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tones<br />
2010
tones 2010<br />
Literary Editor<br />
Deanna Amoia<br />
Art Editor<br />
Victoria Hardy<br />
Ass<strong>is</strong>tant Literary Editors<br />
Jennie Conway<br />
Dana Mignione<br />
Staff<br />
Grace Gorenstein<br />
Julie Hackett<br />
Aditi Kothari<br />
Vivian Lee<br />
Adv<strong>is</strong>ors<br />
Donna Grasso<br />
Sarah McMane<br />
Cover<br />
Howard Kyong<br />
Ed Bolan, Principal<br />
Sheila Silverman, Ass<strong>is</strong>tant Principal<br />
Juliet Gevarg<strong>is</strong>, Ass<strong>is</strong>tant Principal<br />
Tappan Zee High School, 15 Dutch Hill Rd., Orangeburg, NY 10962
table o f conte nts<br />
1 Inhibitions . . . . . . . . . . . . . . . . . . . Deanna Amoia<br />
Art . . . . . . . . . . . . . . . . . . Sarah Song<br />
2 La Petite Fille . . . . . . . . . . . . . . . . . . . Alex Aitken<br />
Art . . . . . . . . . . . . . . . . Brandon Zhao<br />
3 Sally . . . . . . . . . . . . . . . . . . . . . . Dana Mignione<br />
Art . . . . . . . . . . . . . . Danielle Acevedo<br />
4 Yellow or Pink Flowers . . . . . . . . Grace Gorenstein<br />
Art . . . . . . . . . . . . . . Jenna Mrozinski<br />
5 Chased . . . . . . . . . . . . . . . . . . . . . Chelsea Hano<br />
Art . . . . . . . . . . . . . . . . . . Sarah Song<br />
7 Snowflakes and Paper Chains . . . . . <strong>The</strong>resa Flynn<br />
Art . . . . . . . . . . . . . . . . . Steve Purk<strong>is</strong><br />
8 Capturing the Infinite . . . . . . . . . . . . Anonymous<br />
9 Second Time Around . . . . . . . . . . Jessica Ciallella<br />
Art . . . . . . . . . . . . . . . Jessica Ciallella<br />
10 <strong>The</strong> Many Uses of Underwear . . . . Jennie Conway<br />
12 <strong>The</strong> Pains of Grace . . . . . . . . . . . . . Julie Hackett<br />
Art . . . . . . . . . . . . . . Giannia Schettini<br />
13 Hindsight . . . . . . . . . . . . . . . . . . . Deanna Amoia<br />
Art . . . . . . . . . . . . . . . . . Julie Hackett<br />
14 Charlie . . . . . . . . . . . . . . . . . . . . . . . . . Rosie Alig<br />
Art . . . . . . . . . . . . . . . . Brandon Zhao<br />
15 My Falling . . . . . . . . . . . . . . . . . . Sheila Kr<strong>is</strong>hnan<br />
Art . . . . . . . . . . . . . . . Nikki Hennessy<br />
16 Prom<strong>is</strong>es . . . . . . . . . . . . . . . . . Veronica Tenesaca<br />
Art . . . . . . . . . . . . . . . . . Juan Molina<br />
17 Great Grandpa . . . . . . . . . . . . . . . Patrick Moffett<br />
Art . . . . . . . . . . . . . . . . Rose Milando<br />
18 Taxonomy . . . . . . . . . . . . . . . . . . . . Justin Reiter<br />
19 Art . . . . . . . . . . . . . . . . . . . . . . . . Martín Tlalolini<br />
20 Kung Fu Grandma . . . . . . . . . . . . . . . . Annie Tao<br />
21 Devil’s Daughter . . . . . . . . . . . . . . . . . . Vivian Lee<br />
Art . . . . . . . . . . . . . . . . . . Sarah Song<br />
22 Beloved: A Love Story . . . . . . . . . . . . . . Rose Alig<br />
Art . . . . . . . . . . . . . . . . . Isabel Barrie<br />
23 <strong>The</strong> Ruination of Ir<strong>is</strong>h Dancing . . . . . . Kiera Brady<br />
Art . . . . . . . . . . . . . . . . Victoria Hardy<br />
25 Title . . . . . . . . . . . . . . . . . . . . . . Giannia Schettini<br />
Art . . . . . . . . . . . . . . . Rachel Stanford<br />
26 Rabid Smog . . . . . . . . . . . . . . . . . . . Julie Hackett<br />
27<br />
Art . . . . . . . . . . . . . . Emiko Ch<strong>is</strong>holm<br />
Neighbors . . . . . . . . . . . . . . . . . . Regina Argenzio<br />
Art . . . . . . . . . . . . . . . . . Nicole Healy<br />
28 Falling From New Heights . . . . . . . . Taimy Thomas<br />
Art . . . . . . . . . . . . . . . . Donna Grasso<br />
29 Dimentico . . . . . . . . . . . . . . . . . . . Dana Mignione<br />
Art . . . . . . . . . . . . . . . . Brandon Zhao<br />
30 Th<strong>is</strong> I Believe: Better Odd Than Boring . . Elliot Halpern<br />
Art . . . . . . . . . . . . . . . . . . Kevin Qian<br />
31 Catherine . . . . . . . . . . . . . . . . . . . . <strong>The</strong>resa Flynn<br />
Art . . . . . . . . . . . . . . . . . . Sarah Song<br />
32 Wicker Memories . . . . . . . . . . . . . . . Julie Hackett<br />
Art . . . . . . . . . . . . . . . . . Julie Hackett<br />
33 Ambivalence . . . . . . . . . . . . . . . . . Chelsea Hano<br />
Art . . . . . . . . . . . . . . . . . . .Kevin Qian<br />
34 Integrity . . . . . . . . . . . . . . . . . . . . Deanna Amoia<br />
36 Little S<strong>is</strong>ters . . . . . . . . . . . . . . . . Alexandra Marks<br />
Art . . . . . . . . . . . . . . . . . Nicole Healy<br />
37 Eyes . . . . . . . . . . . . . . . . . . . . . . Jennie Conway<br />
Art . . . . . . . . . . . . . Amanda Grinvalds<br />
38 It Will Always Come Back . . . . . . . . . . Alyssa Lam<br />
Art . . . . . . . . . . . . . . . . . . Sarah Song<br />
39 Cynic . . . . . . . . . . . . . . . . . . . . . . Sheila Kr<strong>is</strong>hnan<br />
Art . . . . . . . . . . . . . . . . Chr<strong>is</strong> Cassidy<br />
40 Windex . . . . . . . . . . . . . . . . . . . . . . . . Vivian Lee<br />
Art . . . . . . . . . . . . . . . . . . . Vivian Lee<br />
41 Across the Pond . . . . . . . . . . . . . . Connor Teahan<br />
Art . . . . . . . . . . . . . . Emiko Ch<strong>is</strong>holm<br />
42 It. . . . . . . . . . . . . . . . . . . . . . . . Grace Gorenstein<br />
Art . . . . . . . . . . . . . . . . . . Sarah Song<br />
43 Paper Planes . . . . . . . . . . . . . . . . . . Aditi Kothari<br />
Art . . . . . . . . . . . . . . Jenna Mrozinski<br />
44 Home . . . . . . . . . . . . . . . . . . . . Alexandra Marks<br />
Art . . . . . . . . . . . . . . . . Ashley Glazer<br />
45 Imaginary Games . . . . . . . . . . . . . . . Julie Hackett<br />
Art . . . . . . . . . . . . . . . . . . Sarah Song<br />
46 I Am My Memories . . . . . . . . . . . . . . Sara James<br />
Art . . . . . . . . . . . . . . Aarati Akkapeddi<br />
47 Speaking . . . . . . . . . . . . . . . . . . . . . Elliot Halpern<br />
Art . . . . . . . . . . . . . . Aarati Akkapeddi<br />
48 <strong>The</strong> Mirror . . . . . . . . . . . . . . . . Ashley Thompson<br />
Art . . . . . . . . . . . . . . . . Victoria Hardy<br />
49 Ode to My Acne . . . . . . . . . . . . . . Dana Mignione<br />
Art . . . . . . . . . . . . . . . Jessica Lynady<br />
50 <strong>The</strong> Sun R<strong>is</strong>es Just for Me . . . . . . . <strong>The</strong>resa Flynn<br />
Art . . . . . . . . . . . . . . Danielle Acevedo
Inhibitions<br />
by Deanna Amoia<br />
A sly smile crept across h<strong>is</strong> face, like that of a sideshow performer with a trick up h<strong>is</strong> sleeve. <strong>The</strong> action made h<strong>is</strong> eyes narrow<br />
into a curious stare that I returned. I was prepared to jump off a mountain in exchange for the knowledge lurking behind th<strong>is</strong> frostbitten<br />
expression. But, to my d<strong>is</strong>may, there were no dangerous edifices to leap off of. I attempted to decrypt h<strong>is</strong> gaze instead.<br />
Sarah Song<br />
H<strong>is</strong> thoughts, the foreign transm<strong>is</strong>sions inside h<strong>is</strong> head, transformed the eyes I had seen so many times before into something<br />
completely different. <strong>The</strong> faded grass color was replaced by brilliant green hues with hints of rusted gold that reflected every snowflake<br />
around us. In those brief moments, instead of a dead lawn, I looked into a forest of evergreens and yellow birches peeling from age,<br />
covered in ice. I could build a log cabin there and live in it forever. I could write a novel about their colors alone. I could have day-long<br />
conversations with th<strong>is</strong> newly d<strong>is</strong>covered parad<strong>is</strong>e. I could learn everything there <strong>is</strong> to know about him and still be happily surpr<strong>is</strong>ed.<br />
I could learn life's secrets or ignore their presence. I could do anything I wanted to, except k<strong>is</strong>s h<strong>is</strong> knowing grin.<br />
1
La Petite Fille<br />
by Alex Aitken<br />
2<br />
What’s my secret, you ask? My biggest secret? Well, it’s not so much of a secret anymore, but it haunts me now more<br />
than ever. It was one of the most personal and hardest things one could keep to himself. In fact, I’m surpr<strong>is</strong>ed I kept it hidden<br />
for as long as I did. No, I am not in the mafia. No, I am not gay. My secret was my name, my middle name; my secret<br />
was my identity. Within those for letters lurked my past, my identity, and my weakness. For years and years, I had kept th<strong>is</strong><br />
to myself. But of course, as all secrets do, my identity became public at the worst possible time: fourth grade.<br />
As anyone could have guessed by now, my name <strong>is</strong> embarrassing; at least it was in elementary school, at time when any<br />
min<strong>is</strong>cule abnormality, even a mere freckle, could be used as a tool of insurmountable ridicule and torment. I mean, obviously,<br />
I had an embarrassing middle name or else there would be no reason for me to write about it. But it’s not just embarrassing.<br />
It goes deeper than just a silly name for the infantile mind to snicker at like “Dick Hertz” or the name of the substitute<br />
teacher every child seemed to have at least once, “M<strong>is</strong>ter Bates.” Th<strong>is</strong> identity changed the way people perceived me. It made<br />
others, and me, question my manhood.<br />
I remember the day when everything changed. I remember clearly as a curious classmate glanced over at my report card.<br />
He was checking to see if he had done better than me, but in knew the subject of interest had immediately changed when I<br />
heard the infamous words come screeching our of h<strong>is</strong> prepubescent throat, “Who <strong>is</strong> Renéééééééé??” <strong>The</strong>re was only one “e”<br />
at the end, but my friend hung onto that last vowel for so long I was sure he would suffocate on it.<br />
“That’s me,” I said, “René <strong>is</strong> my middle name.”<br />
I shouldn’t have said that. I should’ve said René was my mother or something. It’s not like he would know any better.<br />
“Renéééé? But <strong>is</strong>n’t that... a girl’s name?”<br />
“No!” I defended, “It’s French Canadian. I’m French Canadian!” Like that<br />
made anything better.<br />
“You’re French!? AND Canadian? So you ARE a girl then, eehhh, Renééééé?”<br />
It’s funny how elementary school kids are the most prejudiced and bigoted<br />
people of all, pointing out stereotypes that didn’t ex<strong>is</strong>t before their mouths blurted<br />
them out. <strong>The</strong>n, all young minds in hearing range will take that stereotype,<br />
now a truth, and smash it into your face until you bleed from embarrassment.<br />
Apparently, to a fourth grader, being French Canadian, especially a French<br />
Canadian named René, makes you a bona fide girl.<br />
It ain’t no picnic being French Canadian. Of course, my people did not suffer<br />
from hundreds of years of oppression and racial violence, and of course, there<br />
are ethnic backgrounds that have endured more difficult prejudices. But then<br />
again, if someone makes fun of one of these minorities, it’s called rac<strong>is</strong>m. If<br />
someone makes fun of a French Canadian, it’s called hilarity. Try being a French<br />
Canadian boy. Try being a French Canadian boy named Alex René.<br />
Ambiguity consumed me from the moment that awful name came out of my<br />
classmate’s mouth. From that point on, I was no longer “Alex Aitken,” the quiet<br />
little boy who was good at math and liked rock and roll. I was “Renééééé,<br />
eehhh?” the petite French Canadian girl. My identity was now a question.<br />
Everything about me was in question. When people saw me, they questioned<br />
whether I was who I said I was. <strong>The</strong>y didn’t believe me. Soon, I didn’t believe<br />
myself. I had to go home and look in the mirror to see if I really was who I said<br />
I was. And when I saw the face staring back at me in the mirror, I asked myself,<br />
“Ou est le fils?”<br />
Brandon Zhao
Sally<br />
by Dana Mingione<br />
Her name <strong>is</strong> Sally.<br />
She sits in the corner of the room, veiled in a thin sheet of dust and neglect.<br />
She’s probably out of tune.<br />
When I unwrapped her on Chr<strong>is</strong>tmas morning, I became six years old again; she was a new Barbie and I wore pigtails. I wanted<br />
to rip her out of her case, tweak those bright chrome knobs and do nothing but explore her notes and chords all day. But I was sixteen,<br />
not six, so after presents, I went back to sleep for awhile. Instead of sugar plums, I dreamed of cherry red guitars.<br />
For the whole month of January, she was my best friend. I would sit on my bed and cradle her, trying to decipher the tab sheets<br />
that I had printed out. After about a week, I bought an amp. I bought a capo. I was in for the long haul. Those stupid dreams of a band<br />
that I had with my friends weren’t looking so stupid anymore. I could sing, I would write songs. All I needed was to work at th<strong>is</strong> instrument<br />
thing and I’d be golden, right?<br />
I managed to coax some decent chords from her neck, but my<br />
inexperienced fingers stumbled. Those strings were trip wires. My<br />
brain’s commands couldn’t bridge the vast gap of my synapses and<br />
make it all the way to my hands.<br />
Still, I would pluck away, softly singing song after simple song.<br />
While I attempted it, the new songbook of hardcore pop music that I<br />
received for Chr<strong>is</strong>tmas was still a little out of my league. I got pretty<br />
darn good at “Happy Birthday” and “Deck the Halls” though, let me<br />
tell you.<br />
I had every intention of practicing every day. I really did. But<br />
things came up, as things tend to do. <strong>The</strong> dulcet tones of off tempo<br />
strumming and botched chords could be heard less and less in my<br />
house.<br />
It was fifth grade clarinet all over again.<br />
So Sally got cozy in her new neighborhood in the corner, along<br />
with her companions, Amp and Songbook. I should really pay her a<br />
v<strong>is</strong>it sometime.<br />
Am I not driven? Am I not talented? <strong>The</strong> answer to the former <strong>is</strong><br />
“Yes,” so I guess I’ll never know the answer to the latter. You probably<br />
won’t see me at the Grammys, on MTV, or even on stage at Acoustic<br />
Underground.<br />
But then again, maybe I will take Sally our one Saturday afternoon<br />
and really fall for her. We would start off fast, as we did before,<br />
with a sudden spark. But our love may blossom over time. Maybe<br />
we’ll have a life together someday.<br />
But until that day, I think we are just fair-weather friends.<br />
Danielle Acevedo<br />
3
Yellow or Pink Flowers<br />
by Grace Gorenstein<br />
She wakes up at 5:30 to brush her teeth. With the sun already in the sky, she feels as though the day will be one sprinkled<br />
with golden moments. <strong>The</strong> green mouthwash stings the insides of her cheeks, but she ins<strong>is</strong>ts on gargling despite watering<br />
eyes. Once sleep has been washed away, she proceeds to dress her face. With clothes, she feels, the body can be accentuated<br />
and yet hidden. At the same time, makeup allows someone to show herself without revealing the truth. With a mascara<br />
wand in hand, she continues the process. Her face must be made beautiful. Like everything in her world, she must work hard<br />
for perfection. It does not come to her easily like natural beauty queens. A bunkmate drunk with early-morning fatigue walks<br />
into the bathroom to pee. <strong>The</strong> girl waits until the loser goes back to bed before continuing with her beautification. Now the crucial<br />
element: straightened hair. Although camp policy looks down upon using the straightening iron because of poor electricity,<br />
she uses one anyway. Frizz <strong>is</strong> ugly. She <strong>is</strong> ugly. Straight and shiny <strong>is</strong> desirable. At seven she crawls back onto the top bunk,<br />
and rests on her back so as to not ruin the closest thing to Perfect she can be without him. Fifteen minutes later, the cabin <strong>is</strong><br />
woken, and eleven groggy girls roll out of bed and proceed in their bulky pajamas and sweatshirts to breakfast. She goes as<br />
well, wearing short shorts and a cutoff sweatshirt for that subtle 80’s-but-sexy look to the best of her fat ability. He’ll ask me<br />
today. I know it.<br />
According to fantasy, she <strong>is</strong> supposed to proceed to breakfast with the rest of the camp, and sometime during the meal<br />
he will stand up on a table, with flowers in hand, and profess h<strong>is</strong> love to her. Everyone will clap. She’ll appear shocked, of<br />
course, and stand up so everyone can see how beautiful she <strong>is</strong>. As she r<strong>is</strong>es, he will descend from the table and walk to her,<br />
h<strong>is</strong> blue eyes remaining on her mud-colored eyes the entire time. He will pay no mind to the ugly eye color, but only to the<br />
