Riverside Studios
Riverside Studios
Riverside Studios
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RIVERSIDESTUDIOS<br />
CINEMAANDEXHIBITIONS<br />
www.riversidestudios.co.uk SEPTEMBER– OCTOBER 2007 BOX OFFICE 020 8237 1111<br />
MAY–JUNE 2005<br />
THEATRE & CINEMA<br />
IMAGE FROM SIGNORE & SIGNORE: LEADING LADIES OF ITALIAN CINEMA: GINA LOLLOBRIGIDA
RIVERSIDESTUDIOSEXHIBITIONS<br />
RIVERSIDETHEATRE<br />
RIVERSIDESTUDIOSEXHIBITIONS<br />
4 – 29 SEPTEMBER<br />
SCOTTISH NATURESQUES<br />
PHOTOGRAPHY BY SIMON NICHOLAS WHITE<br />
As a child Simon Nicholas White was obsessed with<br />
Gustav Holst’s Planet Suite and dreamed of being an<br />
astronaut - but he grew up to discover he was terrified of<br />
flying. Today he spends his time exploring the beaches<br />
and rocky shorelines of Scotland, looking for hidden<br />
constellations. In his unique visionary photographs,<br />
which are not digitally manipulated or enhanced in any<br />
way, pebbles become planets, and every crevice hides a<br />
secret universe. People who admire his photographs<br />
often say they can never look at the natural world the<br />
same way again.<br />
As the photographer himself says: “nature is the<br />
greatest artist of all.”<br />
2 OCTOBER – 3 NOVEMBER<br />
WOMEN AND MOVEMENTS<br />
PHOTOGRAPHY BY CLAUDIA FERREIRA<br />
Women and Movements brings together 20 black and<br />
white photos from the book and website “Mulheres e<br />
Movimentos” by Claudia Ferreira illustrating the<br />
manifestations and mobilizations of the Brazilian and<br />
Latin American women’s movements in the nineties and<br />
their active contribution in the global and national<br />
activities. Women deeply involved in the political and<br />
cultural life of their countries, as well as in the global<br />
arena. The photographs collected here have been<br />
selected from the photographer's personal collection of<br />
over 4,000 pictures.<br />
www.mulheresemovimentos.com.br/english/index.html<br />
2
RIVERSIDETHEATRE<br />
RIVERSIDESTUDIOSFOOD&DRINK<br />
RIVERSIDE BAR & KITCHEN AND<br />
RIVER TERRACE<br />
The large and atmospheric Bar & Kitchen in the heart<br />
of the building is a vibrant contemporary setting for<br />
lunch, pre-show supper and drinks. The River Terrace<br />
is the perfect place for evening drinks, lunch and<br />
dinner with views of Hammersmith Bridge.<br />
Bar Menu & Kitchen Specials<br />
Anti Pasti, Tapas, Mezze, <strong>Riverside</strong> Burger, Soup,<br />
Salads, South Indian Thali, Kemia, Arancini.<br />
The kitchen Specials Menu changes daily. Dishes are<br />
freshly prepared to order using seasonal ingredients.<br />
Bar Drinks<br />
Full bar, draught and bottle beer, organic wine,<br />
organic Luscombe drinks, fresh fruit smoothies, Bullet<br />
Organic and Fair Trade coffee.<br />
FOOD SERVED<br />
MONDAY – FRIDAY: 1200 – 1500, 1600 – 2100<br />
SATURDAY: 1200 – 2100<br />
SUNDAY: 1300 – 2100<br />
FILM CAFÉ<br />
Located in the foyer, the Film Café serves fresh<br />
sandwiches, baked potatoes, organic coffee, fresh<br />
fruit smoothies, organic wine, bottled beer, snacks<br />
and organic ice cream. Open during the day for lunch,<br />
the Film Café is also an essential part of your visit to<br />
<strong>Riverside</strong> <strong>Studios</strong> Cinema.<br />
For bookings and information for <strong>Riverside</strong> <strong>Studios</strong><br />
Bar & Kitchen, River Terrace and Film Café<br />
please ring 020 8237 1009. Sample menus available<br />
online at www.riversidestudios.co.uk.<br />
3
RIVERSIDESTUDIOSCINEMA<br />
CINEMA –<br />
SEPTEMBER<br />
2007<br />
SATURDAY 1 SEPTEMBER<br />
Afternoon and Evening Double Bill<br />
NEIL YOUNG:<br />
HEART OF GOLD PG<br />
2.25PM AND 6.55PM<br />
(Jonathan Demme, USA, 2006)<br />
103m documentary<br />
Proving that it’s neither better to<br />
burn out nor fade away, ‘Neil Young:<br />
Heart of Gold’ works both as a great<br />
concert film and a meditation on<br />
mortality. Made as he was<br />
diagnosed with a brain tumour and<br />
after successful surgery in 2005.<br />
PLUS<br />
SHUT UP AND SING PG<br />
4.30PM AND 9.00PM<br />
(Cecilia Peck, USA, 2006) 99m<br />
documentary. With Natalie Maines,<br />
Emily Robinson, Martie Maguire<br />
While performing in 2003 singer<br />
Natalie Maines, from the Dixie<br />
Chicks, ignited a maelstrom of<br />
controversy and outrage when she<br />
declared from a London stage that<br />
she was ashamed that President<br />
George W. Bush was from her home<br />
state of Texas. The remark was to<br />
have a profound impact on the<br />
future of the band.<br />
SUNDAY 2 SEPTEMBER<br />
Afternoon – Powell and Pressburger<br />
Double Bill<br />
A MATTER OF LIFE<br />
AND DEATH U 1.00PM<br />
(Michael Powell/Emeric Pressburger,<br />
UK, 1946) 104m. With David Niven, Kim<br />
Hunter, Roger Livesey<br />
An RAF pilot bales out of his blazing<br />
plane without a parachute. He<br />
should have died, but didn‘t –<br />
heaven investigates. The<br />
cinematography is sublime,<br />
as is the imagination.<br />
PLUS<br />
THE LIFE AND<br />
DEATH OF COLONEL<br />
BLIMP U 3.05PM<br />
(Michael Powell/Emeric Pressburger,<br />
UK, 1943) 163m. With Roger Livesey,<br />
Deborah Kerr, Anton Walbrook<br />
Drama about the life of an English<br />
soldier who served in three wars<br />
and had relationships with three<br />
women along the way. A warmhearted<br />
man who is open-minded<br />
about the enemy, the Germans.<br />
SUNDAY 2 SEPTEMBER<br />
Evening -Guillermo del Toro<br />
Double Bill<br />
THE DEVIL’S BACKBONE<br />
15 6.30PM<br />
(El Espinazo del Diablo)<br />
(Guillermo del Toro, Spain/Mexico,<br />
2001) 106m subtitles<br />
At the end of the civil war in Spain<br />
a young boy is taken to live in a<br />
remote orphanage where, within<br />
this walled haven, the young<br />
children have their own battles to<br />
fight. Suspense, drama, humour –<br />
what more could you want?<br />
PLUS<br />
PAN’S<br />
LABYRINTH 15 8.35PM<br />
(Guillermo del Toro, Spain, 2006)<br />
118m subtitles. With Mirabel Verdu,<br />
Sergi Lopez, Ivana Baguero<br />
“A fanciful and chilling story set<br />
against the backdrop of a Fascist<br />
regime in 1944 rural Spain. In her<br />
loneliness Ofelia creates a world<br />
filled with fantastical creatures and<br />
secret destinies.”<br />
OPTIMUM RELEASING<br />
MONDAY 3 SEPTEMBER<br />
Single Bill<br />
INLAND<br />
EMPIRE 15 7.30PM<br />
(David Lynch, USA/France/Poland,<br />
2006) 180m. With Laura Dern, Justin<br />
Theroux, Jeremy Irons<br />
After taking the lead in a new movie<br />
Hollywood star Nikki Grace (Dern)<br />
learns the script is based on an old<br />
Polish film which was abandoned<br />
after the two lead actors were<br />
murdered. David Lynch in his<br />
strangest, most controversial film<br />
yet continues his exploration of the<br />
dark side of Hollywood.<br />
TUESDAY 4 SEPTEMBER<br />
Double Bill<br />
AN INCONVENIENT<br />
TRUTH U 7.00PM<br />
(David Guggenheim, USA, 2006) 100m<br />
documentary<br />
A documentary on Al Gore’s<br />
campaign to make the issue of<br />
global warming a recognised<br />
problem worldwide where the<br />
director eloquently weaves the<br />
science of global warming with Mr.<br />
Gore’s personal history and lifelong<br />
commitment to the cause.<br />
PLUS<br />
BLACK GOLD U 9.00PM<br />
(Marc Francis/Nick Francis, UK/USA,<br />
2007) 78m documentary. With<br />
Tadasse Meshere<br />
An eye-opening account of the<br />
winners and losers in the global<br />
coffee trade.<br />
WEDNESDAY 5 SEPTEMBER<br />
DocHouse Presents Double Bill<br />
Special Preview - Crossing the Line:<br />
Between Fact and Fiction,<br />
21-23 September.<br />
www.crossingtheline2007.co.uk<br />
To launch this unique festival<br />
DocHouse presents a special<br />
preview screening of two<br />
groundbreaking and controversial<br />
drama-documentaries.<br />
Ian Christie, Professor of Film<br />
and Media History at Birkbeck,<br />
will introduce this screening.<br />
FIRES WERE<br />
STARTED 15 7.00PM<br />
(Humphrey Jennings, UK, 1943) 74m<br />
Twenty-four hours in London during<br />
the Blitz. On the same day that a<br />
new recruit joins the Fire Service,<br />
warning comes in that a heavy<br />
attack is expected. A re-enactment<br />
of 'real' events using actual AFS<br />
servicemen and women. “No other<br />
