this new world but<br />
was concerned that the intensity of the<br />
light would be too great for humanity to<br />
handle, so vessels were created to hold<br />
the light.<br />
tags on the memorial in their honor.<br />
We encourage families to talk about the<br />
memorial with children. As they grow<br />
and reflect on these times, they should<br />
know that we were not immune to these<br />
tremendous losses. One day we hope<br />
to plant vines and our memorial will<br />
become a beautiful shelter of peace.<br />
4 | THE ISAIAN ART ISSUE<br />
MARCH 2013
Sanctuary: Tallit as Art<br />
– Laurie Gross<br />
Textile artist Laurie Gross has taken the tallit’s<br />
image and shape and created a growing body of<br />
work that merges craft, art, religious symbolism<br />
and her unique vision into woven sculptures<br />
which evoke Jewish theology and legend and<br />
express her views about the Jewish people and<br />
human spirituality.<br />
As the sculptures progressed, she recalls, “I<br />
realized it was a partnership. I knew it wasn’t me<br />
doing this, there was something else working<br />
with me. My work is a partnership with God.”<br />
Lobby: The Days of Creation<br />
Stained Glass – Michelle and<br />
David Plachte-Zuieback<br />
Michelle and David Plachte-Zuieback, stained<br />
glass artists, create images to contribute to a<br />
sacred space. They take an interpretive approach,<br />
trying to create images which are original<br />
interpretations of Liturgy, Torah and Talmud and<br />
other books. Their creations involve intensive<br />
research, reading and discussions. “We produce a<br />
visual midrash from our readings.”<br />
The Days of Creation project, originally created<br />
for a Malibu residence, is an example of the use<br />
of symbolic imagery drawn from biblical sources.<br />
According to the artists: “We looked in the Torah<br />
and read that the universe was created through<br />
the power of speech. Over the ages, when the<br />
Rabbis looked at this passage, they determined<br />
that if God used the power of speech to create the<br />
universe, what existed before were the words God<br />
used and the letters that made up those words.”<br />
are symbols of each day's creation. The letters<br />
tumble beyond the confines of time and space<br />
and become a symbol of God's continual act of<br />
creation.<br />
All Israel is Responsible, One for the Other: The<br />
Jewish People is One, just as God is One.<br />
Our Oneness, our connection with generations<br />
past, present and future gives us a unique sense<br />
of family. The colors in the tapestry are as varied<br />
as the many faces of Jews throughout the world.<br />
Yet wherever we meet them, they are our brothers<br />
and sisters.<br />
Twisting, curving, bending and contorting the<br />
cloth bands into myriad shapes, Gross evokes<br />
men and women praying, singing and even<br />
dying. She assembles the bands into winglike<br />
shapes to symbolize the Shekihina, God’s<br />
ephemeral presence.<br />
“I see the tallit as a visual image for the metaphor<br />
of the fabric of Jewish life. When I see someone<br />
wearing a tallit, I see a garment wrapped around<br />
the body as a covering, a tent, a shelter. It is a<br />
womb like environment. The tallit enveloping<br />
the body is an embodiment of the relationship<br />
between the individual and God. Entering the<br />