makeup surrounding it. He will give her the flowers, which will be yellow or pink roses (whichever match her outfit) and he will<br />
hug her passionately and then k<strong>is</strong>s her for all to envy. But the losers<br />
will still clap. Because although they can never experience bl<strong>is</strong>s<br />
themselves, they can still recognize the Perfection they will create<br />
and support its presence.<br />
She goes to the buffet line, and only gets food that <strong>is</strong> attractive,<br />
so that she <strong>is</strong> never caught at a bad moment. Just yogurt. Imagine,<br />
if in addition to her pale skin she had crumbs or bacon on her face?<br />
Basics are always accepted. Only yogurt. She waits. She’s sitting with<br />
her cabin, but makes sure that she can see him across the dining<br />
hall. <strong>The</strong> flowers must be under the table. <strong>The</strong> girls on either side of<br />
her gorge themselves in eggs, bacon, chocolate milk, and other<br />
undesirables. She hopes that eating the lumpy yogurt won’t be in<br />
vain. Breakfast <strong>is</strong> over and the clunking of plates and cutlery begins<br />
to fill the hall. Maybe he’s waiting until it’s loud, just so that he can<br />
silence the room before telling everyone he loves me. That way it’s<br />
more dramatic. <strong>The</strong> plates are now stacked, and campers await d<strong>is</strong>m<strong>is</strong>sal<br />
so they can return to the cabins and put clothes on for the<br />
day’s activities. She looks over, and sees him focused on a thumb<br />
war with one of h<strong>is</strong> friends. Stand up. Tell me you love me. In front of<br />
everyone. <strong>The</strong> campers are d<strong>is</strong>m<strong>is</strong>sed, and the day begins.<br />
In pursuit of a good camp experience, every day eleven girls put<br />
on sunscreen and sneakers, and one girl goes to vomit in the bathroom.<br />
But while at her lowest, gripping the toilet bowl, she’s still smiling,<br />
because she knows that she will get her flowers at lunch.<br />
4<br />
Jenna Mrozinski
Chased<br />
by Chelsea Hano<br />
D<strong>is</strong>claimer: I am not a damsel in d<strong>is</strong>tress. I am not a wilting<br />
flower. When I go on dates with guys, I don’t let them pay for<br />
me. If they do pay, it makes me feel like a prostitute. That<br />
must sound really silly, but it’s how I feel. Most of my male<br />
friends have been trained to run in fear when I’m angry and<br />
flinch if I ra<strong>is</strong>e my hand too quickly. Unlike most girls, I don’t<br />
view being single as a curse. To me it’s a pleasure. I am<br />
strong, independent, and fierce. I don’t need a man, or anyone<br />
to save me. Except for th<strong>is</strong> one time, at theater camp…<br />
It was lunchtime at French Woods Festival for the<br />
Performing Arts, summer of 2009 (or the summer of Two<br />
Thousand and Swine, as it’s known amongst the campers).<br />
I was seventeen, young, and stupid. As I write th<strong>is</strong>, I am still<br />
seventeen, still young, and still very stupid.<br />
After waiting on line for what seemed like hours, I<br />
had finally gotten my food. <strong>The</strong> food at French Woods <strong>is</strong><br />
pretty questionable but it’s food and most of the time it’s<br />
good. It’s always deep fried though. I never understood that.<br />
I saw my friend Alex making h<strong>is</strong> way back to h<strong>is</strong><br />
lunch table. Alex <strong>is</strong> one of those lanky theater boys that girls<br />
like me are suckers for. He can quote Shakespeare and sing<br />
Steven Sondheim with the best of them. H<strong>is</strong> soft, dark brown<br />
hair <strong>is</strong> made to be tussled and stroked, like a puppy.<br />
Sometimes he lets me and h<strong>is</strong> other female friends verbally<br />
beat the crap out of him. When I had a fake wedding earlier<br />
that summer, Alex borrowed the hand-me-down jacket from my dad and “gave me away.” Mothers<br />
like him. Alex <strong>is</strong> d<strong>is</strong>arming. H<strong>is</strong> eyes sometimes sparkle.<br />
Sarah Song<br />
We saw each other and started talking. I needed to talk to him. It was important.<br />
“Hey Alex, remember yesterday when we were all hanging out and that kid Chase showed up?”<br />
Alex nodded. I’m pretty sure he had some idea of what I was about to say.<br />
“Well…he’s a creeper. When I was sitting with him during evening activity he kept trying to take off my bra through my<br />
shirt. He wouldn’t stop until I smashed h<strong>is</strong> hand against the wall with my back.”<br />
It’s perfectly normal for friends to do that to each other as a joke. But some kid we don’t know, not cool. “What the<br />
@#$%!” Alex exclaimed.<br />
5
“Yeah, he kept on asking me out. Th<strong>is</strong> guy met me yesterday and he asked me out. He went on and on and on about<br />
how he could see ‘the pain in my eyes.’ And that ‘I’ve really suffered.’ Like I was some emo boy’s Barbie or something. But<br />
anyway, I was wondering, if you see him near me or about to come near me or anything like that, could you…”<br />
“Definitely.” He knew exactly what I was talking about. You know when two people are such good friends that they can<br />
read each other’s minds? Alex and I can do that.<br />
“It’s not like I couldn’t kick h<strong>is</strong> ass or anything, but it helps to have a guy just there. You know? Also…he tried to put a<br />
dog collar on me.”<br />
Alex’s jaw dropped. A string of words came out of h<strong>is</strong> mouth. It resembled “Huh bah duh wah?” <strong>The</strong> fact that any guy<br />
would do that didn’t seem to click in h<strong>is</strong> mind.<br />
“Yeah, during evening activity and we were alone. He pulled out th<strong>is</strong> big, black, spiked dog collar out of h<strong>is</strong> pocket. <strong>The</strong><br />
kind that an emo would buy at Hot Topic. He tried to make me wear it. I don’t work like that though. So just if you see him or<br />
something just…you know.”<br />
He nodded, he knew. We hugged and went to our separate tables.<br />
<strong>The</strong> next day, at lunchtime once again. I stood at the front of the dining hall. My eyes scanned the smelly hall looking<br />
for my friend Steph. Guess who walked up to me with a repulsive swagger? Chase.<br />
Chase was one of those cliché looking emo kids that are the reason people hate emos. H<strong>is</strong> clothes were only black,<br />
usually involving chains and shirts with an “ironic and witty” statement. He stood 5’2 inches and weighed about ninety pounds.<br />
Chase was mentally d<strong>is</strong>turbed, but I was still bigger than him so I had no doubt that I could’ve taken him in a fight if necessary.<br />
If he were well-built, I would’ve told an adult or something. Everything about him was covered in a thin layer of dirt and<br />
grease. <strong>The</strong> greasiest part of him was h<strong>is</strong> long stringy hair that covered h<strong>is</strong> glasses; it was lightly speckled with white flecks of<br />
dandruff. Thinking about him makes me vomit in my mouth a little bit.<br />
“Hey, are you looking for me?” he said, choking on h<strong>is</strong> own smirk.<br />
I put on my best bitchy teenage girl face “No,” I said.<br />
In Chase’s mind the “no” must’ve translated into “please take off my bra,” because that’s exactly what he tried to do. I<br />
dodged h<strong>is</strong> dirt covered hands all the while saying things like “Stop. Don’t.” and “Cut it out!” He didn’t l<strong>is</strong>ten to me. I was starting<br />
to freak out, when all of a sudden, who came riding in on the metaphorical white horse of chivalry? Alex.<br />
He walked towards us like a hero in an action movie. Full of purpose and ready to kick ass. Without hurting me, Alex<br />
grabbed my arm and swung me around so he was in between me and Chase. Alex was a wall protecting me from grabby, grimy<br />
hands. Th<strong>is</strong> adorkable, lanky, kind of awkward nineteen-year-old had become a wall. I breathed in a feeling of safety.<br />
Alex spoke to me but didn’t take h<strong>is</strong> eyes off of h<strong>is</strong> victim. “Go. Leave. He’s not going to hurt you.”<br />
“She’s not yours,” said Chase. Everything th<strong>is</strong> kid did was slimy.<br />
“She’s not yours either.” Alex drew himself up to h<strong>is</strong> full height, towering over Chase like a horse towers over a snake.<br />
“I belong to myself, thank you very much.” Th<strong>is</strong> seemed like a good enough time for me to speak up. I turned around<br />
and walked away.<br />
After that, Chase wasn’t so bold anymore, and he never tried to undo my bra ever again, but he still wouldn’t leave me<br />
alone. After threatening to tell the head of camp, he still wouldn’t back off. I knew only one thing would make him stop, and I<br />
was more than happy to do it. I punched him in the face.<br />
6
Snowflakes and Paper-Chains<br />
by <strong>The</strong>resa Flynn<br />
My facial features are not uncommon, nor are they unique. <strong>The</strong>y are closely replicated on the faces of my s<strong>is</strong>ters – big<br />
brown eyes, a small nose with a bump, high cheek bones and a fair complexion, all framed by thick frizzy hair.<br />
At first glance we are a paper-chain, each cut out of exactly like the next, but look closer and you will see we are<br />
snowflakes, similar at a d<strong>is</strong>tance, but still unique and special.<br />
My big brown eyes shine when they are happy. At the mention of the paper-chain, they narrow. <strong>The</strong> tips of my toes<br />
curl, and an angry, red heat travels into my face.<br />
I am a snowflake. Unique and special. I am not part of the paper-chain – cut from the same paper, attached permanently<br />
to the other paper-girls, with the same sharp edge of the skirt and uniform length of hair. My pattern <strong>is</strong> different, and<br />
all its own.<br />
I am a snowflake.<br />
Steve Purk<strong>is</strong><br />
7
Mom<br />
“Do you remember me?”<br />
Those were the first words I remember my mom saying as she hugged me. She was tall with long wavy dark as midnight<br />
hair and a unique smell. She smelled of lavender and babies. Her skin was tanned and she had one beauty mark on her left<br />
hand, the only part of her I could make out clearly, as I was midget-sized, even for a five-year-old. She waved her hand towards<br />
me and it seemed to emit comfort. Without thinking, I reached for it, and was surpr<strong>is</strong>ed by its smoothness. She smiled at my<br />
surpr<strong>is</strong>ed face and turned me towards a tall man with coffee skin who smelled of paint. He stepped closer to me and I tilted my<br />
head up to try to see all of him. I could just barely make out two dark eyes and a laughing smile. He looked down and said, “Let’s<br />
go.” Something in the back of my mind said dad.<br />
I hadn’t seen my parents in a long time—not since they’d left to start our new life in America—and I had to get to know<br />
them all over again.<br />
My mom then lifted me into my dad’s arms and navigated her way through the throngs of figures with suitcases. When we<br />
got to the car, he placed me back into her arms and the smell of her skin lulled me to sleep. When I awoke, it was dark. We<br />
were in front of th<strong>is</strong> hideous pineapple-colored house that looked to be hundreds of years old. I was pushed out the car, into the<br />
house, up the creaking stairs, and into a small room. <strong>The</strong>re my mom pointed to a rosy pink princess bed with matching pillows.<br />
I turned to her, saw her goofy happy expression, and didn’t have the heart to tell her my favorite color was blue.<br />
<strong>The</strong> next month, my s<strong>is</strong>ter, Diana, came, and I was able to tell someone just how crazy my mom was. She would do things<br />
like watch me play with my dolls or play with the kids downstairs. She would ask if she could braid my hair, even though it was<br />
still short from my last haircut. She would ask me if I was happy. If I looked sad, she looked sad. I never once realized that all<br />
she was doing was trying to get to know me, just as I had to get to know her. I was used to having people know that my face<br />
gets serious when I am deep in thought, or that my favorite color <strong>is</strong> blue, or that I like having my hair loose, not braided. <strong>The</strong>se<br />
were things, I figured, that I had to teach her. But my mom caught on quickly and replaced the Pepto-B<strong>is</strong>mol bed with a flowery<br />
sky blue one. She stopped trying to braid my hair every day. When school started, she would take me to the bus stop and then<br />
hurry off to work.<br />
After a few years, my mom and dad decided to have another baby. Her name was Lillian. <strong>The</strong>n they decided to split up, and<br />
we, my s<strong>is</strong>ters and I, left with my mom. At first, she worried about us, but when I d<strong>is</strong>covered the violin, she decided that if it<br />
helped me, she would do everything to support me. She never m<strong>is</strong>sed a single concert and pushed me to practice every day.<br />
When she found out I enjoyed reading, she decided that routine trips to the library were a must. She never once complained<br />
about how hard it was to keep a roof over our heads; all she did was try to make things fun for us.<br />
On the weekends, she would take us on walks to the park and treat us to ice cream. On the days she was home, she would<br />
make up stories for me.<br />
But then, all that changed.<br />
One summer day when we were on one of our regular trips to the library, she collapsed and was rushed to the hospital.<br />
<strong>The</strong>re she was diagnosed with cancer. For a few months, she attended an outpatient program in Valhalla. <strong>The</strong>n when her cancer<br />
worsened, she went to Westchester Medical Hospital. Whenever she went to the hospital, I would go with her, even if that<br />
meant m<strong>is</strong>sing school. Little by little, I saw my mom shrink from the beauty that she was into th<strong>is</strong> pale, weak, prematurely aged<br />
woman whom I didn’t know. As she slipped away, I realized that she tried to make things the way they used to be. She would<br />
have me curl up in bed with her and l<strong>is</strong>ten to stories about what she used to do as a little girl. Every time I we did th<strong>is</strong>, I would<br />
lie there and inhale her smell so I would have it with me forever.<br />
<strong>The</strong>n it happened.<br />
That day was the same as every other day. I woke up and was about to go to school, but decided to stay home. She got<br />
worse and I had<br />
Nicole<br />
to call<br />
Healy<br />
an ambulance. Two days later, she was gone. She left while I was at school and I didn’t have the chance<br />
to say goodbye. All that remained was her empty bed that smelled like lavender and babies.<br />
At that moment, all I wanted was to hear her scream at me to clean my room, or to curl up in bed with her and l<strong>is</strong>ten to her<br />
stories. It has taken a long time, but now, when I remember her, I think of her scent, and imagine her somewhere looking down<br />
on me, protecting me and smiling at me. And I know I am never alone.<br />
8<br />
—Anonymous
Second Time Around<br />
by Jessica Ciallella<br />
.6% — not even 1%. Who falls under such unlikely circumstances? My family.<br />
<strong>The</strong> odds of having an aut<strong>is</strong>tic child are 1 in 150. My mom managed to have not one, but two aut<strong>is</strong>tic boys. Though my<br />
first aut<strong>is</strong>tic brother Richard passed away at age four, six years later, my mom had another boy who, coincidentally, was aut<strong>is</strong>tic.<br />
Some would think falling under such a small percentage <strong>is</strong> unlucky, but I wouldn’t want it any other way.<br />
Jake <strong>is</strong> my aut<strong>is</strong>tic brother, who’s now ten years old. I won’t lie and say it was<br />
easy accepting my brother’s d<strong>is</strong>ability; it took a lot of patience, energy, and a few<br />
blood-drawing bites. Being only two when my older brother passed away, I had no<br />
previous knowledge of aut<strong>is</strong>m and had no idea how challenging it would be. A quick<br />
run to the supermarket turned into a two-hour trip, shopping around for f<strong>is</strong>h oils,<br />
gluten-free, wheat-free foods that were according to Jake’s therap<strong>is</strong>t “better for him.”<br />
Our family had to change up the annual summer vacation and stay away from beach<br />
and pool resorts because where ever there was water, Jake swam…naked. Any store<br />
that sold videotapes was one to stay away from, since Jake could probably spend h<strong>is</strong><br />
whole day picking out movies. If we didn’t buy them, he screamed, threw himself on<br />
the floor, and did basically anything in h<strong>is</strong> power to get h<strong>is</strong> way. Bystanders in stores<br />
