UAD Powered Plug-Ins Manual v7.1 - Universal Audio

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TABLE OF CONTENTS Chapter 16. LA-3A Compressor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159 Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159 LA-3A Screenshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159 LA-3A Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160 Chapter 17. Lexicon 224 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161 Classic Digital Reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161 Lexicon 224 Screenshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163 Operational Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164 Primary Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168 Hidden Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175 Program Descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178 Chapter 18. Little Labs IBP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181 Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181 Little Labs IBP Screenshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181 Little Labs IBP Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182 Little Labs IBP Latency . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183 Chapter 19. Little Labs VOG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184 Bass Resonance Processor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184 Little Labs VOG Screenshot. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185 Operational Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185 Little Labs VOG Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186 Chapter 20. Manley Massive Passive EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . 189 Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189 Massive Passive Screenshots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190 Unusual EQ Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190 Massive Passive Mastering EQ. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191 Standard vs. Mastering Versions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192 Massive Passive Band Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192 Channel Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196 Other Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198 Massive Passive Latency . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199 Notes from Manley Laboratories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199 Additional Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201 Chapter 21. Moog Multimode Filter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202 Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202 Moog Filter Screenshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203 UAD Powered Plug-Ins Manual - 8 - Table of Contents
TABLE OF CONTENTS Moog Filter Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203 Moog Filter SE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209 Moog Filter Latency . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210 Chapter 22. MXR Flanger/Doubler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211 Classic Electronic Flanging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211 MXR Flanger/Doubler Screenshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212 Operational Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212 MXR Flanger/Doubler Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213 MXR Flanger/Doubler Latency . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218 Chapter 23. Neve 1073 Equalizer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219 Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219 Neve 1073 Screenshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219 Neve 1073 and 1073SE Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219 Neve 1073SE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222 Neve 1073 Latency . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223 Chapter 24. Neve 1081 Equalizer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224 Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224 Neve 1081 Screenshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224 Neve 1081 and 1081SE Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225 Neve 1081SE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230 Neve 1081 Latency . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230 Chapter 25. Neve 31102 Console EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231 Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231 Neve 31102 Screenshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231 Neve 31102 and 31102SE Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232 Neve 31102SE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235 Neve 31102 Latency. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236 Chapter 26. Neve 33609 Compressor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237 Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237 Neve 33609 Screenshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238 Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238 Neve 33609 and 33609SE Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239 Limiter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239 Compressor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240 Other Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241 Neve 33609SE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246 UAD Powered Plug-Ins Manual - 9 - Table of Contents
Page 1 and 2: UAD PLUG-INS MANUAL SOFTWARE VERSIO
Page 3 and 4: Universal Audio, Inc. End User Lice
Page 5 and 6: TABLE OF CONTENTS Chapter 1. Docume
Page 7: TABLE OF CONTENTS EMT 140 Controls
Page 11 and 12: TABLE OF CONTENTS Precision Enhance
Page 13 and 14: TABLE OF CONTENTS Boss CE-1 Screens
Page 15 and 16: CHAPTER 1 Documentation & Support U
Page 17 and 18: Online Documentation Support Websit
Page 19 and 20: CHAPTER 2 Ampex ATR-102 Mastering T
Page 21 and 22: Operational Overview Famous Tape So
Page 23 and 24: Low Level Tuning Manual Calibration
Page 25 and 26: Clip LED The left and right channel
Page 27 and 28: When Link is active, automation dat
Page 29 and 30: Cal Level Cal Level automatically s
Page 31 and 32: Thru Thru is a processor bypass con
Page 33 and 34: After Auto Calibration occurs, the
Page 35 and 36: When Tape Speed is set to 30 IPS, t
Page 37 and 38: Tape Delay Enable These buttons are
Page 39 and 40: Manual Cal Knob The Manual Cal knob
Page 41 and 42: To manually calibrate UAD Ampex ATR
Page 43 and 44: Manual Calibration Notes • 0 dB o
Page 45 and 46: Original Ampex ATR-102 Mastering Re
Page 47 and 48: API 500 Series EQ Collection Screen
Page 49 and 50: API 550A Controls Band Controls The
Page 51 and 52: API 560 Controls Note: Like the ori
Page 53 and 54: CHAPTER 4 Cambridge EQ Overview The
Page 55 and 56: Zoom Buttons The vertical scale of
Page 57 and 58: Low Cut / High Cut Filters The Low
Page 59 and 60:
Table 9. Available ranges for the B
Page 61 and 62:
Note that the Q value increases as
Page 63 and 64:
Figure 14. Shelf Type A Figure 15.