tallit is like entering into the womb of God.<br />
The tallit also became for me a symbol of the<br />
continuity, tying the life of the individual into a<br />
single thread and binding generations together.”<br />
The artist herself says creating the works is for<br />
her “a way of renewing each day a sense of the act<br />
of Creation.”<br />
The Plachte-Zuiebacks recreate the chaos before<br />
creation in a stained glass window by “a chaos of<br />
Hebrew letters.” In the center of the star are two<br />
words which mean “and God said.” In the corner<br />
of the window, etched onto glass, is the scientific<br />
explanation for the creation of the universe:<br />
Einstein’s equation E=mc2.<br />
Lobby: “Creation” and<br />
“All Israel is Responsible”<br />
– Peachy Levy<br />
The textile pieces in the lobby are part of “World<br />
Series: A View of the World Through a Jewish<br />
Lens” by Los Angeles artist Peachy Levy.<br />
Creation: There was darkness and void and<br />
God spoke. The world was created with words.<br />
Embroidered on the tapestry are letters, not yet<br />
formed into words, coming from the darkness<br />
to become the creation of each day. The colors<br />
A New Addition from our<br />
Students – On Display Soon<br />
As part of Emtza, our project-based seventh- and<br />
eighth-grade program, a group of students spent<br />
the first semester learning about murals and then<br />
creating one of their own. Each student contributed<br />
to an aspect of the process, brainstorming ideas<br />
and eventually sketching out our final project (the<br />
picture shown here shows the almost-finished<br />
mural). The final product has six sections,<br />
organized around the shape of a Star of David.<br />
The sections represent different aspects of the<br />
students’ – and the <strong>Temple</strong> <strong>Isaiah</strong> community’s –<br />
Jewish identities. If you look closely, you’ll see the<br />
mural includes images from the Bible, depictions<br />
of moments in Jewish history and Jewish life in<br />
Los Angeles and illustrations of modern Israel. The<br />
students also included a dedication to Cantor Kent,<br />
acknowledged with a picture of a guitar, illustrating<br />
the importance of music to our community.<br />
5 | THE ISAIAN ART ISSUE<br />
MARCH 2013
Artist Karen Koblitz<br />
is hard at work<br />
on an important<br />
commission:<br />
an outdoor mural<br />
in honor of Cantor<br />
Evan Kent<br />
By Jean Abarbanel<br />
For the past 25 years, <strong>Temple</strong><br />
<strong>Isaiah</strong> has been blessed by our<br />
remarkable and beloved Cantor<br />
Evan Kent. He has participated<br />
in the lives of our families at their<br />
most joyful moments and at their<br />
times of need. The memories of<br />
our journeys together are deeply<br />
seated and without end. We<br />
have benefitted from his “sweet<br />
song,” his deeply spiritual nature,<br />
his unending creative spark and<br />
even his zany and fun loving<br />
personality.<br />
To honor and celebrate Cantor Kent as<br />
he begins another part of his journey,<br />
Karen Koblitz, a well known and widely<br />
exhibited local ceramic artist, has been<br />
commissioned to create a hand painted<br />
5'×20' tile mural wall<br />
which will be installed<br />
in the garden entry of<br />
<strong>Temple</strong> <strong>Isaiah</strong>.<br />
Koblitz is on the faculty of the Roski<br />