often stared and wh<strong>is</strong>pered. I probably have bumps on my tongue from biting it so<br />
hard holding back my anger. I wasn’t angry with Jake though; I was angry with the<br />
people who didn’t understand h<strong>is</strong> diagnos<strong>is</strong>.<br />
Over the course of time, I started developing a strong relationship with Jake. As<br />
he grew older, he also grew out of h<strong>is</strong> old ways. He retired swimming in h<strong>is</strong> birthday<br />
suit, handled himself in social environments, and cut down h<strong>is</strong> video addiction. Once<br />
he could cope in public places without an instant temper tantrum, he gained more<br />
freedom. Wherever I began to go, Jake wasn’t too far. He now enjoys places I take<br />
him regularly. Every Saturday morning we wake up and go to Dunkin’ Donuts. Jake<br />
tags along when I run into the mall, but starts getting fussy in the shoe department.<br />
Comprom<strong>is</strong>e was a key component all along. He put up with the shopping and walking,<br />
and I rewarded him with a number 10 from Burger King. Jake understood that<br />
good behavior became rewarded, and to th<strong>is</strong> day hasn’t acted up under my watch.<br />
My parents and family members were in awe of my successful relationship with Jake.<br />
As Jake progressed with social interaction and verbal skills, I learned all about<br />
responsibility, caring for someone more than I care about myself. I teased my mom<br />
Jessica Ciallella<br />
telling her I should be Jake’s mother. On May 14th, 2008, it was no joking matter.<br />
I felt like the wind got knocked out of me that morning. Right before I left for school, my mom told me that I was going to<br />
be Jake’s legal guardian when my parents pass away, and I would sign the paperwork confirming it when I got home from practice.<br />
I felt like I got hit by a train, my bones were so numb. I honestly couldn’t tell you a thing I learned that day in school. All I<br />
thought about was how my life was about to do a 360 right before my eyes. I haven’t even made it out of high school yet, and<br />
haven’t even entered the “real world.” I couldn’t do it. I got home from practice and said no, telling my mom th<strong>is</strong> could potentially<br />
ruin my life. My parents were so hurt, they said if I didn’t sign, Jake would be put in a home and live there for the rest of<br />
h<strong>is</strong> life. But I was self<strong>is</strong>h and cared only about my own prosperity and future. I went to church a few nights later, and it was<br />
almost as if the message were directed to me. “Sometimes we have to make sacrifices for the people we love, whether it’s our<br />
first choice or not. You never realize how strong you are until you have to be.” <strong>The</strong> message couldn’t have been anymore clear.<br />
Th<strong>is</strong> was my opportunity to r<strong>is</strong>e to responsibility and test my strengths. How could I have been so naïve?<br />
That night I went home and cried more than Jake would when he couldn’t drink orange soda before bed. I couldn’t believe<br />
I almost allowed Jake to live in a home, without h<strong>is</strong> family. It’s more than Jake needing me, I realized—it’s me needing him! I<br />
wouldn’t be half the person I am today without Jake’s aut<strong>is</strong>m. Legal document or not, I treated Jake already as if he were my<br />
own. As for the signing, I’m not allowed to legally sign consent until I’m twenty-one, but when that time comes, I will.<br />
9
<strong>The</strong> Many Uses of Underwear<br />
by Jennie Conway<br />
Underwear; by definition it’s clothing worn underneath our outer layers. It’s also the cause of cliché sexual tension situations<br />
in movies between the romantic leads. My own experience with these colorful garments was certainly tense, but it wasn’t<br />
even remotely sexual; it was just plain awkward.<br />
<strong>The</strong> summer of ’07 I went on one of those overrated People to People trips; you know, the ones where they stress<br />
responsibility and leadership and that our goal <strong>is</strong> to show America in a good light? In reality, it was a sightseeing trip. A way<br />
for teenagers to see the real life versions of those itty-bitty pictures we are force-fed in h<strong>is</strong>tory textbooks.<br />
<strong>The</strong> first few days in Italy were spent traveling from the rustic southern provinces to the picturesque countryside in the<br />
north that the country <strong>is</strong> famous for. Nestled in the region of Umbria lies the town of Ass<strong>is</strong>i, known as the birthplace of St.<br />
Franc<strong>is</strong>.<br />
When Ass<strong>is</strong>i comes to mind, an image on a postcard immediately follows without another thought. Narrow, spindly cobblestone<br />
streets wound their way across lush hills with a backdrop of a pure and unpolluted blue void above. Monuments<br />
from the age of St. Franc<strong>is</strong> lay in assorted clusters in varying elevations, and our knees complained incessantly with every<br />
height change, screaming at the creakiest pitch available.<br />
Our hotel was on one of the bl<strong>is</strong>sfully flat portions of the city, a yellow rectangle that rose three stories, and dotted with<br />
blindly white cutouts, overlooking the pr<strong>is</strong>tine countryside beyond. Once assigned, the immaculate rooms offered a wonderful<br />
reprieve and washing capabilities. <strong>The</strong> rotting stench that permeated all of our luggage and our tour bus would be sedated<br />
by the glorious availability of water.<br />
I brought out my tattered shorts, faded shirts, and fraying socks in a large bundle that made me look like a walking<br />
washing machine. My arms were as red as the fading sunset when I began contentedly pinning my articles of clothing to the<br />
clothesline positioned across the white balcony. My roommate had some vendetta against washing clothes, so I had been<br />
able to commandeer the entire section for myself.<br />
I sighed and le<strong>is</strong>urely folded myself down so that my legs swung child<strong>is</strong>hly from between the balcony’s iron bars. <strong>The</strong><br />
endless shades of orange, purple and pink swirled before me as the sun set at a slugg<strong>is</strong>h pace so that all could enjoy its<br />
wonders.<br />
I chatted with my friends in the room to the left of mine; they had some qualms about the fact that they had no clothespins<br />
on their line to hold everything in place, but I absentmindedly assured them that there would barely be any wind that<br />
night. Sat<strong>is</strong>fied with my answer, we w<strong>is</strong>hed each other sweet dreams before heading off into the warm contours of dreamless<br />
sleep.<br />
<strong>The</strong> morning was plagued by shrieks that usually accompanied hyperactive girls who cannot decide what outfit to wear.<br />
My legs found their way wearily next-door while my lifeless roommate remained in her bed, last night’s drool creeping precariously<br />
over the side. Before I had time to ra<strong>is</strong>e my hand, the door swung open with a thrashing sound that vibrated<br />
throughout the entire floor.<br />
“It’s gone!”<br />
“What <strong>is</strong>?”<br />
“Our clothes!”<br />
10
“Huh?”<br />
“<strong>The</strong> clothes we washed last night! <strong>The</strong>y blew off the clothesline!”<br />
“Oh…uh…where are—”<br />
“THEY’RE ON THE BOY’S BALCONY!” Anoki, Jessica’s small Indian roommate was a girl who had never spoken above a<br />
polite wh<strong>is</strong>per before. Now she whipped past me with enough force to drive me into a wall. My friend Jessica followed soon<br />
after her, flapping her arms wildly in her attempt to retrieve her clothes before the boys spotted the polka-dotted bras and<br />
undies lying outside their room.<br />
Thunder cascaded down the stairs as more girls realized that their clothes had been swept away to a horrifying exhibition<br />
located on the boy’s floor. Following Anoki and Jessica, I was subjected to the loudest rumble of thunder heard that<br />
morning.<br />
it.<br />
<strong>The</strong> door quaked like a frightened schoolboy underneath the knocking that Anoki and Jessica fruitlessly bore down upon<br />
Fortunately for the door’s sake, it was rescued by one of the irritable inhabitants from behind it. You see, although it <strong>is</strong><br />
typically believed that girls are the annoying and pr<strong>is</strong>sy ones in the mornings, it <strong>is</strong> actually the boys who snap more readily<br />
and curse far more frequently when d<strong>is</strong>turbed during their morning routine. <strong>The</strong>se boys, already aggravated by the screaming,<br />
unceremoniously threw open their door, wearing either oddly patterned boxers or towels around their wa<strong>is</strong>ts.<br />
“Let us in.”<br />
“No! It’s our room and we’re not dressed!”<br />
“Does it look like I give a crap? Our…belongings….are outside on your balcony and WE…WANT…THEM…BACK.”<br />
“We’ll go get them for you.”<br />
“IF YOU TOUCH ONE OF MY BRAS I WILL THROW YOU UNDER OUR BUS!”<br />
Like soldiers spurred on in a heated battle, Anoki and Jessica shoved their way through the boys’ indecent ranks and<br />
towards the valued goal of the balcony beyond. In a fantastic prank a boy decided to drop h<strong>is</strong> towel as the girls ran into the<br />
room, revealing boxers underneath so that we’d blush a scarlet red. <strong>The</strong> carefully planned out immaturity of boys always<br />
make me slap my forehead in pity of their stupidity.<br />
Anoki and Jessica returned a few minutes later with bulging bunches shoved underneath their shirts, making it look like<br />
they were having rather bumpy pregnancies. <strong>The</strong> screeching had ceased but soon rose up in a tidal wave once the boys<br />
realized that some of their clothes had fluttered off their small, fenced patios and landed in puddles of mysterious liquid. <strong>The</strong><br />
boy’s rooms were located at ground level, just across from where the hotel’s dog slept. Ah, the wonder of karma.<br />
I helped Anoki and Jessica re-pack their underwear into their bags as we rolled around the beds and thought up jokes<br />
to taunt the rude boys for their not so chivalrous behavior.<br />
We then ran into the dining room and feasted upon the glorious spread of Nutella, assorted fruits, and cro<strong>is</strong>sants that<br />
was laid artfully before us. With our mouths dripping of the chocolate and hazelnut spread, we mercilessly teased our friend<br />
Paul that the yellow<strong>is</strong>h stain on a shirt of h<strong>is</strong> was a result of the hotel’s Saint Bernard and not an effect of h<strong>is</strong> bad washing<br />
technique.<br />
11
<strong>The</strong> Pains of Grace<br />
by Julie Hackett<br />
Sweat beads on my forehead<br />
lungs burning from the effort<br />
my ribs tucked tightly<br />
into my body,<br />
a supposedly compact m<strong>is</strong>sile<br />
of grace.<br />
My legs sting, my ankles groan<br />
my heals ache from the weight<br />
of my thumping, pounding jumps.<br />
My feet, hot and mo<strong>is</strong>t,<br />
strain to be perfectly aligned.<br />
My toes, numb from the pressure of size<br />
silently scream their way<br />
through the motions<br />
My shoulders, tense and sore,<br />
my arms, sagging and weak.<br />
But my face—<br />
my face becomes a soft<br />
porcelain mask of ease.<br />
Though the struggles of my body<br />
fill my head,<br />
Giannia Schettini<br />
my calm expression reveals nothing<br />
to the criticizing spectators<br />
12<br />
watching from below.
Hindsight: A Response to “<strong>The</strong> <strong>World</strong> <strong>is</strong> a <strong>Beautiful</strong> <strong>Place</strong>”<br />
by Lawrence Ferlinghetti<br />
by Deanna Amoia<br />
Granite held up the roof<br />
that crashed down<br />
onto society last night<br />
when tensions finally boiled over<br />
and broke apart the world<br />
that <strong>is</strong> now only<br />
rubble under feet<br />
Or ash that covers<br />
everything<br />
but the posts that support<br />
nothing<br />
and are out of place<br />
in th<strong>is</strong> desert<br />
that was a house<br />
a store<br />
a city<br />
A world<br />
complete with<br />
truthless politicians<br />
and companies that pledged good<br />
will<br />
while scraping out the insides of<br />
purses and wallets<br />
and businessmen<br />
selling scruples on street corners<br />
In th<strong>is</strong> free market with<br />
eye contact avoiders<br />
and logic barriers<br />
thousands would<br />
storm shopping centers in search of<br />
long-gone holiday cheer and<br />
thousands would<br />
ignore the man on the side of the<br />
road<br />
whose hat was lost to<br />
wind and rain<br />
Funny to think that<br />
somewhere students studied for<br />
straight A’s<br />
and forgot about their world<br />
their imperfections<br />
and how to<br />
tie their shoes<br />
Isn’t it sad that no one stopped to ask<br />
what were we doing<br />
when the dec<strong>is</strong>ion was made<br />
to give up on vacations<br />
because they cost too much<br />
to get respectable jobs<br />
so dreams only appeared at night<br />
to walk past the park<br />
rather than stroll through it<br />
to play it safe<br />
instead of live it up<br />
to act just a little bit<br />
human<br />
Julie Hackett 13
Charlie<br />
by Rosie Alig<br />
For Charlie, names mean very little.<br />
<strong>The</strong> click of the toy train on the tracks <strong>is</strong> far more compelling than the fact that it <strong>is</strong> called Thomas, and h<strong>is</strong> capacity<br />
for affection <strong>is</strong> in no way hindered by h<strong>is</strong> reluctance to express it in words. Yet th<strong>is</strong> five-year-old boy –– smart, lovely, aut<strong>is</strong>tic<br />
–– has dug deep inside a mind we know little about and, despite instincts screaming to turn the<br />
other way, has learned to look h<strong>is</strong> mother in the eye and call himself by h<strong>is</strong> name.<br />
Though it seems small, th<strong>is</strong> gesture was an impetus for me to reframe the way I<br />
think about the fortitude and diversity of human intellect. Looking at Charlie, knowing h<strong>is</strong><br />
extreme introversion, I wondered what it must take for a child whose mind <strong>is</strong> a constantly<br />
expanding solips<strong>is</strong>m to open up even further, to bend h<strong>is</strong> cognizance to resemble our<br />
own. <strong>The</strong> verbal marketplace we take for granted <strong>is</strong> as alien to Charlie as h<strong>is</strong> need for<br />
self-stimulation <strong>is</strong> to us, yet he <strong>is</strong> beginning to assimilate th<strong>is</strong> logocentric mentality into<br />
h<strong>is</strong> sense of the world. Despite the fact that popular perceptions of aut<strong>is</strong>m speak of an<br />
utter, almost elective d<strong>is</strong>connectedness, Charlie’s Herculean effort to learn the rules of<br />
our foreign world attests to the fact that the intellect of the aut<strong>is</strong>tic individual <strong>is</strong> as rich<br />
and varied as that of so-called “normal” people.<br />
Sadly, th<strong>is</strong> <strong>is</strong> not a universally accepted notion. A popular college level psychology<br />
textbook includes a mere paragraph on aut<strong>is</strong>m, defining it exclusively in negatives: an<br />
“impaired theory of mind” and “deficient communication.” Th<strong>is</strong> way of thinking oversimplifies<br />
and underrepresents; it d<strong>is</strong>m<strong>is</strong>ses difference as d<strong>is</strong>ease, and in doing so perpetuates<br />
the alienation we ascribe to the d<strong>is</strong>order itself.<br />
Though I am not immune to the inevitable confusion which comes from being faced<br />
with a psychological state so utterly different from my own, I have learned that the line of<br />
thinking which broadly paints aut<strong>is</strong>m as an undesirable mutation, a reflection of the sins of<br />
the mother or the environment, does little to make progress towards a cohesive understanding<br />
of the d<strong>is</strong>order. My experience with Charlie has taught me that if I am to break<br />
down the barriers between him and me, I must expand my intellect to grasp h<strong>is</strong> own.<br />
As I sit with Charlie and h<strong>is</strong> train set, I call out greetings to Thomas and h<strong>is</strong> friends,<br />
labeling everything as if teaching someone Engl<strong>is</strong>h for the first time. I redirect h<strong>is</strong><br />
behavior, trying to bring h<strong>is</strong> intellect to the common plane. But I also take a<br />
minute to adjust my own, to run my fingers over the tracks and to l<strong>is</strong>ten<br />
to the click of the toy. Though he hasn’t asked me in words, I try to<br />
answer Charlie’s tacit request to meet him, for once, in the safe harbor<br />
of h<strong>is</strong> internal world. If I can’t find the bravery to expand my<br />
