NEWS 2013 - Cine Gear Expo

NEWS 2013

CINE GEAR EXPO 

NEWS 2013 



Welcome to Cine Gear 2013! 

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The peerless service of Cinelease, now backed by the global reach 

of Hertz, creates the most complete and flexible lighting solution 

in the industry. Whatever the job, wherever the shoot, there’s 

one clear choice. Cinelease. Everything in Light. 

To learn more about affiliate opportunities, visit Cinelease.com 

Cinelease is a trademark of Cinelease, Inc. Hertz ® is a registered trademark of Hertz Equipment Rental Corporation. 

www.cinelease.com 

Welcome to Cine Gear Expo 2013 

– Los Angeles at The Paramount 

Studios in the heart of Hollywood, 

California, USA. 

The Cine Gear Film Series and Competition starts the jam packed 

weekend with the screenings of three Features, five Student and five 

Independent Short finalists on Thursday, May 30 in The Sherry Lansing 

Theater. The winners in each category will be announced and crowned 

at the VIP Party on Friday night May 31 at The Paramount Theater. 

Acclaimed Cinematographer, Haskell Wexler, ASC, the three-time 

Oscar winner for Who’s Afraid of Virginia Woolf?, Bound For Glory, 

and for the documentary Interview With My Lai Veterans will be this 

year’s recipient of The Cine Gear Expo Cinematography Lifetime 

Achievement Award. 

The Cine Gear Expo 2013 Technical Lifetime Achievement Award 

will be presented to Cooke Optics Limited in recognition of the 

significant contributions the company has made to advance the art 

and craft of filmmaking. Mr. Les Zellan, President of ZGC Inc. /Cooke 

Optics Limited will accept the award from Jon Fauer, ASC and Editor/ 

Publisher of Film and Digital Times. Post Service Leader, FotoKem 

will be honored for their 50 years of service to the industry at the VIP 

Reception Friday night. 

Cine Gear Expo opens at 2:00pm on Friday, May 31 to an incredible 

varied range of vendors and manufacturers who will show their latest 

tools and services to enhance the creative vision and make complex 

jobs easier and faster to fulfill. Stages 31 and 32 are the indoor exhibit 

areas adjacent to the New York Street Back lot, the outdoor show zone. 

The always popular Premiere Seminars are supported and 

organized by a wide range of associations, unions and manufacturers 

who will share their vast knowledge and experience with Cine Gear 

attendees. Seminars and panels will be held in the Paramount, Lansing 

and Gower Theaters and Screening Room #5 on May 31 and June 1 and 

are complimentary to Cine Gear guests. Visit www.cinegearexpo.com 

for the latest update and full schedule. 

The Master Class Seminars on Sunday June 2, held at the 

Mole Stage in Hollywood, are an outstanding mix of Educational 

opportunities that range from “Financing your Project to Finishing 

your Film” and the always popular “Lighting Workshop” taught by 

such great Cinematographers as Alan Caso, ASC, Ron Garcia, ASC and 

Haskell Wexler, ASC. 

Tickets can be purchased online at www.cinegearexpo.com and at 

The Information Booth during show hours. 

As part of the Cine Gear Expo experience, Sony Electronics is 

hosting an exclusive 4K screening of the upcoming Sony Pictures 

Entertainment feature film “After Earth,” from acclaimed director 

M. Night Shyamalan. The movie is the latest release shot with Sony’s 

flagship F65 digital motion picture camera, and it will be shown at 

the Paramount Studios Theater in 4K. Sony is also planning a panel 

discussion with the filmmakers and the production team. Be among 

the first to see the newest 4K blockbuster and hear first-hand from the 

professionals who created the movie. The event will be held on Friday, 

May 31, 2013, with the activities beginning promptly at 6:30 pm. This 

special event is open to registered Cine Gear Expo attendees. 

Join Industry colleagues, meet, greet and catch up with vendors 

and friends and engage in that all important activity of networking. 

The exhibits, presentations, food, drink and activities on the studio 

lot encourage guests to linger for more than just one day at Cine Gear 

Expo. 

Respectfully, 

Juliane Grosso and Karl Kresser 

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Cinematography Lifetime Achievement 

award goes to haskell wexler, asc 

photo by Douglas Kirkland / courtesy of Kodak 

Haskell Wexler, ASC is a three-time Oscar winner for Who’s 

Afraid of Virginia Woolf?, Bound For Glory, and for the documentary 

Interview With My Lai Veterans. 

He also has Oscar nominations for Blaze, One Flew Over the 

Cuckoo’s Nest, and Matewan, and in 2001 was nominated for an 

Emmy for his work on the HBO film 61*. In all, Wexler has over 40 

feature credits, and he has also shot a long list of documentaries, 

plus several IMAX films, and hundreds of commercials. In 1993, 

Wexler received the ASC Lifetime Achievement Award. 

Wexler was born and raised in Chicago. He came west to 

attend the University of California at Berkeley. After a year, he 

volunteered to become an ordinary seaman in the merchant marine 

at the start of World War II. He survived several torpedo 

attacks and one sinking. After the war, his father helped him open 

a film studio in a suburb of Chicago. It was short-lived experience. 

Mainly, he shot industrial films for his father’s business acquaintances. 

In 1947, Wexler joined the International Cinematographers 

Guild in Chicago as an assistant cameraman. He did some pickup 

work with Hollywood crews, but mainly Wexler shot documentaries 

for Encyclopedia Britannica. Later in the ‘50s, Wexler spent 

much of his time filming commercials for Kling Studios, which became 

Fred Niles Studios. 

By the late 1950s he was determined to try his hand at narrative 

filmmaking. His first feature was Stakeout on Dope Street, 

a co-venture with Roger Corman. In 1959, Wexler attracted 

attention to his work with the stark, black-and-white film The 

Savage Eye, a brutally honest and provocative visualization of Los 

Angeles. 

He went on to shoot The Hoodlum Priest, A Face in the Rain 

and America, America. The latter was his ticket to Hollywood, and 

Wexler got work as an assistant cameraman on several television 

series, including Ozzie and Harriet. 

His first mainstream feature was The Best Man, followed 

by The Loved One. That led to Virginia Woolf. Wexler followed up 

quickly with such films as In the Heat of the Night and The Thomas 

Crown Affair. In 1968 Wexler wrote, directed, produced, and photographed 

Medium Cool. His feature credits also include Other 

People’s Money, The Babe, The Secret of Roan Inish, and Muholland 

Falls. 

Today, Wexler still doesn’t skip a beat, working on narratives 

and documentaries, including operating the camera when 

the Society of Camera Operators volunteered to document the 

journey of the Space Shuttle Endeavour to its final home at the 

California Science Center. 

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Technical Lifetime 

aChievement 



The Cine Gear Expo 2013 Technical Lifetime 

ACHievement Award will be presented to Cooke 

Optics Limited and Mr. Les Zellan, in recognition of 

THe significant contributions Cooke has made to 

advancing the art and craft of film making. 

Timeline of Cooke Cine Lens History 

The recent surge of interest in Cooke Series II and III and 

other classic lenses suggested the time was right for this article 

by Barbara Lowry. 

There is a short list of prolific Cooke optical designers who 

were responsible for major innovations that helped define the 

look of motion pictures for the past 118 years. 

William and Thomas Smithies Taylor were mechanical and 

optical geniues. They opened their first workshop while still in 

school. In 1885, they moved to Slate Street in Leicester, England 

to set up a business as “Manufacturers of Optical Instruments.” In 

1887,William Hobson joined them as sales manager. The firm was 

named Taylor, Taylor & Hobson. They built the first Cooke lens in 

1894, after T. Cooke & Sons of York (makers of telescopes, but not 

interested in photography) offered Taylor, Taylor & Hobson the 

manufacturing rights to a Triplett photographic lens that solved 

the problem of edge softness. The 3-section lens was designed 

by Dennis Taylor (not a relative). William Taylor invented, among 

other things, the standardized screw thread for photographic 

lenses (1892), the dimpled golf ball (1905), engraving machines, 

and many devices for making lenses at tolerances that can still 

compete with contemporary equipment. William Taylor hired 

optical designer Arthur Warmisham 1912. 

Warmisham filed 70 optical patents, from 1922 through the 

late 1930s—more than any other person or company. His designs 

included the Cooke Varo, a 1931 zoom lens for cinematography. 

Warmisham hired Horace W. Lee as an optical designer 

shortly after—in 1913. Rudolf Kingslake, head of the Optical 

Design Department of Eastman Kodak in 1937, among other 

distinctions, said, “Horace Lee was one of England’s foremost 

and most original lens designers.” Lee was responsible for the 

first f/2.0 lens, the subsequent Cooke Speed Panchro design, and 

the telecentric (reverse telephoto) lens design for use on 3-strip 

Technicolor cameras. 

In 1948, Warmisham hired Gordon Cook, who was 

responsible for many Cooke zoom lenses. His 1971 Cooke Varotal 

20-100mm was innovative and breathtaking: it did not breathe at 

all. This was a first. The Varotal was also the first zoom lens for 

35mm cinematography with a sealed and fixed front element. It 

had excellent performance and was easy to service—innovations 

incorporated in all Cooke zooms ever since. In 1988, the Academy 

honored him with the Gordon E. Sawyer Award for his lifetime 

contributions to the motion picture industry, the first time this 

award went to someone outside the United States. 

In 1998, Les Zellan, then U.S. distributor of Cooke lenses, 

bought the Cooke lens division of Taylor-Hobson. The existing 

factory where Cooke lenses had been made was so run down that 

seagull feathers would float down through holes in the roof. Les 

built a new 21,000 sq. ft. factory about 4 miles away, and moved 

all the equipment, machines, and existing personnel, including 

Mark Craig Gerchman, who became chief optical designer. The 

Cooke brand continued under a new company name: Cooke 

Optics Limited. 

Les Zellan is chairman of Cooke Optics Limited, maker of 

Cooke lenses, the legendary lens brand that captured virtually all 

films shot in Hollywood during the first half of the 20th century. 

Zellan is a 1973 graduate of Carnegie-Mellon University with a 

master’s degree in Technical Theatre. 

After graduation, Zellan sold, designed and installed 

theatrical stage lighting systems for Berkey Colortran and then 

became sales director at a film equipment rental company in New 

York City. That association led him to an emerging product, the 

Aaton 16mm camera, and Zellan’s company, Zellan Enterprises 

Ltd., was formed in New York City in 1979 to promote and sell 

the product for Aaton in the U.S. as exclusive importer and 

distributor. He added Cooke lenses as well as Canon and OpTex 

to his distributorship shortly thereafter. 

In 1998, Zellan purchased the Cooke lens division from 

Taylor-Hobson of Leicester, England, naming the new company, 

Cooke Optics Limited, and moved it to a new facility. A year later, 

his new design team won 1999 Science and Technical Academy 

Awards, 1999 Primetime Emmy Awards and a CINEC award 

(Munich, Germany) for the optical and mechanical design of the 

company’s new Cooke S4 Prime lenses for 35mm/Super35mm 

cinematography. 

On February 9, 2013, Zellan accepted a Science and 

Technology Academy Award of Merit (Oscar statue) on behalf 

of Cooke Optics Limited “for continuing innovation in the design, 

development and manufacture of advanced camera lenses that 

have helped define the look of motion pictures over the last 

century.” 

He is an associate member of the American Society of 

Cinematographers and lectures at colleges on the art of lens 

manufacture. John Fauer will present the Award to Cooke Optics 

Limited and Mr. Les Zellan. 

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FotoKem Celebrates 

its 50th Anniversary 

THE POWER OF PARAMOUNT. 

ANYWHERE. EVERYWHERE. 

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FotoKem Celebrates 50 Years of Progression in the World 

of Post Production 

For five decades, FotoKem has been on the forefront of post 

production. Their work embodies technological leadership and a 

passion for supporting filmmakers’ work. From early on, FotoKem 

has been a trusted facility for studio projects, television shows, 

independent films, and commercial production. Today, filmmakers 

continue to rely on the facility’s wide range of expertise for 

navigating the many formats and choices for storytelling. 

Founded by Gerald Brodersen in 1963, the company’s executive 

team includes William and Michael Brodersen (President/ 

CEO and Chief Strategy Officer, respectively), along with several 

other family members specializing in different aspects of the business. 

“We are very proud of our history in the post-production 

industry,” notes William Brodersen. “Our transition into a third 

generation is absolutely attributed to the talented people that 

work here. With the leadership of individuals like Bob Semmer, 

our COO, we have been able to build an incredible team of professionals 

that has made Fotokem what it is today.” 

FotoKem began as a 16mm black-and-white laboratory. 

Over the years as technologies have advanced, FotoKem has 

grown with an eye on the future. They recently established an inhouse 

software development team that has at least half a dozen 

significant software products, such as their award-winning next- 

LAB system. These tools provide a backbone for large and small 

scale productions, and uniquely position FotoKem to respond 

quickly with custom development. 

FotoKem could be categorized as an anomaly in Hollywood. 

Headquartered in Burbank, it is one of only a few independently 

owned and operated post facilities with a global reach. FotoKem 

has expanded over the years with the acquisition of SPY, Keep 

Me Posted, Margarita Mix, L.A. Studios and Dakota Digital, each 

specializing in unique services. The company also has fiber-connected 

offices in New York, Atlanta and New Orleans. 

FotoKem remains focused on putting the best solutions in 

place for the entertainment community. Whether developing filebased 

workflows for emerging camera technologies, designing 

70mm film pipelines, managing content, restoring classics, finishing 

color, or providing non-linear production services, FotoKem 

never loses sight of its customers. 

Michael Brodersen notes, “Today, there is a lot of prediction 

involved. We listen closely to our customers and respond 

thoughtfully. We frequently invent solutions and turn on a dime 

– a necessity in today’s dynamic world. There is tremendous innovation 

here, and we’re focused on being part of this industry 

for another 50 years.” 

Global Production Support Services 

LIGHTING | GRIP | TRANSPORTATION 

Largest Inventory Stocked with the Latest Lighting & Grip Equipment 

Industry-leading Experts Deliver World-class Service 

Multiple Facilities Throughout the U.S. and Canada 

Contact Your Local Production Support Specialist 

Hollywood New York City Vancouver 

323.956.5391 718.482.7372 604.294.9660 

Atlanta New Orleans Pittsburgh 

770.333.9280 504.736.2177 718.482.7372 

ParamountOnLocation.com 

Hope to see you at Cine Gear! 

New York Street #44 

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0eL Steps Out with 

Interlocking FlexAray 

LED Fixtures 

www.0energylighting.com 

0energyLIGHTING Inc. (0eL) has stepped out from 

behind the curtain of the OEM manufacturing world, 

and is being recognized as having one of the most 

talented product design teams in the industry. The 

FlexAray line is a perfect example of the company’s 

commitment to produce innovative, well-engineered 

products that impress technicians and inspire designers. 

It’s available in RGBaW, Variable White, as 

well as Static White 3200K, 4400K, and 5600K. 0eL 

continues to provide solutions for lighting fixtures and 

accessories. The company’s state-of-the art manufacturing 

techniques are behind its sophisticated new 

tools that allow designers to express their vision and 

create iconic experiences. Manufacturers benefit from 

cutting-edge technologies that underscore their market 

leadership with unique products that are proudly 

made in the USA. 

16x9 Unveils Movcam 

Cage System for Sony 

F5/F55 

www.16x9inc.com 

16X9 Inc., a distributor and producer of high-end 

accessories for film and video production, now offers 

the Movcam Cage system, which provides maximum 

accessory support for Sony’s PMW-F5/F55 cameras. 

This system allows camera operators near-limitless 

abilities to configure accessories specifically to their 

shooting needs. The affordable, intelligently designed 

Movcam Cage system envelopes the F5/F55 in a 

rigid framework of mounting options. The Movcam 

top plate mounts on top of the camera and features 

numerous 1/4” threaded holes. The front of the plate 

has a mounting bracket for 15mm mini rods. A weaver 

rail mount secures the top handle to the plate. The 

EVF mount may be positioned on the front or the rear 

stanchion. The side handles reinforce the system to 

support a fully loaded F5/F55 camera. The LWS base 

plate completes the cage framework and mounts to 

the bottom of the camera. 

Fill-Lite Now Available 

at Band Pro 

www.bandpro.com 

Designed by a Hollywood cinematographer to overcome 

the drawbacks of bulky, power-consuming, 

traditional soft lights and the technical shortcomings 

of blotchy first-generation LEDs, Fill-Lite offers a compact, 

flexible solution that meets professional quality 

standards in temperature, color and precision control. 