School of Fine Arts at the University<br />
of Southern California. Her ceramic<br />
work has been featured in solo<br />
and group exhibitions, including a<br />
one woman show at the All Russian<br />
Museum of Decorative, Applied and<br />
Folk Arts in Moscow, Russia. She has<br />
been included in group exhibitions in<br />
Italy, Switzerland, Australia, Canada<br />
and Uzbekistan and her work can be<br />
found in the permanent collections<br />
of LACMA and The Renwick Gallery<br />
of American Art at the Smithsonian<br />
Institution in Washington, D.C. Koblitz<br />
has been the recipient of many<br />
grants and fellowships including The<br />
United States Department of State’s<br />
ART in Embassies Program, and<br />
Osaka University of the Arts, Osaka,<br />
Japan. Her Public Art Projects include<br />
installations at the Jewish Home for<br />
the Aging, Grancell Campus and the<br />
Sunland-Tijunga Public Library through<br />
the Los Angeles Cultural Affairs<br />
Department.<br />
Koblitz has been inspired by the rich<br />
tradition of Jewish art. Her use of tile<br />
reflects, for example, the mosaic<br />
tiled floors of the 5th-6th century Beit<br />
Alpha Synagogue located in Israel<br />
with their very colorful motifs of birds,<br />
shofars and 7 branched menorahs.<br />
She has also been influenced by the<br />
richly colored, painted and patterned<br />
interiors of the 17th and 18th Century<br />
wooden synagogues from the Polish<br />
Lithuanian Commonwealth.<br />
Once the tile mural is installed in the<br />
courtyard, we will be able to walk up<br />
the ramp and see a pair of hands in<br />
the configuration of the “Priestly<br />
Benediction” welcoming and<br />
blessing all who enter our sacred<br />
space. The mural includes images<br />
of ancient and contemporary<br />
instruments such as David’s<br />
lyre, frame drums, tambourines,<br />
Evan’s guitar and even his violin.<br />
Flowers and animals such as<br />
gazelles (Evan’s favorite animal),<br />
pomegranates, birds (who also<br />
have a song to sing), and Evan’s<br />
cats, Merlin and Kokomo all appear.<br />
According to Koblitz, “The vines<br />
and the arabesques symbolize the<br />
rhythm of music and the rhythm<br />
of life.” A magnificent Tree of Life,<br />
related to the beautiful coral tree<br />
that we all see when we enter the<br />
patio, with its roots and rhythmically<br />
swaying branches, symbolizes the<br />
<strong>Temple</strong> <strong>Isaiah</strong> community and<br />
reflects all of the generations of<br />
congregants whose lives have been<br />
nurtured by Evan. His rich voice<br />
inspired Koblitz to use the color of<br />
deep burgundy as the background<br />
color of the entire mural.<br />
Most importantly, Karen Koblitz’s<br />
creation reflects a personal<br />
narrative of Evan’s cantorate and<br />
will welcome all who enter our<br />
beautiful courtyard. The images<br />
will serve as an endearing and<br />
enduring part of our sacred space<br />
and collective memory, binding us<br />
together, forever and ever.<br />
6 | THE ISAIAN ART ISSUE<br />
MARCH 2013
Praise be the one<br />
who makes us able<br />
to create and enjoy<br />
works of beauty<br />
BREAK BREAD AND PLATES<br />
WITH THE ARTIST!<br />
SUNDAY, MARCH 17, 1:00 P.M.<br />
Do you have clay coffee mugs and china plates?<br />
We will be incorporating bits and pieces of<br />
congregants' chinaware and pottery into a<br />