notions of play and pleasure, language and connection, how can I<br />
ask him to do the same?<br />
14<br />
Brandon Zhao
My Falling<br />
by Sheila Kr<strong>is</strong>hnan<br />
Yesterday evening, something curious happened: I began my weekly falling,<br />
and two people walked right through the mess I made.<br />
Every week, I would fall right on that street, because I love the sound it<br />
makes against the cobblestones and the quietness that settles because the people<br />
are too afraid to walk through it. I would pull everything I had together, just so<br />
that I could drop it all once a week and laugh at how all the little humans would<br />
scurry for cover while the trees would smile and open their leaves. And it was<br />
always fun, especially when my friend Flash came over – she loves to dance<br />
down and see how close she can get to the bottom without falling all the way. To<br />
th<strong>is</strong> day, she only fell once, and there’s a little bru<strong>is</strong>e near the bench where she<br />
fell.<br />
But yesterday evening, Flash couldn’t make it, and I just went ahead and<br />
started my falling, humming along with the leaves below. But I almost stopped<br />
when I saw that there were two humans taking a quiet stroll through the clatter,<br />
not bothered at all by the cold. Everyone else had bolted for cover, but these two<br />
curious folk seemed quite oblivious.<br />
Nikki Hennessy<br />
My curiosity piqued, I crouched closer, inadvertently falling a little harder. As<br />
I peered at them, one of the people sidled closer to other, and said in a deep voice, “You know, your mother used to love the rain.<br />
Sometimes, she’d sit outside on that tree stump over there, by the bench, and just l<strong>is</strong>ten. She used to say that the trees would sing with<br />
pleasure after a week of nothing.”<br />
I remember that one… she was peculiar, like these two – she would always v<strong>is</strong>it once a week and just sit where Flash fell. Her eyes<br />
would be closed and she would sometimes hum along with me. I used to like her, but one day, she never came, and she hasn’t since.<br />
<strong>The</strong> smaller figure put a short arm around her father. “Do you m<strong>is</strong>s her, Daddy?” <strong>The</strong>y continued walking slowly through the square,<br />
and I lessened my falling to a drizzle.<br />
<strong>The</strong> man didn’t answer for a moment, but, upon reaching the stump, he stopped and stroked it. After a moment, he said, “I do,<br />
princess. But I try to remember that she went away with a smile on her face. She always told us to keep moving forward, right? And<br />
sometimes it’s easier to do that when we’re near her presence.”<br />
<strong>The</strong> little girl mulled that over for a moment, before turning luminous eyes towards h<strong>is</strong> remin<strong>is</strong>cing face. “Do you think she’s here<br />
now, Daddy? I want to see her…I…m<strong>is</strong>s her!” Her small face crumpled into tears, and I began to fall harder to drown out the heartwrenching<br />
sound as well as my own sadness.<br />
Her father ho<strong>is</strong>ted her up, and brushed away the tears gently. “Oh, sweetheart, don’t cry. L<strong>is</strong>ten, Mommy’s watching us right now,<br />
and she’s sitting right here l<strong>is</strong>tening to the rain as she used to. But she’s happy because she gets to see her beautiful little girl! But if you<br />
cry, it’ll make her sad. Here, do you want to sit with her?” She nodded her tiny head, and he lifted her onto the stump.<br />
“<strong>The</strong>re, just like old times, right? With you sitting on Mommy’s lap and me telling the two of you stories…” He trailed off, tears<br />
coming to h<strong>is</strong> own eyes.<br />
“Daddy, don’t cry!” She threw her little arms around him, little f<strong>is</strong>ts holding tightly to h<strong>is</strong> coat.<br />
He didn’t say anything, but hugged her close and wiped away the tears from h<strong>is</strong> water-soaked face.<br />
And I could do nothing but watch helplessly. I couldn’t even leave to lament elsewhere, because th<strong>is</strong> little family had my heart stuck<br />
in the middle of their w<strong>is</strong>hful hug. It has always been said that it was wrong to get caught in mortal affairs, but I had tied myself to th<strong>is</strong><br />
family and their loss without ever meaning to, and the knots were unbreakable.<br />
“Come on, love, let’s go home.” He lifted h<strong>is</strong> daughter up, and her arms clamped instinctively around h<strong>is</strong> neck, while her small head<br />
lay against h<strong>is</strong> shoulder. She did not remove her sight from the stump until they had passed the corner, and I pattered out, empty.<br />
15
Prom<strong>is</strong>es<br />
by Veronica Tenesaca<br />
Your words as hollow as the plastic flower in my room<br />
You spoon me lies as sour as lemons<br />
Your deceiving tales<br />
Your insincere smiling face<br />
Your voice so smooth from the practice<br />
Of spawning lies<br />
All the signs that prove to me that you will never<br />
Stay true<br />
Juan Molina<br />
16
Great Grandpa<br />
by Patrick Moffett<br />
I stood in silence as a throbbing ache passed through my throat. Alone in my room, I<br />
sat and cried, and w<strong>is</strong>hed I could have hugged<br />
you one last time. At your wake, I saw you lying<br />
in that bed of death, stationary and lifeless. I<br />
touched your hand, and the dry texture of your<br />
skin clawed at my fingertips. <strong>The</strong>re you lay, in<br />
your suit draped with honorary medals and<br />
awards that you won for your efforts in <strong>World</strong><br />
War II. I stood there awhile and dreamed of you<br />
r<strong>is</strong>ing up from the casket and embracing me one<br />
last time. <strong>The</strong>re I looked into your lifeless eyes<br />
and wondered why you’d left me. I stood there<br />
and w<strong>is</strong>hed for you to come back. I stood there<br />
and w<strong>is</strong>hed to smell the peppermint aroma that<br />
once permeated your worn brown sweater, the<br />
one that you always wore around Chr<strong>is</strong>tmas<br />
time. I stood there and w<strong>is</strong>hed to feel the<br />
warmth you once brought with you wherever you<br />
went.<br />
Rose Milando<br />
As I left the funeral home, I felt a sort of desperation<br />
to see you once more, even if you were just lying there, cold and departed. I wanted<br />
to say goodbye, for I had not before. I ran back inside and placed my hand on your heart,<br />
and said my final goodbye. Again, I stood there, but th<strong>is</strong> time, I was at peace, for I knew you<br />
would always with me, as I am sure you are with me even now. Whether you are in my<br />
heart, or in a passing butterfly gliding le<strong>is</strong>urely above a bit of a green meadow, I know you<br />
are with me, and more importantly, I know you love me still.<br />
17
Taxonomy<br />
by Justin Reiter<br />
Dr. Ernest stared in awe at the perfectly preserved cadaver on the operating table as Dr. Young entered the room. <strong>The</strong> subject<br />
had been found frozen solid and was easily the most complete specimen of ancient human, the name given to people that<br />
lived before the Great Ice Age in 2012. Upon d<strong>is</strong>covery, the subject had been transported to the Institute of Ancient Human<br />
Studies for examination. <strong>The</strong> Institute housed all other artifacts of the forgotten race, including the only piece of deciphered<br />
ancient literature: a textbook describing a caste system that placed people into groups called stereotypes based on physical,<br />
mental and social character<strong>is</strong>tics. Dr. Ernest and Dr. Young were special<strong>is</strong>ts in the field of ancient human taxonomy. So far, they<br />
had successfully classified twelve specimens into their proper stereotype. Th<strong>is</strong> one was next.<br />
<strong>The</strong> body on the table was that of a young man in h<strong>is</strong> late teens or perhaps early twenties. He had fair skin with coarse<br />
brown hair and blue eyes.<br />
“Th<strong>is</strong> <strong>is</strong> a magnificent specimen. It shouldn’t be too difficult to classify him,” remarked Dr. Young as he searched through<br />
the box containing the ancient human’s personal effects at the time of death. As per regulations, the doctors began with an<br />
examination of these items in order to avoid, if possible, conducting a physical examination and comprom<strong>is</strong>ing the body.<br />
<strong>The</strong> boy’s only personal effects were h<strong>is</strong> clothes, an iPod, a folded piece of paper, and a driver’s license that identified him<br />
as “Justin Reiter.” H<strong>is</strong> clothes were simply blue jeans and a white t-shirt, not enough to give any real insight into h<strong>is</strong> category.<br />
Dr. Young picked up the iPod.<br />
“It looks like he has a great deal of what was called hip-hop and R&B music on here,” he noted as he scrolled through<br />
the songs on the device. “I think it’s safe to say he was a Gangster.” Relieved that the job had been so easy, Dr. Ernest went<br />
to record their conclusion in the boy’s file when Dr. Young quickly exclaimed, “Wait a minute! That was only one playl<strong>is</strong>t. He also<br />
has alternative and classic rock, pop, and even some country on here. Th<strong>is</strong> <strong>is</strong> insufficient evidence for correct classification. We<br />
will have to look further.”<br />
Sighing, Dr. Ernest unfolded the piece of paper and saw it was a progress report from the boy’s high school. He scanned<br />
the comments, all of which read either “A pleasure to have in class,” or “Gives good effort.”<br />
“It seems pretty obvious that he was a Goody-Two-Shoes,” observed Dr. Ernest. “It seems like he never stepped out of<br />
line—” Dr. Ernest stopped abruptly as he saw the last comment from Justin’s pre-calculus honors teacher: “Justin <strong>is</strong> a good<br />
student but he talks too much in class. H<strong>is</strong> wonderful sense of humor <strong>is</strong> at times d<strong>is</strong>tracting to the other students.”<br />
“Never mind,” said a dejected Dr. Ernest. “Goody-Two-Shoes were known to be almost nonex<strong>is</strong>tent. Th<strong>is</strong> student was active<br />
and engaging in the classroom. At the same time, he wasn’t rambunctious enough to be a Troublemaker or a Class Clown. It<br />
appears a physical examination <strong>is</strong> necessary.” <strong>The</strong> doctors slipped on latex gloves and assembled the needed tools.<br />
<strong>The</strong>y began with a v<strong>is</strong>ual assessment. <strong>The</strong> boy was thin but of solid build, with defined muscles. <strong>The</strong>y were not large<br />
enough for him to fall into the Meathead category, but the doctors’ excitement increased; the boy was surely a Jock! <strong>The</strong>y ran<br />
a few more routine tests, and finally initiated the final component of the examination. <strong>The</strong>y made an inc<strong>is</strong>ion in the cranium and<br />
began to inspect h<strong>is</strong> brain. It quickly became apparent that h<strong>is</strong> brain was remarkably large. Dr. Ernest slammed h<strong>is</strong> f<strong>is</strong>t down<br />
onto the operating table in exasperation.<br />
“Only Nerds have brains of th<strong>is</strong> size! <strong>The</strong>re <strong>is</strong> no way he was a Jock!” he cried in despair. Dr. Young looked over the body<br />
one last time, intrigued.<br />
“It seems that th<strong>is</strong> subject eludes typical classification,” stated the doctor. “We will need a more soph<strong>is</strong>ticated analys<strong>is</strong> to<br />
make an accurate evaluation. Let’s take him to the university. <strong>The</strong>re we will figure out who Justin Reiter really was.”<br />
18
Martín Tlalolini<br />
19
Kung Fu Grandma<br />
by Annie Tao<br />
You know those senior citizens that just lug around giant canes, and quiver like collapsing buildings with every step they<br />
take? Maybe once in a while they’ll get up if they have to get some late night cocoa or answer doors, but other than that, they<br />
just sit there in giant fluffy grey couches and stare at TV screens. Sometimes they’ll actually get books from the bookshelf<br />
(something completely random or unheard of), and you’ll walk in the room and they’ll look like they’re reading, but they’re actually<br />
sleeping there with their books open. <strong>The</strong>y’ll probably yawn every five minutes, and their glasses are usually crooked so<br />
when you look at them, it looks like their heads were put on sideways or something. Well, my grandma’s not like that. Let me<br />
put it th<strong>is</strong> way: she’s 93 and she does kung fu.<br />
I mean, you’d think that she’d already be lying there in an old hospital cot, waiting for the day she can escape from th<strong>is</strong><br />
“hell.” But no, she see’s life much differently than other 93-year-old grandmas. About three times a week, she invites her close<br />
friends over for a couple intense games of mahjong. That’s not to mention the fact that she wins almost every single time,<br />
which explains why her piggy bank <strong>is</strong> filled to the top and looks as if it’s going to explode.<br />
She goes out the last Sunday of every month with her best friend to get her hair done: washed, blow-dried, curled. She’s<br />
got th<strong>is</strong> sleek white hair. I know it sounds like I’m describing any other grandma’s hair…but her hair <strong>is</strong> really different. It’s like<br />
a bright pearly white color, so white that when she’s cuddling her little white Maltese puppy, they look related. I’m not even<br />
exaggerating. And when she gets it curled, it really DOES look like a thousand tiny pearls plopped on her head.<br />
Anyway, most other grandmas are babied by their grandchildren, but not my grandma. Boy, am I babied by her; she’s<br />
almost like my second mom…or even better, my bodyguard. If I don’t eat one grain of rice on my plate, she’ll make me come<br />
back to the table and fin<strong>is</strong>h it. If I just want to walk down the street to buy ice cream, she’ll snatch up her purse and follow me<br />
there. I don’t think she knows that I’m aware she’s behind me, but I don’t really mind that she’s there; I like the protection.<br />
However, she hates when other people baby her. Even when she’s tired from a long day of shopping, she still doesn’t want any<br />
ass<strong>is</strong>tance. One time, my family organized a huge dinner party. <strong>The</strong> only problem was, it was more than four blocks away—<br />
too close to take a cab and too far for her to walk...or so we thought. We offered to wheel her there in a rented wheelchair. But<br />
she didn’t want to—she wanted to walk. It took us about 40 minutes to get there, but I don’t think she was even the least bit<br />
exhausted. She hardly ever gets exhausted.<br />
Sometimes I wonder if she really <strong>is</strong> 93. Not only <strong>is</strong> she never tired, but she has the greatest sense of style. I used to think<br />
that she was just like any other grandma who <strong>is</strong> too lazy to buy nice clothes, and wears the same puke-colored sweater everyday.<br />
I remember on her 91st birthday, I went to the shopping center and bought two sunglasses: one for my grandma and one<br />
for my s<strong>is</strong>ter Alice. I was planning on giving Alice the brown aviators and my grandma the tacky pink glasses lined with sequins.<br />
I thought for sure that grandma would take the bright pink ones right away. But she picked the brown aviators without hesitation.<br />
My s<strong>is</strong>ter was d<strong>is</strong>appointed with the glasses I ended up giving her, but from that day on, I had to remember to buy Grandma<br />
the best clothes and accessories.<br />
But perhaps the most impressive of my grandmother’s accompl<strong>is</strong>hments <strong>is</strong> her kung fu hobby. She goes with a whole<br />
bunch of other people to the nearby park to practice every weekend, wearing her cute little white robe. And every time she<br />
comes home, she teaches me the latest moves. Usually, I catch on pretty quickly, but sometimes the steps are too hard. <strong>The</strong><br />
irony <strong>is</strong> that I can’t do it, but she can. She can balance on one foot for the longest time. It’s so stable that she can probably fall<br />
asleep with a glass cup full of water balanced on top of her head in that position without it tipping over.<br />
20<br />
Sure, my grandma’s a bit different from all the other grandmas in the world. She’s protective like a personal bodyguard,<br />
fit to be a fashion designer and super competitive when it comes to mahjong. But she’s as unique as a grandma can get, and<br />
around her, there’s no need to be afraid of a robber, a crook, or a creepy man following us down a dark alley, because she’s<br />
my kung fu grandma.
