UAD Powered Plug-Ins Manual v7.1 - Universal Audio

More documents

Recommendations

Info

TABLE OF CONTENTS Neve 33609 Latency. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246 Chapter 27. Neve 88RS Channel Strip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 248 Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 248 Neve 88RS Screenshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249 Neve 88RS Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250 Dynamics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250 Gate/Expander . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251 Limiter/Compressor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254 EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257 Cut Filters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 261 Global . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 261 Chapter 28. Ocean Way Studios. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263 Dynamic Room Modeling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263 Ocean Way Studios Screenshot. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264 What Is Ocean Way Studios? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265 Operational Overviews. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267 Modes Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267 Microphones Overview. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269 Using Ocean Way Studios . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273 Ocean Way Studios Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279 Display Panels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282 Microphones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283 Master Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286 Master EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289 The History of Ocean Way Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290 Chapter 29. Precision Buss Compressor . . . . . . . . . . . . . . . . . . . . . . . . . . . . 295 Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 295 Precision Buss Compressor Screenshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 296 Precision Buss Compressor Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 296 Chapter 30. Precision De-Esser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301 Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301 Precision De-Esser Screenshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301 Precision De-Esser Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302 Operating Tips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 304 Chapter 31. Precision Enhancer Hz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305 Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305 UAD Powered Plug-Ins Manual - 10 - Table of Contents
TABLE OF CONTENTS Precision Enhancer Hz Screenshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305 Precision Enhancer Hz Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 306 Precision Enhancer Hz Usage Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309 Chapter 32. Precision Enhancer kHz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310 Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310 Precision Enhancer kHz Screenshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311 Precision Enhancer kHz Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311 Chapter 33. Precision Equalizer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314 Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314 Precision Equalizer Screenshot. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314 Precision Equalizer Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315 Control Grouping . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315 Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315 Band Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317 Precision Equalizer Latency . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319 Chapter 34. Precision K-Stereo Ambience Recovery . . . . . . . . . . . . . . . . . . . 320 Precision K-Stereo Screenshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 320 Operational Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321 Blog Article by Bob Katz. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 322 Precision K-Stereo Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 322 Ambience Recovery. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323 Ambience Filters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 324 Mid/Side Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326 Output Gain Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327 Output Level Meters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328 Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328 Factory Preset Notes by Bob Katz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 329 Chapter 35. Precision Limiter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331 Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331 Precision Limiter Screenshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332 Controls Overview. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332 Precision Limiter Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332 Precision Limiter Meters Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333 Precision Limiter Latency . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338 Chapter 36. Precision Maximizer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339 Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339 UAD Powered Plug-Ins Manual - 11 - Table of Contents
Page 1 and 2: UAD PLUG-INS MANUAL SOFTWARE VERSIO
Page 3 and 4: Universal Audio, Inc. End User Lice
Page 5 and 6: TABLE OF CONTENTS Chapter 1. Docume
Page 7 and 8: TABLE OF CONTENTS EMT 140 Controls
Page 9: TABLE OF CONTENTS Moog Filter Contr
Page 13 and 14: TABLE OF CONTENTS Boss CE-1 Screens
Page 15 and 16: CHAPTER 1 Documentation & Support U
Page 17 and 18: Online Documentation Support Websit
Page 19 and 20: CHAPTER 2 Ampex ATR-102 Mastering T
Page 21 and 22: Operational Overview Famous Tape So
Page 23 and 24: Low Level Tuning Manual Calibration
Page 25 and 26: Clip LED The left and right channel
Page 27 and 28: When Link is active, automation dat
Page 29 and 30: Cal Level Cal Level automatically s
Page 31 and 32: Thru Thru is a processor bypass con
Page 33 and 34: After Auto Calibration occurs, the
Page 35 and 36: When Tape Speed is set to 30 IPS, t
Page 37 and 38: Tape Delay Enable These buttons are
Page 39 and 40: Manual Cal Knob The Manual Cal knob
Page 41 and 42: To manually calibrate UAD Ampex ATR
Page 43 and 44: Manual Calibration Notes • 0 dB o
Page 45 and 46: Original Ampex ATR-102 Mastering Re
Page 47 and 48: API 500 Series EQ Collection Screen
Page 49 and 50: API 550A Controls Band Controls The
Page 51 and 52: API 560 Controls Note: Like the ori
Page 53 and 54: CHAPTER 4 Cambridge EQ Overview The
Page 55 and 56: Zoom Buttons The vertical scale of
Page 57 and 58: Low Cut / High Cut Filters The Low
Page 59 and 60: Table 9. Available ranges for the B
Page 61 and 62:
Note that the Q value increases as
Page 63 and 64:
Figure 14. Shelf Type A Figure 15.