permanent mosaic which will be installed in<br />
our front courtyard. Just like the glass that is<br />
shattered at the end of a wedding ceremony, as<br />
the couple transitions to a new stage in their life,<br />
together we too will ceremoniously break plates<br />
and teacups in honor of our Cantor's 25 years<br />
of leadership and his transition to a new stage<br />
in Israel. Join us and artist Karen Koblitz for this<br />
special event. Lunch will be served!<br />
Studio Tours<br />
Friday, <strong>March</strong> 15, 10:30 a.m. and<br />
Sunday, <strong>March</strong> 30, 11:00 a.m.<br />
Join us for a tour of Karen’s studio as she<br />
works on our mural!<br />
Please RSVP for lunch or tours to<br />
Gail@templeisaiah.com<br />
A recent visit to artist Karen<br />
Koblitz’s studio reveals an<br />
already-colorful work-in-progress.<br />
7 | THE ISAIAN ART ISSUE<br />
MARCH 2013
In addition to the more prominent<br />
pieces of visual art around the<br />
synagogue, you can find some<br />
“hidden gems” in the offices and<br />
spaces around <strong>Temple</strong> <strong>Isaiah</strong>. Here<br />
are some favorites – many of them<br />
the work of <strong>Temple</strong> <strong>Isaiah</strong> members<br />
– as chosen by members of the staff.<br />
Sunflowers<br />
(Rabbi Klein’s office)<br />
I purchased this painting from an<br />
Israeli artist, Victor Jerusalem, and<br />
it sits over my desk. It portrays<br />
sunflowers wilting outside a<br />
walled city. I know that sunflowers<br />
always turn to face the sun. If the<br />
sun is setting in the painting, then<br />
they are turned away, and they look to me like exiles<br />
on a long road away from home. However, if the sun<br />
is rising, I know that the exiles<br />
will lift their golden heads<br />
and begin their joyous return.<br />
(Rabbi Zoë Klein)<br />
Pomegranates<br />
(religious school office)<br />
My first year at <strong>Temple</strong> <strong>Isaiah</strong>,<br />
I began our annual opening<br />
teacher/staff meeting<br />
with a midrash about<br />
pomegranates: “Just like pomegranate seeds clump<br />
together in rows inside the fruit, children engaged<br />
in studying Torah clump together in groups” (Shir<br />
HaShirim Rabbah 6:11). After all of us studied the<br />
text together, Carla and I gave each member of<br />
the school staff a gift basket full of pomegranate<br />
candies, pomegranate gum, pomegranate juice<br />
and other variations on that theme. Not long<br />
after, Deb Hurwitz Pitt, our amazingly talented<br />
religious school art teacher (and a lifelong <strong>Temple</strong><br />
member), gave me this beautiful painting. The visible<br />
brushstrokes remind me of the artist and the love that<br />
infuses her teaching. The image of fruit – evoking that<br />
midrash – will always make me think of our students<br />
and the amazing learning that goes on here. (Josh<br />
Mason-Barkin, Director of Congregational Learning)<br />
Dara’s Window<br />
(Rabbi Frimmer’s office)<br />
When I arrived in July 2007,<br />
Deb Hurwitz Pitt noticed<br />
that my office had no windows. She offered me<br />
the gift of one of her sky paintings that could serve<br />
as a “window” while I was at work. Every now and<br />
then I think about adding some curtains, but it really<br />
is lovely on its own. (Rabbi Dara<br />
Frimmer)<br />
Underwater Chai<br />
(Rabbi Klein’s office)<br />
This painting is by Flori Hendron<br />