Never before has such a natural lighting platform been 

available to photographers and cinematographers in 

such a compact, flexible format. It is the thinnest light 

source in the industry. Fill-Lite products include iPad 

controls for a variety of applications, both in studio 

and on location. Perfectly matched for digital cinematography 

and tested on Sony, ARRI, and RED digital 

cameras, Fill-Lite sets a new standard for the digital 

era in soft lighting. 

Cineo Lighting 

Introduces TruColor LS 

www.cineolighting.com 

Cineo Lighting introduces a smaller softlight into 

their TruColor product line: the TruColor LS. The 

TruColor LS brings all of the advantages of the awardwinning 

TruColor HS to a smaller, lower-priced 

package. With an aperture size roughly that of an 

iPad, the TruColor LS outputs up to 8,000 lumens 

using Cineo’s Remote Phosphor Technology (RPT). 

Interchangeable RPT panels allow color temperatures 

between 2700K and 6500K, matching the color 

quality of the TruColor HS. TruColor LS is a versatile 

source where a large volume of color-accurate light is 

required in a small space. The fixture’s output matches 

a 1K soft source while drawing less than 150 watts. 

TruColor LS has several powering options including 

AC, DC and the ability to gang several LS heads on 

a single power supply, and operates flicker-free up to 

10,000 frames per second. 

Cooke Displays New 

Technology 

www.cookeoptics.com 

Cooke Optics presents a prototype from its new 

Anamorphic/i lens range, consisting of seven new 

prime lenses: 25mm, 32mm, 40mm, 50mm, 75mm, 

100mm and 135mm, all at T2.3. The lenses are approximately 

the size of Cooke’s industry standard S4/i 

lenses, retain the Cooke Look®, are color matched 

with the Cooke 5/i, S4/i and miniS4/i ranges, and 

come equipped with the next generation /i Technology 

to capture lens metadata. Cooke will also show its 

new lens test projector, the first product from a new 

line of affordable and innovative lens testing equipment 

designed by Cooke and manufactured by Pure4C, 

under the brand Cooke Metrology. Many current 

projectors cannot pass a beam correctly through 

lenses that are faster than T2. Cooke Metrology’s 

projector is so bright that it can be demonstrated in 

daylight, making it much easier to discern flaws and 

artifacts in fast lenses. 

Take Inventory with 

RentalWorks QuikScan 

www.dbworks.com 

RentalWorks QuikScan is an innovative, new product 

that turns the iPhone or iPod Touch into a mobile 

inventory management device. QuikScan combines 

RentalWorks’ custom app with a Linea Pro scanner to 

create an all inclusive, bar-code scanner and utility device 

for professionals who need access to information 

remotely. Wi-Fi or 3G provides mobile access to robust 

features such as Inventory Check-In and Check- 

Out. Scan bar codes and access items to move inventory 

from warehouse to job site in seconds. QuikScan 

users can create contracts, while collecting signatures 

quickly and securely with built-in digital signatures. Repair 

and QC functions are included along with photo 

support to document issues. Additional capabilities 

include physical inventory and transfers, among others. 

QuikScan is the solution bringing inventory procedures 

into the mobile age. 

BBS Lighting Develops 

Breakthrough LED 

Technology 

www.BBSLighting.com 

BBS Lighting, a leading international manufacturer 

and developer of high-end LED lighting, brings a major 

breakthrough in LED technology to the market. The 

AREA-48 LED represents next-generation thinking by 

moving the phosphor away from the LED itself, greatly 

improving color rendering, consistency, and light output. 

BBS’s new fixture integrates its cutting-edge LED 

technology with color rendering accuracy at over 95 

CRI, HD-friendly soft light output comparable to a 1K 

traditional soft light, and multiple power options including 

an integrated battery or standard AC power. 

Moreover, the phosphor panels themselves are interchangeable, 

allowing the same fixture to be quickly 

changed from daylight to tungsten to chroma-green in 

a matter of seconds. 

BLUESHAPE Introduces 

the PowerStation and 

New Batteries 

www.blueshapeusa.com 

BLUESHAPE introduces the PowerStation to make 

V-mount batteries more useful. These units combine 

the capabilities of batteries to produce 28V and 14V 

circuits with up to 560W of power. Both the twobattery 

and four-battery units are hot-swappable. For 

single battery users, the BV270 battery offers 266Wh 

of capacity, making it the largest on-camera battery 

available – at a weight of only three pounds. The 65Wh 

BubblePack universal battery provides three voltages 

(14.8V, 11.1V, 8.4V) through its four taps, powering 

up to four devices at once. The BV090LV battery is a 

new, thin design (1.2”), lightweight (1.1 lbs) V-mount 

made with a hardened case and two P-taps on the 

battery, which allows usage in most light video applications. 

Fujifilm Introduces the 

New IS-mini 

www.fujifilm.com 

From the color science experts at Fujifilm comes the 

new IS-mini, a small color management device that 

converts incoming HD-SDI moving images via two 

sets of 1D and 3D LUTs, to outputs of both HD-SDI 

and HDMI connections. By use of a dedicated standalone 

software application (for both MacOS and Windows), 

the IS-mini creates monitor calibrations for almost 

any kind of production monitor in just a few short 

minutes. Creative LUTS can then be concatenated 

together with the profile for truly accurate previews. 

The IS-mini is an extension of the technologies first 

introduced through the CCBOXX (Image Processing 

System IS-100), and is also able to work with the 

CCBOXX by extending the abilities of remote color 

adjustment of live digital images during movie and 

television productions. Through the built-in Ethernet 

connection, multiple IS-minis can be assembled into 

a powerful array for multi-monitor/multi-camera image 

control and very precise color matching. 

Dedotec Spotlights the 

*dedocolor Line 

www.dedolight.com 

Dedotec USA, Inc., is introducing the *dedocolor line 

of focusing LED light fixtures and accessories. New 

LED focusing light fixtures will be showcased in five 

sizes, featuring state-of-the-art *dedocolor light sources 

with features exclusively developed by *dedolight. 

Patented aspherics2 optics provide astounding efficiency 

and unprecedented focusing range with the 

*dedolight clean beam concept. All heads provide excellent 

color rendition in tungsten, daylight and bicolor 

versions. Location and studio versions of these light 

fixtures will be available along with numerous accessories 

for precise light shaping and control. 

Fiilex Announces Three 

New Lights 

www.fiilex.com 

Fiilex introduces three new lights with color control. 

The Q500 is the most powerful light released by Fiilex, 

and the first member in the Q Series of intelligent studio 

lights. The Q500 is DMX controllable, has a CCT 

range from 2800K-6500K, and an additional knob for 

hue control that allows fine tuning of the color spectrum 

while maintaining a constant CRI greater than 90. 

The P180 is a powerful on-camera ENG light for the 

professional camera operator. It has a tunable color 

spectrum from 3000K-5600K and intensity control, 

and is one of the smallest and strongest on-camera 

LED lights on the market. The P100 is a compact and 

lightweight on-camera specular light source with a 

rechargeable lithium-ion battery. This light boasts versatile 

features such as a tunable color spectrum from 

3000K-5600K, intensity control from 30% to 100%, 

and an adjustable beam angle of 30-54 degrees. 

Hexolux Unveils New 

Daylight-Balanced LED 

illuminator 

www.hexolux.com 

Hexolux is introducing the highest CRI daylight-balanced, 

LED illuminator in the industry. It is an improvement 

on HMI in every way: efficiency, color rendering, 

flicker free, lighter weight, lower cost, no heat, modular 

for any size source, and DMX. Hexolux’s revolutionary 

LED Fresnels are the new industry leader with the 

highest efficiency and spectral quality. The rugged 

hexagonal modular system makes giant LED sources 

without heat. Hexolux CineWhite is considered by 

many to be the best continuous spectrum LED in the 

industry. It makes gels and makeup look just right. The 

Hexolux High-Transmittance Fresnel lens is like a 

fast F1.2 camera lens getting more light on the subject 

for much less power draw. F-stop dimming is literally 

a Digital Scrim. Now users can adjust Hexolux 

lights just like adjusting a camera. 

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Sizzling Indie Films Heat Up 

Screens this Summer 

Fruitvale Station 

IDX Introduces DUO 

Batteries 

www.idxtek.com 

IDX is proud to introduce its new Li-ion, V-Mount 

battery series, DUO. DUO is offered in two models, 

DUO-95 and DUO-150. DUO-95 (91Wh) is lightweight 

and capable of taking a 6.3A/76W load. DUO-95 is 

designed for ENG and smaller form factor digital cinema 

cameras. DUO-150 delivers 146Wh of power and 

can handle a 10A/120W load. This high-performance 

battery is perfect for power-hungry camera systems. 

The DUO series batteries are equipped with two builtin 

D-Taps, and a built-in USB power output. The dual 

D-Taps allow users to power accessories such as 

on-board recording devices, monitors and lights. The 

USB provides power and charge to devices such as 

REDmotes, iPads/tablets or smart phones. DUO series 

is compatible with all existing IDX ENDURA chargers 

and accessories. 

Innovision Optics Now 

Offers Polly Portable 

Dolly System 

www.InnovisionOptics.com 

The Polly portable dolly system is an ultra-compact 

and flexible solution for smooth tracking shots, and 

is now available for sale or rent from Innovision Optics. 

A flywheel gear on the Polly–made of high-grade 

steel–simultaneously accumulates the kinetic energy 

and stabilizes movement. The Polly engine moves the 

camera smoothly on flat surfaces or track. Ultra-slow 

tracking shots can be executed precisely by the camera 

operator for greater control and creativity. A scale 

on the flywheel enables super-precise stop motion 

dolly shots. The Polly-Arm extends the camera positions 

in all directions, allowing it to rotate and adjust 

vertically and horizontally. Built for professionals by 

Pollysystem, Polly is designed to create smooth and 

stabilized camera movements and a wide range of 

viewing positions in a special and innovative way. 

Lightwave on Big Screen 

in Oblivion 

www.lasershows.net 

Lightwave International is proud to have recently 

provided laser special effects for the blockbuster 

film Oblivion. Lightwave laser effects share the 

screen with Tom Cruise, Morgan Freeman, and Olga 

Kurylenko throughout the box-office hit. Lightwave 

International’s state-of-the-art laser effects have been 

featured in numerous film, television, music video 

and commercial projects. The effects simulate laser 

weapon fire, scanners, holographic displays, beams 

highlighting people or objects, or you can add logos. 

Your imagination is the limit. Lightwave’s solid state 

lasers are compact and efficient, allowing them to be 

placed and manipulated with ease. 

The Spectacular Now 

Indie breakouts are hitting theater screens this summer en 

masse, and that can only mean one thing for movie-going audiences: 

an exceptional selection of entertaining stories from which 

to choose. 

Sundance Grand Jury Prize and Audience Award winner 

Fruitvale Station hits movie screens in July, compliments of The 

Weinstein Bros. Written and directed by first-time feature filmmaker 

Ryan Coogler and based on true events, Fruitvale Station 

tells the story of 22-year-old Oscar Grant on the final day of 2008 

and his untimely death New Year’s Day at the hands of a Bay Area 

Rapid Transit (BART) police officer. 

From the beginning, cinematographer Rachel Morrison and 

Coogler were determined to shoot Fruitvale Station on film, ultimately 

choosing Kodak Super 16mm. “There is something very 

tangible and organic about Super 16 for Ryan and me,” Morrison 

says. “It gives a very real feeling out of the gate, and that was 

what we wanted—to embed people in the world, a documentary 

approach with more cinematic lighting where it feels like we are 

along for the ride.” 

Woody Allen brings us a more dramatic story with Blue 

Jasmine, which also reunites him with his Vicky Cristina Barcelona 

cinematographer Javier Aguirresarobe, AEC, ASC. “From my 

point of view, the universe of Woody Allen possesses a very definite 

visual aesthetic that includes not only the photography but 

also the wardrobe, the production design, and the color palette,” 

Aguirresarobe explains. “My goal was to comply with this aesthetic 

universe—the one he wishes for his movies—and also to 

help him mold his language in the making of shots and sequences.” 

The filmmakers agreed that film was the right choice, and the 

entire movie was shot on KODAK VISION3 500T Color Negative 

Film 5219. “It’s the texture of the film, but it’s also the texture of 

the light that is projected on the screen,” Aguirresarobe adds. Blue 

Jasmine also rolls out in July. 

In The Spectacular Now, a high school senior who lives only 

for the present meets a different kind of girl. It’s a tender tale 

of finding one’s identity. When cinematographer Jess Hall, BSC 

joined the production, director James Ponsoldt was already 

scouting locations in his hometown of Athens, Georgia, a setting 

that would play a key role and flavor every subsequent decision. 

One of the first things he said to Hall: “This is a 35mm anamorphic 

film. That’s how I want to shoot it, and that’s what I told the producers. 

I feel very passionately about this.” 

Ponsoldt chose the widescreen format despite working with 

a trim $2.5 million budget. Hall was very involved in choreographing 

and blocking the shots. He says the widescreen aspect ratio 

with Kodak 35mm stocks worked well with two-shots, and wider 

shots that evolve into two-shots. He also helped to make the format 

work within the budget by drawing up a lean equipment list, 

and creating efficiencies on set. 

This summer will also see the release of anticipated indies 

such as Passion; Ain’t Them Bodies Saints; Austenland; Closed Circuit; 

and Lovelace; among others. 

ino Flo’s new Celeb ® 200 DMX delivers the inspired 

K performance you’ve come to expect from Kino Flo: 

soft, even True Match ® light quality (CRI 95). The Celeb 200 

features dial-in white light from 2700 to 5500 Kelvin and 

presets with programmable settings. Light levels do not change 

when selecting Kelvin settings. The Celeb also includes full range 

dimming without color shift. Its low energy profile, Universal 

100-240VAC input and 24VDC operation make the Celeb a 

welcome addition to Kino Flo’s line of lighting instruments for 

any professional lighting application on location or in the studio. 

www.kinoflo.com 

2840 North Hollywood Way, Burbank, CA USA Voice + 1 818 767 6528 Fax + 1 818 767 7517 

12 

13



Fujifilm 

Changes Focus 

ASC Members Share 

Behind-the-Scenes 

Experiences 



The American Society of Cinematographers (ASC) will once again present a panel of master 

cinematographers discussing their experiences on a variety of projects at Cine Gear Expo. The 

seminar is designed to inspire the next generation of filmmakers, and educate the industry on the 

role of the cinematographer. 

The June 1 panel at 1 p.m. in the Paramount Theater will delve into the artistic nature of 

cinematography, using real-world examples to demonstrate the process of creating a visual style 

for projects based on each member’s experiences. 

Based on availability, the panel will feature: Stephen H. Burum, ASC; Dean Cundey, ASC, Dion 

Beebe, ASC, ACS; Daniel Pearl, ASC; Michael Goi, ASC; Karl Walter Lindenlaub, ASC; Don Burgess, 

ASC; Paul Cameron, ASC; Russell P. Carpenter, ASC; Claudio Miranda, ASC; John Toll, ASC; Robert 

Elswit, ASC; 

Robert Richardson, ASC; Roberto Schaefer, ASC and Nancy Schreiber, ASC. 

The dialogue is structured so that questions from the audience drive the conversations, and 

will be moderated by George Spiro Dibie, ASC, chairman of the ASC Education and Public Outreach 

Committee. 

“The role of the cinematographer as artist of the image is more important than ever in today’s 

multi-platform world,” says Dibie. “The ASC is dedicated to supporting filmmakers interested in 

pursuing careers in cinematography, sharing our knowledge and collaborating with all departments 

in the creation of moving images. This panel will address the many facets a cinematographer may 

encounter on the set and in the suite, from pre-production through post.” 

Dibie notes that ASC members frequently speak at colleges and universities around the world, 

as well as at the ASC Clubhouse in Hollywood, where many film school students join members for 

intimate dialogues regarding movie-making. 

“We open our doors to anyone studying screenwriting, directing, production, design, acting, 

and to all students, etc. because it takes a collective effort to succeed in the process of telling a story 

for the screening with compelling visuals,” Dibie adds. 

For more information about the ASC, visit www.theasc.com. Follow the ASC on Facebook at 

www.Facebook.com/the.ASC, and American Cinematographer magazine at www.facebook. 

com/americancinematographer. 

Fuji Photo Film Co., Ltd. was established in 1934 with the 

aim of being the first Japanese producer of photographic films. 

Over the following 10 years, the company produced photographic 

films, motion-picture films and X-ray films. In the 1940s, Fuji 

Photo entered the optical glasses, lenses and equipment markets 

and in the mid-1950s, Fuji Photo accelerated the establishment 

of overseas sales bases. 