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Design Overview The original UREI/U
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Color The Color switch toggles betw
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Echo Volume A/B This control determ
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EX-1 Equalizer and Compressor Figur
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Ratio Knob Threshold Knob Determine
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Mode Pop-up Menu Determines the DM-
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Link Button This button links the l
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Recirculation allows both positive
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dbx 160 Controls The minimal contro
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CHAPTER 8 DreamVerb Overview DreamV
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The DreamVerb user interface (Figur
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Shelving The simplest (and often mo
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Materials Panel The parameters in t
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Materials Blending Bars The Materia
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Late-Field Relative Timing To highl
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Figure 36. DreamVerb Positioning pa
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Mute Mix Dry Wet This switch mutes
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• The EQ is often most useful for
Page 101 and 102:
FATSO Screenshots Figure 38. The FA
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Transformer design and use is an ar
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Channel Controls Input The Input kn
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Bypass/Tranny This black button is
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Controls Unlinked Unlink the contro
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Attack LED’s Unlit - Compressor I
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CHAPTER 10 EMT 140 Plate Reverb Ove
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Reverb Controls Plate reverb system
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Because this is a shelving EQ, all
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Power Switch This toggle switch ena
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EMT 250 Screenshot Figure 41. The E
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In some program modes, the yellow
Page 125 and 126:
Reverb Reverb program mode offers t
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Important: In Delay mode, lever 3 d
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Positions “I” and “II” are
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Predelay (Lever 4) Lever 4 is used
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CHAPTER 12 EP-34 Classic Tape Echo
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The available delay range is 80 to
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Echo Pan Pan sets the position of t
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The EP-3 is the favored unit by gui
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Fairchild Screenshot Figure 44. The
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Fairchild Modes Dual Left/Right Lat
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Meter Select Switch This switch det
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DC Bias DC Bias controls the ratio
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Harrison 32C EQ and Harrison 32C SE
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Hi Gain Gain This control determine
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CHAPTER 15 Helios Type 69 Equalizer
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Bass The Bass knob has a dual purpo
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duced if UAD-2 DSP LoadLock is enab
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CHAPTER 16- LA-3A Compressor Overvi
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CHAPTER 17 Lexicon 224 Classic Digi
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Lexicon 224 Screenshot Figure 50. T
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Lexicon 224 Buttons Like the origin
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If Display Hold is set to 1.5 (the
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Bass The Bass slider defines the re
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Higher Diffusion values are frequen
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Mode Enhancement Mode Enhancement m
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Solo When Solo is activated, the Dr
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If the left and right controls have
Page 179 and 180:
P8 Constant Density Plate A P9 Chor
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CHAPTER 18 Little Labs IBP Overview
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Phase Adjust 90°/180° This switch
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Little Labs VOG Screenshot Figure 5
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Like the original hardware, increas
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CHAPTER 20 Manley Massive Passive E
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Unique Shelves No negative feedback
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Shelf/Bell The Shelf/Bell toggle sw
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As Bandwidth is increased in Shelf
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The Channel Gain controls are inten
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When set to Link (up position), mod
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Additional Information The original
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Moog Filter Screenshot Figure 61. T
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Cutoff This parameter defines the c
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LFO Amount The LFO (low frequency o
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Moog Filter SE Overview The UAD Moo
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CHAPTER 22 MXR Flanger/Doubler Clas
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Software-Only Features Stereo Funct
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Manual This continuous control dete
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Sync The speed of the Sweep LFO can
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CHAPTER 23 Neve 1073 Equalizer Over
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The available midrange center frequ
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Neve 1073 Latency The Neve 1073 (bu
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Neve 1081 and 1081SE Controls Overv
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High-Mid Frequency The high-midrang
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Cut Filters The independent low and
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CHAPTER 25 Neve 31102 Console EQ Ov
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Midrange Band The midrange band is
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EQL The equalizer is engaged when t
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CHAPTER 26 Neve 33609 Compressor Ov
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Modeling The UAD Neve 33609 models
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Compressor Gain This makeup gain co
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Stereo In stereo mode, the left cha
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22 dB Typical starting point for in
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Note: Compensating for Neve 33609 i
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Neve 88RS Screenshot Figure 74. The
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Gate/Expander The gate/expander mod
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The available range is -25 dB to +1
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An example: When compressing a snar
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L/C Release Release sets the amount
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You can use this button to compare
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Cut Filters In addition to the four
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CHAPTER 28 Ocean Way Studios Dynami
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What Is Ocean Way Studios? Ocean Wa
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Operational Overviews Modes Overvie
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Microphones Overview In addition to
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Distance The distance from the micr
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Using Ocean Way Studios For details
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Dual-Mode Example Figure 85 shows h
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The latency of Ocean Way Studios de
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Ocean Way Studios Controls Mode Oce
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Source A variety of audio sources (
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The locations of the source and mic
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Cut Filters Independent High Cut an
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Mono Output When the plug-in has mo
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Master EQ This group of parameters
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Putnam moves to Los Angeles In orde
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of Allen's best long term clients.