Devil’s Daughter<br />
by Vivian Lee<br />
If God ex<strong>is</strong>ts, he just might smite me for not going to church on Sundays. You might say that I am religiously<br />
confused, stuck in the limbo between the principles of religion and reality. When I was younger, I<br />
always w<strong>is</strong>hed I could say I was Catholic, or Jew<strong>is</strong>h, or Buddh<strong>is</strong>t. I remember when I was six years old, and<br />
was asked by a fellow first grader what church I go to. All I could do was look up at my mom and silently<br />
beg for an answer, and all I got was a d<strong>is</strong>gruntled stare, forcing the words “We don’t go to church” out of<br />
my unwilling lips.<br />
It all stems from the contrasting backgrounds of my parents. My father’s side of the family <strong>is</strong> a passionate<br />
bunch of devout Chr<strong>is</strong>tians, ones that went to church every Sunday and sent their kids to Bible study. My<br />
mother’s side, however, <strong>is</strong> full of nonreligious “heathens” who ins<strong>is</strong>t that religion <strong>is</strong> not a necessary institution<br />
in life. I was created from the clashing of these heavyweight battering rams, an anomaly in a world<br />
defined by religion and faith. When the children of these two unlikely families got married, ironically “in the<br />
presence of God,” the believer was suddenly cut off from the heavens by the “devil” known as my mother.<br />
Because of th<strong>is</strong> identity cr<strong>is</strong><strong>is</strong>, I have often been looked down upon by friends of all races and all religions.<br />
Oh, but how about those Koreans? Every Korean family in my area went to church, and every Korean<br />
teenager in my school was in a Chr<strong>is</strong>tian youth group where they pra<strong>is</strong>ed the Lord every week or so. I, on<br />
the other hand, spent my Sundays le<strong>is</strong>urely brunching with my parents at All-American diner. In the eyes of<br />
many, we were not a typical Korean family. It was not until I reached high school that I realized that we<br />
weren’t barbaric, uncivilized pagans. We didn’t have to be a typical Korean family to peacefully ex<strong>is</strong>t in th<strong>is</strong><br />
universe.<br />
Without religion, I have the eyes of the world. I float freely through ex<strong>is</strong>tence, addressing <strong>is</strong>sues from<br />
all angles. I can look at the world through the eyes of a Catholic, Muslim, or Rastafarian. Th<strong>is</strong> flexibility <strong>is</strong>n’t<br />
limited to matters of religion, but also to practical aspects of life, from the everyday problems of an angstridden<br />
teenager, to the most difficult of situations. My upbringing as a “wild, pagan child” seems to place<br />
me in the center of things, right smack in the middle, where I can observe<br />
Sarah Song<br />
my life from every angle. From my<br />
rather comfortable and convenient position, I can see the ability for peoples of all religions to coex<strong>is</strong>t, to<br />
understand the beliefs of one another.<br />
Maybe someday, I’ll find my niche in the realm of religion. For now, I hold onto the title of “the devil’s<br />
daughter,” but just in case, I stay inside during particularly violent thunderstorms.<br />
21<br />
Sarah Song
Beloved: A Love Story<br />
by Rosie Alig<br />
Like any good suburban child of liberal and<br />
literate parents, I have always had a certain<br />
degree of intellectual confidence, deserved or<br />
not. But though, growing up, I had enough<br />
curiosity and aplomb to ra<strong>is</strong>e my hand regularly,<br />
I tended to believe unequivocally what I was<br />
told in response. When I was learning to sound<br />
out words, th<strong>is</strong> deference was enough, and it<br />
was enough when I had to memorize multiplication<br />
tables and the fifty states. But when the<br />
work progressed and I began to deal not with<br />
rigid fact but the infinite subjectivity of language,<br />
it was simply not enough to absorb what<br />
was announced at the front of the class.<br />
Unfortunately, th<strong>is</strong> <strong>is</strong> exactly the easiest thing to<br />
do. Even for me, a “reader,” the way to<br />
approach Engl<strong>is</strong>h class was identical to any<br />
other. Our system teaches to a test, and so I<br />
learned to it.<br />
<strong>The</strong>n, in tenth grade, I was introduced to a<br />
book that awoke in me the strength of mind to<br />
break away from th<strong>is</strong> self-limiting trend. After I<br />
adored reading <strong>The</strong> Bluest Eye by Toni Morr<strong>is</strong>on<br />
in class, my teacher recommended I try another<br />
of her novels, Beloved. And I was sunk.<br />
Isabel B arrie<br />
Both blindingly haunting and intensely beautiful,<br />
the plot of Beloved <strong>is</strong> a fiercely contested combination of literal and symbolic propositions; there just doesn’t seem to be a final<br />
answer. Though th<strong>is</strong> may seem like a frustrating setup, Morr<strong>is</strong>on’s prose <strong>is</strong> laden with so much meaning that the details of the plot<br />
become almost irrelevant. Her prose reads like music, multilayered with refrains that produce the same primal comfort I drew from<br />
my mother’s voice reciting a nursery rhyme. Like when I was an overwhelmed three-year-old with a mind reined in only by the familiar<br />
lilt of a story, I once again settled into the solace of words.<br />
Th<strong>is</strong> time, however, I was an unimpeded vessel, absorbing the exqu<strong>is</strong>ite sentences directly, making of them what I would. I was<br />
stunned by the experience of these words, powerful and beautiful in their architecture and implications, the way they roll off the<br />
tongue and tug at the heart. Though my mother had long since stopped reading to me, I was floored by the experience of relating<br />
so v<strong>is</strong>cerally to a text recited th<strong>is</strong> time by my own internal voice.<br />
Likew<strong>is</strong>e, I was surpr<strong>is</strong>ed to find myself so academically involved in a book not required for school, as I googled terms like “aesthetics<br />
of Toni Morr<strong>is</strong>on” or “critical analys<strong>is</strong> of Beloved.” When I went to talk with my teacher about my findings, it was not a lecture<br />
or a lesson, but a d<strong>is</strong>cussion in which my interpretations were valued as much as the ones mentioned in class or in the critic<strong>is</strong>m<br />
I found at the library. Given the chance and motivation to explore my own thoughts further, I fell in love with reading anew.<br />
Now, I can approach texts academically without an agenda, emotionally and independently. I can marshal my thoughts into<br />
cohesive papers and defend my ideas in a class of college students, but more importantly, I have found the means through which<br />
to seek out my own truth in a text. <strong>The</strong>re <strong>is</strong> nobody telling me what I am supposed to find, and so what I glean from the words <strong>is</strong><br />
purely my own.<br />
22
<strong>The</strong> Ruination of Ir<strong>is</strong>h Dancing<br />
by Kiera Brady<br />
Jigs, hornpipes, reels.<br />
If you close your eyes and imagine, you could be on the west coast of Ireland, feeling the mo<strong>is</strong>t breeze on your face as it<br />
blows off Galway Bay. L<strong>is</strong>tening to the tunes and hearing the clicks of a hard shoe jig, you are transported.<br />
But, when you open your eyes, you realize you are sitting in a high school auditorium in Queens, New York, and you are<br />
at a fe<strong>is</strong>, an Ir<strong>is</strong>h dance competition.<br />
I followed my two older s<strong>is</strong>ters into Ir<strong>is</strong>h step dancing. <strong>The</strong>re were strict restrictions on what we were allowed to wear, and<br />
the level of competition determined what kind of dress we were to compete in. A beginner would wear a skirt; a novice and<br />
prize winner, a school uniform; and a preliminary and above, a solo dress.<br />
I started dancing as a five-year-old beginner, and dressed in a skirt and blouse with a ribbon tied in my curly hair. I worked<br />
hard and could not wait until I was able to move up to novice, and when I won three first places, my dream came true.<br />
When I began competing with other novices, we all proudly wore our school uniforms. <strong>The</strong> one requirement of the dresses<br />
was the embroidery had to reflect what appears in the Book of Kells, which <strong>is</strong> an ancient manuscript of the four Gospels,<br />
transcribed by Celtic monks. Of course we had to have our hair curled.<br />
It wasn’t easy sleeping with 65 sponge rollers poking me in the head, and I can’t say I liked playing my softball games<br />
looking like Lucille Ball, with curlers sticking out from under my batting helmet. But if I had a fe<strong>is</strong> the next day, that <strong>is</strong> what<br />
needed to be done.<br />
By the time I was nine years of age, there was a subtle shift in the Ir<strong>is</strong>h dancing world. I qualified to compete in a major<br />
competition, the Oireachtas, which <strong>is</strong> a fe<strong>is</strong> for champion dancers. My friends and I gathered in a ballroom to practice the night<br />
before the competition.<br />
Girls tried on their dresses and posed for photos. That <strong>is</strong> when we saw it. <strong>The</strong> Celtic design had d<strong>is</strong>appeared replaced by<br />
a silvery-blue dress featuring characters from <strong>The</strong> Wizard of Oz along the bottom and on the cape. In our little nine-year-old<br />
world, th<strong>is</strong> was scandalous. It was the first dress that anyone could remember that did not feature the required traditional<br />
design.<br />
I was too young to realize that th<strong>is</strong> was a turning point in Ir<strong>is</strong>h dancing. A year, and many fe<strong>is</strong>es later, I was back in<br />
Philadelphia, once again at the Oireachtas. As I grew older, I understood the intense pressure to perform at the highest level.<br />
Honestly though, nothing prepared me for the chat I had with a friend from a competing school. She had a problem with bending<br />
her arms when she did her slip jig, so her mother decided the best way to handle th<strong>is</strong> problem was to splint her arms. My<br />
friend seemed relieved, but we both knew th<strong>is</strong> was against the rules. Her mother swore me to secrecy and was furious with<br />
her daughter for telling me. My ten-year-old self was shocked, but assured them I would keep their confidence. I didn’t agree<br />
with my friend’s mom, but I didn’t want to cause any further problems for my friend. Her mom put way too much importance<br />
on winning a trophy.<br />
We were ten-year-old girls dancing on a stage in front of three very stern-faced judges. We all worked so hard and practiced<br />
until our feet bled, but it was something that you had to love in order to continue doing it. We were all in th<strong>is</strong> together,<br />
celebrating and congratulating our wins, and hugging and consoling our d<strong>is</strong>appointments.<br />
23
Back in Philadelphia for my third Oireachats, I was eleven years old. Right before I was to go on stage, my teacher<br />
stopped me and started pinching my cheeks because I wasn’t wearing any blush. It was then I realized that most of the girls<br />
in my competition wore a full face of makeup. It was very bizarre, but nothing compared to what was to come.<br />
<strong>The</strong> next stage in the evolution of Ir<strong>is</strong>h dancing was fake tanning. <strong>The</strong>re <strong>is</strong> no denying the fact that fe<strong>is</strong> competitors<br />
were mainly all Ir<strong>is</strong>h, and when you are Ir<strong>is</strong>h you are generally very pale. With the fake tan, the girls were hoping to glow as<br />
they ascended the steps to the stage; sadly, however, most sported an odd orange hue and combined with their fully madeup<br />
faces and their elaborate dresses, Ir<strong>is</strong>h dancing had taken on a whole new look.<br />
<strong>The</strong> Celtic designs were nowhere to be found. What remained were dresses that could be compared to figure skating<br />
outfits: short with bright neon colors, feathers, and rhinestones. Rhinestones were now even glued onto the socks and shoes.<br />
Glitter and glam had moved in on what was once quiet and traditional. But, it wasn’t over…<br />
<strong>The</strong>re was one last change to come. Wigs. Part of me was relieved because wearing a curly wig meant that I no longer<br />
had to endure the pain and indignity of rollers. Sadly though, th<strong>is</strong> too was taken too far. Not only were girls wearing wigs,<br />
but suddenly everyone was blonde. Brunettes and red heads began dying the top of their heads blonde for the sole purpose<br />
of the competitions. As I sat beside the stage waiting to go on, a girl sitting beside me asked, “Your hair looks so real, how<br />
did you get to look so blonde?” After staring at her for a minute I responded, “I actually have blonde hair!”<br />
Th<strong>is</strong> girl summed up every change that occurred in my dancing career. I took a step back and gave her a long, hard<br />
look, from her pink rhinestone socks to her matching fuchsia dress, to her hot pink lipstick. Looking at her face, I saw that<br />
her eyebrows were a dark brown, in contrast to her hair, or more accurately, her wig, which was light blonde. She looked<br />
like a life-sized Barbie.<br />
I do not regret for one minute the eleven years that I danced competitively. I made many friends, and gained an appreciation<br />
for my Ir<strong>is</strong>h heritage. That said, however, I do not think competition has had a positive impact on Ir<strong>is</strong>h dancing. <strong>The</strong>re<br />
<strong>is</strong> too much focus on what a dancer looks like as opposed to how a dancer dances.<br />
I still dance, but I only do shows, and am very busy in the month of March. I also am an athlete and have a full appreciation<br />
and understanding of the importance of competition. I must confess though, standing on the stage ready to dance,<br />
the last thing on my mind <strong>is</strong> marks. I l<strong>is</strong>ten to the tunes, r<strong>is</strong>e up on my toes, and I am transported.<br />
24
Title<br />
by Giannia Schettini<br />
Best friend, acquaintance, mom, dad; every person goes by a different title in life. But all these titles perplex<br />
and confuse my already clouded mind. My father stands tall at five feet nine inches. He has chocolate<br />
brown skin and black and white hair like a panda bear along h<strong>is</strong> beard and the top of h<strong>is</strong> head.<br />
Should I not need him for guidance? Was he supposed to be there when I fell down those cold<br />
gray stone steps? Carry me inside the house to wash and clean my injury? I had no<br />
injuries that can be seen by the naked eye, yet I internally bleed, weep like a<br />
silent waterfall, and yearn to be wanted.<br />
All I got was that call once a month, with that d<strong>is</strong>tant<br />
“Hello,” from a far place that young naïve little me didn’t<br />
know. In h<strong>is</strong> presence, I must be that perfect porcelain<br />
china doll, making sure I only say things that shall bring<br />
h<strong>is</strong> white teeth to a big grin like a Cheshire cat. I feel as if<br />
a cold front <strong>is</strong> pushing me further in the back of the ranking<br />
line among h<strong>is</strong> five kids. I wave my small, long fingered<br />
hand to get attention and any remaining scraps.<br />
“Hi Daddy…I love you, too,” I repeatedly replied with that<br />
plastered-on smile, that doesn’t move out of place. Daddy, that’s<br />
what my young mind was taught to say.<br />
<strong>The</strong> successful man walks around with h<strong>is</strong> head held high boasting of h<strong>is</strong> accompl<strong>is</strong>hments.<br />
He <strong>is</strong> known as a caretaker, the all-knowledgeable doctor.<br />
<strong>The</strong> form before me says write your mom’s name: Mercedes St. Cloud. <strong>The</strong>n write<br />
your dad’s name. I hesitate, stopping all movement throughout my body. Yegues<br />
Schettini; a doctor to all, a dad to some, but only a father to me.<br />
25
Rabid Smog<br />
A Response to “Wild Geese” by Mary Oliver<br />
by Julie Hackett<br />
You must sink<br />
sink to the cold damp floor<br />
of the earth you once<br />
considered yourself a<br />
messenger for.<br />
Crawl through the dank swamps<br />
that were once the cool, rushing<br />
waters of your veins.<br />
D<strong>is</strong>integrate, and beg for mercy.<br />
Scream your sorrows through the winds<br />
and my smog will choke and silence them,<br />
pumping from my fingers of<br />
iron and steel.<br />
Meanwhile, the world turns its<br />
sad, slugg<strong>is</strong>h spins,<br />
twirling into oblivion.<br />
Meanwhile, the rivers run obsidian,<br />
the mountains crumble under the<br />
slate clouds of hatred,<br />
the forests’ flame,<br />
the skin of atmosphere tears and rips.<br />
I know who you were,<br />
the supposed mother of life<br />
and yet you are so inconsequential and minute<br />
that I cannot see your light<br />
straining to shine through my<br />
smoke of greed.<br />
Fall and decay,<br />
like a leaf in winter<br />
for you are not welcome here<br />
in my city of things.<br />
26<br />
Emiko Ch<strong>is</strong>holm
Neighbors<br />
by Regina Argenzio<br />
Nicole Healy<br />
Jake and Jack. Jake and Jack with the house that scares little children when they have to fetch the ball from the other<br />
side of the fence. Jake and Jack with hearts bigger than their garden, from which they so generously offer us their fruits and<br />
vegetables. Two brothers in their 50’s who never married and who never found the glory in fatherhood. Rather, they live with<br />
their mother and father and are constantly v<strong>is</strong>ited by their s<strong>is</strong>ter and nephew. Th<strong>is</strong> <strong>is</strong> quite enough for them. It’s everything<br />
they’ve ever had, all they’ve ever known<br />
Jake and Jack do yard work for our 87-year-old neighbor for free.<br />
But slowly, we see Jack d<strong>is</strong>integrating, as if someone flipped over an hourglass and labeled it with h<strong>is</strong> life. Paralleling h<strong>is</strong><br />
downhill descent are Jake’s worsening drinking problems. Soon we learn that these are the results of their mother’s newly diagnosed<br />
cancer, and that it <strong>is</strong> she who has been given the hourglass.<br />
We know the time <strong>is</strong> coming. Slowly, suffering, ailing, she passes. Now it’s just Jake, Jack, and their father. Six months<br />
later, a car accident, and now it’s just Jake and Jack.<br />
Still they don’t forget to leave a Chr<strong>is</strong>tmas gift in the mailbox for me that year.<br />
Every day they pass my house, lugging hedges, pushing a wheelbarrow. Last winter they decided to shovel our driveway<br />
in an angry blizzard.<br />
Always I look at them and wonder…<br />
I see Jake at the store and say hello. I go out of my way as he wasn’t really anywhere near me. <strong>The</strong> next week I find him<br />
on my street and I stop to talk to him. He says, “You know, you can really make someone’s day just by saying hello to them.<br />
Thank you.” He thanks me for saying hello to him. Thanks me for saying hello.<br />
A day comes when all hope has van<strong>is</strong>hed. Even my subconscious being that usually tells me to “push on” doesn’t ex<strong>is</strong>t.<br />
A day when I w<strong>is</strong>h that it was my hourglass that was about to run out of grainy little specks. A day when there <strong>is</strong> no possible<br />
way to change my train of thought; th<strong>is</strong> <strong>is</strong> it, th<strong>is</strong> <strong>is</strong> the way it’s going to be. Th<strong>is</strong> <strong>is</strong> hell. Time for me to lie down, admit defeat,<br />
and stop believing.<br />
And then I see Jake and Jack pass right in front of my window. Jake and Jack with hearts bigger than their garden, even<br />
though everything they have ever known has van<strong>is</strong>hed.<br />
When Jake and Jack pass by my house, I decide to stand up again.<br />
Th<strong>is</strong> <strong>is</strong> not to say dark days won’t ever come around again, but when they do, I just look out my window and see Jake and<br />
Jack.<br />
27
Falling From New Heights<br />
by Taimy Thomas<br />
Donna Grasso<br />
28<br />
I fell off the Eiffel Tower. At least, that’s what it felt like.<br />
I’ll be honest; I never liked heights. So from early on in life, I realized that something that high and that fast could not be good news.<br />
Just looking at the Log Flume rides set off tiny alarm bells in my head when I was six. A year ago, I did not believe I had ever, in my entire<br />
16 years, been so scared, d<strong>is</strong>tressed, or frightened as I had been that day when I went on that terrible ride.<br />
I changed my mind last May. <strong>The</strong> concept of Physics Day excited me. Actually being at Six Flags did not.<br />
What, exactly, was the point of creating a place full of potential death traps? How could anyone associate the term “amusement park”<br />
to that m<strong>is</strong>erable place? And could someone please explain why a wooden rollercoaster would seem like fun?<br />
But of course, I seemed to be the only one experiencing th<strong>is</strong> absolute and mind-wrecking fear. And of course, the people who dragged<br />
me there with them, the people I call friends, did nothing to lessen that fear, but rather added on to it with prom<strong>is</strong>es of height and speed.<br />
I suppose no one else saw the documentary that was Final Destination 3.<br />
Thank god King Da Ka was closed. Unfortunately, the other rides weren’t. And since I was surrounded by people who wanted to die<br />
via derailed rollercoaster, I just had to go on one. But they were kind enough to let me choose which one we boarded.<br />
Looking at the little map that Six Flags gives you, some of the coasters really don’t seem that bad. So I decided to pick one that, at<br />
least from the diagram, didn’t seem dangerous at all. You know something? <strong>The</strong> map LIES.<br />
I learned th<strong>is</strong> the hard, terrifying way: If King Da Ka drops at a 90 degree angle, then Nitro has to drop at an 85 degree angle. I could<br />
swear I was going straight down, all 215 feet. I also learned th<strong>is</strong> little tidbit of information that all of my friends conveniently forget to tell<br />
me: Nitro was the fastest rollercoaster at that cursed place. And that yellow thing that they put on you to secure you to your seat? It’s not<br />
nearly big or secure enough – while the bottom half of me couldn’t escape, the top half of me was attempting to press back into the seat<br />
so I didn’t tumble over.<br />
And of course, the idiot sitting behind me just couldn’t help screaming, “OH MY GOD! IT’S FINAL DESTINATION 3! WE’RE ALL GONNA<br />
DIE!”<br />
To my great surpr<strong>is</strong>e, however, the rollercoaster didn’t derail. I didn’t fall out of my seat; I didn’t go flying in the air to meet a horrible<br />
and ugly death. And when I closed my eyes, it felt invigorating. I felt the sun shine more powerfully than ever before with the cold wind giving<br />
me a break from the heat. What I had imagined were screams of terror around me became squeals and shrieks of delight. And before<br />
I knew it, I had added my voice with the others.<br />
In the end, I was more than a little shaken, and the adrenaline rush wouldn’t let my heart rate go down for the next few minutes, but<br />
I was okay. Heights may not be my friend, but I learned to deal with it. And I think in a year or so I would be excited to go to Six Flags again.<br />
I’ll still be a little nervous, but I like to think I’ll go on more rides then.<br />
No, it wasn’t the Eiffel Tower. It was Nitro, the fastest rollercoaster in the park, and it was exhilarating.