From the late 1960’s to mid-1980’s Fujifilm Motion Picture 

was handled through independent consulting services from Eli 

Drexler & Co., who hired Hollywood Film Company’s Mr. Harry 

Teitelbaum to sell Motion Picture Negative film in Hollywood and 

Reversal film sold to TV news and sporting events. At that time, 

Fujifilm captured 90% of Primetime TV. Fujifilm was the first 

to introduce HIGH speed negative film in 1980 for which they 

received their first Academy Award. Fuji Photo then expanded its 

production, stepping up the pace of its business globalization and 

in 1988; Fujifilm USA, Inc. formed their Motion Picture Division 

headed by Mr. Hap Parker. 

Through the years, Fujifilm has mainly provided negative 

films for shooting and positive films for projection in the motion 

picture film business operations. Features, television series, 

commercials, music videos, documentaries embraced Fujifilm’s 

technological advancements and outstanding products. The 

Motion Picture Division’s superior customer service was led by 

North American Operations Manager, Sandra Kurotobi. 

For years, the entire staff in Hollywood listened, encouraged 

and supported filmmakers of all ages in achieving their dreams of 

shooting a project on beautiful motion picture film. 

In 2012, Fujifilm announced that in order to adapt to the 

recent rapid transition of digitalization in the shooting, producing, 

projecting and archiving processes of motion pictures Fujifilm 

decided to shift its business operations to provide products 

and services designed for digital workflow of motion picture 

production and projection. Fujifilm stopped production of the 

majority of Motion Picture Film products in March, 2013. 

Fujifilm will continue to provide films suitable for long-term 

archiving, high-performance lens for motion pictures, and other 

products and services designed for digital workflow of motion 

picture production and exhibition. Fujifilm will strive harder 

than ever to provide such products and services in its continuous 

contribution to the motion picture industry. 

Cine Gear Expo thanks Fujifilm for their commitment, 

loyalty and long history of manufacturing excellent products for 

the Motion Picture Industry and their 18 years of support to Cine 

Gear Expo since inception in 1996. 

MAT-TOWERCAM® Gets 

TWIN PEEK 

www.mat-film.tv 

The TWIN PEEK is the main attraction in the line of 

the MAT-TOWERCAM® telescopic camera columns. 

Building on the success of the standard MAT-TOW- 

ERCAM, the TWIN PEEK can telescope in both upright 

and inverted orientations, with an overall reach 

of 5 to 15 feet on either orientation. The entire MAT- 

TOWERCAM family boasts a short rigging time, and 

each unit can be operated using a handset, foot pedal 

or even an iPhone /iPad with a computer-assisted 

mode, that allows for implementation as a motioncapture 

system. The MAT-TOWERCAM is a spacesaving 

alternative to conventional camera cranes, and 

allows the camera to be placed in areas where traditional 

cranes would never fit. 

See NEBTEK’s Lightning 

and Sling Demos 

www.nebtek.com 

NEBTEK provides advanced video assist as well as 

turnkey QTAKE systems and cutting-edge transmitter 

solutions for HD, 3D and 4K. NEBTEK Lightning is an 

all-in-one video assist system. The Lightning uses a 

dual thunderbolt capture system, and has input video 

and HDMI out. The Lightning is Genlocked to take 

video from multiple sources. This exclusive version of 

QTAKE allows a range of on-site editing that includes 

playback and normal blend, wipe and composite. The 

NEBTEK Sling fits USB stick HDMI transmitters such 

as the Paralinx Arrow to both protect and convert the 

transmitter signal. It reutilizes the SDI to HDMI Atomos 

converter, using SDI input with a looping output. It also 

allows the transmitter to pass SDI flags from some 

cameras. The Sling operates from 9-30 volts or from 

an internal Sony-style lithium-ion battery attachment. 

MAT-TOWERCAM ® 

Specialized Remote Camera Systems 

BOOTH #S202 

info@mat-film.tv | www.mat-film.tv 

14 

15



Sony to Sponsor Special 4k 

Sneak-Peek Screening of 

After earth at Cine Gear Expo 



Director M. Night Shyamalan and Cinematographer Peter Suschitzky on the set of “After Earth,” the latest major motion picture 

release that was shot with Sony’s F65 4K camera. / Photo credit: Frank Masi, SMPSP. 

OSRAM HMI Debuts 

Director Series of Lamps 

www.osram.com 

OSRAM introduces the HMI® Director Series of High 

Wattage HMI single-end and double-end lamps. The 

Director Series double-ended HMI lamps (DXS) have 

been designed with a cement-less base to improve 

reliability. This cement-less technology has been used 

for years in OSRAM’s highly successful XBO® family 

of xenon lamps for cinema projectors. The new Director 

Series’ individual packaging features a splash-resistant 

coating, and a reusable design that allows the 

lamp to be repeatedly stored and transported safely 

in it. The product line includes all HMI lamps 6,000 

watts and higher, and will be released as a replacement 

of the existing product as they become available 

in the next month. Since first inventing the HMI lamp 

in 1967, OSRAM continues to make improvements to 

the quality of light for the film and television industry. 

OSRAM received an Oscar® in 1988 for the development 

of HMI lamps and a Primetime Emmy® Engineering 

Award in 2007 for continuous improvements 

of the HMI technology. 

OwlDolly Is One-Stop 

Shop for DIY Filmmaker 

www.OwlDolly.com 

OwlDolly has a wide range of affordable camera solutions, 

including shoulder rigs, camera stabilization 

systems, handheld mini stabilizers, stabilizers, 15-foot 

jibs, motorized sliders, LCDs, electronic viewfinders, 

lighting rigs, camera bags, backdrops, and more. It 

is the one-stop shop for DIY filmmakers. OwlDolly is 

committed to providing its customers with personalized, 

hands-on service, and demonstration models 

are available for loan out prior to purchase. OwlDolly 

is investing in the future of filmmaking through its free 

workshops and school outreach. The company offers 

discounts to student filmmakers currently attending a 

film program as well as discounts to educators. 

Packair Delivers 

www.packair.com 

Packair Airfreight, Inc. specializes in the movement of 

film equipment including props, costumes and ammunition. 

In 2012, Packair was involved in the making of 

more than 50 feature films. When it comes to importing, 

exporting and any transportation of equipment 

for productions, Packair has some of the industry’s 

finest professionals. The company has over 40 years 

of expertise in a full range of services for feature, TV 

and commercial producers, as well as photo-shoots 

around the globe. Packair’s motto – “Don’t just ship 

it, Pack-Air-It” – encompasses the company’s confidence. 

The well-crafted service packages include 

first-class services for all shipping needs, which is vital 

in this fast-paced and time-sensitive industry. Packair 

works with a strong network of partners worldwide, 

ensuring that merchandise will be in the best of care. 

As part of the Cine Gear Expo experience, Sony Electronics is hosting an exclusive 4K screening of the upcoming 

Sony Pictures Entertainment feature film “After Earth,” from acclaimed director M. Night Shyamalan. The 

movie is the latest release shot with Sony’s flagship F65 digital motion picture camera, and it will be shown at the 

Paramount Studios Theater in 4K. Sony is also planning a panel discussion with special guests. Be among the first 

to see the newest 4K blockbuster and hear first-hand how it was created. The event will be held on Friday, May 31, 

2013, with the activities beginning promptly at 6:30 pm. 

This special event is open to registered Cine Gear Expo attendees and Sony guests. 

Radiant Images Demos 

Novo 

www.radiantimages.com 

Rosco Showcases the 

Miro Cube 

www.rosco.com/mirocube 

Rotolight Debuts 6KW 

Cinematic Light Ring 

www.rotolight.com 

Radiant Images is showcasing the Novo, the new lens 

friendly, action camera that removes the cinematic limitations 

of the GoPro Hero3 for professional filmmakers. 

The palm-sized Novo, winner of a coveted MARIO 

Award for innovation at NAB, is viewed as an ideal solution 

for filmmakers enamored with the capabilities of 

the GoPro Hero3 but stymied by cinematic limitations. 

Key features of the Novo include a C-mount lens system 

plus a PL mount adapter back focus adjustment, 

and exposure control capabilities that open up a widerange 

of artistic possibilities. The auto exposure function 

standard with the GoPro can be disabled on the 

Novo, permitting cinematographers to use the lens to 

manually adjust the aperture. The Novo also features 

base ISO 640 and 11 stops of dynamic range. 

Rosco introduces the innovative Miro Cube series 

of LED wash lights. Producing more than 3,000 lumens 

from a compact 4-inch cube, the rugged, lightweight 

design of the Miro Cube is perfect for crews 

that need bright lighting fixtures on sets lacking the 

space for larger luminaires. No external power supply 

or ballast is required and more than 40 Miro Cubes can 

be plugged into a single 20A circuit. An intuitive control 

panel offers several features including a master-slave 

configuration for fast lighting setups, and flicker-free 

dimming via DMX. It is available in three versions: 

Miro Cube 4C (color mixing RGBW quad chip), Miro 

Cube WNC (tunable color temperature white, 2800K– 

6500K) and Miro Cube UV (high-powered black light 

for stunning UV effects). Rosco’s Miro Cubes are the 

smallest, most feature packed, and affordable, professional 

grade LED wash lights on the market. 

Rotolight, a leading brand of on-camera, studio and 

location LED Lighting systems, recently unveiled a 

unique 6KW LED Light Ring made with six Rotolight 

ANOVA bi-colour LED Floodlights. The RotoFlood 6K 

rig, weighing just over 40 pounds, is the world’s most 

powerful Light Ring. It is perfect for super, slow-motion 

cinematography and delivers flicker free, 6000watt, 

110º beam angle, colour controllable lighting controlled 

locally by DMX or WiFi using the Rotolight Magic 

Eye iPhone/iPad app. New additions to the multi 

award-winning Rotolight AlphaNova range will be at 

Cinegear in the form of the ANOVA 5600 and ANOVA 

3200 fixed colour LED Floodlights. These new, 35% 

brighter ANOVAs deliver more output at a lower price 

point while retaining advanced features like V-Lock 

Battery plates, DMX and ANOVA networking compatibility. 

These new models feature latest generation 

LED’s which provide ‘best in class’ Colour Rendering 

(CRI) with exceptional (R15) skin tone reproduction 

(CRI=97) that for the first time rivals incandescent light. 

16 

17





SH PE Introduces New 

Accessories for Sony F5 

and F55 

V 

www.shapewlb.com 

SHΛPE is excited to introduce their latest series of 

accessories for the Sony PMW-F5 and PMW-F55. It 

includes aluminum top handles, EVF brackets for 

electronic viewfinder, and Sony standard hot shoes 

for Sony viewfinders. Their sturdy top handles are adjustable 

as is the viewfinder, which can be mounted 

in front or on top of the handle and allows for use of 

all standard Sony EVF products. SHΛPE’s top handle 

provides the 15mm rod blocs with adjustable height 

so users can fit their accessories however they 

want. SHΛPE is happy to offer a complete bundle 

solution for both the F5 and F55 that includes a top 

handle kit and BP7000 for all broadcast needs. SHΛPE 

manufactures supports and custom-built equipment 

for video/photo cameras, filling the demand for specialized 

camera complementary equipment. 

Sony Presents 

NEX-FS700 

pro.sony.com 

The Sony NEX-FS700 acquires the exciting and powerful 

capability to output 2K RAW and 4K RAW to the 

external Sony AXS-R5 recording system with the introduction 

of the HXR-IFR5 interface unit. With 12-bit 

precision, 2K RAW recording can be achieved at up 

to 240fps continuously without reduction in resolution 

or windowing the imager. 4K RAW can be achieved 

at up to 60 fps continuous recording. Additionally, 

120fps Real Time 4 second “burst” 4K recording can 

be achieved. With this combined solution you have the 

added benefit of simultaneous RAW recording with 

onboard AVCHD for proxy recording. For maximum 

performance, SLOG 2 is now added to the picture 

profile for use as a monitor LUT allowing incredible 

dynamic range performance. In addition to the Sony 

solution, Convergent Design’s new Odyssey 7Q will 

also be able to record the 2K RAW at up to 240fps, 

and a 4K signal from the FS700 for increased flexibility. 

Studio Carts Launches 

Mini Cart Series 

www.studiocarts.com 

Studio Carts’ new Mini Kino Cart has a pneumatically 

activated fold-out table. This ergonomically designed 

platform is the ideal way for technicians to easily and 

quickly lay out a fixture and interchange tubes. There’s 

even a Junior Receiver option for the Image-85 and 

other fixtures with a Junior pin. Studio Carts give the 

customer the option to choose the carts configuration; 

this allows the carts to be loaded from either side to fit 

the layout of different trucks. From Sprinter vans to 48- 

foot trailers, Studio Carts manufactures custom racks 

and jockey boxes tailored for any department in the 

industry, be it grip, electric, camera or effects. 

TheTakes Helps Control 

Production 

www.thetakes.com 

TheTakes is a project management and resource 

planning system for the film production industry. It’s a 

web-based tool that covers all tasks of pre-production 

and production stages of filmmaking, including managing 

the film crew, breaking down the script, storyboarding, 

working with actors, locations and resources, 

creating a production board, making reports and 

much more. TheTakes is made to become a single 

update point for the whole film crew, and helps to save 

money and time. 

Tiffen Showcases Latest 

Technology 

www.tiffen.com 

The Tiffen Company, a leading manufacturer of 

award-winning accessories for the still imaging, video, 

motion picture and broadcast markets, is showing off 

its latest gear. Tiffen is featuring its family of video systems, 

including the Archer2 SPV, Zephyr V and 

Shadow V. These Steadicam stabilizing systems offer 

a range of camera stabilizers for broadcasters with 

rigs incorporating low-profile stages as well as tally and 

return monitors. Also on display, Tiffen’s IRND Combo 

Filters have all the benefits of IRND technology, and 

Tiffen’s most popular effects to reduce multiple surfaces 

and potential reflection from stacked filters. The 

company’s new Pearlescent Filters soften excess 

sharpness and contrast, aiding cinematographers in 

taking the edge off the image from modern lenses and 

cameras, especially with 4K acquisition sensors. 

New Transvideo 7” 

RainbowHD On-board 

Monitor 

www.transvideointl.com 

The new Transvideo 7” RainbowHD is a revolutionary 

three-in-one production monitor. Three pre-programmed 

modes for assistant, operator/director and 

DIT are each designed for a specific set assignment. 

Various tools can be called up from each mode. The 7” 

HD professional monitor has an extra-slim profile with 

a total volume that is 30% smaller than other 7” monitors. 

Its weight of 1.5 lbs is ideal for new, light digital 

cameras. With a viewing angle of 160-degrees vertical 

and horizontal, its visibility in full sun is unrivaled. Yet, it 

draws only 12w. On a dark set, its dimmable backlight 

keeps it unnoticed. It accepts all HD formats, composite 

and HDMI with an HDMI to SDI up-converter. Since 

1985, Transvideo has pioneered flat panel technology, 

designing high-end equipment for film, digital cinema, 

broadcast, and 3D stereography. 

18 

19





Visual Systems and Sharp 

Bring Innovative LCD 

Monitors to Market 

www.visusys.com 

Visual Systems, in partnership with Sharp Imaging and Information 

Company of America, presents a new 32” class professional 

LCD monitor series featuring Sharp’s ground-breaking 

3840x2160 pixel resolution IGZO technology. The IGZO 

professional display series from Sharp delivers ultra-high 

resolution at four times the pixel resolution of full 1080p high 

definition. Featuring much smaller thin-film transistors (TFTs) 

as compared to conventional displays, IGZO technology also 

significantly increases the amount of light transmitted per 

pixel. As a result, these advanced displays portray vibrant and 

crisp content with the ability to zoom in to examine the detail 

of a picture or text, or pan out to view content from a wider 

angle. This can help boost operational efficiency and reduce 

eyestrain by sparing users the need to scroll frequently. These 

state-of-the-art monitors are the industry’s thinnest design in 

their class. The series consists of two 32” class displays that 

are differentiated by touch capability. 

Solid State LED Space Light 

Available Exclusively at WB 

Studios Set Lighting 

studiofacilities.warnerbros.com 

Available exclusively at Warner Bros., Studios Set Lighting, 

the solid state LED Space Light seamlessly blends with any 

tungsten source, drawing only 10 amps per light. It offers 

substantial labor reduction for install and strike, as well as on 

stage heat reduction. Its color temperature of 3200 Kelvin offers 

a color rendering index of 93 or better. The light is dimmable 

via DMX, and comes with an estimated 50,000 hour 

life. There are no globes or skirts to replace due to burnouts 

and shares standard space light accessories. Warner Bros. 

Studio Facilities Set Lighting encompasses equipment rentals 

and services. 