British film made during the war,<br />
documentary or feature, achieved<br />
such a continuous or poignant<br />
truthfulness.” – LINDSAY<br />
ANDERSON.<br />
PLUS<br />
PUNISHMENT<br />
PARK 15 8.45PM<br />
(Peter Watkins, USA, 1971) 88m<br />
Set in a futuristic detention camp in<br />
America, a group of students and<br />
minor dissidents have opted to<br />
spend three days in ‘Bear Mountain<br />
Punishment Park’ rather than<br />
accept lengthy jail sentences for<br />
their ‘crimes’. Controversial and<br />
relentless in its depiction of<br />
suppression and brutality, the film<br />
was heavily attacked by the<br />
mainstream press and permitted<br />
only the barest of releases in 1971.<br />
THURSDAY 6 SEPTEMBER<br />
Double Bill<br />
THIS IS<br />
ENGLAND 18 6.45PM<br />
(Shane Meadows, UK, 2007) 102m.<br />
With Joseph Gilgun, Stephen Graham,<br />
Kieran Hardcastle<br />
It’s 1983 and Shaun is a bit of a<br />
loner. After being tormented all day<br />
for wearing flares a group of<br />
skinheads unexpectedly takes him<br />
under their wing. For a while Shaun<br />
revels in his new found culture but<br />
finds himself in too deep.<br />
PLUS<br />
HALF NELSON 15 8.50PM<br />
(Ryan Fleck, USA, 2007) 106m.<br />
With Ryan Gosling, Shareeka Epps,<br />
Anthony Mackie<br />
Dan Dunne (Gosling) is a young<br />
school teacher whose brilliance in<br />
the classroom conflicts with a<br />
serious drug habit outside of it. He<br />
has successfully kept his lives<br />
separated until he is caught getting<br />
high by one of his students.<br />
FRIDAY 7 SEPTEMBER<br />
Double Bill<br />
IL POSTINO PG 6.30PM<br />
(Michael Radford, Italy, 1994) 108m<br />
subtitles. With Massimo Troisi, Maria<br />
Grazia Cucinotta, Phillipe Noriet<br />
An enduring romantic tale about an<br />
Italian postman who learns to love<br />
poetry while delivering mail to a<br />
famous poet. He uses this newfound<br />
interest to woo local beauty<br />
Beatrice.<br />
PLUS<br />
4 4
www.riversidestudios.co.uk<br />
A MATTER OF LIFE AND DEATH<br />
BLACK GOLD<br />
FIRES WERE STARTED<br />
5
RIVERSIDECINEMA<br />
MOLIÈRE<br />
TEN CANOES<br />
SHERRYBABY<br />
6
BOX OFFICE 020 8237 1111<br />
MOLIÈRE 12A 8.40PM<br />
(Laurent Tirard, France, 2007) 120m<br />
subtitles. With Romain Duris, Fabrice<br />
Luchini, Laura Morante<br />
A romantic period drama which<br />
reveals the tantalising mystery<br />
behind the birth of France’s greatest<br />
dramatist, focussing on his early life<br />
as a failed actor when he<br />
mysteriously disappeared for several<br />
weeks. The film presents a possible<br />
scenario of what happened to him.<br />
SATURDAY 8 SEPTEMBER<br />
Afternoon and Evening Double Bill<br />
IL POSTINO PG<br />
2.00PM AND 6.30PM<br />
(Michael Radford, Italy, 1994) 108m<br />
subtitles<br />
PLUS<br />
MOLIÈRE 12A<br />
4.10PM AND 8.40PM<br />
(Laurent Tirard, France, 2007) 120m<br />
subtitles<br />
Please see Friday 7 September for<br />
synopses.<br />
SUNDAY 9 SEPTEMBER<br />
Afternoon – Clint Eastwood<br />
Double Bill<br />
FLAGS OF<br />
OUR FATHERS 15 1.15PM<br />
(Clint Eastwood, USA/Ireland, 2006)<br />
132m. With Ryan Phillippe, Jesse<br />
Bradford, Adam Beach<br />
The film focuses on the battle of Iwo<br />
Jima in 1945 and the story behind<br />
the iconic photograph of six soldiers<br />
raising the American flag atop<br />
Mount Suribachi. “A scathing<br />
portrait of political exploitation and<br />
deceit.” – TIME OUT<br />
PLUS<br />
LETTERS FROM<br />
IWO JIMA 15 3.50PM<br />
(Clint Eastwood, USA, 2006) 141m<br />
partly subtitled. With Ken Watanabe,<br />
Kazinar Ninomiya, Tsuyoshi Ihara<br />
“The second part of Eastwood’s<br />
remarkable Pacific war diptych<br />
following “Flags of Our Fathers”<br />
which looks at the battle of Iwo Jima<br />
from the Japanese point of view. An<br />
impressive work of compassionate<br />
imagination.” – WALLY HAMMOND,<br />
TIME OUT<br />
SUNDAY 9 SEPTEMBER<br />
Evening – Double Bill<br />
JOURNEY<br />
TO ITALY PG 6.30PM<br />
(Roberto Rossellini, Italy, 1953) 100m<br />
subtitles, black and white. With Ingrid<br />
Bergman, George Sanders, Paul Miller<br />
Ingrid Bergman and George<br />
Sanders play an English couple who<br />
travel to Naples seeking a buyer for<br />
a property left to them by a relative.<br />
In Italy they are forced to confront a<br />
relationship that has crumbled into<br />
weariness, mistrust and mutual<br />
disdain.<br />
PLUS<br />
THE PAINTED<br />
VEIL 12A 8.30PM<br />
(John Curran, China/USA, 2007) 124m<br />
With Naomi Watts, Edward Norton,<br />
Live Schreiber<br />
Kitty (Watts) marries mild<br />
mannered bacteriologist Walter<br />
(Norton) despite her lack of love for<br />
him. They move to Shanghai where<br />
she promptly has an affair. Out of<br />
spite, Walter accepts a post in a<br />
mountain village in the middle of a<br />
cholera epidemic which forces Kitty<br />
to re-evaluate her life.<br />
MONDAY 10 SEPTEMBER<br />
Double Bill<br />
PICNIC AT HANGING<br />
ROCK PG 6.30PM<br />
(Peter Weir, Australia, 1975) 115m<br />
Three girls and a teacher from an<br />
exclusive school mysteriously<br />
vanish while visiting a local beauty<br />
spot. Set in the Victorian era this<br />
atmospheric, enigmatic film has<br />
become a modern classic.<br />
PLUS<br />
JINDABYNE 15 8.45PM<br />
(Ray Lawrence, Australia, 2006)<br />
123m. With Laura Linney, Gabriel<br />
Byrne, Deborra-Lee Furness<br />
On an annual fishing trip in isolated<br />
country Stewart, Carl, Rocco and<br />
Billy find a girl’s body in the river.<br />
It’s too late in the day to hike back<br />
to the road and report their tragic<br />
find. The next morning, instead of<br />
rushing back they spend the day<br />
fishing. This decision is to have a<br />
major impact on all their lives.<br />
TUESDAY 11 SEPTEMBER<br />
Double Bill<br />
THE PASSING<br />
SHOW: THE LIFE AND<br />
MUSIC OF RONNIE<br />
LANE 12A 6.30PM<br />
(Rupert Williams/James Mackie, UK,<br />
2006) 107m documentary<br />
This brilliant musical documentary<br />
tells the story of Ronnie Lane. From<br />
his heyday with the Small Faces<br />
and the Faces, through the 60s and<br />
70s and beyond.<br />
PLUS<br />
JOE STRUMMER:<br />
THE FUTURE IS<br />
UNWRITTEN 15 8.40PM<br />
(Julien Temple, USA, 2007) 127m<br />
documentary. With John Cusack, Matt<br />
Dillon, Johnny Depp<br />
“Julien Temple chronicles the<br />
transformation of a self-described<br />
‘mouthy little git’ into an antiestablishment<br />
icon known as Joe<br />
Strummer. Temple creates a<br />
thoughtful and poignant portrait<br />
of a man many think they know.” –<br />
SUNDANCE FILM FESTIVAL<br />
WEDNESDAY 12 SEPTEMBER<br />
Double Bill<br />
THE BALANDA AND THE<br />
BARK CANOES 15 7.00PM<br />
(Rolf de Heer/Molly Reynolds/Tania<br />
Nehme, Australia, 2006) 52m<br />
documentary<br />
“A compelling companion piece to<br />
“Ten Canoes”, the film is an<br />
uplifting account of the meeting<br />
between Australia’s black and white<br />
cultures. It reveals the struggles de<br />
Heer faced filming “Ten Canoes”<br />
including the language barrier and<br />
the cultural differences which<br />
resulted in some funny but also<br />
painful misunderstandings.” –<br />
DOCHOUSE<br />
PLUS<br />
TEN CANOES 15 8.15PM<br />
(Rolf de Heer/Peter Djigirr, Australia,<br />
2006) 90m. With Crusoe Kurddal,<br />
Peter Minygululu, Richard Birrinbirrin<br />
“A unique collaboration between<br />
filmmaker de Heer and the<br />
Aboriginal community of<br />
Ramingining in Australia’s Northern<br />
Territory. A wry fable about jealousy<br />
and a fascinating ethnographic<br />
document ” – BEN WALTERS,<br />
TIME OUT<br />
THURSDAY 13 SEPTEMBER<br />
Double Bill<br />
DAYS OF<br />
GLORY 12A 6.15PM<br />
(Indigenes)<br />
(Rachid Bouchareb, France, 2006)<br />
123m. With Jamel Debbouze, Samy<br />
Naceri, Roschdy Zen<br />
A smash hit in France, the film tells<br />
of four North African men who enlist<br />
to fight for France during World War<br />
II to liberate France from Nazi<br />
oppression, only to find themselves<br />
victims of racism.<br />
PLUS<br />
THE BATTLE<br />
OF ALGIERS 18 8.40PM<br />
(Gillo Pontecorro, Italy, 1965) 120m<br />
sub-titles<br />
Pontecorro’s documentary-like epic<br />
of the 1950s War of Independence.<br />
Seen through the eyes of its<br />
