Bibliography - School of Physics - University of Melbourne
Bibliography - School of Physics - University of Melbourne
Bibliography - School of Physics - University of Melbourne
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52 CHAPTER 5. HOLOGRAPHY<br />
Film<br />
Cut Corner<br />
Film Holder<br />
Figure 5.1: Orientation <strong>of</strong> the film in the film holder.<br />
5.5.1.2 Film exposure<br />
To produce high-quality holograms, the intensity <strong>of</strong> the reference beam should be at least<br />
three times and not more than ten times the intensity <strong>of</strong> the light reflected <strong>of</strong>f the object<br />
beam, as measured at the position <strong>of</strong> the film 4 . Glaring reflections from the object on the film<br />
should therefore be avoided, but they may provide some nice contrast in certain situations.<br />
All beams should be in the same plane for optimum hologram production. Avoid touching<br />
ALL mirror surfaces, especially the spherical mirrors.<br />
The resultant image will have the same appearance as the object as seen through a window<br />
having the same size and position as the photographic film relative to the object in the original<br />
configuration.<br />
5.5.1.3 Developing<br />
ALL FILM HANDLING AND PROCESSING<br />
MUST BE DONE IN COMPLETE DARKNESS.<br />
In a darkroom, develop the film in CWC2 Developer for 4 minutes, gently agitating the<br />
film. Rinse the film in the running water bath for 2 minutes. Place the film in the bleach<br />
for 3 minutes, again providing gentle agitation. Rinse again in the running water bath for 2<br />
minutes. ONLY AFTER bleaching may the light be switched back on. Allow the film to dry<br />
in the drying cabinet, typically for about 5 minutes, before viewing.<br />
If you wish to make a phase hologram, you must bleach the film for about 50% more time<br />
4 The maximum fringe contrast would occur for equal intensity but this would result in distortion.