SHOOT 

DISPLAY 

ALL IN 4K 

SEE THE DISPLAY 

IN BOOTH 85 

• Removable Servo Drive Hand Grip 

• Cine or Servo Hand Grip Operation 

• LDS & /i Tech. Lens Data Capable 

• Lightweight & Fast T2.9 Optics 

• Rich Contrast & Color Fidelity 

• Superb Optical Performance 

• 31.5mm Sensor Coverage 

• Power & Data Through Lens Hot Shoe 

• Compact Size With Breakthough Zoom Ranges 

• Wireless FIZ & Fujinon Control Accessories Enabled 

20 

21





Motion Picture Film 

Keeps on Rolling 

Today’s landscape for movie and 

television production and postproduction 

is very different than it 

was even just a few years ago. Many 

in the creative community have expressed 

loud and clear that they 

want to have choices for telling 

stories. Cine Gear Daily sat down 

with Kodak’s Entertainment Imaging 

President Andrew Evenski to find 

out more about what the future 

holds for motion picture film. 

What is the status of the motion picture film business today? 

Obviously we have seen some dramatic changes over the last 

five years, but we’re seeing some stabilization of that now. Not 

every story is meant to be told the same way, and motion picture 

film offers qualities that digital doesn’t, and vice versa for that 

matter. At Kodak, we remain committed to giving artists options 

when deciding how best to illustrate their stories. 

Kodak continues to manufacture and sell a wide range of motion 

picture film products, making operational adjustments over the 

past year to build a sustainable model for the future. I can also 

assure you that Entertainment Imaging (the motion picture film 

business unit of Kodak) is part of the company’s current business 

Emergence Plan, and it continues to be the largest driver of film 

manufacturing volume for Kodak into the future. We are manufacturing 

and supply billions of feet of film, and we’ll continue to 

do so as long as there is customer demand. 

Can you address the recent closures of some labs, and how 

that affects your customers, and the film business? The lab infrastructure 

is evolving. However, there are still many labs in all 

regions of the world processing and supporting motion picture 

film. If you to go to our Web site and look through our lab directory, 

you will see there are still many facilities for filmmakers to 

choose from. As smaller labs emerge to the forefront and others 

consolidate, Kodak’s team of experts is on the scene providing 

support. Kodak has always supported our lab partners around 

the globe. And now, probably more than ever, we all are working 

together to maintain film as a creative choice for filmmakers 

Who is using film? First and foremost, we make film for filmmakers. 

Action adventure films including The Hunger Games 

franchise and Sci-Fi thrillers like Robopocalypse are shooting 

film. Stories like Star Trek: Into the Darkness and Man of Steel 

with heavy visual effects were shot on Kodak. Indies shot on 

film have enjoyed great success recently including Silver Linings 

Playbook, and the last two winners of Sundance: Beasts of the 

Southern Wild and Fruitvale Station. The filmmakers of gritty 

dramas such as Two Guns, HBO’s Boardwalk Empire, and AMC’s 

Breaking Bad get the texture and grain they need from film. 

Comedies such as The Hangover franchise, and epics such as 

Noah are being told on film. Ultimately, telling a story and creating 

a look that defines the emotions of that story remains the 

essence of the format choice for filmmakers. 

What’s next? Nobody has a crystal ball – five years ago there 

were no iPads, and Alexa was a popular name for baby girls – 

but everything we do is an effort to create sustainable models 

for Kodak’s traditional portfolios. We are aware that there are 

more choices than ever today, but if filmmakers want to create 

images on film, it seems there are many dedicated companies to 

support it. 

22 

23



Film Series Screening Schedule 

Parking is $ 10. 

Enter at the Gower Parking Structure 

801 Gower Street, Los Angeles, CA 90038. 

Go to the Gower Gate and follow event signage. 

Thursday 

May 30, 2013 

Feature Film Finalists 

12:00 noon – 1:19pm 

Stress Position – 1st Feature Finalist 

Director: A.J. Bond 

Cinematographer: Amy Belling 

Producers: Amy Belling, Jessica Cheung, A.J. Bond $10 

1:30pm – 3:07pm 

Pray for Japan – 2nd Feature Finalist 

Director: Stu Levy 

Cinematographer: Stu Levy 

Producers: Stu Levi $10 

3:20pm – 4:57pm 

Hotel Noir – 3rd Feature Finalist 

Director: Sebastian Gutierrez 

Cinematographer: Cale Finot 

Producers: Steve Bing, Sebastian Gutierrez, Zack Schwartz $10 

5 Student Short Finalists – $10 

Screening Room #5 

5:15pm – 7:10pm 

Machsom 

Director: Joel Novoa Schneider 

Producer: Bayard Outerbridge 

Cinematographer: Jonas Sacks 

School: American Film Institute 

USAGI-SAN 

Director: Patrick Dickinson 

Producer: Elliot Williams 

Cinematographer: Paola Suhonen 

School: American Film Institute – Susan Dreztka 

Forever in Hiatus 

Director: Andy Nguyen 

Producer: Ko-Rely Pi 

Cinematographer: Nguyen Trinh Hoan 

School: Columbia University, New York – Eric Mendelsohn 

Farewell Jimmy 

Director: Sang Kim 

Producer: Alvaro Baquero 

Cinematographer: DJ McConduit 

School: American Film Institute – Susan Dretzka 

The Studios at Paramount 

Hollywood, California 

Location: Screening Room 5 

113 Degrees 

Director: Sabrina Doyle 

Producer: Matilde Barbagallo 

Production Designer: Elena Albanese 

Cinematographer: Stephen Paar 

School: American Film Institute – Marie Cantin & Gill Dennis 

5 Independent Short Finalists – $10 


7:25pm – 8:25pm 

CARJACK 

Director: Jeremiah Jones 

Producers: Lauder Robinson, Jeremiah Jones, Pete Villani 

Cinematographer: Pete Villani 

Bolero 

Director: Dennis Brucks 

Producer: Tessa Bell 

Cinematography: Chase Bowman 

Kickstart Theft 

Director: Frederic Goodich, ASC 

Producers: Frederic Goodich, ASC, Bri Xandrick, Band Pro Film & 

Digital 

Cinematographer: Vilmos Zsigmond, ASC 

Old Skool Cafe 

Director: Patrick Moreau 

Producer: Joyce Tsang 

Cinematographers: Patrick Moreau & Joyce Tsang 

Preview of: Barbie Boy 

Director: Nick Corporon 

Producers: Derek Villanueva, Renee S. Baltsen, Nick Corporon 

Cinematographer: Collin Brazie 

An imaginative 7-year-old boy who plays with dolls is confronted 

with the idea that he’s different. 

Friday 

May 31, 2013 

Paramount Theater - Paseo Grounds 

8:00 pm – 10:30 pm 

VIP Party 

Awards for the Winners of the Film Competition, 

Cinematography Lifetime Achievement to Haskell Wexler, ASC, 

Technical Lifetime Achievement Award to Cooke Optics Limited 

and Mr. Les Zellan 

VIP Reception – Indy, Student Shorts, & Feature Film Competition 

winners will be announced 

Vitec Videocom Brings 

Innovation 

www.vitecvideocom.com 

Vitec Videocom products are synonymous with 

quality and innovation, featuring leading brands 

like OConnor, inventor of the fluid head, and 

Anton/Bauer batteries, delivering high-capacity, 

high current draw power. Additional gear includes 

Litepanels, pioneer of professional LED 

lighting equipment, and on-the-road Sachtler 

products function perfectly, even under the 

most extreme conditions. Motion picture crews 

and those who shoot cine-style for projects like 

commercials, television features and indie films 

expect a great deal from their equipment. Vitec 

Videocom continues to introduce new and exciting 

products that change the way industry professionals 

work. 

The Global 

Cinematography 

Institute proposes a new 

model with Director of 

Imaging (D.O.I.) 

www.globalcinematography.com 

HOLLYWOOD, May 31, 2013— Founded by Directors 

of Photography Yuri Neyman, ASC and Vilmos 

Zsigmond, ASC, the “Expanded Cinematography” 

course includes variety of disciplines. In its advanced 

program which is bringing together premier 

talent from a multidisciplinary group of experts. 

Due to the increasing role of SFX/VFX and Virtual 

Production the role of the “traditional” cinematographer 

is changing. Therefore, GCI is training its 

students in the new profession – “ Director of Images” 

– “D.O.I.” which combines skills and experiences 

of traditional cinematography, FX and Virtual 

Production. 

In support of ALL visual content creators, the D.O.I. 

would be the primary force in the capture, creation, 

distribution and displaying of images. 

On Saturday, 6/1/13 at 4:00 PM in the Sherry Lansing 

Theater, GCI will present the new profession: 

DIRECTOR OF IMAGING 

master clASS Seminar > Sunday, June 2 

Financing, Producing, Distribution 

LOCATION: 

Mole Richardson Stage 

925 N.La Brea Ave 

Hollywood, CA 90038 

Sunday June 2, 2013 

2:00 pm to 5:00 pm 

Class fee $85.00 

Panelists: 

Kelly Kiernan – Producer 

John Amussen - Financial Analyst 

Steve Tellez – Agent, Innovative Artists 

Brian Montes – Vision4Media 

Herschel Faber – Writer, Director 

Kent Hamilton – Writer and Insurance 

Broker 

“What Are You Bringing Me”, will be a master class consisting of panel 

discussions, strategy sessions that will help participants get their projects 

produced. The guest panel will include executives and financiers from the 

entertainment industry. The program is designed for attendees seeking to learn 

more about “the package”, as well as to know more about working production 

and finance models both domestic and international. 

Moderator John Michaels and guest panelists will discuss inside strategies 

that include talent packaging, union & non union productions, and choosing 

locations that offer smart soft money opportunity. The class will be able to 

participate in Q & A and ask for assistance on their projects in development. 

Audience will be asked to bring their project details to class for evaluation. 

Moderated by John Michaels, Producer & President for Grand Cru Entertainment 

Inc. John has worked on many domestic and international productions. He and 

his panel will incorporate an open forum with the audience on the complexities 

on making your dream project come to fruition. They will discuss game changing 

options to consider in the global changing markets. 

His latest credits are: 

“Cavemen” – Staring Slylar Astin and Camilla Belle 

“Dark Tide” – Starring Academy Award Winner Halle Berry 

“Experiment” – Starring Academy Award Winners Adrien Brody and Forrest 

Whitaker 

“13″ – Starring Jason Statham, Mickey Rourke, Ray Winston and 50 Cent 



24 

25





Stage 31 

Stage 32 

CINE GEAR EXPO 2013 

MAP AND EXHIBITOR LIST 

New York Street 

north 

east 

west 

south 

Film Competition Screenings 

Thursday, May 30, 12:00pm - 8:30pm 

Master Class Seminars 

Sunday, June 2, 9:00am – 5:00pm 

Cine Gear Expo – Exhibit Hours 

Friday May 31, 2:00pm – 9:00pm 

Saturday June 1, 10:00am – 5:00pm 

26 

27



Premiere Seminars / Friday, May 31 




LOCATION: 

Sherry Lansing Theater 

2:15 pm to 3:30 pm 

Moderator: James Mathers, Digital Cinema Society 

Speakers: Angenieux: Jean-Marc Bouchut 

Canon: Tim Smith 

Cooke Optics: Les Zellen 

Fujifilm Optical Devices: Chuck Lee 

Leica: Jeff Cree / Scheinder Optics: Bill Turner or Ryan Avery 

Zeiss / ARRI: Thorsten Meywald 

New Cine Lenses 

For our panel on Cine Lenses, companies participating include, (in alphabetical order): Angenieux, Canon, Cooke, 

Fujinon, Leica, Schneider Optics, and Zeiss/ARRI. We’ll examine their new products including several new Anamorphics. 

We will also discuss the challenges of creating quality lenses suitable to various cameras while resolution and 

coverage area keep increasing at the same time that camera prices are falling. 

LOCATION: 


3:45 pm to 4:45 pm 

Arri Presents 

A New Era in Cinematography with ARRI / ZEISS Master Anamorphics 

LOCATION: 

Paramount Theater 

4:00pm to 5:00 pm 

Canon CineGear 2013 Screening Series and Filmmaker Panel Discussion 

LOCATION: 


Friday, 3:15pm to 3:45 pm 

AERIAL MOTION CONTROL with FLYING-CAM 

See how FLYING-CAM provided unique “Close Range” Aerial Motion Controlled shots for the film OBLIVION and watch an 

action clip with shots performed by FLYING-CAM for the 007 film SKYFALL 

The Flying-Cam system gives a perspective of freedom and movement that one cannot achieve with a stationary or 

cumbersome camera rig. Though the Flying-Cam has been used on the Mission Impossible, Harry Potter and James Bond 

franchises, new groundbreaking technology was forged on the OBLIVION set 

FLYING-CAM is an Academy Award winning system and world leader in the design and manufacture of stabilized, unmanned 

helicopters that are used in the entertainment industry providing Close Range Aerial imaging for major Hollywood movies, TV 

shows and spots worldwide. Weighing approximately 49 pounds, the Flying-Cam is electric motor operated with an autopilot 

and inertial measurement stabilization system for 5K RED EPIC digital motion picture camera. 

ALL PANELISTS SUBJECT TO AVAILABILITY 

Come learn from and be inspired by renowned industry professionals on their use of Canon equipment in the field. See and 

hear about their experiences as they offer tips and reveal insights, in our screening and panel discussion. Please join us and 

host Tim Smith as we present an array of short films, movies, documentaries, behind-the-scenes footage, and interviews 

shot in HD, 2K and 4K on Canon Cinema EOS cameras. Then participate in a live Q&A and panel discussion with the 

filmmakers and industry experts whose work you just saw. The 4K/HD compilation (projected in 4K) includes: 

MAN & BEAST 

Directed by DANTE ARIOLA 

Director of Photography JEFF CRONENWETH, ASC 

WHY WE RIDE 

Directed by BRYAN H. CARROLL 

Directors of Photography DOUGLAS CHENEY & ANDREW WARUSZEWSKI 

ARTICLES OF SOCIETY 

Photographed & Directed by CHRIS LAUGHTER 

THE TICKET 

Directed by PO CHAN 

Director of Photography SHANE HURLBUT, ASC 

RHYTHM OF LIFE 

Directed by DEAN HARGROVE 

Director of Photography STEVEN POSTER, ASC 

LOCATION: 


4:15 pm to 5:15 pm 

Different Strokes for Different Folks: 

There are more choices than ever facing creative teams today for handling 

the imaging chain from on set color to final deliverables. Join Peter Levy, ASC, 

ACS (House of Lies); John Bailey, ASC (The Way, Way Back); and Reed Smoot, 

ASC (Titans of the Ice Age)* as they illuminate their varied but successful 

ways of collaborating, explore the different pathways to image creation and 

control, and discuss how technology serves their creative ambitions. (*based 

on availability) 


28 

29






Premiere Seminars / Saturday, June 1 

LOCATION: 


5:00 pm to 6:00 pm 

Shooting Documentaries with Sony’s NEX-FS700, F5 and F55 

Cinematographer and filmmaker David Leitner, whose talk at last year’s Cine Gear Expo about shooting documentaries 

with the NEX-FS100, NEX-FS700, and PMW-F3 generated tremendous interest, returns to Cine Gear to discuss his 

experiences in the field using Sony’s latest Super 35 cameras, including the NEX-FS700, the F5 and F55. Leitner will 

screen footage and explore solutions for handholding each of these cameras. Gamma settings and lens choices will be 

also be discussed, including control of Canon EF lenses on all three cameras. 

David Leitner has over sixty Director, DP, and Producer credits in documentaries and dramas including eight Sundance 

Film Festival premieres. 

LOCATION: 

Gower Theater 

9:00 am to 10:00 am 

Moderators: Bob Sulzinger, 

Insurance West, Gene West Esq, 

West & Miyamoto 

Entertainment Industry Seminar 

Entertainment Industry Seminar “Rental Contracts” and “Insurance Certificates” Sponsored by Insurance West. 

Topics include: Transferring Risk to Production Companies, Production Compliance Indemnification Provisions, 

Agreements to Procure Insurance, Certificate of Insurance, Sample Rental Contract,Changes in State & Federal 

Regulations, Craft Service, Inspection Reports, Vehicles, Driver Qualifications, Driver Log Books. 