participants. Winner of the Best<br />
Film Award at the Venice Film<br />
Festival in 1965. Revived in a<br />
new print.<br />
FRIDAY 14 SEPTEMBER<br />
Double Bill<br />
CENTRAL<br />
STATION 15 6.45PM<br />
(Walter Salles, Brazil, 1998) 113m<br />
subtitles. With Fernanda Montenegro,<br />
Vinicus de Oliveira<br />
An emotive journey of a former<br />
school teacher who writes letters for<br />
illiterate people at Rio de Janeiro’s<br />
Central Station and a young boy<br />
whose mother just died in a car<br />
accident, to Brazil’s remote<br />
northeast in search for the father<br />
he never knew.<br />
PLUS<br />
SHERRYBABY 15 9.00PM<br />
(Laurie Collyer, USA, 2006) 96m.<br />
With Maggie Gyllenhaal, Brad William<br />
Henke, Giancarlo Esposito<br />
Sherry Swanson (Gyllenhaal) is<br />
released from jail after serving a<br />
three-year prison sentence for<br />
robbery as a nineteen-year-old<br />
heroin addict. Eager to re-establish<br />
a relationship with her young<br />
daughter, she soon realizes she is<br />
unprepared for the demands of the<br />
world she’s stepped back into.<br />
Gyllenhaal gives a stand-out<br />
performance.<br />
7
RIVERSIDESTUDIOSCINEMA<br />
BLACK NARCISSUS<br />
DARATT<br />
SATURDAY 15 SEPTEMBER<br />
Double Bill<br />
CENTRAL STATION 15<br />
7.00PM<br />
(Walter Salles, Brazil, 1998) 113m<br />
subtitles<br />
PLUS<br />
SHERRYBABY 15 9.15PM<br />
(Laurie Collyer, USA, 2006) 96m<br />
Please see Friday 14 September<br />
for synopses.<br />
SUNDAY 16 SEPTEMBER<br />
Afternoon – Powell and Pressburger<br />
Double Bill<br />
THE RED SHOES U 2.00PM<br />
(Michael Powell/Emeric Pressburger,<br />
UK, 1948) 136m. With Anton Walbrook,<br />
Moira Shearer, Marius Goring<br />
The ballet world of the late 40s. An<br />
impresario discovers a dancer and<br />
makes her a slave to her art, until a<br />
young composer turns up to offer<br />
her a lifeline back to reality.<br />
PLUS<br />
BLACK<br />
NARCISSUS PG 4.35PM<br />
(Michael Powell/Emeric Pressburger,<br />
UK, 1947) 101m<br />
The story of the tensions amongst a<br />
group of Anglo-Catholic nuns in the<br />
Himalayas. An intensely stylised<br />
production and one of the most<br />
powerful melodramas in English<br />
cinema.<br />
8<br />
SUNDAY 16 SEPTEMBER<br />
Evening – Single Bill<br />
APOCALYPSE NOW –<br />
REDUX 15 7.00PM<br />
(Francis Ford Coppola, USA, 2001)<br />
202m. With Martin Sheen, Marlon<br />
Brando, Robert Duvall<br />
Coppola’s extended reworking of his<br />
1979 Vietnam film adds new scenes<br />
and a reworked sound mix. An<br />
American captain is sent up river<br />
on a mission to assassinate a<br />
renegade American colonel. This is<br />
filmmaking at the level of grand<br />
folly and extremely operatic in tone.<br />
MONDAY 17 SEPTEMBER<br />
Double Bill<br />
THE US VS JOHN<br />
LENNON 12A 7.00PM<br />
(David Leaf/John Scheinfeld, USA,<br />
2006) 90m documentary. With Yoko<br />
Ono, Walter Cronkite, Gore Vidal<br />
“The story of the real campaign to<br />
silence John Lennon by the FBI and<br />
Nixon’s government. The film justly<br />
celebrates Lennon’s bravery at this<br />
time and the wonderful music that<br />
came out of it.” – LONDON FILM<br />
FESTIVAL<br />
PLUS<br />
TAKING<br />
LIBERTIES 12A 8.50PM<br />
(Chris Atkins, UK, 2007) 105m<br />
documentary. Voices: David<br />
Morrissey, Ashley Jensen<br />
“British filmmaker Chris Atkins has<br />
tracked down a host of victims of<br />
the increased security measures<br />
introduced by New Labour, both preand<br />
post-9/11. Disturbing footage<br />
combines with amusing<br />
testimonies and commentary.” –<br />
ANNA SMITH, BBC<br />
TUESDAY 18 SEPTEMBER<br />
Double Bill<br />
GOODBYE<br />
LENIN! 15 6.00PM<br />
(Wolfgang Becker, Germany, 2003)<br />
121m subtitles. With Daniel Bruhl,<br />
Katrin Sass, Maria Simon<br />
1989. A staunch communist<br />
mother collapses with a heart<br />
attack and goes into a coma days<br />
before the Berlin Wall comes down.<br />
When she awakens eight months<br />
later the world has changed beyond<br />
recognition.<br />
PLUS<br />
THE LIVES<br />
OF OTHERS 15 8.20PM<br />
(Florian Henckel von Donnersmarck,<br />
Germany, 2005) 137m subtitles.<br />
With Martina Gedeck, Ulrich Muhe,<br />
Sebastian Koch<br />
This year’s Oscar winning Best<br />
Foreign Film focuses on the system<br />
of observation in 1980’s German<br />
Democratic Republic. A secret service<br />
agent is instructed to observe a<br />
successful dramatist and his longtime<br />
companion. Over time he<br />
becomes increasingly fascinated<br />
WEDNESDAY 19 SEPTEMBER<br />
Mahamet Saleh Haroun Double Bill<br />
ABOUNA 15 7.00PM<br />
(Our Father)<br />
(Mahamet Saleh Haroun,<br />
Chad/France, 2002) 81m subtitles<br />
“What you need to know is that this<br />
is one of the year’s best films, from<br />
anywhere. Beginning with the<br />
unannounced departure of an<br />
errant father, Haroun’s second<br />
feature follows the boys’ efforts at<br />
making sense of their lives in his<br />
absence.” – TIME OUT<br />
PLUS<br />
DARATT PG 8.40PM<br />
(Dry Season)<br />
(Mahamet Saleh Haroun,<br />
Chad/France/Belgium/Austria, 2006)<br />
95m subtitlesWith Abderamane<br />
Abakar, Ali Barkai, Khayar Oumar<br />
Defallah<br />
Chad, 2006. After a forty-year civil<br />
war the radio announces the<br />
government has just amnestied the<br />
war criminals. Outraged, Gumar<br />
Abatcha orders his grandson, Atim,<br />
who is sixteen, to trace the man who<br />
murdered his father and kill him,<br />
but things don’t go according to<br />
plan. Highly recommended.<br />
THURSDAY 20 SEPTEMBER<br />
3RD UK BRAZILIAN<br />
FILM FESTIVAL<br />
The 3rd UK Brazilian Film Festival<br />
has the intention of exposing the<br />
value and importance of promoting<br />
Brazilian cinema and also to<br />
propitiate the cultural exchange<br />
between different nations. It brings<br />
a unique opportunity to watch<br />
unreleased films to recognise the<br />
huge potential in Brazilian cinema.<br />
The program will be composed of<br />
nine Brazilian films and will also pay<br />
tribute to the Portuguese community<br />
with a dedicated selection of<br />
Portuguese films.
BOX OFFICE 020 8237 1111<br />
DRAINED<br />
MY VOICE<br />
3rd UK Brazilian Film Festival -<br />
Single Bill<br />
DRAINED 15 7.00PM<br />
(O Cheiro do Ralo)<br />
(Heitor Dhalia, Brazil, 2006) 112m<br />
subtitles<br />
A young pawnshop owner becomes<br />
obsessed with his office’s backedup<br />
drain and the derrière of a young<br />
waitress in this daring look at the<br />
perversity and madness found<br />
within us all. “Drained” gives a<br />
refreshing Brazilian spin on the<br />
traditional literary anti-hero as he<br />
browbeats customers, alienates<br />
friends and tests the limits of the<br />
acceptable. The film will be<br />
followed by a Q & A with actor<br />
Selton Melo.<br />
FRIDAY 21 SEPTEMBER<br />
3rd UK Brazilian Film Festival -<br />
Single Bill<br />
ESTAMIRA 15 6.30PM<br />
(Marcos Prado, Brazil, 2004) 127m<br />
subtitles documentary<br />
This is a documentary about<br />
Estamira, a 63-year-old woman<br />
who's been working for over twenty<br />
years at a landfill in Rio de Janeiro.<br />
Schizophrenic, but very<br />
charismatic, she's the leader of a<br />
small community of old people<br />
living off garbage and has a very<br />
lyrical and philosophical attitude<br />
towards life.<br />
FRIDAY 21 SEPTEMBER<br />
3rd UK Brazilian Film Festival-<br />
Single Bill<br />
THE<br />
CONCEPTION 15 9.00PM<br />
(A Concepcao)<br />
(Jose Belmonte, Brazil, 2005) 96m<br />
subtitles<br />
Three sons of diplomats live<br />
together in Brasilia inside an<br />
empty apartment with no parents,<br />
seemingly unaware of the world<br />
outside. However, X, a person with<br />
no name or past, arrives and<br />
suggests taking the idea of living<br />
every day as it was the last one.<br />
For that to happen he creates a new<br />
movement.<br />
SATURDAY 22 SEPTEMBER<br />
3rd UK Brazilian Film Festival -<br />
Single Bill<br />
MY VOICE 15 3.00PM<br />
(Nha Fala)<br />
(Flora Gomes, Portugal, 2003) 110m<br />
subtitles<br />
A musical about Vita, a talented<br />
singer from Guinea Bissau, who<br />
leaves her family and unfaithful<br />
boyfriend behind to travel to Paris.<br />
A curse on Vita's family proclaims<br />