Dimentico<br />
Lines after “Recuerdo” by Edna St. Vincent Millay<br />
by Dana Mingione<br />
He was very glum, he was very mellow—<br />
He had spent all evening playing the cello.<br />
<strong>The</strong> hall was airy and open and wide<br />
But all desire in h<strong>is</strong> heart had died.<br />
He sat in h<strong>is</strong> chair and attempted to breathe,<br />
When he really sincerely just wanted to leave.<br />
He was very glum, he was very mellow—<br />
He had spent all evening playing the cello.<br />
H<strong>is</strong> fingers were moving quite free of h<strong>is</strong> thought,<br />
He felt very stiff in the new shoes he’d bought.<br />
<strong>The</strong> moon rose higher, the night grew long;<br />
Nothing had ever quite felt so wrong.<br />
He was very glum, he was very mellow—<br />
He had spent all evening playing the cello.<br />
He bid farewell to the other musicians,<br />
<strong>The</strong> ones with the talent and dreams and ambitions.<br />
Merrily they called, “Good night, my good fellow!”<br />
And he walked out with sadness and heartache and cello.<br />
Brandon Zhao<br />
29
Th<strong>is</strong> I Believe:<br />
Better Odd Than Boring<br />
by Elliot Halpern<br />
<strong>The</strong>re’s nothing I hate more than boredom. It’s a plague sweeping the nation, the number one cause of drinking,<br />
drug use, and delinquency among my peers. It needs to be eradicated off the face of Earth. And for the past 17<br />
years of my life, I’ve made that cause my number one goal.<br />
But Elliot, you ask, how does one go about wiping out boredom? Well, through the antithes<strong>is</strong> of course: the<br />
embracing of all things colorful, offbeat, and frankly odd. I’ve found that people always strive not to standout. A well<br />
worn cliché <strong>is</strong> the TV sitcom teenager who prays for nothing more than a whirlwind to sweep away h<strong>is</strong>/her crazy<br />
friends and parents and replace them with completely average, run-of-the-mill people “just like everyone else.” Every<br />
day, for the past 60 or so years, the American public tunes in to be entertained by these characters and their wacky<br />
lives. Together, we laugh at the antics these “crazy”<br />
people get into. But we never seem to realize that<br />
instead of sitting slack jawed, letting some fictional<br />
story entertain us, perhaps we should strive to inject a<br />
little wackiness into our own lives ourselves. We need<br />
to stop putting normality on a pedestal as our amusement<br />
<strong>is</strong> taken care of by others, embrace weirdness,<br />
and actually go out and do something, because when<br />
it all comes down to it, the weird characters—the<br />
Kramers, the Peter Griffins, and the Homer<br />
Simpsons—always seem to be having the most fun.<br />
So next time you’re bored, turn off the TV, stand<br />
up, and think of the weirdest reasonable activity you<br />
can: sword fighting with pool noodles, making instruments<br />
out of garbage, even exploring the woods. Get<br />
some friends together, and go out and do it. Even if it<br />
ends up being m<strong>is</strong>erable, at least the story you tell<br />
won’t be boring.<br />
30<br />
Kevin Qian
Catherine<br />
by <strong>The</strong>resa Flynn<br />
Sarah Song<br />
Her skin <strong>is</strong> tanned, and her hair <strong>is</strong> black and silky. Her tail <strong>is</strong> darker than a black hole and swings from side to side as<br />
she walks. Her tiny paws barely make a sound as she prowls the halls. Her purr <strong>is</strong> cute, twinkly, high-pitched.<br />
Th<strong>is</strong> girl does not notice me. She’s too concerned with the friend the friend at her side whose hand she holds. <strong>The</strong>y<br />
wh<strong>is</strong>per in low purrs, scheming of the next mouse to catch.<br />
I am mesmerized.<br />
I want to prowl with the cats, although I am smaller than a mouse – overall unnoticeable,<br />
And not worth knowing. I am the rodent that people chase out of their kitchens with fly swatters and brooms.<br />
I want to prowl with the cats. I want to walk the streets at night with them, causing m<strong>is</strong>chief, all while remaining sleek,<br />
sexy, majestic.<br />
Suddenly she turns. Her bright green eyes make contact with mine. I quickly look away. For a second, her pupils<br />
became slits.<br />
For a second, she had looked more like a snake than a cat.<br />
31
Wicker Memories<br />
by Julie Hackett<br />
Julie Hackett<br />
<strong>The</strong> small wicker baskets dangle precariously over my head as I sleep each night. <strong>The</strong>y bow loosely from the edges of a<br />
dusty wooden plank, mounted on my lemon wall. <strong>The</strong> tails are thin, silky tassels of milky beige. <strong>The</strong> faded ropes that held them<br />
proudly in an earlier time are now tattered and tired, wilting from the strain of the eternal bearing of weight. <strong>The</strong> once exciting<br />
blue stripes stretched across the swollen belly of the wicker are now haggard and confused, dulled.<br />
But the smell…the smell resonates down on me each night, resting softly in my nose like a seductive w<strong>is</strong>p of smoke: a<br />
thick mixture of vanilla, peppermint, and tobacco. Th<strong>is</strong> heavy aroma sprouts a set of feathery, infantile wings in my mind, soaring<br />
my conscious thought to times of Chr<strong>is</strong>tmas Eve, warm on h<strong>is</strong> lap, or ginger ale, which we would drink together, the amber<br />
bubbles dancing to the top of each glass. Though my room <strong>is</strong> dappled with mementos of him, the lingering and haunting scent<br />
<strong>is</strong> what lulls me to sleep in the foggy haze of h<strong>is</strong> musky memory each night.<br />
32
Ambivalence<br />
by Chelsea Hano<br />
I hate you<br />
Who the hell do you think you are?<br />
Peppering your sentences with words like “shall” and “thou”<br />
Your red hair makes you look soulless<br />
Unforgiving of other’s flaws<br />
I could rip your stern judging eyes<br />
From your self-absorbed skull<br />
<strong>The</strong> girl made out of t<strong>is</strong>sue paper<br />
I love you<br />
You are precious to the universe<br />
I love the way you speak<br />
<strong>The</strong> very definition of a “fiery redhead”<br />
Trying to take care of everyone<br />
I could teach you how to be free<br />
From the chain you think <strong>is</strong> yours<br />
Pull yourself away from the mirror<br />
Look in the mirror and see how infinite you are<br />
Long enough to see the people who love you<br />
Give yourself a chance<br />
Everything you do has secret intention<br />
When we touch it’s as if I am being pun<strong>is</strong>hed<br />
When we touch it’s as if I am being blessed<br />
You were a m<strong>is</strong>take<br />
I love making m<strong>is</strong>takes<br />
Kevin Qian<br />
33
Integrity<br />
by Deanna Amoia<br />
34<br />
“I love you, sweetheart,” she said from the seat next to mine.<br />
“I know, Yiayia, I know. I love you too,” I answered, automatically. I guess it becomes that way when you repeat something<br />
over and over and over. Grandmas tend to do that, so what does it matter if I’m not truly sincere every single time I respond?<br />
I had wanted to do th<strong>is</strong>. I remember saying it: “Yeah, Mom, whatever, I don’t mind. It’ll be like her other appointments, so<br />
I’ll just do homework in the waiting room. Really it’s not a problem, it’s not like I have anything else to do on Wednesday.”<br />
It was a bitter Wednesday at that. No rain thankfully, but the sky threatened to cascade down at any moment – a steel<br />
gray sky with gusts that reached 35 miles an hour. I drove cautiously. Well, as cautiously as one could when being pestered by<br />
a grandma in the passenger seat.<br />
“I’m so glad the will <strong>is</strong> settled. You know Uncle Jimmy…”<br />
Yes, I know Uncle Jimmy, the sorry excuse for a relative who weaseled h<strong>is</strong> way into the money you were given. I’m glad<br />
it’s finally over, too, but haven’t I heard enough about him during the last five years?<br />
“What did you do today, darling?”<br />
Nothing important, or at least nothing worth mentioning. I’m sure it’s the same with you so I won’t even bother asking.<br />
“I have no idea where we’re going,” she said. I sensed a smile in my peripherals, but I didn’t sense the resignation, not<br />
until much later. “Ever since I stopped driving I just completely forgot! I’ve lost my freedom!”<br />
No, no Yiayia, you still have freedom, I thought, grudgingly. Freedom through me.<br />
“Who am I going to see today again?”<br />
“Dr. Zebrak,” I gave a real answer to that question, stopping my internal dialogue for a minute. “For your teeth, remember?”<br />
“Oh, right.”<br />
Soon after that, the drive became blurry. I zoned out, mesmerized by anything, anything that passed by. Anything to get<br />
away for a few moments, and I still had the waiting room to deal with.<br />
At last the ride was over, the five minute ride that took 30. As I pulled into the parking lot, I noted that the building was<br />
just a one-story converted house, just like every other doctor’s office I’d ever taken her to. Just like any other time I’d been with<br />
her.<br />
It took awhile for her to turn around in the seat, to put both feet on the ground, to close the door, to walk far enough away<br />
so I could move apart and park. I took my time parking, then turning off the car, then gathering my homework, then picking up<br />
my book. I took longer than she did getting into the office.<br />
<strong>The</strong> waiting room was, in essence, my bathroom. <strong>The</strong> wall that sported a sink and countertop was replaced by chairs and<br />
a small closet for coats; the jacket she wore everywhere was already inside. Somehow, the bathtub had been swapped for a<br />
magazine rack and the wall constantly stocked with towels was where I spotted her, signing in with the middle-aged secretary.<br />
I sat down in the chair closest to the closet and looked around, making sure I had enough around me to occupy my time.<br />
She hobbled to me once she fin<strong>is</strong>hed, her silver cane strangely sturdy as it crawled closer. With a triumphant grunt she plopped<br />
herself down into the too-small seat and turned to me with a smile. I giggled accordingly.<br />
“Look at me, I’m a mess!” she laughed, a very hoarse laugh that turned into a hack. Her asthma must have been acting<br />
up. “I’m falling apart!” she continued.<br />
“No, don’t be silly, you’re fine.”<br />
“I guess so, with the hip replacement and all. I’m doing pretty well for my age!”<br />
“Of course you are, Yiayia.”<br />
<strong>The</strong> entire time I looked at the rug – a solid navy blue mass intersected by dotted diagonal lines. Mahogany and gold went<br />
particularly well with the background color, I thought, and it must’ve taken some time to match the rug with the seat upholstery.<br />
It was perfect. I wondered if anyone had noticed before.