LOCATION: 


5:15 pm to 6:15 pm 

LOCATION: 


10:15 am to 11:30 am 

LOCATION: 


5:30 pm to 6:30 pm 

LOCATION: 


6:30 pm to 8:30 pm 

Special After Earth Screening 

Admission Complimentary. Sponsored by Sony 

As part of the Cine Gear Expo experience, Sony Electronics is hosting an 

exclusive 4K screening of the upcoming Sony Pictures Entertainment feature 

film “After Earth,” from acclaimed director M. Night Shyamalan. The movie is 

the latest release shot with Sony’s flagship F65 digital motion picture camera, 

and it will be shown at the Paramount Studios Theater in 4K. Sony is also 

planning a panel discussion with special guests. Be among the first to see the 

newest 4K blockbuster and hear first-hand how it was created. The event will 

be held on Friday, May 31, 2013, with the activities beginning promptly at 6:30 

pm. This special event is open to registered Cine Gear Expo attendees and 

Sony guests. 

Precise Color Management Through On-Set Communication, produced in association with 

the International Cinematographers Guild, Local 600. 

The wide-ranging visual capabilities of today’s digital cameras, monitors and 

postproduction equipment demand that the camera team develop a strong 

communication system to capture the creative intent of the director and director of 

photography. Two DP and DIT teams from recent high profile projects discuss how they 

worked with the director and other members of the camera crew to manage the color 

and look of the picture. Specific topics to be addressed include: the process of deciding 

how to use technology to create the look; evaluating footage on the set and applying 

color correction; preparing and evaluating dailies; and communicating decisions into 

visual effects and postproduction. 

Speakers: 

Jeffrey Jur, director of photography (“Dirty Dancing,” “Carnivale”) 

Kevin Britton, digital imaging technician (“Dexter,” “Hart of Dixie”) 

Brandon Trost, director of photography (“This is the End,” ”That’s My Boy”) 

Kevin Stanley, digital imaging technician (“Townies,” ”Grown Ups 2”) 

Moderator: 

Steven Poster, ASC, National President, ICG Local 600 

30 



31






LOCATION: 


10:15 am to 11:15 am 

Alister Chapman presents the F5 and F55. Blockbuster Quality, Documentary Practicality, Budget Friendly 

4K, it’s for now. Why shoot 4K, even for HD TV episodic production. 

The F5 and F55 Sensors and what makes them special. High sensitivity and dynamic range. / Color Accuracy / Image 

Frame Scan / The multitude of Lens options for the F5 and F55 / The new Sony PL mount lenses / Lens adapters and 

other lens options / Color Gamut – the artists palette / The importance of a broad palette for color grading / 


LOCATION: 


11:30 am to 12:30 pm 

Canon CineGear 2013 Screening Series and Filmmaker Panel Discussion 

Come learn from and be inspired by renowned industry professionals on their use of Canon equipment in the field. See and hear about 

their experiences as they offer tips and reveal insights, in our screening and panel discussion. Please join us and host Tim Smith as 

we present an array of short films, movies, documentaries, behind-the-scenes footage, and interviews shot in HD, 2K and 4K on Canon 

Cinema EOS cameras. Then participate in a live Q&A and panel discussion with the filmmakers and industry experts whose work you 

just saw. The 4K/HD compilation (projected in 4K) includes: 

Codecs – Now you have a choice! 

XAVC – Built for the future, delivering today. 

S-Log2, simple workflow, big dynamic range. 

Raw – unleash the power of the F5 and F55. 

What is Raw and why is it so good 

The differences between Custom Mode and Cine EI Mode. 

- How to use Cine EI to manage your dynamic range. 

- The film-like exposure behavior of the F5 and F55. 

- Practical exposure advice. 

Workflow – Live 4K workflow on a laptop 

- Managing and archiving your material. 

MAN & BEAST 



WHY WE RIDE 


Directors of Photography DOUGLAS CHENEY & ANDREW WARUSZEWSKI 



THE TICKET 






LOCATION: 


10:45am to 11:15am 

AERIAL MOTION CONTROL with FLYING-CAM 

See how FLYING-CAM provided unique “Close Range” Aerial Motion Controlled shots for the film OBLIVION and watch an 

action clip with shots performed by FLYING-CAM for the 007 film SKYFALL 

The Flying-Cam system gives a perspective of freedom and movement that one cannot achieve with a stationary or 

cumbersome camera rig. Though the Flying-Cam has been used on the Mission Impossible, Harry Potter and James Bond 

franchises, new groundbreaking technology was forged on the OBLIVION set 

FLYING-CAM is an Academy Award winning system and world leader in the design and manufacture of stabilized, 

unmanned helicopters that are used in the entertainment industry providing Close Range Aerial imaging for major 

Hollywood movies, TV shows and spots worldwide. Weighing approximately 49 pounds, the Flying-Cam is electric motor 

operated with an autopilot and inertial measurement stabilization system for 5K RED EPIC digital motion picture camera. 

LOCATION: 

Gower Theater 

11:30 am to 12:30 pm 

Band Pro Presents: Fill-Lite LED Session Featuring Steven Poster, ASC 

In conjunction with the official Cine Gear launch of LED light manufacturer Fill- 

Lite, Band Pro is proud to present an in-depth overview of this revolutionary 

new soft light solution. Product demonstration, Q&A, and hands-on time will be 

provided. Panel speakers will include Steven Poster, ASC; Jeff Cree, SOC; and Fill- 

Lite inventor Owen Stephens. Space is limited. 


LOCATION: 


11:30 am to 12:30 pm 

“Color Management Done Simply, Color Management Done Right” 

“Hey, does this look right to you?” We’re all tired of hearing that. This seminar will help you wrestle your color problems into submission. 

We’ll talk about best practices on set, and we’ll talk about how to make final color easier. And we’ll introduce you to Fujifilm’s hit new 

product, the ISmini, a revolutionary device that makes it easy to color match any number of monitors, HDSDI or HDMI, regardless of type 

or manufacturer. Add a 3D LUT on top of that, and you can color manage the entire image chain from the camera. Or connect the ISmini to 

Fujifilm’s full-blown look creation system, the IS-100 CCBOXX, and control the color for up to 100 cameras at once. Also, learn the essentials 

of the new ACES color workflow from experts. Special guest: re-known cinematographer Dean Cundey, ASC will discuss his shoot of the 

feature “Something Whispered” and how he handled looks during production and post. 

LOCATION: 


11:45 am to 12:45 pm 

Kodak will host a “Sundance in Summer” panel with cinematographers Eric Alan 

Edwards (Lovelace), Thomas Kloss (Don Jon) and Rachel Morrison (Fruitvale 

Station). 

LOCATION: 


1:00 pm to 2:00 pm 

Phantom Flex4K 

Phantom Flex4K, a 1,000 frame per second 4K camera, is the next generation high-speed digital cinema camera from 

Vision Research (expected delivery – Fall 2013). A preview of this new technology will include a review of the language of 

slow motion, a history of high-speed camera innovation and specifications of the new Flex4K. A prototype camera will be 

displayed and early footage will be screened. Presented by Moe Shore, Director of Advanced Imaging at AbelCine. 

32 


33







LOCATION: 


1:00 pm to 2:30 pm 

Dialogue with ASC Cinematographers 

The artistic nature of cinematography using real-world examples to demonstrate the 

process of creating a visual style for projects based on each member’s experiences. 

LOCATION: 


2:45 pm – 4:00 pm 

Discussion panel with Affonso Beato, ASC, ABC featuring “Time and the Wind”, Vilmos 

Zsigmond, ASC, Fred Goodich, ASC, featuring “Kickstart Theft” The panel discussion 

includes 4K screenings of these productions 

MODERATOR: George Spiro Dibie, ASC / PANEL MEMBERS: Stephen Lighthill, ASC, 

Stephen H. Burum, ASC, Karl Walter Lindenlaub, ASC, Roberto Schaefer, ASC, Nancy 

Schreiber, ASC, Charles Minsky, ASC, Daniel Pearl, ASC, Denis Lenoir, ASC, David Perkal, 

ASC, Christopher Chomyn, ASC, Patrick Cady, ASC 

LOCATION: 


3:00 pm to 4:00 pm 

New Developments from Technicolor 

Join us for a discussion of our latest production and post 

production tools and techniques.Erik Messerschmidt 

(Lovelace, Bones) Christian Grosselfinger (Tosh.0, The Sarah 

Silverman Program) 

LOCATION: 


1:45 pm to 2:45 pm 

Moderator: James Mathers, Digital Cineam Society 

Speakers: Tony Cacciarelli – AJA, Cris Garcia – AstroDesign, Sarah Priestnall – Codex, Mike Schell – Convergent Design, Steve 

Mahrer – Panasonic, Peter Crithery or Keith Vidger – Sony, Jon Tatooles – Sound Devices 

New Digital Field Recording Options 

Our Cine Gear Expo event will look at New Digital Field Recording Options from companies including, (in alphabetical order), 

AJA, AstroDesign, Codex, Convergent Design, Panasonic, Sound Devices, and Sony. In a guided panel discussion we’ll 

examine their products, new features and capabilities such as 4:4:4, 4K, and RAW recording options. 

LOCATION: 

Gower Theater 

3:30 pm to 5:00 pm 

Educating the Cinematographer: Crafting Your Professional Career 

Moderator: Michael Hofstein, Cinematographer and Panel 

ModeratorProfessor, Savannah College Art and Design 

Panelists: Stephen Burum, ASC, Cinematographer, John Hora, 

ASC, Cinematographer, Ron Garcia, ASC, Cinematographer 

Jacqui Frost, Author, Cinematographer, Professor UC 

Fullerton , Walt Rose, FotoKem Student Services 

The panelists will discuss all topics relating to the formal study of cinematography, including working relationships between the 

cinematographer and the director, the cinematographer and the art director, the cinematographer and the crew; the differences between 

working in a professional environment and working on a student project, and expectations of professionals and professors. 

The panel will explore the controversial question: What is the value of studying cinematography in an educational institution vs a studio or 

professional setting? 

LOCATION: 

LOCATION: 

Gower Theater 

2:00 PM to 3:15 pm 


4:00 pm to 5:30 pm 

Panelists: 

Vilmos Zsigmond, ASC 

Yuri Neyman, ASC 

The Global Cinematography Institute proposes a new model with 

Director of Imaging (D.O.I.) 

IATSE Local 728 Panel – The Art and Politics of Gaffing 

Local 728 will present a panel on the artistic aspect of set lighting, as seen through the prism of the gaffer/ 

cinematographer relationship.What gaffers, or chief lighting technicians (CLTs), do is about more than the technical 

specifications of lighting fixtures. The best gaffers have a creative spirit and an artist’s eye. We will focus on the creative 

process, and how they navigate the challenges of working with both the DP and production to achieve the DP’s vision 

without losing their own creative voice. Gaffers straddle the line of artists and technicians –”painting with light.” We 

would explore the philosophies employed by various gaffers as they practice their craft; covering topics ranging from how 

a gaffer interfaces with a DP, and the autonomy they take in their lighting decisions, and how they execute those decisions 

on the logistical side.” Moderator: David Kane / Panelists: Ian Kincaid (Django Unchained, Hugo) / Mike Bauman (Hunger 

Games 2, The Bling Ring) / Erik Messerschmidt (Lovelace, Bones)/ Christian Grosselfinger (Tosh.0, The Sarah Silverman 

Program) 

LOCATION: 


2:15 pm – 3:45 pm 

Art Adams and Adam Wilt present the Sony FS700 in the RAW, featuring the new 2K 

RAW High Frame Rate, and 4K RAW recording solutions. The seminar includes footage 

screening. 

LOCATION: 


4:15 pm to 5:15 pm 

Canon CineGear 2013 Screening Series and Filmmaker Panel 

Discussion 

Come learn from and be inspired by renowned industry 

professionals on their use of Canon equipment in the field. 

See and hear about their experiences as they offer tips and 

reveal insights, in our screening and panel discussion. Please 

join us and host Tim Smith as we present an array of short 

films, movies, documentaries, behind-the-scenes footage, 

and interviews shot in HD, 2K and 4K on Canon Cinema EOS 

cameras. Then participate in a live Q&A and panel discussion 

with the filmmakers and industry experts whose work you just 

saw. The 4K/HD compilation (projected in 4K) includes: 

MAN & BEAST 



WHY WE RIDE 


Directors of Photography DOUGLAS CHENEY & ANDREW 

WARUSZEWSKI 



THE TICKET 






34 



35






LOCATION: 


4:15 pm – 5:15 pm 

Alister Chapman presents the F5 and F55. Blockbuster Quality, Documentary Practicality, Budget Friendly 

4K, it’s for now. Why shoot 4K, even for HD TV episodic production. 

The F5 and F55 Sensors and what makes them special. High sensitivity and dynamic range. / Color Accuracy / Image Frame Scan / 

The multitude of Lens options for the F5 and F55 / The new Sony PL mount lenses / Lens adapters and other lens options / Color 

Gamut – the artists palette / The importance of a broad palette for color grading / 

Codecs – Now you have a choice! 

XAVC – Built for the future, delivering today. 

S-Log2, simple workflow, big dynamic range. 

Raw – unleash the power of the F5 and F55. 

What is Raw and why is it so good 

The differences between Custom Mode and Cine EI Mode. 

- How to use Cine EI to manage your dynamic range. 

- The film-like exposure behavior of the F5 and F55. 

- Practical exposure advice. 

Workflow – Live 4K workflow on a laptop 

- Managing and archiving your material. 

LOCATION: 


5:30PM – 7:30pm 

master clASS Seminars / Sunday, June 2 

LOCATION: 





1:45 pm to 4:45 pm 


Moderated by Cinematographers: 

Haskell Wexler, ASC 

Ron Garcia, ASC 

Alan Caso, ASC 

With this seminar you are in for a treat. Here are some incredibly talented cinematographers that will share 

their knowledge and enthusiasm for this craft. You will have these artists demonstrating and discussing their 

techniques and problem solving skills. The program is flexible and will evolve until the scheduled date arrives. 

Participants subject to availability 

LIGHTING WORKSHOP 

“ExpressColor” - Gamma & Density 

Co. presents the iPhone variation of its 

world renown “3cP: Set + Post” System 

LOCATION: 





9:30 am to 12:30 pm 

Moderated by Yuri Neyman, ASC 

Class fee: Free, but you need to register with your 

name and email address. 

Send an e-mail to masterclass@cinegearexpo.com 

Practical Shooting with the 

Sony F5 and F55 

LOCATION: 

Digital Motion Picture Center 

Sony Pictures Entertainment 

10202 West Washington Blvd 

Culver City, CA 90232 

Phone: (310) 244-6730 


11:00 am to 2:30 pm 

Instructor: Alister Chapman 


No Ticket Sales at DMPC 

During this concentrated operational class, students 

will learn how to get the most out of the F5 and F55 by 

reviewing concepts like utilizing the cameras’ 14 stop 

dynamic range, deciding when to chose 4K XAVC over 4K 

RAW and taking advantage of the F55’s ultra-wide color 

gamut. Held in the renowned Digital Motion Picture Center 

on the lot at Sony Pictures, the F5/F55 Master Class will 

give students a unique opportunity to shoot and grade 4K 

images as viewed on a 25 foot screen with a 4K projector. 

In short, a complete 4K lens to screen experience that is 

not to be missed. 

36 


37



exhibitor directory 




A.C. Lighting Inc.- Booth S 330 

435 Horner Ave. Unit 1 

Toronto ON, Canada M8W4W3 

(416) 255-9494 

www.aclighting.com 

A.C. Lighting; Worldwide distributor of stage/studio and entertainment 

lighting equipment. 

AAdyn Technology LLC – Booth S 226 

3921 SW 47th Ave Suite 1007 

Fort Lauderdale, FL 33314 

P: (954)583-7198 

www.aadyntech.com/contact/ 

“The ECO Series LED Lights from AAdynTech are game-changing entries into 

the world of high-output, low power draw studio and location lighting. With 

unparalleled brightness in their category, the daylight, tungsten, and 

variable fixtures must be seen to be believed. AAdynTech uses 

state-of-the-art high-CRI CREE LEDs and all lights are exclusively 

designed and assembled by Sturdy Corp. right here in the U.S.” 

AbelCine – Booth S225 

801 South Main Street 

Burbank, CA 91506 

P: (818) 972-9078 

www.abelcine.com 

Equipment, training, services: all types of production, digital cinema, highspeed 

AC Power Distribution, Inc. - Booth 120 

3060 N California Street 


P: (818)848-4004 

www.acpowerdistribution.com 

Manufacturer of high quality UL listed portable power distribution products 

specifically for the entertainment professional. Offering numerous solutions 

for gaffers and electricians, our SST Series of distro is the most widely used 

in the film/television industry. 

A.C.T Lighting, Inc - Booth 118 

5308 Derry Avenue Unit R 

Agoura Hills, CA 91301 

(818) 707-0884 

www.actlighting.com 

Wholesale distributor of high-technology products for the entertainment 

lighting industry. ACT has offices/warehouses in LA, NY and Toronto. 