that its women shall not sing on<br />
pain of death. Vita falls for a<br />
French boy, Pierre, and eventually<br />
he convinces her to sing<br />
professionally. Instead of her<br />
demise, Vita finds enormous<br />
success and sets about devising a<br />
plan to rid her mother of her age-old<br />
fears.<br />
SATURDAY 22 SEPTEMBER<br />
3rd UK Brazilian Film Festival -<br />
Single Bill<br />
STRAIGHT TO<br />
THE POINT 15 5.15PM<br />
(Onde a Coruja Dorme)<br />
(Marcia Derraike/Simplico Neto,<br />
Brazil, 2001) 70m subtitles<br />
documentary<br />
Bezerra is one of the greatest<br />
recording artists in Brazil, yet very<br />
few know the secret behind his<br />
success. Known as sambandido<br />
(gangsta samba) to his fans, the<br />
music of Bezerra da Silva exploded<br />
onto the Brazilian pagode scene<br />
during the 80s.<br />
SATURDAY 22 SEPTEMBER<br />
3rd UK Brazilian Film Festival -<br />
Single Bill<br />
THE MACHINE 15 6.45PM<br />
(A Maquina)<br />
(Joao Falcao, Brazil, 2006) 90m<br />
subtitles<br />
Karina has two dreams – to become<br />
an actress and to see the world.<br />
However, Antonio, her lover,<br />
promises to bring the world to her<br />
and leaves for Rio de Janeiro.<br />
Whilst there, he participates in a<br />
sensationalist tv show and<br />
promises to travel fifty years into<br />
the future.<br />
SATURDAY 22 SEPTEMBER<br />
3rd UK Brazilian Film Festival -<br />
Single Bill<br />
ALMOST<br />
BROTHERS 15 8.35PM<br />
(Quase dois Irmaos)<br />
(Lucia Murat, Brazil, 2004) 102m<br />
subtitles<br />
Recent Brazilian history provides<br />
the backdrop to this engaging<br />
feature spanning a 50-year period<br />
in the lives of two boys from<br />
different corners of Rio. Shot across<br />
three timelines, the 50s, the early<br />
70s and the present, this is as<br />
much a portrait of a city marked by<br />
social schisms.<br />
SUNDAY 23 SEPTEMBER<br />
3rd UK Brazilian Film Festival -<br />
Single Bill<br />
TEEN MOTHERS 15 3.00PM<br />
(As meninas)<br />
(Sandra Werneck, Brazil, 2006) 71m<br />
subtitles documentary<br />
On her 13th birthday, Evelin finds<br />
out that she is pregnant by her<br />
boyfriend, a 22-year-old who has<br />
just stopped working for the local<br />
drug dealers in Rocinha, a slum in<br />
Rio de Janeiro.<br />
SUNDAY 23 SEPTEMBER<br />
3rd UK Brazilian Film Festival -<br />
Single Bill<br />
FOR A<br />
BETTER DAY 15 4.30PM<br />
(Pro Dia Nascer Feliz)<br />
(Joao Jardim, Brazil, 2005) 88m<br />
subtitles documentary<br />
This documentary portrays the<br />
education system in Brazil and the<br />
clash between rich and poor.<br />
9
RIVERSIDESTUDIOSCINEMA<br />
WAITRESS<br />
COPYING BEETHOVEN<br />
CLAUDIA CARDINALE<br />
OPENING NIGHT<br />
10
SUNDAY 23 SEPTEMBER<br />
3rd UK Brazilian Film Festival -<br />
Single Bill<br />
LISBOETAS 15 6.30PM<br />
(Sergio Trefaut, Portugal, 2004) 105m<br />
subtitles documentary<br />
“Lisboetas” focuses on a new wave<br />
of immigrants from Brazil, Eastern<br />
Europe and Africa currently<br />
changing the face of a capital that<br />
used to be a point of departure and<br />
is now seen by many foreigners as a<br />
land of opportunity.<br />
SUNDAY 23 SEPTEMBER<br />
3rd UK Brazilian Film Festival -<br />
Single Bill<br />
WOOD & STOCK – SEX,<br />
OREGANO AND ROCK<br />
AND ROLL 15 8.30PM<br />
(Otto Guerra, Brazil, 2005) 81m<br />
subtitles animation<br />
Wood and Stock are two old, fat<br />
hippies who lived in the flower<br />
power days and have never<br />
overcome them. But now they have<br />
families, rents to pay and a fast<br />
society to fit in. What are they going<br />
to do to face up this contemporary<br />
lifestyle – revive their band after<br />
thirty years!<br />
MONDAY 24 SEPTEMBER<br />
Adrienne Shelly Double Bill<br />
FACTOTUM 15 6.45PM<br />
(Bent Hamer, Norway/USA/Germany,<br />
2005) 94m. With Matt Dillon, Lili<br />
Taylor, Adrienne Shelly<br />
Bent Hamer’s film, inspired by<br />
Charles Bukowski’s work, captures<br />
the early life of the iconoclastic<br />
street poet with a strong<br />
performance by Matt Dillon.<br />
PLUS<br />
WAITRESS 12A 8.40PM<br />
(Adrienne Shelly, USA, 2007) 107m<br />
With Keri Russell, Nathan Fillion,<br />
Cheryl Hines<br />
“Keri Russell stars as a diner<br />
waitress stuck in a lousy marriage<br />
whose only solace is baking out-ofthis-world<br />
pies. When an<br />
awkwardly charming new doctor<br />
(Fillion) comes to town she is<br />
inspired to mix-master her life into<br />
something far more satisfying.”<br />
FOX-SEARCHLIGHT PICTURES<br />
TUESDAY 25 SEPTEMBER<br />
Paris Double Bill<br />
DELICATESSEN 15 6.45PM<br />
(Jean Pierre Jeunet/Marc Caro,<br />
France, 1990) 99m subtitles<br />
An absurd glimpse of a horrifying<br />
future replete with the delights of<br />
a music hall past.<br />
PLUS<br />
PARIS,<br />
JE T’AIME 15 8.45PM<br />
(Amongst others Alexander<br />
Payne/Alfonso Cuarón/Walter Salles,<br />
Paris, 2006) 120m subtitles<br />
With Steve Buscemi, Gena Rowlands,<br />
Ben Gazzara<br />
Twenty filmmakers explore possibly<br />
the most cinematic of all cities –<br />
Paris, the city of love - underlining<br />
the atmospheres and lifestyles in<br />
the various neighbourhoods in their<br />
own style.<br />
WEDNESDAY 26 SEPTEMBER<br />
Double Bill<br />
THE PIANIST 18 6.00PM<br />
(Roman Polanski, Poland/France,<br />
2002) 148m subtitles<br />
Based on a true story, the film<br />
recounts the experiences of<br />
Wladislaw Szpilman, a brilliant<br />
Jewish concert pianist in Poland<br />
during World War II. This<br />
extraordinary story of persecution,<br />
family tragedy and ultimately<br />
survival earned Polanski two<br />
Oscars.<br />
PLUS<br />
COPYING<br />
BEETHOVEN 12A 8.50PM<br />
(Agnieszka Holland,<br />
USA/Germany/Hungary, 2006) 104m.<br />
With Ed Harris, Diane Kruger, Ralph<br />
Riach<br />
An imaginative exploration of<br />
Beethoven’s life in his final days<br />
working on the Ninth Symphony,<br />
drawing inspiration from the music<br />
itself. Directed by acclaimed Polish<br />
filmmaker Holland, the film is both<br />
thrilling and romantic.<br />
www.riversidestudios.co.uk<br />
THURSDAY 27 SEPTEMBER<br />
SIGNORE & SIGNORE:<br />
LEADING LADIES OF<br />
ITALIAN CINEMA<br />
An Italian Film Festival UK season<br />
dedicated to the best actresses of<br />
classic Italian cinema. From<br />
international superstars and sultry<br />
temptresses to fast-talking<br />
firebrands, Italian cinema has<br />
given us some of the greatest<br />
actresses ever to grace the silver<br />
screen. This retrospective covers a<br />
range of styles, encompassing the<br />
verbal fireworks of Anna Magnani,<br />
the innocence of Giulietta Masina<br />
and the beauty of Claudia Cardinale<br />
and Sophia Loren. In collaboration<br />
with Cinecitta’Holding, with the<br />
support of the Italian Ministry of<br />
Culture’s Cinema Department, the<br />
Italian Cultural Institutes in<br />
Edinburgh and London and curated<br />
by Piera De Tassis from the book<br />
“Signore e Signore”. All films are in<br />
Italian with English subtitles and<br />
are screened as single bills.<br />
The season will continue<br />
throughout October.<br />
Single Bill – Claudia Cardinale<br />
THE GIRL WITH<br />
A SUITCASE 15 8.30PM<br />
(La ragazza con la valigia)<br />
(Valerio Zurlini, Italy, 1960) 103m<br />
subtitles. With Claudia Cardinale,<br />
Jacques Perrin, Riccardo Garrone<br />
16-year-old Lorenzo (Perrin) tries<br />
to make things right towards a<br />
showgirl Aida (Cardinale), whom<br />
his older brother has mistreated.<br />
He comes of age but is there<br />
anything he can do that will alter<br />
Aida's situation or her prospects?<br />
Claudia Cardinale has been invited<br />
and it is hoped that she will be<br />
present at the screening.<br />
FRIDAY 28 SEPTEMBER<br />
John Cassavetes Weekend –<br />
Single Bill<br />
SHADOWS 12A 6.30PM<br />
(John Cassavetes, USA, 1959) 87m<br />
With Leila Goldoni, Ben Carruthers,<br />
Hugh Hurd<br />
“Cassavetes hugely influential<br />
‘improvisation’ centres on two<br />
brothers and a sister – black, but<br />
passing for white – leading a<br />
Bohemian life in New York. The<br />
electric atmosphere and edgily<br />
naturalistic performances combine<br />
with free-focus black and white<br />
camerawork and Charles Mingus’<br />