Page 65 and 66:
Design Overview The original UREI/U
Page 67 and 68:
Color The Color switch toggles betw
Page 69 and 70:
Echo Volume A/B This control determ
Page 71 and 72:
EX-1 Equalizer and Compressor Figur
Page 73 and 74:
Ratio Knob Threshold Knob Determine
Page 75 and 76:
Mode Pop-up Menu Determines the DM-
Page 77 and 78:
Link Button This button links the l
Page 79 and 80:
Recirculation allows both positive
Page 81 and 82:
dbx 160 Controls The minimal contro
Page 83 and 84:
CHAPTER 8 DreamVerb Overview DreamV
Page 85 and 86:
The DreamVerb user interface (Figur
Page 87 and 88:
Shelving The simplest (and often mo
Page 89 and 90:
Materials Panel The parameters in t
Page 91 and 92:
Materials Blending Bars The Materia
Page 93 and 94:
Late-Field Relative Timing To highl
Page 95 and 96:
Figure 36. DreamVerb Positioning pa
Page 97 and 98:
Mute Mix Dry Wet This switch mutes
Page 99 and 100:
• The EQ is often most useful for
Page 101 and 102:
FATSO Screenshots Figure 38. The FA
Page 103 and 104:
Transformer design and use is an ar
Page 105 and 106:
Channel Controls Input The Input kn
Page 107 and 108:
Bypass/Tranny This black button is
Page 109 and 110:
Controls Unlinked Unlink the contro
Page 111 and 112:
Attack LED’s Unlit - Compressor I
Page 113 and 114:
CHAPTER 10 EMT 140 Plate Reverb Ove
Page 115 and 116:
Reverb Controls Plate reverb system
Page 117 and 118:
Because this is a shelving EQ, all
Page 119 and 120:
Power Switch This toggle switch ena
Page 121 and 122:
EMT 250 Screenshot Figure 41. The E
Page 123 and 124:
In some program modes, the yellow
Page 125 and 126:
Reverb Reverb program mode offers t
Page 127 and 128:
Important: In Delay mode, lever 3 d
Page 129 and 130:
Positions “I” and “II” are
Page 131 and 132:
Predelay (Lever 4) Lever 4 is used
Page 133 and 134:
CHAPTER 12 EP-34 Classic Tape Echo
Page 135 and 136:
The available delay range is 80 to
Page 137 and 138:
Echo Pan Pan sets the position of t
Page 139 and 140:
The EP-3 is the favored unit by gui
Page 141 and 142:
Fairchild Screenshot Figure 44. The
Page 143 and 144:
Fairchild Modes Dual Left/Right Lat
Page 145 and 146:
Meter Select Switch This switch det
Page 147 and 148:
DC Bias DC Bias controls the ratio
Page 149 and 150:
Harrison 32C EQ and Harrison 32C SE
Page 151 and 152:
Hi Gain Gain This control determine
Page 153 and 154:
CHAPTER 15 Helios Type 69 Equalizer
Page 155 and 156:
Bass The Bass knob has a dual purpo
Page 157 and 158:
duced if UAD-2 DSP LoadLock is enab
Page 159 and 160:
CHAPTER 16- LA-3A Compressor Overvi
Page 161 and 162:
CHAPTER 17 Lexicon 224 Classic Digi
Page 163 and 164:
Lexicon 224 Screenshot Figure 50. T
Page 165 and 166:
Lexicon 224 Buttons Like the origin
Page 167 and 168:
If Display Hold is set to 1.5 (the
Page 169 and 170:
Bass The Bass slider defines the re
Page 171 and 172:
Higher Diffusion values are frequen
Page 173 and 174:
Mode Enhancement Mode Enhancement m
Page 175 and 176:
Solo When Solo is activated, the Dr
Page 177 and 178:
If the left and right controls have
Page 179 and 180:
P8 Constant Density Plate A P9 Chor
Page 181 and 182:
CHAPTER 18 Little Labs IBP Overview
Page 183 and 184:
Phase Adjust 90°/180° This switch
Page 185 and 186:
Little Labs VOG Screenshot Figure 5
Page 187 and 188:
Like the original hardware, increas
Page 189 and 190:
CHAPTER 20 Manley Massive Passive E
Page 191 and 192:
Unique Shelves No negative feedback
Page 193 and 194:
Shelf/Bell The Shelf/Bell toggle sw
Page 195 and 196:
As Bandwidth is increased in Shelf
Page 197 and 198:
The Channel Gain controls are inten
Page 199 and 200:
When set to Link (up position), mod
Page 201 and 202:
Additional Information The original
Page 203 and 204:
Moog Filter Screenshot Figure 61. T