Aerocrane - Booth 300 

15928 Ventura Blvd. Suite 232 

Encino, CA 91436 

(818) 458-9790 

www.aerojib.com 

Borne from years of experience working with distinguished filmmakers. 

Advanced Devices-Marinco - Booth 56 

1458 Hawk Crest Place 

Santa Rosa, CA 95409 

(707) 537-1996 

www.marinco.com 

Advanced Devices/Marinco is a primary manufacturer of entertainment 

electrical connectors. 

Airstar America - Booth 100 

10950 Burbank Blvd 

North Hollywood, CA 91601 

(818)753-0066 

www.airstarfilm.com 

A.M.P.A.S.® Technical Achievement Award-Winning balloon lighting 

solutions. 

AJA Video Systems - Booth S 315 

180 Litton Drive 

Grass Valley, CA 95945 

Phone: 530-274-2048 

www.aja.com 

A leading manufacturer of high-quality digital video interface, conversion and 

desktop solutions. 

ALT Systems, Inc.- Booth S 317 

7642 Clybourn Ave. 

Sun Valley, CA 91352 

(818) 504-6800 

altsystems.com 

Full-service systems integrator distributing Colorfront’s On-Set Dailies and 

Express Dailies. 

Alternative Rentals Digital Cinema - Booth S 220 

5805 West Jefferson Blvd. 

Los Angeles, CA 90016 

(310)204-3388 

www.alternativerentals.com 

Digital Motion Picture Equipment with Impeccable Service and Support 

American Grip Inc. - Booth 17 

8468 Kewen Ave 


(818)768-8922 

www.americangrip.com 

Grip & Set Lighting Equipment Manufacturer. 

Applied Color Science - Booth 149 

2824 Calle Guadalajara 

San Clemente, CA 92673 

(949) 309-6831 

www.appliedcolorscience.com 

Advanced Camera Development, Imaging Pipeline Design, Image Sensor 

Evaluation 

ARRI Inc. - Booth 64 & S212 

600 North Victory Blvd. 


(818)841-7070 

www.arri.com 

ARRI is the largest manufacturer of professional motion picture equipment. 

ASC - American Cinematographer Magazine – Booth 124 

1782 N. Orange Drive 

Hollywood CA 90028 

P: (323)969-4333 

www.theasc.com 

The International Journal of Film & Video Digital Production Techniques Since 

1920. 

ASTRODESIGN – Booth 97 

2700 Augustine Drive Ste 101 

Santa Clara, CA 95054 

P: (408)235-2322 

www.astro-americas.com 

3D, 4K even 8K, you can find beyond conventional technology 

Atomos Global Pty Ltd - Booth S 318 

Level 1, 36 Park Street 

South Melbourne, Australia VIC 3205 

44-2879-668042 

www.atomos.com 

Manufacturer of field recorders with monitor assist, and HDMI/HD-SDI 

converters 

Aviator Camera Gear - Booth 156 

2472 NW Marken St. 

Bend, OR 97701 

(541) 728-0360 

www.aviatorcameragear.com 

Lightweight, Portable Jibs, Dollies, more for Filmmakers on the go. 

Azden Corporation - Booth 8 

200 Valley Road Suite 101 

Mt. Arlington, NJ 07856 

(973) 810-3070 

www.azdencorp.com 

Azden professional audio products are a sound choice. 

Backstage Equipment Inc. - Booth 92 

8052 Lankershim Blvd. 


(818)504-6026 

www.backstageweb.com 

Band Pro Film & Digital Inc. - Booth 70 

3403 W.Pacific Ave 


(818)841-9655 

www.bandpro.com 

Expert Sales, Service, & Support. Visit us at bandpro.com 

Barger Lite - Booth 35 

PO Box 2818 

Venice, CA 90294 

(310)401-0633 

www.barger-lite.com 

Blackmagic Design - Booth L 500 

2875 Bayview Drive 

Fremont, CA 94538 

(408) 954-0500 

www.blackmagicdesign.com 

World’s highest quality products for film, video and AV professionals. 

Bender Entertainment Technologies - Booth S 207 

4555 W. Chermak St. 


(818)565-3550 

www.lifeguardgfci.com 

Bluebird Express, LLC – Booth 151 

145 Hook CreekBlvd 

Valley Stream NY 11580 

P: (631)697-6558 

www.bluexps.com 

Domestic and International transportation services. 

BBS Lighting - Booth L 100 

5304 Derry Ave. Suite P 


(818) 597-1100 

www.BBSLighting.com 

BBS Lighting 1K 5600k/3200K Remote Phosphor LED Technology AC/DC 

powered 

Best Film Service Inc. - Booth S 216 

1859 Franklin Street 

Vancouver, BC Canada V5L 1P9 

1. 604 341-8669 

www.honeycombhexgrid.com 

Introducing the first fabric HONEYCOMB HEXGRID TM for soft lighting control 

Bexel TSS - Booth 98C 

2701 N. Ontario St. 


(818) 565-4340 

www.bexel.com 

Leading dealer in new and pre-owned audio/video/fiber 

equipment. 

Blacklist Digital - Booth 63 

1413 Cole PL 


www.BlacklistDigital.com 

4K Camera Rental, Color Correction, Dailies, DCP, Screening Room 

Birns and Sawyer - Booth 79 

5275 Craner Ave 


(323) 466-8211 

www.birnsandsawyer.com 

Hollywood’s premiere movie gear rental & sales firm since 1954. 

Bluebird Express - Booth 151 

704 South Hindry Ave. 

Inglewood, CA 90301 

(310) 645-0300 

www.bluexps.com 

Domestic and International Transportation Solutions for your Production 

needs. 

BLUESHAPE USA - Booth 98B 

379 Cheney Highway, #215 

Titusville, CA 32780 

877.833.9403 

Professional Video Power Systems and accessories for virtually all cameras 

Brite Shot, Inc.- Booth S 320 

600 West Hillsboro Blvd. Suite 220 

Deerfield Beach, FL 33441 

(212)219-0002 

www.briteshot.com 

The Bite Shot Luminator: Stunning Effects, Amazing Efficiency, Unbelievable 

Power 

BSC – British Cinematographer – Booth 130A 

PO Box 2587 

Gerrards Cross, SL9 7WZ, United Kingdom 

P: +44-0-1753-888052 

www.bscine.com 

Bulbtronics Inc. – Booth S201 A 

2210 N Screenland Drive 

Burbank CA 91505 

P: (818)861-2208 

www.bulbtronics.com 

“Bulbtronics is the premier source for lighting and electrical products” 

Camadeus Film Technologies, Inc. - Booth 73 

7358 Radford Ave 


(818)764-1234 

www.camadeus.com 

Full Service Sales & Rental House specializing in: cmotion, Panther, Screen 

Plane 3D and Bright Tangerine. 

Canon USA – Booth 12 

1 Canon Plaza 

Lake Success, NY 11042 

P: (516)328-4840 

www.usa.canon.com 

Canon USA, Inc is a leader in professional imaging equipment. 

Carl Zeiss – Booth 49 

One Zeiss Drive 

Thornwood NY 10594 

P: (973)226-7387 

Carl Zeiss Camera Lens Division National Sales Manager, International Sales 

Americas 

Chauvet Professional - Booth S 339 

5200 NW 108th Ave. 

Sunrise, FL 33351 

800-762-1084 

www.chauvetpro.com 

CHAUVET® Professional offers innovative LED-fitted fixtures. Its flagship 

products: Ovation series of theatrical luminaires, Legend series of 

moving yoke spot, beam and wash, COLORado series of indoor/outdoor 

wash lights, Q-Series of club fixtures, and VIP series of LED video panels. 

Checkers Industrial Safety Products, LLC – Booth 19 

620 Compton Street 

Broomfield CO 80020 

P: 800-438-9336 

www.checkersindustrial.com 

Checkers, manufacturer of GUARD DOG® and YELLOW JACKET® cable 

protectors 

38 

39



Chimera - Booth 34 

1812 Valtec Lane 

Boulder, CO 80301 

(303)444-8000 

www.chimeralighting.com 

Lighting essentials and accessories for over 30 years. 


Concept Overdrive Inc. - Booth 100A 

926 N. Lincoln St. 


(818) 980-6691 

conceptoverdrive.com 

Technology for Entertainment, including Motion Control and VFX pipeline 

software. 

Dracast – S335 

23 Las Colinas Lane #107 

San Jose, CA 95119 

(408) 229-9222 

www.dracast.com 

The leader in studio lighting, Dracast, your ideas illuminated. 


Filmtools Inc. - Booth 202 

1400W. Burbank Blvd. 


P: (818)845-8066 

www.filmtools.com 

Hollywood’s source for camera, lighting, grip, electrical, & expendable 

supplies 



40 

CINEFIre - Booth 103 

TM 

17735 Kinzie Street, Unit 202 

CINE FIRE 

Northridge CA 91325 

www.heliosindustries.com 

98 CRI LED, 150W, 450W, Fresnels, Space Lights. No Generators Required. 

Cinelease - Booth 72 

5375 W. San Fernando Road 


(818) 841-8282 

www.cinelease.com 

Cinelease (a Hertz company) is the premier name in lighting and grip 

equipment rental in the country. 

Cinematography Electronics, Inc. - Booth 68 

5321 Derry Avenue Suite G 


(818)706-3334 

www.cinematographyElectronics.com 

Specialized Accessories for professional motion picture/digital 

cameras 

CINEMILLS - Booth 119A 

2021 N. Lincoln St 


(818) 843-4560 

www.cinemills.com 

CINEMILLS is unveiling our NEW fully equipped DIGITAL SPRINTER. 

Cinemoves Inc. – Booth 157 

514 Lyons Bay Road 

Nokomis , FL 34275 

P: (941)809-9000 

www.cinemoves.com 

Home of the SuperTechno Crane and so much more. 

Cineo Lighting - Booth S 224 

831 Sierra Vista Blvd. 

Mountain View, CA 94043 

(310) 425-3425 

www.cineolighting.com 

Cineo Lighting, the premier provider of Remote Phosphor Lighting 

Technology, specializes in creating high output, color accurate lighting 

fixtures for motion picture, broadcast and photography applications. The 

TruColor Product line boosts the award winning TruColor HS and NEW 

Trucolor LS. 

Cinetech Italiana – Booth 77 

Via del Casale Ferranti 27129 

Rome 00173 Italy 

P: +39067211804 

www.cinetech.it 

Leading manufacturer of professional camera dollies of various types. 

Codex - Booth 47 

3450 Cahuenga Boulevard, Unit 103 


(323) 969-9980 

www.codexdigital.com 

Digital Recording and Workflow Solutions including the Codex Vault 

COLOR7 

marksachen@c7color.com 

818-314-6106 Los Angeles, CA 

www.c7color.com 

Fully staffed mobile color correction suites providing services on location. 

Convergent Design, Inc. - Booth S 222 

4465 Northpark Drive Suite 400 

Colorado Springs, CO 80907 

(720) 221-3861 

www.convergent-design.com 

Professional Onboard Recorders and 7.7” OLED Monitor. 

Creative Handbook – Booth 52 

10152 Riverside Drive 

Toluca Lake CA 91602 

P: (818)752-3200 

www.creativehandbook.com 

The industry’s premier production resources both in print and online. 

DADCO LLC – Booth 209 

11078 Fleetwood St. 

Sun Valley CA 91352 

P: (818)768-8886 

www.dadcopowerandlights.com 

Dadco portable power systems Sunray lighting systems Reel Power 

generators. 

Database Works – Booth S 322 

500 S. Kraemer Blvd. Suite 110 

Brea CA 92821 

P: (714)203-8808 

www.dbworks.com 

RentalWorks is the most efficient Rental, Sales, and Asset Management 

System in the industry. 

DEDO 3D VKM - Booth S 206 

Karl Weinmair Str. 10 

Munich, Germany D-80807 

(4989) 356-1601 

www.dedoweigertfilm.de 

Zepar (Zero Parallax) 3D System 

Dedotec USA, Inc. - Booth S 205 

48 Sheffield Business Park 

Ashley Falls, MA 01222 

(413)229-2550 

www.dedolight.com 

Dedolight introduces NEW line of focusing LED lighting fixtures. 

DENZ Präzisions-Entwicklung - Booth 76 

Otto-Hahn-Strasse 12-14 

Ottobrunn/Munich Germany 85521 

(+49) 89 629 866 0 

www.denz-deniz.com 

DENZ is manufactures professional camera accessories at Munich, Germany 

DeSisti Lighting- Desmar Corporation - Booth L 200 

1011 Route 22 East Unit D 

Mountainside NJ 07092 

www.desisti.it/ 

DMLite Co. Ltd. – Booth 107 

217 DMC Center 330 Seongam-Ro Mapo- GU 

Seoul 121-912 Korea, South 

(213) 255-6081 

www.LumosUSA.com 

Advanced LED Lighting technology for Studio/Film 

DPS - Booth S 223 

7643 North San Fernando Road 


(818) 337-1202 X240 

www.dpsevents.com 

the premier provider of high-end event production solutions in Southern 

California and around the globe. 

Elation Professional - Booth S 221 

6122 S. Eastern Ave. 


(323)582-3322 

www.elationlighting.com 

A complete solution provider and manufacturer of LED Lighting systems 

Element Technica- Booth L -601 

55 E. Orange Grove 


818.333.3000 

www.elementtechnica.com 

ETC (Electronic Theatre Controls, Inc.)- Booth S 203 

3031 Pleasant View Rd. 

Middleton, WI 53562 

(800) 688-4116 

www.etcconnect.com 

ETC manufactures lighting and rigging equipment for entertainment and 

broadcast. 

EVS - Booth S217 

1819 Victory Blvd 

Glendale CA 91201 

P: (818)552-4590 

www.evsonline.com 

Pro Video Sales - Rentals - Production Studios. 

F&V- Booth 60A 

PO Box 157 

Lake Bluff, IL 60044 

(888) 960-3750 

www.fvlight.com 

Designer & Manufacturer of LED Lights, Monitors, & Camera Accessories. 

Fiilex - Booth S 327 

1689 Regatta Blvd. 

Richmond, CA 94804 

(510) 620-5155 

www.fiilex.com 

LED Lighting for the Image Capture Industry 

Fill-Lite - S 307 

1304 SW 176 Terrace 

Beaverton, OR 97006 

(503) 810-0812 

www.fill-lite.com 

Fill-Lite manufacturer of modular ultra-thin Next generation LED-based soft 

lights 

Film and Digital Times – Booth 54 

500 East 83 Street 14a 

New York City NY 10028 

P: 212-772-8526 

www.fdtimes.com 

Journal of Art, Technique, Techology in Motion Picture Production Worldwide 

Filmotechnic USA Camera Car Systems – Booth 9 

3507 Jack Northrop Ave 

Hawthorne CA 90250 

P: 310-418-3311 

www.filmotechnicusa.com 

Filmotechnic USA Camera Car Systems specializes in vehicles, cranes, and 

heads. 

Filmtools International. - Booth 130 

1400W. Burbank Blvd. 


P: (818)845-8066 

www.filmtools.com 

Hollywood’s source for camera, lighting, grip, electrical, & expendable 

supplies 

Flanders Scientific - S 334 

470 Satellite Blvd. NE Ste. P 

Suwanee, GA 30024 

(678)835-4934 

www.shopfsi.com 

FSI offers professional display devices ranging in size form 7”-32”. 

FreeFly Systems – Booth 37 

15207 NE 92nd St, Suite A 

Redmond, WA 98052 

(206) 370-0722 

www.freeflysystems.com 

Award winning MōVI camera gimbals and UAV solutions. 

FUJIFILM NORTH AMERICA – Booth 43 

2621 Manhattan Beach Blvd. 

Redondo Beach CA 90278 

(310)536-0800 

www.fujinon.com 

Acclaimed Digital Cinema Premier Cabrio and Premier 4K+ Series zooms. 

FUJIFILM Motion Picture North America - Booth L 202 

6200 Phyllis Dr. 

Cypress, CA 90630 

(714) 372-4336 

www.fujifilm.com 

Color science hardware and software solutions for digital movie/tv/event 

production. 

Flying-Cam - Booth 81 

3100 Donald Douglas Loop North Suite 203 

Santa Monica, CA 90405 

(310) 581-9276 

www.flying-cam.com 

FLYING-CAM: Academy Award winning system, world leader in Close Range 

Aerial Filming 

Glide Gear - Booth 2 

714 Seaboard 9B 

Myrtle Beach SC 29572 

(843)997-2873 

www.glidegear.net 

US Designed, CNC Engineered, Professional Quality Stabilization Gear, 

Affordably Priced 

Glidecam Industries, Inc. – Booth 39 

23 Joseph Street 

Kingston MA 02364 

P: (781)585-7900 

www.glidecam.com 

The name and future of camera stabilization ... Made in the USA 

GoPro – Booth S219 

3000 Clearview Way 

San Mateo CA 94402 

(650) 332-7600 

gopro.com 

World’s Most Versatile Camera. Wear it. Mount it. Love it. 