bluesy score to evoke the jazzy soul<br />
of a city.’ – GEOFF ANDREW.<br />
Revived in a new print.<br />
FRIDAY 28 SEPTEMBER<br />
John Cassavetes Weekend –<br />
Single Bill<br />
OPENING<br />
NIGHT 15 8.20PM<br />
(John Cassavetes, USA, 1977) 144m<br />
With Gena Rowlands, Ben Gazarra,<br />
John Cassavates<br />
Gena Rowlands plays Myrtle<br />
Gordon, a Broadway star cast in a<br />
new play as a middle-aged woman<br />
of declining sexual power.<br />
Reluctant to accept her age and<br />
fearful that she will be typecast as<br />
an older woman, she is also<br />
haunted by visions of a dead girl –<br />
an adoring young fan killed in a car<br />
accident – whom she sees as a<br />
figment of her younger self. She<br />
begins to unravel. An overlooked<br />
masterpiece of the 1970s.<br />
Revived in a new print.<br />
SATURDAY 29 SEPTEMBER<br />
John Cassavetes Weekend –<br />
Single Bill<br />
A WOMAN UNDER THE<br />
INFLUENCE 15 2.30PM<br />
(John Cassavetes, USA, 1974) 155m<br />
“Construction worker Peter Falk<br />
finds his support for wife Gena<br />
Rowlands wearing thin as her<br />
behaviour becomes increasingly<br />
wayward. But who’s crazy here, and<br />
why? At once funny, emotionally<br />
draining and admirably ambivalent<br />
in its response to questions of<br />
health, happiness and normality,<br />
this was one of Cassavetes’<br />
greatest successes.” – GEOFF<br />
ANDREW. Revived in a new print.<br />
11
RIVERSIDECINEMA<br />
RIVERSIDESTUDIOSCINEMA<br />
SATURDAY 29 SEPTEMBER<br />
John Cassavetes Weekend –<br />
Single Bill<br />
FACES 15 5.45PM<br />
(John Cassavates, USA, 1968) 130m.<br />
With Gena Rowlands, John Marley,<br />
Lynn Carlin<br />
“Cassavetes’ second independent<br />
film chronicles the events leading<br />
to a marital crisis. Sexual<br />
indiscretion, emotional abandon,<br />
guilt and recrimination form the<br />
peaks and troughs of a surging,<br />
seemingly chaotic narrative which<br />
feels – thanks to superbly nuanced<br />
performances and long takes<br />
consisting largely of black and<br />
white close-ups – as real life<br />
itself.” – GEOFF ANDREW<br />
Revived in a new print.<br />
SATURDAY 29 SEPTEMBER<br />
John Cassavetes Weekend –<br />
Single Bill<br />
OPENING NIGHT 15<br />
8.20PM<br />
(John Cassavetes, USA, 1977) 144m<br />
Please see Friday 28 September for<br />
synopsis.<br />
SUNDAY 30 SEPTEMBER<br />
John Cassavetes Weekend –<br />
Afternoon Single Bill<br />
THE KILLING OF<br />
A CHINESE<br />
BOOKIE 15 1.15PM<br />
(John Cassavetes, USA, 1976) 109m<br />
With Ben Gazzara, Timothy Carey,<br />
Seymour Cassel<br />
“Despite the supremely suspenseful<br />
scene of the title this compelling<br />
noir is less thriller than ‘character<br />
study’. Ben Gazzara is brilliant as<br />
the charismatic LA strip-joint<br />
proprietor in debt to gangsters.<br />
Partly a self-portrait the film oozes<br />
seedily seductive allure.” – GEOFF<br />
ANDREW. Revived in a new print.<br />
SUNDAY 30 SEPTEMBER<br />
John Cassavetes Weekend –<br />
Afternoon Single Bill<br />
A WOMAN UNDER THE<br />
INFLUENCE 15 3.30PM<br />
(John Cassavetes, USA, 1974) 155m<br />
Please see Saturday 29<br />
September for synopsis.<br />
12<br />
SUNDAY 30 SEPTEMBER<br />
Evening - Quentin Tarantino<br />
Double Bill<br />
KILL BILL:<br />
VOLUME 1 18 6.30PM<br />
(Quentin Tarantino, USA, 2003) 112m.<br />
With Uma Thurman, David Carradine,<br />
Daryl Hannah<br />
“Kill Bill” is not about real life; it’s<br />
just about other movies as QT puts<br />
it. The dazzling visual iconography<br />
comes from, amongst others,<br />
Kurosawa, Leone, De Palma, Seijun<br />
Suzuki and blaxploitation films.<br />
Bravura film-making.” – TIME OUT<br />
PLUS<br />
KILL BILL:<br />
VOLUME 2 18 8.45PM<br />
(Quentin Tarantino, USA, 2004) 105m.<br />
With Uma Thurman, David Carradine,<br />
Daryl Hannah<br />
Talkier and less action-packed than<br />
Volume 1, Volume 2 provides a<br />
satisfying conclusion to the twoparter.<br />
Bride (Thurman) resumes<br />
her quest and tracks down her<br />
former mentor (Carradine) and<br />
exacts revenge.<br />
CINEMA –<br />
OCTOBER<br />
2007<br />
MONDAY 1 OCTOBER<br />
Cuba Double Bill<br />
HASTA<br />
SIEMPRE 15 7.25PM<br />
(Ishmahil Blagrove Jr, Cuba, 2004)<br />
57m documentary<br />
‘Hasta Siempre’ examines the<br />
results of the Cuban revolution from<br />
the perspective of the Cuban people<br />
and asks the question: Can the<br />
revolution survive after the death of<br />
Fidel Castro? RICE N PEAS FILMS.<br />
PLUS<br />
WITH FIDEL OR<br />
WITHOUT FIDEL 12<br />
8.45PM<br />
(Con o Sin Fidel)<br />
(Ishmahil Blagrove Jr, Cuba, 2007)<br />
57m documentary<br />
A groundbreaking documentary that<br />
features Cuba’s leading politicians,<br />
intellectuals, artists and people as<br />
they debate the possible future<br />
outcome and direction of the<br />
island’s forty-eight-year-old<br />
revolution. In a climate of<br />
anticipation the world is now<br />
watching Cuba to see whether the<br />
Revolution will survive the passing<br />
of its ailing leader, Fidel Castro.<br />
There will be a Q & A after the<br />
screening.<br />
TUESDAY 2 OCTOBER<br />
Double Bill<br />
ME YOU AND EVERYONE<br />
WE KNOW 15 7.00PM<br />
(Miranda July, USA, 2005) 90m.With<br />
Miranda July, John Hawkes, Miles<br />
Thompson<br />
A lonely shoe salesman and an<br />
eccentric performance artist<br />
struggle to connect in this unique<br />
tale on contemporary life. A fresh<br />
indie and an emerging directorial<br />
talent.<br />
PLUS<br />
EAGLE VS<br />
SHARK 15 8.50PM<br />
(Taika Cohen, New Zealand, 2007)<br />
93m. With Loren Horsley, Jermaine<br />
Clement, Brian Sergent<br />
Two socially awkward misfits try to<br />
find love through revenge on high<br />
school bullies, burgers and video<br />
games.<br />
WEDNESDAY 3 OCTOBER<br />
Signore & Signore: Leading Ladies<br />
of Italian Cinema Single Bill –<br />
Alida Valli<br />
OLD-FASHIONED<br />
WORLD 15 6.30PM<br />
(Piccolo mondo antico)<br />
(Mario Soldati, Italy, 1941) 106m<br />
subtitles. With Alida Valli, Massimo<br />
Serato, Ada Dondini<br />
This family drama depicts the<br />
travails of a young married couple<br />
(Valli and Serato) of different social<br />
classes. Besides having to deal<br />
with social prejudices, they must<br />
also cope with the death of their<br />
daughter who drowns in Lake Como.<br />
WEDNESDAY 3 OCTOBER<br />
Signore & Signore: Leading Ladies<br />
of Italian Cinema Single Bill –<br />
Anna Magnani<br />
BELLISSIMA 15 8.35PM<br />
(Luchino Visconti, Italy, 1951) 110m<br />
subtitles. With Anna Magnani, Walter<br />
Chiari, Tina Apicella<br />
This early Visconti drama stars<br />
Anna Magnani as an overbearing<br />
stage mother whose daughter has<br />
zero talent. However, Magnani<br />
raises such a ruckus at the studio<br />
after the girl's abortive screen test<br />
that the producers eventually find<br />
work for the girl.<br />
THURSDAY 4 OCTOBER<br />
Signore & Signore: Leading Ladies<br />
of Italian Cinema Single Bill –<br />
Gina Lollobrigida<br />
BREAD, LOVE AND<br />
DREAMS 12 7.00PM<br />
(Pane amore e fantasia)<br />
(Luigi Comencini, Italy, 1953) 90m<br />
subtitles. With Vittorio De Sica, Gina<br />
Lollobrigida, Marisa Merlini<br />
“Gina Lollobrigida was the first sex<br />
symbol to emerge from post–WWII<br />
Europe at a time when Italians were<br />
giving up on neorealism in favour of<br />
Hollywood glamour,” notes the ALL<br />
MOVIE GUIDE about the star. The<br />
film is a comedy about a newly<br />
arrived village marshall (De Sica)<br />
and his romantic complications.<br />
THURSDAY 4 OCTOBER<br />
Signore & Signore: Leading Ladies<br />
of Italian Cinema Single Bill –<br />
Lucia Bosé<br />
THE LADY WITHOUT<br />
CAMELIAS 15 8.50PM<br />
(La signora senza camelie)<br />
(Michelangelo Antonioni, Italy, 1953)<br />
83m subtitles. With Gino Cervi, Lucia<br />
Bosé<br />
The talented Lucia Bosé shines in<br />
Michelangelo Antonioni’s early film,<br />
the second film she made with the<br />
director. A stinging rebuke to the<br />
Italian film industry and its<br />
treatment of women, “The Lady<br />
Without Camelias” is “a<br />
groundbreaking film for its<br />
representation of the relationship<br />
between art, money, and stardom” -<br />
SENSES OF CINEMA.<br />
Screened as a tribute to<br />
Michaelangelo Antonioni.