and it was in my home for many<br />
years. I love it so much that I<br />
brought it to my office so that<br />
I could share it with others and<br />
enjoy it in the space where I spend so much time.<br />
There is a mermaid, coral, seaweed and a shofar-like<br />
shell around the Hebrew letters spelling chai, which<br />
means life. I love the rippling movement and the<br />
exotic watery colors, and how it reminds me that<br />
there are hidden coves of magic and beauty that<br />
are waiting to be discovered. (Rabbi Zoë Klein)<br />
“Sleepers and the Smoldering Tree”<br />
(executive director’s office)<br />
This painting was done by my late sister, Ayala Ben-<br />
David. She told me that the image was inspired by<br />
an Amos Oz story. A hollow tree, with reddish-black<br />
embers glowing inside, dominates the center of<br />
the painting. Off on the<br />
margin a man and woman<br />
nestle together in slumber.<br />
This work reminds me of<br />
her strong and organic<br />
connection to Israel. She<br />
made aliya to Kibbutz<br />
Gvulot in 1978 to fulfill her<br />
Zionist beliefs but over the<br />
years, as ideology wore<br />
thin, she stayed in Israel for the most human reasons<br />
of love and friends and having become rooted in<br />
Israeli society. This painting also reflects aspects I find<br />
most compelling in my sister’s artworks: deep colors,<br />
swirling movement and a quiet, understated current<br />
of strength. (Eitan Ginsburg, Executive Director)<br />
8 | THE ISAIAN ART ISSUE<br />
MARCH 2013
9 | THE ISAIAN ART ISSUE<br />
MARCH 2013
CONTRIBUTIONS TO TEMPLE FUNDS<br />
A big thank you to those who have contributed to the various <strong>Temple</strong> funds. Your<br />
contributions allow us to do so much and give back to the community. A true mitzvah!<br />
CLERGY DISCRETIONARY FUND<br />
In Appreciation of<br />
Rabbi Frimmer by Toby and Howard Wolfberg<br />
In Honor of<br />
Rabbi Frimmer’s engagement by Gloria and Eddie Ilan<br />
In Memory of<br />
Sandra Elliott by Eva Englander<br />
Frank Englander by Eva Englander<br />
Seymour Fabrick by Carolyn Fabrick Saltsman<br />
Norberto Feldman by Priscilla and Stuart Levine<br />
Abraham Frazin by Carol Ellis<br />
Mildred Kessler by Honey K. Amado<br />
Andrew B. Kornreich by Thelma Kornreich<br />
Aaron Levine by Toby and Howard Wolfberg<br />
Ethel Lewis by the Ethel and Robert Lewis Fund<br />
Richard Mednick by Lisa and Steve Owen<br />
Selma Pullan by Andrea and Terry Pullan<br />
Arthur Rubin by Joan and Ephraim Sales<br />
Herbert Schlesinger by Ruth Miller<br />
DONNA GROSS<br />
MEMORIAL FUND<br />
In Memory of<br />
Donna Gross by Judy and Jerry Kravitz<br />
Donna Gross by Gail and Terry Feigenbaum<br />
Donna Gross by Adelle Gross<br />
Joel Horowitz by Dena and Michael Horowitz<br />
Judi Horowitz by Dena and Michael Horowitz<br />
Josiah Mishne by Adelle Gross<br />
Harold Shuman by Paula and Larry Shuman<br />
ELLEN GOLDBERG<br />
RELIGIOUS SCHOOL<br />
AND CAMP FUND<br />
In Memory of<br />
Isidore Beierfeld by Roberta Gillerman<br />
George Falke by Evelyn Kwawer<br />
Herman Kwawer by Allen Kwawer<br />
Minnie Katz by Cheri and Manny Katz<br />
Michael Lenvin by Gail Lenvin<br />
Grisel “Nina” Martin by Evelyn and Allen Kwawer<br />
Frances Mittelman by Allen Kwawer<br />
Miriam Wilenker by Deborah Kreingel<br />
GENERAL FUND<br />
In Honor of<br />
Clergy for High Holy Days by Tillie Barnett<br />