41







GPI Pro Systems Inc.- Booth 114 

25026 Anza Drive Unit B 

Valencia CA 91355 

(661)257-5771 

www.gpiprosystems.com 

“Best In Cinema Is Now The Best In Live Broadcast” 

Grip Factory Munich - Booth 156A 

Fürholzener Straße 1 

Eching Germany 85386 

+49 (0) 89 319 0 129-0 

www.g-f-m.net 

GFM – manufacturer of dollies, cranes, track and camera support. 

IATSE Local 728 – Booth S204 

1001 W. Magnolia Blvd. 


P: (818)954-0728 

www.IATSE728.com 

Studio electrical lighting technicians 

LEE Filters – Booth 121 

2237 N. Hollywood Way 


(818)238-1220 

www.leefiltersusa.com 

The world’s leading manufacturer of professional and quality lighting filters. 

Grip Trix, Inc. - Booth 98 

12767 Saticoy Street 

North Hollywood CA 91605 

(818)982-2510 

www.griptrix.com 

Electric camera cars and ATVs, and portable electric power systems. 

G-Technology by Hitachi – BoothS 332 

3403 Yerba Buena Rd. 

San Jose, CA 95135 

(831) 345-0321 

www.g-technology.com 

The hard drive of choice for professional Film and Television 

Halo Branded Solutions - Booth 65 

8025 Shir Mar Pl 

El Cajon CA 92021 

(619)886-6912 

www.halo.com 

Designing Promotions With You In Mind halo.com/debierowe and halo.com/ 

jaquilin-brown 

Hasselblad Bron Incorporated - Booth 15 

1080 A Garden State Road 

Union NJ 07083 

(732) 241-6327 

www.hasselbladbron.com 

Hexolux - Booth S321 

3053 Fillmore St. #264 

San Francisco CA 

(707) 570-8776 

www.hexolux.com 

Hexolux revolutionary LED Fresnels are the new industry leader with the 

highest efficiency and highest spectral quality. The rugged hexagonal 

modular system makes giant LED sources without heat. 

Hitachi Kokusai Electric America, LTD. - Booth S303 

11258 Monarch Street Unit H 

Garden Grove CA 92841 

(714) 895-6116 

hitachikokusai.us 

Hitachi offers Broadcast Studio Cameras and HD Pan Tilt systems. 

Hive Lighting Inc. – Booth S 211 

411 S. Hewitt St. 

Los Angeles CA 90013 

(310) 773-4362 

www.hivelighting.com 

Hive Lighting manufactures high-output, energy-efficient Plasma lights for 

entertainment production. 

IATSE Local 600 & ICG Magazine – Booth 23 

7755 Sunset Blvd. 


P: (323) 969-2714 

www.icgmagazine.com 

Represents the most talented camera professionals in the world 

IDX System Technology, Inc. – Booth 55 

19001 Harborgate Way, # 105 

Torrance CA 90501 

P: (310)328-2850 

www.idxtek.com 

Manufacturer of batteries, power supplies, and wireless HD transmission 

systems. 

iKan Corp. – Booth 71A 

3903 Stoney Brook 

Houston TX 77063 

United States of America 

(713) 272-8822 

www.ikancorp.com 

Innovision Optics, Inc. – Booth 51 

1719 21st Street 

Santa Monica CA 90404 

(310)453-4866 

www.innovisionoptics.com 

Creative Ways of Imaging!! Probe lenses, camera support...motion control 

Inovativ – Booth 83 

5670 Ayala Ave. 

Irwindale CA 91706 

(626) 381-9396 

www.inovativcarts.com 

INOVATIV innovates, designs and builds the best professional equipment 

carts 

Insurance West Corporation - Booth 88 

2450 Tapo Street 

Insurance West 

Simi Valley CA 93063 

P: (805)579-1900 

www.insurancewest.com 

Full-service insurance agency specializing in the entertainment industry. 

Insuremyequipment.com - Booth 109 

811 Wilshire Blvd. #1801 


www.insuremyequipment.com 

Instant short-term and annual rented equipment insurance policies online 

INTER VIDEO – Booth L 503 

2000 N. Lincoln St. 


(818) 843-3624 

www.intervideo.com 

In-Sync Publications - Booth L 401 

800 Knob Hill Ave 

Redondo Beach, CA 90277 

(310)543-9045 

insyncpubs.com 

IRIDE S.r.l - Booth 72 

VIA TRANSPONTINA N. 23 ARICCIA 

ROME, ITALY 00040 

(0039) 06-9340147 

www.iridelighting.eu 

IRIDE: MULTIFORM LIGHT “THE SUN NEVER SET” 

Itronx Imaging Technologies Booth S 209 

32586 Bowman Knoll Dr. 

Westlake Village CA 91361 

(818)865-0005 

www.itronx.com 

Your premier source for digital high-speed cameras. 

Isuzu Glass, Inc. - Booth L 300 

23505 Crenshaw Blvd. Suite 130 

Torrance, CA 90505 

(310) 517-1866 

www.isuzuglass.com 

J-BOX Industries Inc. - Booth 98A 

9820 Glenoaks Blvd. 


P: (818)768-5269 

www.jbox.biz 

Modular lighting systems for all aspects of the Entertainment Industry. 

JB Sound & Light Productions - Booth L 400 

404 N. 31 st Steet Suite 109 

Billings, MT 59101 

(406) 670-8475 

JVC Professional Products Co. – Booth S324 

1700 Valley Road 

Wayne NJ 07470 

P: (973)317-5000 

www.pro.jvc.com 

K5600 Lighting, Inc. - Booth 144 

10434 Burbank Blvd. 


P: (818)762-5756 

www.k5600.com 

Manufaturer of HMI Systems including Jokers and Alphas 

Kessler Crane, Inc. – Booth 74 A 

602 E. Jefferson st. 

Plymouth IN 46563 

P: (574)551-1304 

Innovative Tools for Filmmakers. Cranes, jibs, sliders, motion control & more. 

KinoFlo Lighting Systems – Booth S208 

2840 N. Hollywood Way 


P: (818)767-6528 

www.kinoflo.com 

“Kino Flo Lighting for HD Cinema, TV and Digital Photo 

Kontrol Freax - Booth 98D 

KFX Technology - Booth 98D 

1474 Ridgeway Street 

Union NJ, 07083 

Tel: 917 238 4110 

www.kfxtechnology.com 

Lex Products Corp. - Booth 138 

15 Progress Drive 

Shelton CT 06484 

(203)274-9920 

www.lexproducts.com 

Lex Products develops superior power and control systems for the most 

demanding markets. An innovative, award-winning manufacturer, Lex offers 

solutions that are fail-safe and longer lasting. From cable assemblies and 

portable distribution boxes to company switches and digital dimmers. 

Libec Sales of America, Inc. - Booth 27 

377 Van Ness Ave Suite 1201 

Torrance CA 90501 

P: (310)787-9400 

www.libecsales.com 

Engaged in the manufacturing of professional camera support since 1955. 

Light Iron – Booth S 308 

6381 De Longpre Ave 


P: (323)472-8300 

www.lightiron.com 

On-site dailies, digital intermediate, and data services for file-based 

cameras. 

Lights! Action! Company – Booth 16 

4479 Ellenita Ave 

Tarzana CA 91356 

(818)881-5642 

www.lightsactionco.com 

Lightwave International – S 316 

234 Christy Rd. 

Eighty Four PA 15330 

(412) 965-2737 

www.lasershows.net 

Lightwave International creates laser effects for film and live production. 

LiteGear Inc. - Booth S 213 

4406 Vanowen Street 


(818)358-8542 

www.litegear.com 

Genuine “VHO Pro” LiteRibbon LEDs, the only color-correct, full-spectrum, 

flexible LED products on earth! 

Los Angeles Rag House, Inc. – Booth 22 

100 East Santa Anita Ave 


(818)276-1130 

www.laraghouse.com 

LA Rag House is a manufacturer and distributor of technical textiles to the 

film and Television industry. 

Hot Rod Cameras – Booth 62 

1413 Cole PL 


(323) 230-3589 

www.hotrodcameras.com 

Camera, Lens and Accessory Sales. ARRI, Blackmagic, Cooke, and More! 

IO Industries Inc. – Booth S302 

12-1510 Woodcock Street 

London ON N6H5S1 Canada 

(519)663-9570 

www.ioindustries.com 

Camera design and manufacturer, including the 2KSDI. 

LA 411 - Booth 6 

5900 Wilshire Blvd. Suite 3100 


(323)617-9403 

www.la411.com 

LA 411 is the industry’s only QUALIFIED production directory. 

LRX, LLC – Booth 41 

7764 San Fernando Road Unit 8 


P: (818)768-8816 

www.lrx-lighting.com 

Manufactures of robotic lighting systems since 1990 

Mac Tech LED Lighting – Booth S329 

3900 Lankershim Blvd 

Universal City CA 91608 

(818)777-1281 

www.mactechled.com 

Epic Production Lighting. Significant Savings. 

Realtime Virtual Services On Location. 

42 

43







MACCAM, Inc. – Booth 125 

7011 Hayvenhurst Ave Unit B 

Van Nuys CA 91406 

P: (818)780-5600 

www.maccam.tv 

A sales and service company comprised of experienced lighting specialists 

Manfrotto Distribution – Booth 38 

10 Mountain View Road 

Suite 320 South 

Upper Saddle River NJ 07458 

(201)818-9500 

www.manfrotto.us 

Manios Digital & Film / Cartoni USA – booth 57 



(818)760-8290 

www.maniosdigital.com 

Distributor of professional camera support, mattboxes, batteries, EVF’s and 

lenses. 

Mark Roberts Motion Control Company - Booth 200 

Unit 3, South East Studios 

Blindley Heath RH7 6JP 

United Kingdom 

(UK) +44 (0)1342 838000 

www.mrmoco.com 

Come by and see our new high-speed tabletop rig. 

Marshall Electronics – Booth 28 

1910 E. Maple Ave 

El Segundo CA 90245 

(800) 800-6608 

www.Marshalls-USA.com 

Marshall Electronics offers a large assortment of technology worldwide. 

MAT - Mad About Technology - S 202 

Wetzlarer Strasse 38 

Berlin – Potsdam 14482 Germany 

(49)331-704-5550 

MAT-TOWERCAM ® 

Specialized Remote Camera Systems 

BOOTH #S202 

www.mat-film.tv 

MAT - Mad About Technology invents, manufactures and rents specialized 

remote camera systems to make movies and tv-productions look more 

impressive. 

MAT designed the MAT-TOWERCAM, the MAT-COMPUTRACK® and MAT- 

AERODOLLY® and the new new MAT-SPEEDTRACK® System. 

info@mat-film.tv | www.mat-film.tv 

Matthews Studio Equipment Inc – Booth 145 

4520 West Valerio Street 


(818)843-6715 

www.msegrip.com 

Matthews Studio Equipment- lighting and camera support sliders and 

MoControl. 

MK-V - Booth 5 

101 Broadway 

Salford Manchester M50 2EQ 


Tel +44 161 850 0658 

www.mk-v.com 

MocoDyne VariZoom - Booth 48 

1915 Kramer Lane 

Austin TX 78758 

(512)739-1881 

www.mocoDyne.com 

mocoDyne is a VariZoom company specializing in motion control. 

Mole - Richardson Company - Booth 18 

937 Sycamore Ave 


(323)851-0111 

www.mole.com 

Designed, Engineered and Manufactured in Hollywood for professionals 

worldwide. 

Multiquip, Inc. - Booth 201 

18910 Wilmington Ave 

Carson CA 90746 

(310)400-1684 

www.multiquip.com 

MQ Power studio generators are renowned for reliable, quiet service. 

Nebtek, Inc. - Booth 94A 

3007 S. West Temple Ste K 

Salt Lake City UT 84115 

(801)467-1920 

www.nebtek.com 

Advanced video assist sales and rentals for 3D and HD. 

Nettmann Systems International – Booth 71 

1026 Griswold Ave 

San Fernando CA 91340 

(818)365-4286 

www.camerasystems.com 

“Award-winning, aerial cinematography, camera support and gyro-stabilized 

camera systems.” 

Nevada Film Office - Booth 1 

6655 W. Sahara Avenue Suite C-106 

Las Vegas NV 89146 

(702)486-2711 

www.nevadafilm.com 

Offering production assistance & resources for filming in Nevada. 

Nila LED Lighting – Booth 21 

723 West Woodbury Rd. 

Altadena CA 91001 

(818)392-8370 

nila.com 

Nila manufactures in the USA LED lights to replace HMIs 

Osram Sylvania – Booth 114A 

129 Portsmouth Avenue 

Exeter NH 03833 

888-677-2627 

www.sylvania.com/entertainment 

Manufactures OSRAM specialty lamps, lampholders and LED systems and 

fixtures 

OwlDolly - Booth 154 

11143 Camarillo St Suite 100 


(424) 235-4695 

www.OwlDolly.com 

Creative tools at amazingly low prices for the DIY filmmaker 

Packair Airfreight, Inc. – Booth S 336 

5510 W. 104th Street 


(310)337-9993 

www.packair.com 

Worldwide Logistic Services for Film Productions! Exports/Imports, Customs- 

Brokerage, & Courier 

Paralinx - Booth L-201 

928 N. San Fernando Blvd. Suite J-149 


(818) 934-1535 

www.paralinx.net 

First in Affordable Uncompressed Realtime Wireless HD Monitoring 

Pathway Connectivity - S 331 

1439 17 Avenue SE 

Calgary T2G 1J9 Canada 

(770) 860-2710 

www.pathwayconnect.com 

Lighting controls and DMX512 distribution. We bring communications to 

light. 

Perfect Horizon Stabilizers - Booth 123 

70 Wellsway 

Bath BA2 4SB 


+44 (0) 7758587687 

PERFECT HORIZON CAMERA STABILIZERS LEVEL AND STEADY YOURS 

SHOTS 

Philips Color Kinetics - Booth S 314 

5401 Bevis Ave 

Sherman Oaks CA 91411 

P: (818)787-4900 

www.formanandassociates.com 

Intelligent LED illumination & control technology for entertainment 

applications. 

Philips Lighting - Booth S 313 

200 Franklin Square Drive 

Sommerset NJ 

(723) 563-3424 

www.philips.com 

Philips provides high performance Tungsten and Daylight lamps 

Pictorvision - Booth 91 

16238 Raymer Street 


818-785-9282 

www.pictorvision.com 

Pictorvision Eclipse and XRII stabilized aerial and ground systems 

Portabrace – S 305 

PO Box 220 

N. Bennington 

VT 05257 

(203) 257-7079 

www.portabrace.com 

Portabrace is the leading manufacturer of custom cases/covers for the 

Professional Broadcast Market. 

Powergems Limited - Booth 123A 

Unit 1, Fairhills Trade Centre, 

Fairhills Road, Manchester M44 6BA 


+44 (0)161 776 7030 

www.powergems.com 

displayed - 6/4kW & 9/6kW. Head Office in UK, sales and technical facilities 

in LA & NY. 

Preston Cinema Systems, Inc. – Booth 53 

1659 11th Street Suite 100 

Santa Monica CA 90404 

(310)453-1852 

www.prestoncinema.com 

Manufacture and Sales of Remote Lens Control Systems for Cinema. 

PRG - Booth S 215 

Brian Edwards 

(818) 252-2600 

www.prg.com 

PRG and Paskal: see what we can do together. 

ProductionHUB - Booth 95 

1806 Hammerlin Ave. 

Winter Park FL 32789 

(407) 629-4122 

www.productionhub.com 

ProductionHUB is the pro video marketplace. Find your next job, client or 

project. 

QOS Servers - Booth 108A 

4705 Strathcona Road. 

North Vancouver BC V7G 1G9 Canada 

(604) 367-6218 

www.qosserver.com 

Quiet-On-Set storage offers premium quality RAID in a set-friendly design. 

Radiant Images, Inc. - Booth S 309 

4125 W. Jefferson Blvd. 


(323)737-1314 

www.radiantimages.com 

Radiant Images provides customized digital cinema solutions, gear and 

technology. 