I suddenly realized that the air was silent. I turned left and saw her looking down at her hands in thought. <strong>The</strong>n she<br />
laughed, as if she were alone and something embarrassing had happened.<br />
“…I know I’m ranting, you can stop me whenever you like. You can rant too if you like!” Her crinkled face turned hopeful<br />
and bright, while my own filled with a nervous smile and a light shade of red. Had I been too obvious in my daydreaming?<br />
“Yeah, I know, Yiayia, but it’s okay. I like to l<strong>is</strong>ten. I’d rather do that.”<br />
“Okay, but you just tell me if it’s too much. So…”<br />
So she didn’t realize after all. I sighed my relief and paid attention, just to be sure she wouldn’t catch on.<br />
“Jimmy called me the other day, you know, to make up. It was nice.”<br />
“That’s good. He <strong>is</strong> your brother after all.” I myself was very skeptical of the lawyer-turned-human.<br />
“Yes, yes, and at my age you gotta hold on to everything you can grab!” We laughed together, mine dragging out into a<br />
sigh, hers turning into the ever-cons<strong>is</strong>tent hack. It went on for longer than usual.<br />
“Yiayia?”<br />
<strong>The</strong> hacking continued. I was brought back to my own days of torment, when every sneeze wreaked havoc on my<br />
headaches and every cough felt like my lungs would come out of my mouth. I was looking around for a phone when, thankfully,<br />
it stopped.<br />
“You okay?”<br />
“Yes, darling, yes. Sorry about that.”<br />
“No, don’t worry about it.”<br />
“You know if I’m ever really sick you gotta get me to a doctor, not like your Papou…” Images of coin collecting, working<br />
out in the garden, and hearing war stories popped into my head. That was my grandpa.<br />
“He was always so stubborn, you know, and I’d ask him about things and he would just ignore me,” she said, “I know it’s<br />
silly, but I thought that he didn’t like me anymore, that I was too old!”<br />
“That’s crazy, of course he liked you. It was kinda late in the game for anything else.”<br />
“Yeah, you’re right, of course you’re right darling, you’re so smart,” she beamed at me. How did I get pinned with the<br />
Favorite Grandchild Button? “Yeah but still, he was so stubborn, and never told me anything, nothing about work or anything<br />
like that. I guess he just didn’t want me to know, but you can’t do that when you’re married, you have to share. Good and bad.”<br />
“That makes sense, but that was just how he was.”<br />
“You know, at the end, I knew he was having problems. But you know he hated the doctor, hating having things wrong. I<br />
mean, he wouldn’t tell me anything! He was always trying to protect me. But you can’t hide stuff like that, right?”<br />
“You shouldn’t, but he did.”<br />
“Right, right. You know I always thought, th<strong>is</strong> <strong>is</strong> silly, that it was almost my fault.” She laughed nervously again and didn’t<br />
look up anymore. She just stared at that rug, like I had, in her own world. “It was like that was my chance to protect him, you<br />
know? And I m<strong>is</strong>sed it.”<br />
<strong>The</strong> silence afterwards became awkward. <strong>The</strong> secretary kept stealing glances over her countertop – she must have been<br />
eavesdropping. For a second I thought we were on a hidden camera and I waited for someone to jump out and say, “Nice delivery<br />
Yiayia! You stunned the crowd!” but nothing so abnormal happened.<br />
I finally found some words. “Yiayia, you can’t say that. <strong>The</strong>re’s no way it was your fault. You didn’t know anything for sure.”<br />
“I should have done something though.” She paused to exhale. “But you’re right, you’re right. It doesn’t matter now though.<br />
It’s alright.”<br />
I decided to go into the exam room with her, something she really appreciated. <strong>The</strong> dent<strong>is</strong>t, as it turned out, had seen my<br />
family members for over 30 years.<br />
“Not to be cheesy or anything,” he dragged out, “but there’s something to be said about a family when grandchildren go<br />
into the office with a grandparent.”<br />
<strong>The</strong> wind gusted outside as he began the procedure. I nodded my agreement to myself, but couldn’t help my stomach<br />
from sinking. <strong>The</strong>re’s something to be said about that.<br />
35
“ Little S<strong>is</strong>ters”<br />
A series of haikus<br />
by Alexandra Marks<br />
Some little s<strong>is</strong>ters<br />
Will enjoy the great outdoors<br />
While you do homework<br />
Some little s<strong>is</strong>ters<br />
Are quick eavesdropping ninjas<br />
Those m<strong>is</strong>chievous fiends<br />
Some little s<strong>is</strong>ters<br />
Find their self<strong>is</strong>h wants fulfilled<br />
And cry otherw<strong>is</strong>e<br />
Some little s<strong>is</strong>ters<br />
Interrupt conversations<br />
Just to interrupt<br />
Some little s<strong>is</strong>ters<br />
Mimic the words that you speak<br />
In high pitched voices<br />
Some little s<strong>is</strong>ters<br />
Will steal clothes from your wardrobe<br />
Never to return<br />
Some little s<strong>is</strong>ters<br />
Will sneak into your bedroom<br />
Steal your diary<br />
Some little s<strong>is</strong>ters<br />
Are simply m<strong>is</strong>understood<br />
For they envy you<br />
36<br />
Nicole Healy
Eyes<br />
by Jennie Conway<br />
Amanda Grinvalds<br />
Eye colors are not simply blue, green or brown. No, they are colors worthy of a<br />
Crayola crayon: sea-foam green, sapphire blue, dark chocolate brown, and so on.<br />
My mom’s eyes are a warm, cozy brown that reminds me of hot apple cider on a<br />
snowy day. Most times they melt, and glow like freshly brewed hot chocolate, yet they can<br />
harden like her favorite Hershey bar; still, all variations remain undeniably delicious. Her<br />
eyes are a solid ground that, no matter how tread upon, will never waver, even under nearly<br />
unbearable weight.<br />
My eyes, a fuzzy hazel that cannot seem to decide which shade it prefers, will lean<br />
towards the green side of the shade, probably because I am a plant, finding the ability to<br />
grow and nour<strong>is</strong>hment from the helping hands of the solid ground.<br />
37
It Will Always Come Back<br />
A response to “<strong>The</strong> Coming of Light” by Mark Strand<br />
by Alyssa Lam<br />
Unexpectedly it intrudes,<br />
without a warning<br />
Even if you neglect it<br />
it will always come back<br />
like an annoying<br />
buzz in your ears.<br />
Even if you<br />
deny its ex<strong>is</strong>tence<br />
a little voice<br />
will trigger a painstakingly<br />
clear realization—<br />
an epiphany.<br />
You can’t say no.<br />
Tenderly opening its<br />
Fruit<br />
it will<br />
blossom with<br />
razor-sharp petals.<br />
L-O-V-E<br />
drops upon you<br />
most intrusively.<br />
Sarah Song<br />
Cradle the feeling,<br />
rather than res<strong>is</strong>t—<br />
it <strong>is</strong> futile.<br />
38
Cynic<br />
by Sheila Kr<strong>is</strong>hnan<br />
hey dreamer,<br />
i see what you’re doing,<br />
and i see it’s not working.<br />
stop pinching yourself,<br />
because, dear, th<strong>is</strong> ain’t no<br />
nightmare, it’s only real life.<br />
stop holding your mud-colored<br />
hair and thinking flaxen,<br />
because, honey, it ain’t no<br />
golden thread, only real.<br />
stop painting stars by your eyes,<br />
because, love, they ain’t<br />
gonna sparkle more, they’re only real.<br />
stop lying on your roof<br />
and imagining that someone’s gonna<br />
name a star for you,<br />
because, sugar, you’re only real.<br />
but mostly,<br />
stop stringing together<br />
meaningless letters and trying to find<br />
truth amidst chaos,<br />
because, child, th<strong>is</strong> ain’t supposed<br />
to make sense; it’s only real life.<br />
hey dreamer,<br />
i see what you’re doing,<br />
and i see it’s a valiant effort.<br />
Chr<strong>is</strong> Cassidy<br />
stop shaking in fear,<br />
there ain’t no monster under the bed,<br />
stop wasting your time w<strong>is</strong>hing<br />
no creep ’round the corner,<br />
for something better when you’ve<br />
and no murderers in your room;<br />
got what’s good, because,<br />
dear, th<strong>is</strong> <strong>is</strong> only real life.<br />
sugar, it ain’t getting better when<br />
you don’t love it already; it’s all only real.<br />
stop looking at yourself in the mirror<br />
and hoping to be someone else,<br />
but mostly, stop doing amazing things<br />
to be more normal,<br />
and hating them, stop writing in<br />
to be perfect, because,<br />
ways that inspire people, painting<br />
honey, th<strong>is</strong> ain’t no high school drama,<br />
pictures that strike something inside,<br />
and it’s okay that you’re only real.<br />
and thinking it’s all mediocre,<br />
because, child, you’re a wonderful<br />
stop drawing eyes all over your things,<br />
person, and not everything’s easy,<br />
hoping that someone will finally<br />
but much <strong>is</strong> good; it’s only real life.<br />
wake up and see you,<br />
because, love, they can’t<br />
see you any more [than they do now]; you’re only real.<br />
39
Windex<br />
by Vivian Lee<br />
Vivian Lee<br />
<strong>The</strong>re I stood, facing one of the biggest challenges of my life, armed only with my black belt, my bare feet and hands, and a<br />
bottle of Windex. My muscles pulsed with pain and my face dripped with sweat as we lined up, preparing for battle. Four men and<br />
one girl against the vast, glaring landscape. Every soldier in our small army pointed h<strong>is</strong> weapon, and fired. <strong>The</strong>n we unleashed our<br />
secret weapon: the newspaper. <strong>The</strong> mirrors never knew what hit them.<br />
One wall of our small Tae Kwon Do school <strong>is</strong> all mirrors, from the blue, padded floor to the crumbling ceiling tiles. After every<br />
class, I would always watch the older boys slave away at the grueling task of wiping down the mirrors. Greasy handprints and<br />
splashes of sweat marred each mirror as they begged to be cleaned. <strong>The</strong> boys would proceed with their chore as I skipped to the<br />
door, put on my shoes, and walked into the beckoning fresh air. That <strong>is</strong>, until I was recruited at the tender age of ten.<br />
Scrubbing down the mirrors was always supposed to be a job for boys. It was already hard enough to spar with boys (who<br />
were practically men) twice your height, and three times more aggressive. Th<strong>is</strong> explains why I was legitimately confused as to why<br />
I had to become a part of the cleaning crew. I was simply handed a bottle of Windex and expected to get down and dirty. It <strong>is</strong>n’t<br />
that wiping mirrors with pieces of crumpled newspaper pages was terribly difficult; it was the fact that I found the job to be terribly<br />
demeaning. In my book, I deserved special treatment because I was a girl, and it was common knowledge that boys have to<br />
do everything for girls.<br />
From that day forward, I was part of the firing squad, the token female in a legion of boys and men. When vacuuming was<br />
added to our l<strong>is</strong>t of chores, we would fight over who was stuck with the exhausting task. For years, they ins<strong>is</strong>ted that I shouldn’t<br />
have to do it since I was the only girl, and the youngest cadet. Eventually, I realized that I should fight for the vacuum. Why shouldn’t<br />
I vacuum when I could kick all of their butts in sparring? When I finally did get my turn, I stepped up and vacuumed like a pro.<br />
All of th<strong>is</strong> wiping and vacuuming has become a daily habit of mine. It almost comes close to eating dinner or doing my homework.<br />
With years of practice, I’m probably the best mirror cleaner/vacuum-wielder that anyone will every meet. (Note that th<strong>is</strong> <strong>is</strong><br />
coming from the girl who did not start cleaning her own room until just about last week.) Th<strong>is</strong> simple task humbled me, slapped<br />
me across the face and told me that equality <strong>is</strong> much better than being treated like a dainty, but weak little princess. Although I<br />
initially almost fainted at the idea of cleaning, I now thank my master for forcing me to spray that violently blue mix of strange<br />
chemicals and for helping me prove that I am equal to my male counterparts.<br />
40<br />
My inner princess still lives within the pink castle of my soul, but when the situation ar<strong>is</strong>es, the hardened warrior within will<br />
r<strong>is</strong>e and handle the toughest of situations. After years of being the only female, I am proud to announce that I have successfully<br />
recruited three more butt-kicking girls to fight the continuing war against grime and to continue the female legacy of fight.
Across the Pond<br />
by Connor Teahan<br />
<strong>The</strong> grassy green meadows flow for miles until they reach the horizon and then fall off earth’s surface. <strong>The</strong> cattle<br />
graze on the silage, just served to them from the back of a big red rusty tractor. <strong>The</strong> sound of the sheep <strong>is</strong> heard all around<br />
as new lambs slowly make their way into the world.<br />
My v<strong>is</strong>ion <strong>is</strong> filled with flashes of black and white as the dogs dart around the yard, chasing their tails and each other.<br />
<strong>The</strong> soft aroma of freshly peeled potatoes, cabbages soaking in a stainless steel pot, and the slab of corned beef on the<br />
countertop waiting to be cut, slowly makes its way around the house, inadvertently announcing that it’s dinner time. <strong>The</strong><br />
brogues fill the air as my family crowds around the table, talking about Paddy down the road and Paddy up the road and<br />
just about every other Paddy in town.<br />
It <strong>is</strong> my second favorite place, my second sanctuary, and a place where I know I will always be welcome. Where my<br />
childhood memories will never be buried and will never be forgotten, and where there will always be someone who <strong>is</strong> one<br />
of my own.<br />
Emiko Ch<strong>is</strong>holm<br />
41
It.<br />
by Grace Gorenstein<br />
Reaching for It.<br />
Again.<br />
I know I shouldn’t.<br />
But I have to.<br />
Just a little more.<br />
<strong>The</strong>n I’m done.<br />
Guilt. Shame.<br />
“You’re weak”<br />
He tells me.<br />
I don’t want to be th<strong>is</strong> way.<br />
Really.<br />
It pulls me, though.<br />
It feels good.<br />
It feels bad.<br />
Staying away feels worse.<br />
But once I ignore It,<br />
<strong>The</strong> voracious desire d<strong>is</strong>sipates.<br />
I can run away. I can be strong.<br />
It <strong>is</strong> no longer staring at me, taunting.<br />
He yelled again.<br />
It’s not my fault.<br />
“You messed up – again.<br />
You’re useless.”<br />
Guilty Pleasure:<br />
I’m back.<br />
Take me away from him<br />
Or fear<br />
Or failure<br />
More, just a little more of It.<br />
Empty infatuation<br />
And so the ugly cycle continues.<br />
Round and round.<br />
Smiles clouded by excess<br />
And joy drowned by hate.<br />
From the depths of a binge<br />
Comes him. A new him.<br />
<strong>Beautiful</strong>? Me?<br />
I don’t want It anymore.<br />
I don’t need It.<br />
I need h<strong>is</strong> embrace<br />
Comfort.<br />
Is that a smile in the mirror?<br />
How have I gone so long without It.<br />
A new It.<br />
Love. It. Affection.<br />
I’m beautiful.<br />
I don’t need the dark It.<br />
Love <strong>is</strong> gone.<br />
I guess she <strong>is</strong> more beautiful.<br />
I can see why.<br />
She never had a murky It.<br />
Hello, old Friend.<br />
M<strong>is</strong>s me?<br />
42<br />
Sarah Song
Paper Planes<br />
by Aditi Kothari<br />
And to think it all started with dehydration. Th<strong>is</strong> past summer, I was in India with<br />
my family; we had just fin<strong>is</strong>hed touring the country. As we stood in the crowded<br />
Mathura train station, the temperature read approximately one hundred and fifteen<br />
degrees. Perfect, just what I needed. Suddenly, my grasp on my surroundings loosened,<br />
and my v<strong>is</strong>ion began to blur. I propped myself up against the wall to make sure<br />
I didn’t hit the ground. All th<strong>is</strong> time, my mother frantically tried to steady me, pouring<br />
water on my face with one hand and fanning a newspaper with the other to cool me<br />
down. That’s when we both saw them for the first time.<br />
I slowly slid along the side of the wall to preclude my fall. When I put my hand<br />
down on the ground to steady myself, rather than feel the smooth texture of the concrete,<br />
I felt a bag. Looking to the corner I was near, I saw another knapsack beside a<br />
baby, probably not even six months old, lying down on the station platform with a tattered<br />
piece of cloth separating her delicate body from the hard, dirty ground. All she<br />
wore was a tiny undershirt; from the wa<strong>is</strong>t down, she was exposed. Her s<strong>is</strong>ter, about<br />
five years old, was in a similar condition. From their home in the corner, they watched<br />
Jenna Mrozinski<br />
the bustling world around them, hundreds of people pushing and shoving to cram onto<br />
a single train. Even though th<strong>is</strong> image of two defenseless children caught in the center of mayhem was d<strong>is</strong>concerting to us, all<br />
they needed to see were the familiar faces of their mother and each other to feel protected. My mother turned to me, “Dee,<br />
look at the difference between you two! You’re both in the same station, heat, and horde, but while she <strong>is</strong> impervious to everything,<br />
you can’t even support your own weight!” As much as I hated to admit it, she was right. But th<strong>is</strong> compar<strong>is</strong>on didn’t end<br />
our captivation with the s<strong>is</strong>ters; we just couldn’t make ourselves look away.<br />
Suddenly, we watched the mother walk away, leaving her five-year-old as the only guardian. Immediately after, when the<br />
baby started to cry, her concerned s<strong>is</strong>ter lifted her off the cloth and offered her cheeks and chin to the baby’s mouth. <strong>The</strong> baby<br />
seemed to recognize the game as she tried to latch onto her s<strong>is</strong>ter’s face. Both of them started laughing and I felt myself smile.<br />
<strong>The</strong>n we saw the older s<strong>is</strong>ter gently put her s<strong>is</strong>ter back down and run off to see where their mother had gone. Simultaneously,<br />
once she was out of the safety of her s<strong>is</strong>ter’s arms, the baby started to cry again. Her s<strong>is</strong>ter rushed back to her and the same<br />
ep<strong>is</strong>ode occurred a couple of times. Every time the older s<strong>is</strong>ter returned from her search, I could see the anxiety building on<br />
her face, not knowing where her mother was. My mother and I looked at each other in earnest every time she returned alone.<br />
<strong>The</strong> third time, she came back fully transformed, the trepidation wiped off her face, relief and excitement taking its place. As I<br />
felt every muscle in my body relax, I turned and saw their mother walking towards them with two slices of bread and one bowl<br />
of soup for the three to share.<br />
Watching how content they were with so little evoked a great deal of emotion. Quickly turning my back to my mother, I let<br />
the silent tears fall. Since she had seen India’s poverty for twenty-five years, I assumed she would think I was being unnecessarily<br />