HA SHARIM FUND<br />
In Memory of<br />
Blanche Schimmel by Bella Desser<br />
HUREWITZ FAMILY<br />
MEMORIAL FUND<br />
In Memory of<br />
Hildegarde Burgheim by Renee and Chuck Hurewitz<br />
Morris Rosengarten by Renee and Chuck Hurewitz<br />
ISRAEL ACTION FUND<br />
In Memory of<br />
Harry I. Stone by Faye Scholnick<br />
JEAN BRIN PRESCHOOL<br />
MEMORIAL FUND<br />
In Support of<br />
<strong>Temple</strong> <strong>Isaiah</strong> Sequoia Trip<br />
by Jasmine and Michael Danielpour<br />
LEVINE LIBRARY<br />
MEMORIAL FUND<br />
In Appreciation of<br />
Armand Rogo by Maxine Rogo<br />
In Memory of<br />
Lillian Gilbert by Ellen Gilbert Cole<br />
Maggie Rodriguez by Maxine Rogo<br />
Blanche Schimmel by Bella Desser<br />
Rosland Verbelun by Karol Wells<br />
MEMORIAL FUND<br />
In Memory of<br />
Hildegarde Burgheim by Deborah Pitt<br />
Ruth Canter by Honey and George De Roy<br />
Jay Cohen by Larry Cohen<br />
MEMORIAL FUND CONT.<br />
Sara Eilfort Goz by Claire Tucker<br />
Harold Levine by Sherrie Zacharius and David Levine<br />
Zelda Ross by Eldrie Lubick<br />
Florence Slotkin by Milton Slotkin<br />
Jennie Smith by Janice Smith<br />
Anna Tobias by Janice F. Smith<br />
Joseph Turner by Paul Turner<br />
PRESCHOOL SCHOLARSHIP<br />
FUND<br />
In Memory of<br />
Ida Rimai by Joanne and Mark Levy<br />
RABBI EMERITUS<br />
ROBERT T GAN<br />
DISCRETIONARY FUND<br />
In Memory of<br />
Etta Globenfelt by Betty Wallis<br />
Richard Oshman by Marcia Oshman<br />
Richard Rosenblum by Rose Abbott<br />
Stuart Solig by Suzanne and Marty Solig<br />
RISHONIM FUND<br />
In Memory of<br />
Arthur Richman by Jeni Catch<br />
ROSALEE LIPMAN<br />
PRESCHOOL FUND<br />
In Memory of<br />
Arthur Katz by Donald Lipman<br />
SKLAR CAMP<br />
SCHOLARSHIP FUND<br />
In Memory of<br />
Mary Lou Kaplan by Martha Sklar<br />
ISRAEL'S FUTURE: TWO PERSPECTIVES<br />
Monday, <strong>March</strong> 11, 7:15 p.m.<br />
Join us as Jeremy Ben-Ami, founder and President of J Street, and Roz Rothstein,<br />
co-founder and CEO of StandWithUs, discuss Israel’s future and the role of<br />
Diaspora Jews. This event is open to the public. RSVP required.<br />
Please contact the <strong>Temple</strong> office or email Gail Minkow at gail@templeisaiah.com.<br />
10 | THE ISAIAN ART ISSUE<br />
MARCH 2013
B'NAI MITZVAHS<br />
ROBERT SHER<br />
Son of Rita<br />
and Igor Sher<br />
Saturday, <strong>March</strong> 2<br />
SOPHIA LEVY<br />
Daughter of Beth<br />
and Colin Levy<br />
Saturday, <strong>March</strong> 2<br />
MADISON OKMIN<br />
Daughter of Lori<br />
Globerman<br />
and Mitch Okmin<br />
Saturday, <strong>March</strong> 16<br />
SOLOMON MARGO<br />
Son of Laura<br />
and Noah Margo<br />
Saturday, <strong>March</strong> 23<br />
TAYLOR ZIMELMAN<br />
Daughter of Jodi<br />
and Steven Zimelman<br />
Saturday, <strong>March</strong> 23<br />
Talmud says, “Welcoming guests is greater than receiving the face of the<br />
divine presence.” We welcome those who have become part of our <strong>Temple</strong><br />
family. Our goal at <strong>Temple</strong> <strong>Isaiah</strong> is to encourage your involvement as both<br />
members and volunteers.<br />
Laura and Monty Abramov<br />
Lorna and Michael Belman<br />
Gina and Ronald Bowman<br />
Alyse and Andre Farkas<br />
Marlene and Benjamin Hakakha<br />
Elissa and Jonathan Hecht<br />
April Jergens and Donald Rosen<br />
Merjan and Mehran Kashefi<br />