BOX OFFICE 020 8237 1111<br />
THE KILLING OF A CHINESE BOOKIE<br />
A WOMAN UNDER THE INFLUENCE<br />
EAGLE VS SHARK<br />
13
RIVERSIDESTUDIOSCINEMA<br />
FRIDAY 5 OCTOBER<br />
Double Bill<br />
NOT HERE TO<br />
BE LOVED 15 6.45PM<br />
(Je ne suis pas pour etra aime)<br />
(Stephane Brize, France, 2005) 93m<br />
subtitles. With Anne Consigny, Patrick<br />
Chesnais, Geroges Wilson<br />
Jean-Claude is a world weary older<br />
man who works as a bailiff. He<br />
decides to shake himself out of his<br />
dreary rut and enrolls for tango<br />
lessons. There he meets a woman<br />
who tells him that his mother was<br />
her babysitter when she was a<br />
child. A tentative bond develops.<br />
PLUS<br />
PRIVATE FEARS<br />
IN PUBLIC<br />
PLACES 12A 8.40PM<br />
(Alain Resnais, France/Italy, 2006)<br />
120m subtitles. With Sabine Azema,<br />
Lambert Wilson, Isabelle Carre<br />
A film adaptation of Alan<br />
Ayckbourne’s comedy of manners<br />
involving six characters looking for<br />
love in Paris. It begins when estate<br />
agent Thierry borrows what he<br />
thinks is a tape of his colleague<br />
Charlotte’s favourite religious tv<br />
programme.<br />
SATURDAY 6 OCTOBER<br />
Afternoon and Evening Double Bill<br />
NOT HERE TO BE LOVED<br />
15 2.30PM AND 6.45PM<br />
(Je ne suis pas pour etra aime)<br />
(Stephane Brize, France, 2005) 93m<br />
subtitles<br />
PLUS<br />
PRIVATE FEARS IN<br />
PUBLIC PLACES 12A<br />
4.25PM AND 8.40PM<br />
(Alain Resnais, France/Italy, 2006)<br />
120m subtitles<br />
Please see Friday 5 October for<br />
synopses.<br />
SUNDAY 7 OCTOBER<br />
Afternoon – Family Double Bill<br />
SPIRITED<br />
AWAY PG 2.00PM<br />
(Hayao Miyazaki, Japan, 2000) 125m<br />
dubbed. Voices by Daveigh Chase,<br />
Michael Chiklis, Lauren Holly<br />
Academy-award winner for Best<br />
Animated Feature. When her<br />
parents are transformed into pigs<br />
after straying into what seems to be<br />
an abandoned theme park, a spoilt<br />
girl takes a job in a bath house<br />
belonging to a wizened old crone<br />
and vows to deliver her family from<br />
its plight.<br />
PLUS<br />
TALES FROM<br />
EARTHSEA PG 4.25PM<br />
(Goro Miyazaki, Japan, 2006) 115m<br />
Voices by Timothy Dalton, Mariska<br />
Hargitay, Willem Defoe<br />
The directorial debut of Goro<br />
Miyazaki, Hayao Miyazaki’s son, and<br />
produced by Studio Ghibli. “Based<br />
on the series of books by Ursula Le<br />
Guin this enchanting story takes<br />
place in a fantasy world of dragons<br />
and wizards. Sparrowhawk, a<br />
wizard, sets out on his quest to free<br />
the world from evil forces”.<br />
OPTIMUM RELEASING<br />
SUNDAY 7 OCTOBER<br />
Evening – Ealing Comedies<br />
Double Bill<br />
WHISKY GALORE PG<br />
6.45PM<br />
(Alexander Mackendrick, UK, 1948)<br />
82m<br />
“During World War II a ship full of<br />
whisky is wrecked on a small<br />
Hebridean island, and the local<br />
customs and excise man has his<br />
hands full. Marvellously detailed,<br />
fast moving, well-played and<br />
attractively photographed comedy.”<br />
HALLIWELL’S FILM GUIDE<br />
PLUS<br />
THE MAN IN THE<br />
WHITE SUIT U 8.30PM<br />
(Alexander Mackendrick, UK, 1951)<br />
85m. With Alec Guinness, Joan<br />
Greenwood, Cecil Parker<br />
“A scientist produces a fabric that<br />
never gets dirty and never wears<br />
out. Brilliant satirical comedy<br />
played as a farce and put together<br />
with meticulous cinematic<br />
counterpoint.” – HALLIWELL’S<br />
FILM GUIDE<br />
MONDAY 8 OCTOBER<br />
Milos Forman Double Bill<br />
A BLONDE IN<br />
LOVE 15 7.00PM<br />
(Milos Forman, Czechoslovakia, 1965)<br />
82m subtitles<br />
A delightfully funny-sad story about<br />
a small-town girl’s infatuation with<br />
a travelling jazz pianist and her<br />
unexpected visit to his parent’s<br />
house. The combination of nonactors,<br />
improvisation, slapstick<br />
scenes and sharp observation<br />
makes this an unforgettable<br />
experience, both touching and<br />
hilarious.<br />
PLUS<br />
GOYA’S GHOSTS 15<br />
8.45PM<br />
(Milos Forman, Spain, 2006) 114m<br />
subtitles. With Javier Bardem, Natalie<br />
Portman, Stellan Skarsgard<br />
The film is set in Spain between<br />
1792 and 1809, a time of great<br />
political upheaval. Brother Lorenzo<br />
TALES FROM EARTHSEA<br />
14
is a ruthless inquisitor who gets<br />
involved with Goya’s teenage muse,<br />
Ines. Skarsgard plays the Spanish<br />
painter Goya, through whose eyes<br />
we witness Forman’s great epic.<br />
TUESDAY 9 OCTOBER<br />
Single Bill<br />
UNDERGROUND 15<br />
7.30PM<br />
(Emir Kusturica, France/ Germany/<br />
Hungary 1995) 170m subtitles<br />
A wild, imaginative history of<br />
Yugoslavia from 1941 to 1992.<br />
This roisterous tragi-comedy is the<br />
film of an extraordinary visionary.<br />
WEDNESDAY 10 OCTOBER<br />
Black History Month Evening –<br />
Single Bill<br />
THE HARDER<br />
THEY COME 15 7.00PM<br />
(Perry Henzell, Jamaica, 1972) 102m.<br />
With Jimmy Cliff, Carl Bradshaw,<br />
Basil Keane<br />
A ground-breaking classic. Cliff<br />
plays Ivan Martin, a poor country<br />
boy who goes to the city to make<br />
money and becomes a street rebel<br />
and a pop idol overnight. This film<br />
has an outstanding soundtrack<br />
which played an important part in<br />
introducing reggae and its<br />
Jamaican roots to a worldwide<br />
audience.<br />
WEDNESDAY 10 OCTOBER<br />
Black History Month Evening –<br />
Single Bill<br />
BABYLON 18 9.05PM<br />
(Franco Rosso, UK, 1980) 95m<br />
With Brinsley Forde, Karl Howman,<br />
Blue (Forde) fronts a reggae sound<br />
system in West London in the early<br />
80s. A series of increasingly<br />
provocative incidents polarise him<br />
and lead to an uncompromising<br />
situation.<br />
THURSDAY 11 OCTOBER<br />
CLOSER CROATIA –<br />
CROATIAN FILM<br />
FESTIVAL<br />
After a successful Croatian Film<br />
Festival in 2004, this time Closer<br />
Croatia comes to <strong>Riverside</strong> with a<br />
selection of the most recently<br />
produced Croatian films. For the<br />
first time the British public will be<br />
able to see films which have been<br />
awarded prizes and recognition at<br />
major film festivals throughout the<br />
world and which reflect changes in<br />
Croatian society during the last<br />
decade. The famous Zagreb School<br />
of Animation has enjoyed a revival<br />
with a new generation of film<br />
makers and we are happy to present<br />
a small selection of recent<br />
animated films and some artists’<br />
experimental films.<br />
www.riversidestudios.co.uk<br />
Please note YOU<strong>Riverside</strong><br />
discount and complimentary<br />
tickets are not valid for this<br />
season.<br />
Closer Croatia Double Bill<br />
A LIFE<br />
OPPORTUNITY 15 8.00PM<br />
(Edo Lukman) 4m animation<br />
Music by Bono.<br />
PLUS<br />
BORDER POST 15<br />
(Karaula)<br />
(Rajko Grlic, Croatia, 2006) 95m<br />
subtitles<br />
At a small border-post on the<br />
Yugoslav-Albanian border in spring<br />
of 1987 yet another generation of<br />
soldiers suffering the usual amount<br />
of boredom await the end of their<br />
service. However, the secret illness<br />
of their commander changes<br />
everything and the story of passion<br />
and war develops.<br />
FRIDAY 12 OCTOBER<br />
Closer Croatia Double Bill<br />
THE BIG TIME 15 7.00PM<br />
(Milan Trenc) 7m animation<br />
PLUS<br />
ARMIN 15<br />
(Ognjen Svilicic, Croatia, 2007) 82m<br />
subtitles<br />
Shy boy Armin, a talented accordion<br />
player from a small town in Bosnia<br />
and Herzegovina, wants to become<br />
an international film star and<br />
travels with his father to an<br />
audition in Zagreb. Will they make<br />
it in time for the audition?<br />
FRIDAY 12 OCTOBER<br />
Closer Croatia Double Bill<br />
MY MONTH 15 8.50PM<br />
(Zeliko Jerman)<br />
(Ivan Faktor) 10m documentary<br />
PLUS<br />
A WONDERFUL<br />
NIGHT IN SPLIT 18<br />
(Ta divna splitska noc)<br />
(Arsen Anton Ostojic, Croatia, 2004)<br />
100m subtitles<br />
Three separate love stories<br />
intertwine with each other: a small<br />
time drug dealer Nick and a widow<br />
Maria with her son; a young junkie<br />
in a crisis and a depressed<br />
American sailor Frankie and a pair<br />
of naive teenagers. As their stories<br />
develop a major concert unfolds in<br />
front of an emotional crowd.<br />
SATURDAY 13 OCTOBER<br />
Closer Croatia Double Bill<br />
LIFE OF THE ARTIST<br />
IN ONE MINUTE 15 6.45PM<br />
(Tomislav Gotovac)<br />
PLUS<br />
BORDER POST<br />
A WONDERFUL NIGHT IN SPLIT<br />
15
RIVERSIDESTUDIOSCINEMA<br />
I LOVE YOU<br />
THE MELON ROUTE<br />
FILM WITH A GIRL 15<br />
(Daniel Suljic) 9m documentary<br />
PLUS<br />
WHAT IS A MAN<br />
WITHOUT A<br />
MOUSTACHE? 15<br />
(Sto je muskarac bez brkova?)<br />
(Hrvoje Hribar, Croatia, 2005)<br />
109m subtitles<br />
This film has held the Croatian boxoffice<br />
record for the past few years.<br />
Young Tatjana, an unstoppable<br />
widow, ravishes a charming vicar<br />
who just managed to cure himself<br />
from alcoholism. The priest is<br />
“helped” by his twin brother, a<br />
young general in the Croatian Army.<br />
Local strongman Marinko, the<br />
former owner of a carwash in Berlin,<br />
tries in vain to marry Tatjana.<br />
SATURDAY 13 OCTOBER<br />