sentimental. I took a few moments to compose myself before I turned back around, and when I did, I couldn’t believe<br />
what I saw: my mother had been crying the whole time. As it turned out, th<strong>is</strong> was a unique situation that neither of us had ever<br />
witnessed before. It wasn’t that we had never seen people living on the streets begging for money before, but it was the fact<br />
that th<strong>is</strong> family wasn’t begging that pierced our hearts. Although they didn’t have adequate clothing or a roof over their heads,<br />
they had each other.<br />
<strong>The</strong> whole time I was crying, I was thinking of ways to help their family and about how unfair life <strong>is</strong>. Here I was, waiting to<br />
board a first class, air-conditioned train cart for a few hours, while the family lived in that insignificant corner of the train station<br />
every day of the year. My mother then answered my unspoken thoughts, “We should give them whatever we have.”<br />
Reaching in her wallet, she took out all her money, not caring whether it was in dollars or rupees, and told me to give it to them.<br />
Without hesitating, I took the money, tapped the mother on her shoulder, and said in Hindi, “Th<strong>is</strong> <strong>is</strong> for your daughters.” Wiping<br />
away yet another tear, I walked back to my mother and hugged her, realizing that the people you have in life are more important<br />
than the things you don’t have.<br />
43
Home<br />
by Alexandra Marks<br />
<strong>The</strong> youngest daughter of an army officer, I was forced to deal with the pains of constantly moving from one home to<br />
another throughout my life. I changed houses faster than I switched my favorite color. Left behind were friends, companions,<br />
and neighbors whose doors I would knock on every Saturday bright and early in the morning, yearning for an adventure.<br />
Although communication became stifled, my memories of these people and places were not.<br />
<strong>The</strong> home that has left the largest impact <strong>is</strong> a three-story building complete with a gate and guards — in the middle<br />
of Cambodia. When I think of Cambodia, the d<strong>is</strong>tinctive scent of our garden flowers comes to mind, a smell different from<br />
the usual roses and other flowers that I smell here in New York. It <strong>is</strong> soft and does not sting. I think of a broken country, where<br />
our large home was built alongside a beggar’s shack. I think of unpaved streets, where gunshots echoed outside of our closed<br />
windows and shut blinds. I think of the hot weather, where d<strong>is</strong>tinction between summer and winter was nonex<strong>is</strong>tent. I think of<br />
a packed house, although more than half the rooms remained vacant, dusty, and lacking furniture.<br />
I see six figures. <strong>The</strong>y sit around the dinner table, where a head of stringy, unkempt hair nods alongside black permed<br />
curls and sticky gel. Stringy Hair sits on her knees in order to reach across and take her turn in the intense game of Pictionary<br />
before them. No one <strong>is</strong> in college; no one <strong>is</strong> leaving. It does not matter that it <strong>is</strong> 100 degrees, or that the country <strong>is</strong> unstable.<br />
It does not matter that relocation can occur any day, leading to hysteria and cardboard boxes. Nothing else <strong>is</strong> important. Youth.<br />
With no obligations.<br />
I see a family.<br />
Ashley Glazer<br />
44
Imaginary Games<br />
by Julie Hackett<br />
Picture th<strong>is</strong>: a girl, prancing about her lawn in her mother’s old blouse and shorts, dirt smeared across her palms and<br />
scrapes on her knees, eyes bright with excitement, hair wild from exertion. Now, picture the same exact scene, only replace<br />
that little five-year-old with a 13-year-old. That was me.<br />
Growing up with two older s<strong>is</strong>ters, it was natural to engross myself in the imaginative worlds we created. Though we had<br />
our various forms of entertainment and exploration, nothing could surpass our “imaginary games.”<br />
Every Saturday morning, my s<strong>is</strong>ters and I would wake up, eat breakfast, and race each other to “the wardrobe.” Th<strong>is</strong> cabinet<br />
cons<strong>is</strong>ted entirely of old ratty outfits from my mother’s preppy college years, and bizarre clothes from my father’s<br />
mullet, head-banging years. All of these elements combined to create a hodge-podge of mothballscented,<br />
mud-stained apparel that would give us our new identities. We would pour ourselves<br />
into these costumes, and immediately adopt the persona that came<br />
with the outfit. Jess was always an elf, towing a leather satchel<br />
and holding a stick with a horse’s head between her legs, galloping<br />
about as Arwen from Rivendell. Jaclyn was somewhat more dramatic,<br />
usually the wife of a soldier at war, tending to her house and<br />
caring for the children—the sad effect of what Lifetime telev<strong>is</strong>ion network<br />
can do to a child in her prime.<br />
I was always the fairy animal-caretaker; I would strap on my plastic<br />
wings from the costume of Halloween past, my mother’s old white silk<br />
blouse, and a pair of torn shorts. I never ever wore shoes—the product of<br />
hippie-blooded tree huggers, even at a young age. My role in the games<br />
was to watch over everyone’s pets and animals. I would d<strong>is</strong>play my stuffed<br />
creatures, each with its own little scarf to cuddle in, and prance about the<br />
lawn collecting twigs and berries for them to eat. I would dance my way<br />
through the grass, twirl among the trees, and jump and leap high enough to<br />
reach the branches.<br />
Eventually, time brought the ugly truth to my eyes of fantasy: I could not play<br />
dress-up forever. I was forced to admit that I needed to officially grow up, and live<br />
my way through reality as opposed to playing my way through fantasy. <strong>The</strong> time<br />
came when it wasn’t appropriate for me to dress in old clothes and run around pretending<br />
to be a fairy anymore. One day, on a cr<strong>is</strong>p autumn morning, I marched to my<br />
trunk and packed up my clothes, the garments that allowed me to assume the identity<br />
of anyone and anything, one last time. D<strong>is</strong>traught, I wept for a few minutes, having<br />
a moment of silence for my imagination and child<strong>is</strong>h joys.<br />
That was when it struck me, like a brick to the head. Who made the rule that growing<br />
up meant abandoning creativity and fun? I could still be as creative, goofy, and childlike<br />
as ever. Perhaps I’d have to wear my own clothes, and shoes when necessary, but I<br />
didn’t have to change or lose a part of myself as I grew. Today, I still dance my way through life, only now in studios, and with<br />
shoes. I play and work with animals every spare chance I get. I create worlds of adventure, romance, mystery, and excitement<br />
through my writing and artwork. But secretly, I sit up late at night allowing my brain to roam through its absolute limits as I picture<br />
that bright-eyed, messy 13-year-old still prancing about in her mother’s old clothes. As I sleep, I dream of my years of fantasy<br />
that used to be, and my years of adventure that are to come.<br />
Sarah Song<br />
45
I Am My Memories<br />
by Sara James<br />
“Sare jahan se acha.”<br />
<strong>The</strong>se words were repeated every morning by my eight-year-old self. A chorus of little voices would accompany mine as we sang<br />
the rest of the anthem in our classroom. <strong>The</strong> rest of the song, however, has slipped into the far unknown depths of my memory where<br />
it has stayed for the past nine years of my life. Much of what I learned back in India has been forgotten in a similar way since I moved<br />
here. What remains <strong>is</strong> what I consider to be the most important:<br />
I remember my mother’s purple sari blowing in the wind as it hung from the clothesline tied around two innocent plantain trees<br />
outside my house. I remember my brother picking me up and running to Sunday school before the last church bell would ring and<br />
before the nuns had a chance to yell at us for being late yet again. I remember the birthday parties with multitudes of cousins running<br />
around outside and the sweet aroma of the various foods people would cook for the lucky person who had gained one more year<br />
on th<strong>is</strong> Earth. <strong>The</strong>se memories have always remained a part of me and they are recalled every time a feeling of deep nostalgia takes<br />
hold of me.<br />
I honestly believe that these memories are what has made me “Indian”; not the fact that I was born there or because my parents<br />
were born there, or even because all my official documents l<strong>is</strong>t India as my country of birth. I am Indian because of my experiences.<br />
Now, however, the words that used to start off my day have been replaced by, “I pledge allegiance to the flag of the United<br />
States…” My mother’s dresses are now lost in a giant pile of swirling clothes in the dryer, my brother now drives me to church on<br />
the rare occasions that he v<strong>is</strong>its home and birthday parties seem to have been replaced by birthday “dinners.”<br />
Nevertheless, the memories that I have gained since moving here have helped to shape me just as much as those from my childhood.<br />
I remember going to baseball games and feeling the intensity of the crowd that vibrated from the bleachers. I remember the<br />
succulent taste of my first hamburger and the massive amounts of red ketchup I poured into it. I remember traveling in a subway and<br />
the excitement I felt as we crept through a seemingly endless dark tunnel. I remember the emotional hysteria that engulfed my senses<br />
as I looked down the long white slope while gripping onto my ski poles with all my might. <strong>The</strong>se memories, along with those<br />
acquired from my childhood, have built up my personality and created my identity. I am American because of my experiences.<br />
Truthfully, I feel as though I can no longer label myself as wholly Indian nor American, but as multicultural. And while I no longer<br />
belong to a particular society, I have joined a new, yet growing group that embraces every culture and longs to make new memories.<br />
46<br />
Aarati Akkapeddi
Speaking<br />
by Elliot Halpern<br />
As an infant, I once scared an elderly woman just by speaking.<br />
Let me explain. I was born in Miami during Hurricane Andrew, by far the most powerful storm to decimate the American<br />
coast in the 20th century. I’d hear horror stories from relatives all the time. Tales of yachts being heaved out of marinas by the<br />
155 mph winds into backyards miles away, houses and residential areas being completely flattened as if a giant had come<br />
down from h<strong>is</strong> beanstalk and stomped them into the soil. Fun stuff like that. It was the storm’s sudden and chaotic changes in<br />
pressure that left me with scarring in the right side of my brain and cerebral palsy for life, with the left side of my body being<br />
permanently weaker and less coordinated than my right. I didn’t really learn to walk until just before kindergarten, and even<br />
then it took years of physical therapy to remove my severe limp and choppy gait.<br />
So what does a little boy who can’t walk do for fun? Well for one thing, I spoke. I learned to speak while I was still an<br />
infant, with full, relatively complex sentences by the time I was 18 months. And believe me, I spoke a lot, be it about my clothes,<br />
my toys, my room, my family, and of course, myself. I always loved introducing myself to whoever I saw, be it family, familiar,<br />
or complete stranger. <strong>The</strong> thought of making a new friend or learning something new from these encounters always made me<br />
excited.<br />
So I was a baby in the shopping cart at the<br />
local supermarket with my mother at the time, I was<br />
about a year and a half old, when th<strong>is</strong> older madam<br />
rushes up to the cart and stops us dead in the middle<br />
of the a<strong>is</strong>le.<br />
“Oh, what an adorable baby! You must be so<br />
proud!” she cheers, absolutely thrilled by my infant<br />
chubby cheeks and little fingers. She moves her<br />
face close to mine and begins to baby talk to my<br />
infant self, not expecting any sort of solid reply<br />
besides an occasional “goo” or “gahh.”<br />
“Aren’t you just precious? Yes you are, yes you<br />
are! What’s your name, little boy?”<br />
Before the final word had left her mouth, I felt<br />
compelled to answer as loudly and cordially as I<br />
could muster. Of course I didn't know that I was<br />
going to scare her at the time, I was just trying to<br />
meet a new friend and learn something new about<br />
the world around me, two qualities that have made<br />
me who I am from the day I started talking at such<br />
Aarati Akkapeddi<br />
a young age to today, and definitely forever on.<br />
Nevertheless, what I shouted in th<strong>is</strong> woman's face,<br />
and her subsequent shriek of terror and startled lunge backward, has become a running joke in my family. <strong>The</strong>y said it's their<br />
first taste of me being me, and I agree.<br />
“HI, MY NAME IS ELLIOT HALPERN. WHAT’S YOURS?”<br />
47
<strong>The</strong> Mirror<br />
by Ashley Thompson<br />
She <strong>is</strong> my best friend, my idol and my inspiration. Every time I look at her, I see myself. Coffee-colored eyes, caramel<br />
skin, thin eyebrows—almost as if pencil drawn. When she smiles, her eggshell white teeth shock the audience, but when<br />
she frowns it <strong>is</strong> as if the whole world has grown black and grey. She has a sense of style just like I do. We sing our favorite<br />
songs together and we are comfortable dancing in front of each other. She <strong>is</strong> a great l<strong>is</strong>tener. I can sit and talk to her for<br />
hours and she understands me and never judges me. She <strong>is</strong> all I have, the only one who <strong>is</strong> not a phony, a fake, or into the<br />
whole drama scene. She loves me just as much as I love her, but there <strong>is</strong> just one problem. Every time I reach my arms<br />
to hug her, she does, too, and I cannot feel her. Every time I ask for advice, she has nothing to say. I realize that I’m the<br />
one always talking, dancing and singing and she just follows everything I do. She <strong>is</strong>n’t anyone but a reflection of myself.<br />
<strong>The</strong> dancing <strong>is</strong> me, the singing <strong>is</strong> me, the crying and the laughter <strong>is</strong> all me. It’s just me and the mirror, and she <strong>is</strong> me.<br />
Victoria Hardy<br />
48
Ode to My Acne<br />
by Dana Mingione<br />
O, blem<strong>is</strong>h! How falsely named are you!<br />
While others may lament in your presence<br />
I see past the festering oil!<br />
I overlook the patchy skin!<br />
<strong>The</strong> bulging whiteheads,<br />
<strong>The</strong> blackheads dusting the nose like the devil’s pepper,<br />
<strong>The</strong>se are naught but adornments in my eyes!<br />
You are my truest friends,<br />
Only a glance in the mirror away.<br />
You share my angu<strong>is</strong>h and my joy;<br />
You can never do me a wrong.<br />
And even in my lowest moment,<br />
When I must face the masses<br />
Defenseless and alone,<br />
<strong>The</strong>re you are.<br />
Throwing me a surpr<strong>is</strong>e party,<br />
And inviting all of your friends!<br />
Is th<strong>is</strong> not the mark of a true comrade?<br />
To rally the troops, to stir them,<br />
To bring them forth, into the eyes of the world?<br />
I strut proudly into the daylight<br />
Knowing that my pustules stand with me.<br />
Can you not see my mighty and numerous army?<br />
Full of life and energy,<br />
Bursting at the very seems,<br />
Fluorescent with power and swelling with pride.<br />
Ah! See, they break over my very flesh!<br />
<strong>The</strong>y simply cannot be contained!<br />
And when I see when others smother you<br />
In creams and gels and masks,<br />
I cannot help but gasp and shudder!<br />
And my horror can never be contained<br />
When my eyes behold the utmost evil<br />
Those two ghastly fingers<br />
Closing in to seal your doom.<br />
I turn away, and a tear falls.<br />
So may those porcelain-faced dolls be forgotten!<br />
Those smooth faced cherubs scorned!<br />
And may the pimple-graced Pizza-Face<br />
Be crowned as a king.<br />
Jessica Lynady<br />
49
<strong>The</strong> Sun R<strong>is</strong>es<br />
Just For Me<br />
by <strong>The</strong>resa Flynn<br />
Putting on flip-flops, I simply walked out of the house into the cool morning wearing just my pajamas and sweatshirt.<br />
I passed the pool, the floaties and the toys still bobbing in the water, and traveled through the gate and down<br />
between the dunes. Excitement bubbled inside me at the fact that I had left the house so early in the morning with<br />
no one’s perm<strong>is</strong>sion.<br />
I’m not one to live life on the edge; defying my parents <strong>is</strong> not something I normally do. I call my parents after<br />
school to ask if I can stay after. I plan my days in advance. <strong>The</strong> most bad-ass thing I’ve ever done <strong>is</strong> put my plate<br />
in the sink without fin<strong>is</strong>hing my dinner. So going out at the crack of dawn on my own terms was a big deal.<br />
<strong>The</strong> beach, as far as I could see, was empty. I couldn’t keep the smile from crossing my newly freckled face as<br />
I padded through the cool sand to the water.<br />
I was alone. Free. I didn’t want to think about all the things that were bothering me. For once, I was really and<br />
truly happy.<br />
<strong>The</strong> tide came up, wetting my feet. I giggled at the water’s feel on my skin, the excitement whirling in my brain.<br />
I surveyed the peaceful land before me – the brown sand, the min<strong>is</strong>cule, almost inv<strong>is</strong>ible crab skittering across<br />
it, the houses, still with the lights off, and the water r<strong>is</strong>ing and falling like a sleeping child’s chest – when a bright<br />
light caught my eye.<br />
My jaw dropped when I realized it was the sun.<br />
I gasped, mesmerized by the majestic ball of fire, bright orange, glowing and huge. It was the most amazing<br />
thing I had ever seen. It was powerful.<br />
I had never been one that connected with nature. Many times my mother had said, “Look at the moon!” or “Wow,<br />
do you see those stars?” but I had never made any connections. It was all just another stop on the tour, a sunset on<br />
the cru<strong>is</strong>e. But th<strong>is</strong> was different. Th<strong>is</strong> was all my own.<br />
I wanted to walk to it. Become a part of it. After taking a few steps, I realized th<strong>is</strong> was impossible. I admired<br />
its power from my small parad<strong>is</strong>e on Earth.<br />
Within moments, it was high in the air.<br />
I don’t know how long I stood there. I was reluctant to leave the beach, because I knew once I did, it would never<br />
be the same.<br />
As I walked up the beach, I looked back at the glowing god. I smiled, despite the knots of sadness that had<br />
formed in the pit of my stomach, despite the fact that a pivotal moment of my life was ending. It <strong>is</strong> something I will<br />
remember as long as the sun r<strong>is</strong>es and sets.<br />
50<br />
Danielle Acevedo