Stacey Kivel<br />
Elisa and Zane Koss<br />
Amy and Steve Levin<br />
Sandra and Michael Marvi<br />
Lori Resnick-Fleishman and Craig Fleishman<br />
Marissa and Justin Seeple<br />
Nancy and Howard Shapiro<br />
WELCOME<br />
New<br />
Members<br />
MARCH MEMORIAL PLAQUES<br />
<strong>March</strong> 1<br />
Rose Sherman<br />
Mac Altkorn<br />
Robert Braun<br />
Herbert Polinsky<br />
David Levich<br />
Charles Kimmel<br />
Henry Kolb<br />
Lena Weiss<br />
Joe Gillerman<br />
Harry Gordon<br />
Samuel Fink<br />
Herman Peskay<br />
Wolf Sales<br />
Ronald Zsupnik<br />
Sara Freeman<br />
Eugene Levine<br />
Annie Fink<br />
Samuel Goldstein<br />
Eva Marx<br />
Boris Posner<br />
Jerome Spatz<br />
Gary Brodsky<br />
<strong>March</strong> 8<br />
Isaac Harris<br />
Samuel Sax<br />
Abraham Pinchasi<br />
Michael Marshall<br />
Tillie Walter<br />
Bess Yettra<br />
Minnie Freeman<br />
Sol Ziskind<br />
Anna Goodman<br />
Daniel Hinden<br />
Samuel Kaminker<br />
Louis Levitz<br />
Bud Blitzer<br />
<strong>March</strong> 15<br />
Herman Bayless<br />
Morris Leinow<br />
Harriet Jacobs<br />
Charne Kodimer<br />
Morris Brounstein<br />
Morris Davidson<br />
Jacob Sands<br />
Celia Radoff<br />
Louis Shapiro<br />
Abe Levatter<br />
Lillian Goldman<br />
Lawrence Joseph<br />
Rose Jacobs<br />
Abraham Jaloff<br />
Hyman Miller<br />
Fanny Roth<br />
Augusta Miller<br />
<strong>March</strong> 22<br />
Jean Gerber<br />
Helen Gootkin<br />
Harold Kreisberg<br />
Adele Levine<br />
Rita Clayman<br />
Morris Fabrick<br />
Betty Zsupnik<br />
Herman Birken<br />
Lucy Bretzfelder<br />
Muriel Pines<br />
<strong>March</strong> 29<br />
Nancy Klein<br />
Lillian Needelman<br />
Hannah Glassman<br />
Lottie Firestone<br />
Flora Siegel<br />
Gayle Sadofsky<br />
Betty Soskin<br />
Rose Subotnick<br />
Irene Davidson<br />
Harry Brownstein<br />
Harry Schechter<br />
Max Bretzfelder<br />
Dina Goldfarb<br />
Anna Freidson<br />
Leah Rector<br />
Paul Freedberg<br />
Harry Arnold<br />
Diana Stell<br />
LIFECYCLES<br />
MILESTONES: Mazel Tov to: Julie and Aaron Kaplan on the birth of their daughter, Olivia; Marissa and Justin Seeple on the birth of their daughter, Skyller;<br />
Patti Lebeau-Chorn on the birth of her grandson, Luke Allan Chorn.<br />
SYMPATHY: We would like to express our sympathy to the following <strong>Temple</strong> members and their families on the recent loss of their loved ones: Aaron<br />
Etehad on the loss of his mother, Rooha Pouretehad; Melissa Brand on the loss of her grandmother, Frances Edlitz; Dorothy Jonas on the loss of her husband, Allan<br />
Jonas; Eleanor Padnick on the loss of her mother, Ida Rimai; Judie Rice on the loss of her cousin, E. Buddy Blan; Gary Rosenberg on the loss of his aunt, Fay Gross;<br />
Phyllis Rosenberg on the loss of her aunt, Fay Gross; Hannah Rubin-Schlansky on the loss of her great-uncle, Chester “Chet” Rubin; Keith Richman on the loss of<br />
his uncle, Alan Rubin; Ralph Rosner on the loss of his sister, Ruth Schwartz .<br />
SPEEDY RECOVERY: The following <strong>Temple</strong> members or their loved ones have been ill and we want to wish them well: Susan Bartholomew;<br />
Marshall Cole; Renee Cronenwalt; Peggy Engman; Martin Paull; Suzanne Solig; Colin Trauberman.<br />
11 | THE ISAIAN ART ISSUE<br />
MARCH 2013
10345 West Pico Boulevard<br />
Los Angeles, CA 90064<br />
310.277.2772<br />
WWW.TEMPLEISAIAH.COM<br />
DATED MATERIAL<br />