Closer Croatia Double Bill<br />
A DATE 15 9.05PM<br />
(Darko Bakliza) 5m animation<br />
PLUS<br />
I LOVE YOU 15<br />
(Volim te)<br />
(Dalibor Matanic, Croatia, 2006)<br />
83m subtitles<br />
Kreso has it all - youth, money and a<br />
beautiful and successful girlfriend.<br />
Following a car accident in which a<br />
woman gets killed he gets infected<br />
with AIDS through a blood<br />
transfusion and his life changes<br />
completely. He gets fired, his<br />
girlfriend leaves him, and his<br />
friends forget him.<br />
16<br />
SUNDAY 14 OCTOBER<br />
Closer Croatia Double Bill<br />
DUPLEX 15 4.45PM<br />
(Goran Trbuljak) 8m animation<br />
PLUS<br />
ALL FOR FREE 15<br />
(Sve Dzaba)<br />
(Antonio Nuic, Croatia, 2006) 96m<br />
subtitles<br />
Goran is thirty and living in a small<br />
Bosnian town on his parents’<br />
inheritance. After an incident he<br />
decides to sell all his belongings<br />
and start doing something<br />
memorable.<br />
SUNDAY 14 OCTOBER<br />
Closer Croatia Double Bill<br />
GIPSY SONG 15 6.45PM<br />
(Marko Mestrovic/<br />
Davor Medjurecan) 9m<br />
PLUS<br />
ABOLITION OF<br />
THE APPLE 15<br />
(Vlasta Zanic) 3m<br />
PLUS<br />
THE MELON ROUTE 15<br />
(Put lubenica)<br />
(Branko Schmidt, Croatia, 2006)<br />
90m subtitles<br />
This film is inspired by the true<br />
story of twelve illegal immigrants<br />
who drowned in the River Sava on<br />
the border of Bosnia and Croatia on<br />
the so-called Balkan Route.<br />
SUNDAY 14 OCTOBER<br />
Closer Croatia Double Bill<br />
THE MARKET PG 8.45PM<br />
(Ana Husman) 10m<br />
PLUS<br />
WHAT IVA RECORDED<br />
ON OCTOBER 21ST<br />
2003 PG<br />
(Sto je Iva snimila 21. listopada 2003)<br />
(Tomislav Radic, Croatia, 2003) 90m<br />
subtitles<br />
Iva is given a small but expensive<br />
video camera for her fifteenth<br />
birthday. Her stepfather, Bozo, an<br />
upcoming businessman emerging<br />
from a communist way of dealing<br />
struggles his way into capitalistic<br />
businesses. Bozo, although loving<br />
and caring for his wife Zeljka and<br />
his stepdaughter Iva, finds it vital<br />
to arrange the birthday party as a<br />
convenient stage for a business<br />
negotiation with a possible<br />
German business partner.<br />
MONDAY 15 OCTOBER<br />
Emir Kusturica Double Bill<br />
BLACK CAT,<br />
WHITE CAT 15 6.00PM<br />
(Emir Kusturica, France/Germany,<br />
1998) 129m subtitles<br />
A wild comedy of gypsy life which<br />
parallels the exploits of two young<br />
people and their elderly<br />
grandfathers. Weddings, funerals,<br />
music and fake deaths form the<br />
lively background.<br />
PLUS<br />
TIME OF THE<br />
GYPSIES 15 8.30PM<br />
(Emir Kusturica, Yugoslavia, 1989)<br />
142m subtitles<br />
A remarkable and overwhelming<br />
tragi-comic drama of gypsy life,<br />
brimming with vitality and magic.<br />
TUESDAY 16 OCTOBER<br />
CINEMA CLOSED FOR PRIVATE<br />
EVENT.<br />
WEDNESDAY 17 OCTOBER<br />
Signore & Signore: Leading Ladies of<br />
Italian Cinema Single Bill – Tina Pica<br />
OH SABELLA! 15 7.00PM<br />
(La Nonna Sabella)<br />
(Dino Risi, Italy, 1957) 95m subtitles.<br />
With Tina Pica, Peppino de Filippo,<br />
Renato Salvatori<br />
A grandmother tries to arrange a<br />
wealthy marriage for her grandson<br />
instead of him marrying his true<br />
love. However, he intends to wed<br />
his childhood sweetheart and get<br />
Grandma's blessing.<br />
WEDNESDAY 17 OCTOBER<br />
Signore & Signore: Leading Ladies<br />
of Italian Cinema Single Bill –<br />
Franca Valeri<br />
THE WIDOWED 15 8.55PM<br />
(Il Vedovo)<br />
(Dino Risi, Italy, 1959) 100m subtitles.<br />
With Alberto Sordi, Franca Valeri,<br />
Livio Lorenzon<br />
Sordi plays a stupid entrepreneur<br />
who is married to a rich and smart<br />
wife who he wishes dead because<br />
he is often humiliated by her due to<br />
his stupidity. However, his plans<br />
are destined to change.<br />
THURSDAY 18 OCTOBER<br />
Signore & Signore: Leading Ladies<br />
of Italian Cinema Single Bill –<br />
Sandra Milo<br />
THE VISITOR 15 6.45PM<br />
(La Visita)<br />
(Antonio Pietrangeli, Italy, 1963)<br />
100m subtitles. With Sandra Milo,
BOX OFFICE 020 8237 1111<br />
LADY CHATTERLEY<br />
I KNEW HER WELL<br />
Francois Perier, Mario Adorf<br />
A single woman (Milo) grows bored<br />
of her affair with a married trucker<br />
and writes to a singles column. She<br />
meets a bookstore clerk, but during<br />
their date he drinks and turns into a<br />
drunken slob. She is mortified but<br />
forgives him and they have sex. In<br />
the morning they resume their<br />
former lives. Will they meet again?<br />
THURSDAY 18 OCTOBER<br />
Signore & Signore: Leading Ladies<br />
of Italian Cinema Single Bill –<br />
Sophia Loren<br />
TWO WOMEN 18 8.45PM<br />
(La Ciociara)<br />
(Vittorio de Sica, Italy, 1960) 110m<br />
subtitles. With Sophia Loren, Jean-<br />
Paul Belmondo, Eleonora Brown<br />
Cesira (Loren) and Rosetta (Brown),<br />
her devoutly religious teenage<br />
daughter, flee south as the<br />
Germans prepare to invade Rome.<br />
For months, the two women await<br />
the arrival of the Allied forces. But<br />
the arrival of the liberation army<br />
brings unexpected tragedy.<br />
FRIDAY 19 OCTOBER<br />
Single Bill<br />
LADY<br />
CHATTERLEY 18 7.30PM<br />
(Pascale Ferran, France, 2007) 168m<br />
subtitles. With Marina Hands, Jean-<br />
Louis Coulloc’h, Hippolyte Girodot<br />
A French adaptation of D.H.<br />
Lawrence’s erotic novel, “John<br />
Thomas and Lady Jane”. On the<br />
Chatterley country estate Constance<br />
whiles away her days trapped by her<br />
marriage and sense of duty. Things<br />
change when she meets Parkin, the<br />
estate’s gamekeeper.<br />
SATURDAY 20 OCTOBER<br />
Afternoon and Evening - Single Bill<br />
LADY CHATTERLEY 18<br />
3.00PM AND 7.30PM<br />
(Pascale Ferran, France, 2007) 168m<br />
subtitles. With Marina Hands, Jean-<br />
Louis Coulloc’h, Hippolyte Girodot<br />
See Friday 19 October for<br />
synopsis.<br />
SUNDAY 21 OCTOBER<br />
Afternoon – Double Bill<br />
SWEET SMELL OF<br />
SUCCESS PG 2.00PM<br />
(Alexander Mackendrick, USA, 1957)<br />
96m. With Burt Lancaster, Tony Curtis<br />
“A crooked press agent helps a<br />
megalomania New York columnist<br />
break up his sister’s marriage.<br />
Moody, brilliant, Wellesian<br />
melodrama put together with great<br />
artificial style.” – HALLIWELL’S<br />
FILM GUIDE<br />
PLUS<br />
CITIZEN KANE PG 4.00PM<br />
(Orson Welles, USA, 1941) 119m<br />
A meditation on power. Welles’<br />
ground-breaking studio film is a<br />
recreation of the activities of a<br />
press baron and a search for the<br />
clues to his life and actions.<br />
Fresher than ever on the big screen!<br />
SUNDAY 21 OCTOBER<br />
Evening – Ingmar Bergman Tribute<br />
Double Bill<br />
PERSONA 15 7.00PM<br />
(Ingmar Bergman, Sweden, 1966)<br />
81m subtitles. Wth Liv Ullmann, Bibi<br />
Andersson<br />
The film starts with a stunning precredits<br />
sequence and explores the<br />
tense, competitive relationship<br />
between a nurse and her patient<br />
who has suddenly stopped speaking<br />
for no apparent reason.<br />
PLUS<br />
THE SEVENTH SEAL<br />
PG 8.40PM<br />
(Ingmar Bergman, Sweden, 1957)<br />
96m subtitles. With Gunnar<br />
Bjornstrand, Bengt Ekerot<br />
“A man seeks answers about life,<br />
death and the existence of God as<br />
he plays chess against the Grim<br />
Reaper during the Black Plague.<br />
It remains not only highly<br />
impressive but thought-provoking,<br />
relevant and intensely moving in<br />
our present, nervous times.” –<br />
WALLY HAMMOND, TIME OUT<br />
MONDAY 22 OCTOBER<br />
Pedro Almodovar Double Bill<br />
ALL ABOUT<br />
MY MOTHER 18 6.30PM<br />
(Pedro Almodovar, Spain, 1999)<br />
101m subtitles<br />
Almodovar’s Foreign Language<br />
Oscar winner is the story of a<br />
woman, Manuela, whose son is run<br />
over by a car. She returns to<br />
Barcelona to search for her son’s lost<br />
father. An extravagant saga of<br />
motherly love.<br />
PLUS<br />
TALK TO HER 15 8.30PM<br />
(Hable con Ella)<br />
(Pedro Almodovar, Spain, 2002)<br />
112m subtitles<br />
The story of two men who fall in love<br />
with two different women but find<br />
themselves in the same situation.<br />
This amazing plot somehow works<br />
by making you believe in its world of<br />
“impossible love”.<br />
TUESDAY 23 OCTOBER<br />
Double Bill<br />
MY BEST<br />
FRIEND 12A 6.30PM<br />
(Mon Meilleur Ami)<br />
(Patrice Leconte, France, 2006) 94m<br />
subtitles. With Daniel Autueil, Julie<br />
Gayet, Dany Boon<br />
Catherine (Gayet) refuses to believe<br />
that her business partner, the<br />
unlikeable Francois (Autueil) has a<br />
best friend, so she challenges him<br />
to an introduction. Scrambling to<br />
find someone willing to pose as his<br />
best pal he enlists the services of a<br />
charming taxi driver.<br />
PLUS<br />
LA VIE<br />
EN ROSE 12A 8.25PM<br />
(Olivier Dahan, France, 2007) 140m<br />
subtitles. With Marion Cotillard,<br />
Gerard Departieu, Emmanuelle<br />
Seigner<br />
A biopic on the life and career of<br />
Edith Piaf which focuses on Piaf’s<br />
relationships with some of the most<br />
eccentric personalities of her<br />
generation, including Marlene<br />
Dietrich and Yves Montand.<br />