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CHAPTER 29 Precision Buss Compresso
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When Ratio is changed, the Threshol
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Toggling the Fade switch causes an
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CHAPTER 30 Precision De-Esser Overv
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Note: When Solo is active, changes
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CHAPTER 31 Precision Enhancer Hz Ov
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Mode B (Bass 2) Mode B is primarily
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Precision Enhancer Hz Usage Notes
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Precision Enhancer kHz Screenshot F
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Generally speaking, adjust the Outp
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Precision Equalizer Controls The ea
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Power Switch The Power Switch deter
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Precision Equalizer Latency The Pre
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Operational Overview Ambience Recov
Page 323 and 324:
Ambience Recovery Refer to Figure 9
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Bell Filter The bell filter is full
Page 327 and 328:
Output Gain Controls Refer to Figur
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Factory Preset Notes by Bob Katz Pr
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CHAPTER 35 Precision Limiter Overvi
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Release The Release knob sets the v
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Each of these modes displays the Th
Page 337 and 338:
Figure 100. Precision Limiter meter
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CHAPTER 36 Precision Maximizer Over
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Shape The Shape knob is the primary
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Output The Output knob controls the
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CHAPTER 37 Precision Multiband Over
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Band Controls The Band Controls con
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Note: Relative mode is not availabl
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Attack Attack sets the amount of ti
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Adjusting Gain Adjusting Gain and c
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Dynamics Meters Realtime display of
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Output Level Meter Output Level Kno
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CHAPTER 38 Pultec Passive EQ Collec
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Pultec Plug-In Family The complete
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Artist Presets The Pultec Passive E
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LF Boost This knob determines the a
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EQ Enable This is the EQ enable con
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The HLF-3C interface is very simple
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CHAPTER 39 RealVerb Pro Overview Re
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The RealVerb Pro user interface is
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First material Second material Blen
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tion frequency, the frequency at wh
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3. Adjust the Band-edge controls fo
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3. Drag the Decay Time control for
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Levels The Levels panel adjusts the
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RealVerb Pro Preset Management Fact
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Boss CE-1 Controls The Boss CE-1 ha
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Vibrato Controls These two knobs co
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Roland Dimension D Controls The Rol
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Roland RE-201 Screenshot Figure 123
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The affect of each knob position is
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Note: Echo Volume has no affect whe
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CHAPTER 43 SPL Transient Designer O
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Signal Overload Link Link indicates
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• Shorten the sustain period of a
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channels of the reverb return throu
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Figure 126 on page 407 shows the di
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Figure 130 on page 409 displays the
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SSL E Channel Strip Screenshot Figu
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Dynamics Separate “soft-knee” c
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Gate 1 (G1) In Gate 1 mode, signals
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EQ The UAD SSL E Channel Strip EQ m
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HMF Q The Q (bandwidth) control def
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Pre-Dynamics (PRE DYN) During “no
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The compressor's simple control set
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SSL G Bus Compressor Controls Thres
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Fade Rate Fade Rate determines the
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CHAPTER 46 Studer A800 Multichannel
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+6dB, +7.5dB, or +9dB calibration l
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Ganged Operation Mono/Stereo Operat
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• 250: +3 Calibration (251 nWb/m)
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Equaliser (Emphasis EQ) The Equalis
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• Gang Controls is a static contr
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With the hardware machine, these co
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CHAPTER 47 Teletronix LA-2A Leveler
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LA-2A Plug-In Family The complete L
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Reference Level Plug-ins in the Tel
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Compress/Limit This switch sets the
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The Teletroniz LA-2A Leveler Collec
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Operational Overview Unique Band In
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Low-Mid Band The low-mid EQ offers
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The Trident A-Range Console, featur
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UA 1176 Screenshots Figure 143. The
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UA 1176LN/SE Legacy The 1176 legacy
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Grit A simple 1176 trick is turning
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The behavior of the Attack knob var
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In All Button mode the ratio goes t
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INDEX Numerics 1176 Classic Limiter
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INDEX Filtering 92 Frequency 302 Fr
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INDEX Parametric EQ 59 Parametric T
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INDEX Users Forum 17 V Video Docume
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