MARCH 2013 CALENDAR<br />
SHABBAT SERVICE SCHEDULE<br />
Fridays: <strong>March</strong> 1 + , 8*, 15 and 29<br />
5:45 P.M. PRE-ONEG<br />
6:15 P.M. SHABBAT SERVICES<br />
7:30 P.M. ONEG<br />
+ <strong>March</strong> 1 – Shabbat Rising Service<br />
*<strong>March</strong> 8 – Jazz Shabbat Service<br />
Fourth Friday - <strong>March</strong> 22<br />
5:30 P.M. FAMILY SHABBAT SERVICE<br />
5:45 P.M. PRE-ONEG<br />
6:00 P.M. FAMILY SHABBAT DINNER<br />
6:15 P.M. SHABBAT SERVICES<br />
7:30 P.M. ONEG<br />
Mon<br />
Wed<br />
Sat<br />
CENTER FOR THE WIDOWED<br />
Every Monday<br />
DAUGHTERS OF TORAH ~<br />
LEARNING CIRCLE<br />
Every Wednesday | 10:00 a.m. – 11:30 a.m.<br />
CANTOR KENT MEDITATION CIRCLE<br />
Every Wednesday | 6:15 p.m. – 7:00 p.m.<br />
SHABBAT TORAH STUDY<br />
Every Saturday | 9:30 a.m. – 10:30 a.m.<br />
Study with Rabbi Zoë Klein every Shabbat morning,<br />
exploring Torah verse by verse<br />
TEMPLE OFFICE CLOSED: <strong>March</strong> 26<br />
2<br />
<strong>Isaiah</strong> Women Hike and Lunch<br />
Saturday, <strong>March</strong> 2 I 10:00 a.m.<br />
15<br />
<strong>Isaiah</strong> Women Lunch Bunch<br />
Friday, <strong>March</strong> 15 I 12:00 p.m.<br />
Engaging Israel: Jewish Values<br />
3<br />
and the Dilemmas of Nationhood<br />
Sunday, <strong>March</strong> 3 I 9:30 a.m.<br />
Limmud Wednesday, <strong>March</strong> 6 I 6:00 p.m.<br />
6<br />
Post-Holocaust theology with preeminent scholar<br />
Michael Berenbaum.<br />
Hearts & Minds: A Torah Roundtable<br />
9<br />
Saturday, <strong>March</strong> 9 I 9:00 a.m.<br />
10<br />
“The Light in Her Eyes” Documentary Screening<br />
Sunday, <strong>March</strong> 10 I 1:00 p.m.<br />
<strong>Isaiah</strong> Women Seder and Dinner<br />
Sunday, <strong>March</strong> 10 I 3:00 p.m. Innovative seder led by<br />
Rabbi Zoë Klein and Rabbi Maya Leibovich<br />
Israel's Future: Two Perspectives<br />
11<br />
Monday, <strong>March</strong> 11 I 7:15 p.m.<br />
13<br />
14<br />
Limmud Wednesday, <strong>March</strong> 13 I 6:00 p.m.<br />
Board Meeting Wednesday, <strong>March</strong> 13 I 7:15 p.m.<br />
Community Organizing at <strong>Temple</strong> <strong>Isaiah</strong><br />
Thursday, <strong>March</strong> 14 I 7:30 p.m This meeting will include<br />
an introduction to the community organizing process. Please<br />
RSVP to rabbinic intern Jason Rodich at jasonrodich@gmail.<br />
com or speak with Janet Hirsch or Susan Bartholomew.<br />
16<br />
17<br />
19<br />
20<br />
Tot Shabbat<br />
Saturday, <strong>March</strong> 16 I 9:00 a.m.<br />
Break Bread and Plates with the Artist<br />
Sunday, <strong>March</strong> 17 I 1:00 p.m.<br />
T.I.N.G. Meeting<br />
Tuesday, <strong>March</strong> 19 I 8:00 a.m. Open to all <strong>Temple</strong><br />
members and those who want to build their business through<br />
referrals. For questions, call Ivy Rappaport at 323-782-3032.<br />
ICE Evening<br />
Wednesday, <strong>March</strong> 20 I 5:30 p.m.<br />
Rosh Hodesh with <strong>Isaiah</strong> Women<br />
21<br />
Thursday, <strong>March</strong> 21 I 7:00 p.m.<br />
Please rsvp to ediamond27@hotmail.com<br />
26 2nd Night Passover Seder<br />
Tuesday, <strong>March</strong> 26 I 5:00 p.m.<br />
RSVP required. Please register online.<br />
SAVE THE DATE:<br />
BIG SUNDAY is MAY 5, 2013<br />
at Palms Middle School. Sign-up for the<br />
project at www.bigsunday.org in April or<br />
email cohenapple@aol.com to help with planning.