Media Distributors - Booth 116 

4518 West Vanowen St. 


(630) 993-8533 

www.mediadistributors.com 

MEDIA PRODUCTS, EQUIPMENT AND SERVICES FOR THE PROFESSIONAL’S 

NEEDS 

Miranda Technologies - Booth L301 

3499 Douglas B. Floreani 

Montreal QC H4S 2C6 

(514) 333-1772 X3304 

www.miranda.com 

Camera connectivity and audio, video, data transport over fiber. 

0energy Lighting Inc – Booth S 201 

416 Commerce Way Ste 170 

Longwood, FL 32801 

(855) 955-1055 

www.0energylighting.com 

0energyLIGHTING proudly manufactures innovative lighting products MADE 

in the USA. 

Olesen/SSL – Booth S 306 

12800 Foothill Blvd. 

Sylmar CA 91342 

(818)407-7800 

olesen-ssl.com 

Photohigher - Booth 108 

5 McCormack Place, Nguaranga 

Wellington 6035 New Zealand 

(64) 212-223-388 

www.photohigher.com.nz 

Photon Beard LTD, Power to Light, Projects 

Department - Booth 127 

Unit K3 Cherry Court Way 

Leighton Buzzard 

LU7 4UH United Kingdom 

P: +44 (0) 1525 850911 

www.photonbeard.com 

Redrock Micro – Booth 30 

P.O. Box 271395 

Flower Mound 

TX 75027 

(888) 214-3903 

store.redrockmicro.com 

Delivering high quality cinema accessories for digital filmmakers at 

revolutionary prices. 

Reel Efx, Inc. - Booth 66 

5539 Riverton Ave 


(818)762-1710 

www.reelefx.com 

Reel Efx: Home of Multicam, DF-50 Hazer and RE4 Fan. 

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Rescue Tape - Harbor Products, Inc. - Booth 122 

630 S. Pacific Ave #112 

San Pedro CA 90731 

(702)953-0968 

www.rescuetape.com 

Service Vision USA - Booth 78 

12035 Sherman Way 


P: (818)623-1970 

www.servicevisionusa.com 

Scorpio remote head system 

Sony Electronics, Inc - booth S 218 

1 Sony Drive, MD#1F5 

Park Ridge NJ 07656 

(201) 476-8346 

www.sony.com/professional 

Teradek - Booth 89 

34 B Mauchly 

Irvine CA 92618 

(888) 941-2111 

www.teradek.com 

Teradek is an innovator of wireless video devices 

Romans Cine Gear - Booth 101 

5419 Hollywood Blvd, Suite C306 


(213) 375-7696 

http://www.romanscinegear.com/ 

Romans Cine Gear - RCG Slider Dolly System. Innovative, Affordable, 

Independent. 

Seahorse – Booth 97B 

2009 Wright Ave. 

La Verne, CA 91730 

(626) 339-6673 

www.seahorse.net 

SOS Global Express Inc. – Booth 84 

PO Box 12307 

New Bern, NC 28561 

P: (310)213-4159 

www.sosglobal.com 

SOS Global Express is a logistics vendor to all of the major news and sports 

networks. 

Thales Angenieux- Booth 40 

40 G Commerce Way 

Totawa NJ 07512 

(973)812-4318 

www.angenieux.com 

Zoom lens manufacturer of film, digital, and anamorphic production lenses. 

Rosco Laboratories - Booth S 301 

52 Harbor View Ave 

Stamford CT 06902 

P: (203)708-8900 

www.rosco.com 

World-wide manufacturer of products for the entertainment industry. 

Rose Brand - Booth 111 

10616 Lanark Street 


P: (818)505-6290 

www.rosebrand.com 

Manufacturer/Distributor of fabrics and supplies to Film/TV industry. 

RST Visions in Color - Booth 86 

2101 W. Burbank Blvd 


(818)566-1114 

www.rstvisions.com 

RUIGE - Booth 155 

17800 Castleton St. Suite 230 

City of Industry CA 91748 

P:(626)217-3999 

www.ruige.com/en 

Ruige monitors, focus on profession 

Samy’s Camera - Booth 106 

3601 Beatrice 



(800) 321-4726 

http://www.samys.com/ 

Samy’s Camera locations in Los Angeles, San Francisco, Pasadena, Culver 

City, Orange County, Santa Barbara, Playa Vista. 

SanDisk Corporation - Booth 50 

951 San Disk Drive 

Milipitas CA 95035 

(408)801-1599 

www.sandisk.com 

The world leader in high performance flash memory solutions 

Schneider Optics - Booth 46 

7701 Haskel Ave 


P: (818)766-3715 

www.schneideroptics.com 

Schneider Optics renowned maker of professional add-on lenses & filters. 

SHAPE wlb Inc. - Booth 110 

S07-3220 1ere Rue 

Saint-Hubert QC J3Y 8Y5 Canada 

(450) 812-4712 

http://www.shapewlb.com 

SHΛPE manufactures camera accessories, broadcast solutions, rigs, F-55 

set-ups. 

Sim Digital Los Angeles - Booth 61 

738 N. Cahuenga Blvd. 


(323)978-9000 

www.simdigital.com 

SKB Corporation - Booth S 210 

1633 N. Leslie Way 

Orange CA 92867 

(714)685-5232 

www.skbcases.com/music 

Manufacturer of indestructible transport cases for camera and video 

equipment. 

Skylight Balloon Lighting - Booth S227 

9850 Glenoaks Blvd. 


(866)765-4448 

www.skylightballoon.com 

Light balloon and area lighting specialist for film production. 

SmallHD - Booth 59 

118 MacKenan Drive Suite 400 

Cary NC 27511 

(919) 439-2166 

www.smallhd.com 

Pioneers of the High-Definition on-camera field monitor. 

SMS Connectors / Special Mine Services - 

Booth 99 

P.O.Box 188 

West Frankfort, IL 62896 

P: (416)710-0965 

www.smsconnectors.com 

Manufactures a line of connectors used in the Entertainment Industry 

Society of Camera Operators - Booth L 600 



(818) 563-9110 

www.soc.org 

Sound Devices, LLC - Booth 94 

E7556 State Rd 23 and 33 

Reedsburg WI 53959 

(608)415-8153 

www.sounddevices.com 

STAGE THIS, LLC. - Booth 15B 

11273 GOSS ST. 

SUN VALLEY CA 91352 

(818) 726-2240 

www.stagethisla.com 

Stage THIS offers a large 3-wall infinity cyc in LA. 

Studio Depot - Booth 146 

937 N. Sycamore Ave 


(323)851-0111 

www.studiodepot.com 

Studio Depot - It’s Where the Studios Shop. 

Studio Carts - Booth 15A 

11274 Goss Street 


P: (818)767-1122 

www.studiocarts.com 

Specializing in multipurpose carts & support equipment for the film industry. 

SUMOLIGHT GmbH - Booth S 310 

Malmoerstrasse 26a 

Berlin 10439 Germany 

+49-30-24612753 

SUMOLIGHT the most advanced LED lighting system in the world. 

Switronix - Booth 80 

87 Garden St. 

Westbury NY 11590 

(516) 750-9675 

http://www.switronix.com/ 

Power Solutions, Wireless and Accessories for Digital Cinema and Video 

T8 Technology Company - Booth S 319 

171 Pier Ave. #289 

Santa Monica, CA 90405 

Technocrane s.r.o. - Booth 75 

Potnikatelska 19 

Pilsen 30100 Czech Republic 

011-42-377889109 

www.supertechno.com 

Tenba (MAC Group) - Booth 90 

75 Virginia Road 

N. White Plains NY 10603 

(914) 784-2661 

www.macgroupus.com 

Tenba builds carrying case solutions for professional photographers and 

filmmakers. 

That Cat Camera Support, LLC - Booth 96 

163 Spring Hill Rd. Suite C 

Trumbull, CT 06611 

(203) 377-8997 phone 

www.cameraslider.com 

Proprietary Distributor of the SILENT CATTM CAMERA SLIDER. 

The New York Times Reader 2 - Booth 26 

613 South Ave 

Weston MA 02493 

(781)890-2666 

www.nytimes.com 

The Rag Place Inc. - Booth 31 

13160 Raymer Street 

N. Hollywood CA 91605 

(818)765-3338 

www.theragplace.com 

Development, Manufacturing, Sales and Rentals of MOTION PICTURE 

TECHNICAL FABRICS. 

The Slider - Booth 93 

7738 Wynne Ave 

Reseda CA 91335 

(818)344-5284 

www.theslider.com 

Proud to be the industry standard in creative camera movement. 

The Studios at Paramount - Booth 44 

5555 Melrose Avenue 


Production begins at Paramount Studios with over 80 years of experience. 

The Takes.com - Booth 73A 

2780 S. Jones Boulevard, 

Ste. 3698 

Las Vegas NV 89146 

1-800-235-6605 

www.thetakes.com 

Project Management for Film/TV Production in the Cloud 

Tiffen - Booth 119 

90 Oser Ave 

Hauppauge NY 11788-3886 

(631)273-2500 

www.tiffen.com 

Celebrating 75 years of award-winning products for MPTV/Broadcast 

industries. 

ScriptE Systems, LLC 

- Booth S333 

275 Route 10 Suite 220-311 

Succasunna NJ 07876 

(310)744-4987 

www.scriptesystems.com 

The industry leader in digital script supervision software (mac, iPAD&pc). 

Solid Camera, Inc. - Booth 16A 

8921 Fullbright Ave. 

Chatsworth CA 91311 

(818) 741-1333 

www.solidcamera.com 

Accessories and power distribution for digital cinema and broadcast 

cameras. 

TMB - Booth S 311 

527 Park Ave. 

San Fernando CA 91340 

P: (818)899-8818 

www.tmb.com 

Production supplies and services for the entertainment industry since 1983. 

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Tokina Cine Lenses - Kenko Tokina - Booth 150 

7642 Woodwind Dr. 

Hungtington Beach CA 92647 

(714) 849-5700 

www.kenkotokinausa.com 

Providing high quality products at affordable prices for over 40-years 

Total Transportation Concept - Booth 148 

8728 Aviation Blvd. 

Inglewood CA 90301 

(310) 337-0515 X126 

http://www.totaltrans.com/ 

ATA-Carnet, Camera, Lighting Gear, Pyrotechnics, Props, Cars, Charters 

World-Wise World-Wide 

Transvideo International - Booth 115 

11712 Moorpark Street #112B 


(818)985-4903 

www.transvideointl.com 

Introducing the new 7” RainbowHD on-board monitor. Recipient 

of 4 Awards, Transvideo designs and manufactures Assistants, 

Operators, and Directors’ monitors and wireless video systems 

for 2D and 3D productions. Committed for 20-years to servicing 

the Film & Video community. 

Trew Audio Los Angeles - Booth 153 

3325 Cahuenga Blvd. West 


(323)876-7525 

www.trewaudio.com 

Turbo Ace - Booth 87 

2140 W. Chapman Ave # 205 

Orange CA 92868 

(714)939-7895 

www.turboace.com 

leading manufacturer of multi-rotor helicopters for aerial videography and 

photography 

TURNKEY HD - Booth 102 

1309 N. Carolan Ave. 

Burlingame CA 94010 

(415) 827-5002 

www.turnkeyhd.com 

TVLogic - Booth S 214 

910 W. Alameda Ave 


(818)885-6442 

www.tvlogicusa.com 

TVLogic - Video Monitors for Demanding Professionals 

UK Information Zone - Booth 131 

Ultralight Control Systems - Booth 153A 

Cerro Crest, CA 93010 

(805)484-3334 

Manufacturers the most versatile articulating arm for mounting & rigging. 

USHIO America - S 338 

5440 Cerritos Ave 

Cypress CA 90630 

(714)229-3173 

www.ushio.com 

Valley Film Festival – Booth L 302 

6702 Hillpark Dr. #405 


(323) 969-1122 

www.valleyfilmfest.com 

Vantage Film GmbH - Booth 14 

Altstrasse 9 

Weiden 92637 Germany 

(49) (0) 961 63496521 

www.vantagefilm.com 

Worldwide camera rentals & sales. HAWK® Anamorphic Lenses, Vantage 

One T1 Spherical Primes, PSU-3 HD Video Assist System. 

Videssence - Booth S 304 

10768 Lower Azusa Road 

El Monte CA 91731 

(626)579-0943 

www.videssence.tv 

Manufactures LED lighting fixtures with 98 CRI for film/studio. 

Visio Light Inc. - S 328 

7F, NO. 249, Jian 1st. Rd. 

Jhond He Dist. 

New Taipei City 235 Taiwan R.O.C. 

886-2-2226-2359 

www.visiolight.com 

Multi color LED light/ 350W & 200W Fresnel LED Light 

Visual Systems - Booth 85 

28355-410 Industry Dr. 

Valencia CA 91355 

(661) 242-6995 

www.visusys.com 

Vitec Videocom - Booth S 312 

709 Executive Blvd. 

Valley Cottage NY 10989 

(203) 402-7941 

www.vitecvideocom.com 

Booth #S312 – featuring all Vitec Videocom’s industry leading brands. 

VTP - Booth S 228 

2721 W. Magnolia Blvd. 


(818) 566-9898 

www.myvtp.com 

The most trusted and recognized solutions providers for high-end video & 

audio professionals. 

Walter Klassen FX - Booth 36 

107-353 Eastern Ave. 

Toronto ON M4M1B7 Canada 

(416)778-7848 

www.walterklassen.com 

new FLEX harness 

Wamco - Booth 141 

3128 Red Hill Ave. 

Costa mesa CA 92626 


(760) 492-8030 

www.wamcoinc.com 

Leading Supplier of Koto HMI & Halogen Studio Lamps. 

Warner Bros. Studio Facilities -Booth 113 

4000 Warner Blvd. 


(818)954-3000 

www.wbsf.com 

A complete production resource offering rentals and services from set 

lighting and grip equipment to post production sound - bringing your 

production to life. 

Wolfram Inc. - Booth 42 

1309 Doker Drive Unit B 

Modesto CA 95351 

(209)238-9610 

www.wolframlights.com 

Wooden Camera - Booth 25 

1826 West Commerce Street 

Dallas TX 75208 

(214)957-7375 

www.woodencamera.com 

Wooden Camera produces professional cinema camera accessories. 

Zacuto USA - Booth 74 

401 West Ontario Suite 250 

Chicago IL 60654 

(312)863-3456 

www.zacuto.com 

Zacuto USA - the industry standard for filmmaking accessories. Made in the 

USA. 

ZGC, Inc. - Booth 67 

264 Morris Ave 

Mountain Lakes 

NJ 07046 

(973)335-4460 

www.zgc.com 

ZGC Inc., Distributor: Cooke Optics, SineCAM, Putora Charts: Film/Digital 

Acquisition/Post/Accessories 

Zylight LLC - S 325 

10718 McCune Ave 


(978) 244-0011 

www.zylight.com 

Zylight LLC is a leading manufacturer of LED lighting instruments. 

Save the dates! 

Cine Gear Expo 2013 - New York City 

September 27 - 28, Expo + Conference 

The Metropolitan Pavilion, NYC 

Cine Gear Expo 2014 - Los Angeles 

June 5 - 8, Expo + Conference 

The Studios at Paramount, Hollywood, CA 

48 

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Sponsors 

Industry Partners 

PLATINUM 

GOLD 

the future 

ahead of schedule 

SILVER 

Media Partners 

ICG 

MAGAZINE 

PMW-F5 

PMW-F55 

BRONZE 

Insurance West 

SUPPORTING 

HD, 2K, 4K and beyond. 

With Sony 4K, your future is bright. Even if you’re distributing in HD, Sony 4K gives you beautiful, super-sampled pictures with 

higher contrast and greater sharpness. The F55 camera upgrades your imagery with true color, on-board 4K recording and 

electronic global shutter, while the F5 offers a 4K sensor and super-sampled HD recording. They join the 8K-sensor F65, 

not to mention a full spectrum of Sony 4K tools to create the ultimate in immersive viewing. Experience incredible Sony 4K 

recorders, monitors, digital cinema projectors, a nonlinear editor, a home theater projector and even a home television. 

Sony 4K: delivering tomorrow’s performance, today. 

sony.com/35mm 

© 2013 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. 

Features and specifi cations are subject to change without notice. Sony, CineAlta, and the make.believe logo are trademarks of Sony. 

50 

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The new standard 

in motion picture 

lighting. 

Light your imagination with cinefire. 

Cinefire LED color technology has been heralded by the industry as 

a major breakthrough in motion picture lighting. Unparalleled color 

and brightness. Let us introduce you to a lighting revolution. 

2013 CinE G E ar Expo Los a n GELEs 

Booth #103 : May 31st – June 1st 2013 

The studios at paramount, Hollywood, Ca 90038 

CINE FIRE 

www.cinefire.com 

52 

TM

NEWS 2013 - Cine Gear Expo

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