Page 205 and 206:
Cutoff This parameter defines the c
Page 207 and 208:
LFO Amount The LFO (low frequency o
Page 209 and 210:
Moog Filter SE Overview The UAD Moo
Page 211 and 212:
CHAPTER 22 MXR Flanger/Doubler Clas
Page 213 and 214:
Software-Only Features Stereo Funct
Page 215 and 216:
Manual This continuous control dete
Page 217 and 218:
Sync The speed of the Sweep LFO can
Page 219 and 220:
CHAPTER 23 Neve 1073 Equalizer Over
Page 221 and 222:
The available midrange center frequ
Page 223 and 224:
Neve 1073 Latency The Neve 1073 (bu
Page 225 and 226:
Neve 1081 and 1081SE Controls Overv
Page 227 and 228:
High-Mid Frequency The high-midrang
Page 229 and 230:
Cut Filters The independent low and
Page 231 and 232:
CHAPTER 25 Neve 31102 Console EQ Ov
Page 233 and 234:
Midrange Band The midrange band is
Page 235 and 236:
EQL The equalizer is engaged when t
Page 237 and 238:
CHAPTER 26 Neve 33609 Compressor Ov
Page 239 and 240:
Modeling The UAD Neve 33609 models
Page 241 and 242:
Compressor Gain This makeup gain co
Page 243 and 244:
Stereo In stereo mode, the left cha
Page 245 and 246:
22 dB Typical starting point for in
Page 247 and 248:
Note: Compensating for Neve 33609 i
Page 249 and 250:
Neve 88RS Screenshot Figure 74. The
Page 251 and 252:
Gate/Expander The gate/expander mod
Page 253 and 254:
The available range is -25 dB to +1
Page 255 and 256:
An example: When compressing a snar
Page 257 and 258:
L/C Release Release sets the amount
Page 259 and 260:
You can use this button to compare
Page 261 and 262:
Cut Filters In addition to the four
Page 263 and 264:
CHAPTER 28 Ocean Way Studios Dynami
Page 265 and 266:
What Is Ocean Way Studios? Ocean Wa
Page 267 and 268:
Operational Overviews Modes Overvie
Page 269 and 270:
Microphones Overview In addition to
Page 271 and 272:
Distance The distance from the micr
Page 273 and 274:
Using Ocean Way Studios For details
Page 275 and 276:
Dual-Mode Example Figure 85 shows h
Page 277 and 278:
The latency of Ocean Way Studios de
Page 279 and 280:
Ocean Way Studios Controls Mode Oce
Page 281 and 282:
Source A variety of audio sources (
Page 283 and 284:
The locations of the source and mic
Page 285 and 286:
Cut Filters Independent High Cut an
Page 287 and 288:
Mono Output When the plug-in has mo
Page 289 and 290:
Master EQ This group of parameters
Page 291 and 292:
Putnam moves to Los Angeles In orde
Page 293 and 294:
of Allen's best long term clients.
Page 295 and 296:
CHAPTER 29 Precision Buss Compresso
Page 297 and 298:
When Ratio is changed, the Threshol
Page 299 and 300:
Toggling the Fade switch causes an
Page 301 and 302:
CHAPTER 30 Precision De-Esser Overv
Page 303 and 304:
Note: When Solo is active, changes
Page 305 and 306:
CHAPTER 31 Precision Enhancer Hz Ov
Page 307 and 308:
Mode B (Bass 2) Mode B is primarily
Page 309 and 310:
Precision Enhancer Hz Usage Notes
Page 311 and 312:
Precision Enhancer kHz Screenshot F
Page 313 and 314:
Generally speaking, adjust the Outp
Page 315 and 316:
Precision Equalizer Controls The ea
Page 317 and 318:
Power Switch The Power Switch deter
Page 319 and 320:
Precision Equalizer Latency The Pre
Page 321 and 322:
Operational Overview Ambience Recov
Page 323 and 324:
Ambience Recovery Refer to Figure 9
Page 325 and 326:
Bell Filter The bell filter is full
Page 327 and 328:
Output Gain Controls Refer to Figur
Page 329 and 330:
Factory Preset Notes by Bob Katz Pr
Page 331 and 332:
CHAPTER 35 Precision Limiter Overvi
Page 333 and 334:
Release The Release knob sets the v
Page 335 and 336:
Each of these modes displays the Th
Page 337 and 338:
Figure 100. Precision Limiter meter
Page 339 and 340:
CHAPTER 36 Precision Maximizer Over
Page 341 and 342:
Shape The Shape knob is the primary
Page 343 and 344:
Output The Output knob controls the
Page 345 and 346:
CHAPTER 37 Precision Multiband Over
Page 347 and 348:
Band Controls The Band Controls con
Page 349 and 350:
Note: Relative mode is not availabl
Page 351 and 352:
Attack Attack sets the amount of ti
Page 353 and 354:
Adjusting Gain Adjusting Gain and c
Page 355 and 356:
Dynamics Meters Realtime display of
Page 357 and 358:
Output Level Meter Output Level Kno
Page 359 and 360:
CHAPTER 38 Pultec Passive EQ Collec
Page 361 and 362:
Pultec Plug-In Family The complete
Page 363 and 364:
Artist Presets The Pultec Passive E
Page 365 and 366:
LF Boost This knob determines the a
Page 367 and 368:
EQ Enable This is the EQ enable con
Page 369 and 370:
The HLF-3C interface is very simple
Page 371 and 372:
CHAPTER 39 RealVerb Pro Overview Re
Page 373 and 374:
The RealVerb Pro user interface is
Page 375 and 376:
First material Second material Blen
Page 377 and 378:
tion frequency, the frequency at wh
Page 379 and 380:
3. Adjust the Band-edge controls fo
Page 381 and 382:
3. Drag the Decay Time control for
Page 383 and 384:
Levels The Levels panel adjusts the
Page 385 and 386:
RealVerb Pro Preset Management Fact
Page 387 and 388:
Boss CE-1 Controls The Boss CE-1 ha
Page 389 and 390:
Vibrato Controls These two knobs co
Page 391 and 392:
Roland Dimension D Controls The Rol
Page 393 and 394:
Roland RE-201 Screenshot Figure 123
Page 395 and 396:
The affect of each knob position is
Page 397 and 398:
Note: Echo Volume has no affect whe
Page 399 and 400:
CHAPTER 43 SPL Transient Designer O
Page 401 and 402:
Signal Overload Link Link indicates
Page 403 and 404:
• Shorten the sustain period of a
Page 405 and 406:
channels of the reverb return throu
Page 407 and 408:
Figure 126 on page 407 shows the di
Page 409 and 410:
Figure 130 on page 409 displays the
Page 411 and 412:
SSL E Channel Strip Screenshot Figu
Page 413 and 414:
Dynamics Separate “soft-knee” c
Page 415 and 416:
Gate 1 (G1) In Gate 1 mode, signals
Page 417 and 418:
EQ The UAD SSL E Channel Strip EQ m
Page 419 and 420:
HMF Q The Q (bandwidth) control def
Page 421 and 422:
Pre-Dynamics (PRE DYN) During “no
Page 423 and 424:
The compressor's simple control set
Page 425 and 426:
SSL G Bus Compressor Controls Thres
Page 427 and 428:
Fade Rate Fade Rate determines the
Page 429 and 430:
CHAPTER 46 Studer A800 Multichannel
Page 431 and 432:
+6dB, +7.5dB, or +9dB calibration l
Page 433 and 434:
Ganged Operation Mono/Stereo Operat
Page 435 and 436:
• 250: +3 Calibration (251 nWb/m)
Page 437 and 438:
Equaliser (Emphasis EQ) The Equalis
Page 439 and 440:
• Gang Controls is a static contr
Page 441 and 442:
With the hardware machine, these co
Page 443 and 444:
CHAPTER 47 Teletronix LA-2A Leveler
Page 445 and 446:
LA-2A Plug-In Family The complete L
Page 447 and 448:
Reference Level Plug-ins in the Tel
Page 449 and 450:
Compress/Limit This switch sets the
Page 451 and 452:
The Teletroniz LA-2A Leveler Collec
Page 453 and 454:
Operational Overview Unique Band In
Page 455 and 456:
Low-Mid Band The low-mid EQ offers
Page 457 and 458:
The Trident A-Range Console, featur
Page 459 and 460:
UA 1176 Screenshots Figure 143. The
Page 461 and 462:
UA 1176LN/SE Legacy The 1176 legacy
Page 463 and 464:
Grit A simple 1176 trick is turning
Page 465 and 466:
The behavior of the Attack knob var
Page 467 and 468:
In All Button mode the ratio goes t
Page 469 and 470:
INDEX Numerics 1176 Classic Limiter
Page 471 and 472:
INDEX Filtering 92 Frequency 302 Fr
Page 473 and 474:
INDEX Parametric EQ 59 Parametric T
Page 475:
INDEX Users Forum 17 V Video Docume
show all

UAD Powered Plug-Ins Manual v7.1 - Universal Audio

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?