WEDNESDAY 24 OCTOBER<br />
Signore & Signore: Leading Ladies<br />
of Italian Cinema Single Bill –<br />
Giulietta Masina<br />
GIULIETTA OF<br />
THE SPIRITS 15 6.30PM<br />
(Giulietta degli spiriti)<br />
(Federico Fellini, Italy, 1965) 129m<br />
subtitles. With Giulietta Masina,<br />
Sandra Milo, Mario Pisu<br />
Juliet seems to have it all: a<br />
beautiful villa, the latest designer<br />
17
RIVERSIDECINEMA<br />
RIVERSIDESTUDIOSCINEMA<br />
fashions and good friends to help<br />
celebrate her wedding anniversary<br />
– if only her husband would<br />
remember. The woman who seems<br />
to have it all is about to have a<br />
midlife crisis.<br />
WEDNESDAY 24 OCTOBER<br />
Signore & Signore: Leading Ladies<br />
of Italian Cinema Single Bill –<br />
Stefania Sandrelli<br />
I KNEW<br />
HER WELL 15 9.00PM<br />
(Io la conoscevo bene)<br />
(Antonio Pietrangeli, Italy, 1965) 97m<br />
subtitles. With Stefania Sandrelli,<br />
Nino Manfredi, Ugo Tognazzi<br />
Vivacious and sexy in an<br />
androgynous sort of way Stefania<br />
Sandrelli is at her best starring<br />
as a lonely, sickly country woman<br />
trying to survive in a hostile post-<br />
World War II city.<br />
THURSDAY 25 OCTOBER<br />
Signore & Signore: Leading Ladies<br />
of Italian Cinema Single Bill –<br />
Silvana Mangano<br />
THEOREM 15 6.45PM<br />
(Teorema)<br />
(Pier Paolo Pasolini, Italy 1968) 98m<br />
subtitles. With Terence Stamp,<br />
Silvana Mangano, Laura Betti<br />
Starring two of the director’s<br />
favourite actresses Silvana<br />
Mangano and Laura Betti. On the<br />
tale of a mysterious stranger who<br />
enters a household and seduces<br />
each family member in turn TIME<br />
OUT comments: “Pasolini achieved<br />
his most perfect fusion of Marxism<br />
and religion with a film that is both<br />
political allegory and mystical<br />
fable.”<br />
THURSDAY 25 OCTOBER<br />
Signore & Signore: Leading Ladies<br />
of Italian Cinema Single Bill –<br />
Monica Vitti<br />
A DRAMA OF<br />
JEALOUSY 15 8.45PM<br />
(Dramma della gelosia)<br />
(Ettore Scola, Italy, 1970) 107m<br />
subtitles. With Monica Vitti, Marcello<br />
Mastroianni, Giancarlo Giannini<br />
A freewheeling satire of Italian<br />
mores, hilarious despite its<br />
outwardly morbid plotline. The<br />
murder of a flower girl (Vitti)<br />
triggers a long flashback involving<br />
18<br />
her, a middle-aged Communist<br />
bricklayer (Mastroianni) and a<br />
young pizza chef (Giannini).<br />
FRIDAY 26 OCTOBER<br />
Joe Wright Double Bill<br />
PRIDE AND<br />
PREJUDICE U 6.20PM<br />
(Joe Wright, UK, 2005) 125m<br />
With Keira Knightley, Matthew<br />
MacFadyen, Donald Sutherland<br />
Based on Jane Austen’s novel<br />
about the five Bennett sisters<br />
whose lives are turned upside<br />
down when a wealthy young man<br />
(Mr. Bingley) and his best friend<br />
(Mr. Darcy) arrive in town.<br />
PLUS<br />
ATONEMENT 15 8.45PM<br />
(Joe Wright, UK, 2007) 112m. With<br />
Keira Knightley, James McAvoy,<br />
Ramola Garai<br />
Fledgling writer Briony Tallis, as a<br />
13-year-old, irrevocably changes<br />
the course of several lives when<br />
she accuses her older sister’s<br />
(Knightley) lover (McAvoy) of a<br />
crime he did not commit. Based on<br />
a novel by Ian McEwan and<br />
handled with a great deal of skill.<br />
SATURDAY 27 OCTOBER<br />
Afternoon and Evening Joe Wright<br />
Double Bill<br />
PRIDE AND PREJUDICE<br />
U 1.40PM AND 6.20PM<br />
(Joe Wright, UK, 2005) 125m<br />
PLUS<br />
ATONEMENT 15<br />
4.05PM AND 8.45PM<br />
(Joe Wright, UK, 2007) 112m<br />
Please see Friday 26 October for<br />
synopses.<br />
SUNDAY 28 OCTOBER<br />
Three Colours Trilogy<br />
THREE COLOURS:<br />
BLUE 15 4.30PM<br />
(Krzysztof Kieslowski, France, 1993)<br />
110m subtitles. With Juliette Binoche<br />
The film movingly recounts the<br />
story of a woman’s reaction to the<br />
death of her husband and child in<br />
a car crash.<br />
PLUS<br />
THREE COLOURS:<br />
WHITE 15 6.40PM<br />
(Krzysztof Kieslowski, France, 1993)<br />
92m subtitles<br />
A Polish hairdresser is unable to<br />
cope with life in Paris. Smuggled<br />
back to Poland he rebuilds his life<br />
there in an attempt to win back<br />
his estranged French wife.<br />
PLUS<br />
THREE COLOURS:<br />
RED 18 8.15PM<br />
(Krzysztof Kieslowski, France, 1994)<br />
99m subtitles<br />
A young woman runs over a dog.<br />
This sets off a chain of events<br />
which are devastating to all<br />
concerned. Kieslowski’s final<br />
romantic salute.<br />
Tickets £8.00/£7.00 concessions<br />
MONDAY 29 OCTOBER<br />
British Classics Double Bill<br />
BILLY LIAR PG 6.45PM<br />
(John Schlesinger, UK, 1963) 94m<br />
With Tom Courtenay, Julie Christie,<br />
Wilfred Pickles<br />
Billy Fisher (Courtenay) dreams of<br />
escape from his dull working-class<br />
family and his job as an<br />
undertaker’s assistant.<br />
Unfortunately he regularly escapes<br />
into a fantasy world and blurs the<br />
time between fantasy and reality,<br />
hence his name. Based on the play<br />
by Keith Waterhouse, the film<br />
launched Julie Christie’s career.<br />
PLUS<br />
WITHNAIL AND I 15 8.40PM<br />
(Bruce Robinson, UK 1986) 107m<br />
With Richard E. Grant, Paul McGann,<br />
Richard Griffiths<br />
Withnail and I are two waiting-tobe<br />
actors. Withnail is a<br />
cadaverous upper middle-class<br />
man with an acid wit who is totally<br />
selfish, and I is an innocent<br />
paranoid abroad. They share a flat<br />
and live on a diet of booze, pills<br />
and fags in 60s Camden. A film<br />
truly deserving of the muchabused<br />
word, “cult”.<br />
TUESDAY 30 OCTOBER<br />
Double Bill<br />
RED ROAD 18 6.45PM<br />
(Andrea Arnold, UK, 2006) 113m<br />
With Katie Dickie, Tony Curran,<br />
Martin Compston<br />
Jackie (Dickie) works as a CCTV<br />
operator. Each day she watches over<br />
a small part of Glasgow protecting<br />
the people living their lives under<br />
her gaze. One day a man who she<br />
thought she would never see again<br />
appears on her monitor. A haunting<br />
revenge drama.<br />
PLUS<br />
HALLAM FOE 18 9.00PM<br />
(Daniel Mackenzie, UK, 2007) 95m<br />
With Ciaran Hinds, Jamie Bell<br />
Hallam’s (Bell) talent for spying on<br />
people reveals his darkest fears<br />
and his most peculiar desires.<br />
Driven to expose the true cause of<br />
his mother’s death he instead finds<br />
himself searching the rooftops of<br />
the city for love.<br />
WEDNESDAY 31 OCTOBER<br />
Signore & Signore: Leading Ladies<br />
of Italian Cinema Single Bill –<br />
Mariangela Melato<br />
THE SEDUCTION<br />
OF MIMI 18 6.20PM<br />
(Mimi’ metallurgico ferito<br />
nell’onno)<br />
(Lina Wertmuller, Italy, 1972) 121m<br />
subtitles. With Giancarlo Gianni,<br />
Mariangela Melato, Turi Ferro<br />
Carmelo Mardocheo (Giannini)<br />
considers himself a socialist, so<br />
when the local elections in Sicily<br />
are held he rejects the local right<br />
wing candidate as he thought the<br />
Mafia were controlling him. He<br />
goes to work in Turin where he<br />
meets someone who will change<br />
his life.<br />
WEDNESDAY 31 OCTOBER<br />
Signore & Signore: Leading Ladies<br />
of Italian Cinema Single Bill –<br />
Ornella Muti<br />
THE BISHOP’S<br />
BEDROOM 15 8.40PM<br />
(La stanza del vescovo)<br />
(Dino Risi, Italy, 1977) 100m subtitles<br />
With Ugo Tognazzi, Ornella Muti,<br />
Gabriella Giacobbe<br />
An exceptional 1977 dramatic film<br />
from Dino Risi, a director known<br />
mainly for his social satires. The<br />
almond-eyed Ornella Muti finds<br />
herself at the centre of a romantic<br />
triangle involving her older<br />
brother-in-law (Tognazzi) and<br />
a young drifter.
RIVERSIDEINFORMATION<br />
ONE OF THE BEST<br />
REPERTORY CINEMAS<br />
IN LONDON. OFFERING<br />
A WIDELY CELEBRATED<br />
PROGRAMME,<br />
RIVERSIDE STUDIOS<br />
CINEMA IS RENOWNED<br />
FOR REGULAR<br />
SEASONS OF HIGH<br />
QUALITY<br />
INTERNATIONAL FILM<br />
AS WELL AS A BROAD<br />
SPECTRUM OF<br />
DOMESTIC AND<br />
MAINSTREAM WORK.<br />
ALL CINEMA<br />
PROGRAMMES ARE<br />
DOUBLE BILLS UNLESS<br />
STATED OTHERWISE.<br />
RIVERSIDE STUDIOS<br />
CRISP ROAD<br />
HAMMERSMITH,<br />
LONDON W6 9RL<br />
BOX OFFICE<br />
12PM – 9PM,<br />
7 DAYS A WEEK<br />
(CLOSED BANK HOLIDAYS)<br />
TEL 020 8237 1111<br />
FAX 020 8237 1001<br />
ONLINE<br />
www.riversidestudios.co.uk<br />
TICKETS<br />
£6.50 (£5.50<br />
CONCESSIONS) PER<br />
PROGRAMME<br />
YOURIVERSIDE: BLUE<br />
MEMBERS - £1 OFF /<br />
SILVER MEMBERS-<br />
HALF PRICE<br />
CONCESSIONS<br />
Cinema<br />
Usually available for students,<br />
unemployed, Disabled, 60+.<br />
PAYMENT<br />
Visa, MasterCard, Switch, Solo,<br />
Maestro, Delta, cash and cheques<br />
(made payable to <strong>Riverside</strong> Trust).<br />
REFUNDS and<br />
EXCHANGES<br />
<strong>Riverside</strong> <strong>Studios</strong> is unable to offer<br />
refunds or exchanges on tickets.<br />
AGE RESTRICTIONS<br />
Cinema<br />
Where a programme contains films<br />
with different age ratings, the<br />
highest rating governs all the films<br />
in the programme as the films are<br />
sold on a single ticket. Patrons<br />
younger than the highest rating<br />
will not be admitted. <strong>Riverside</strong><br />
<strong>Studios</strong> reserves the right to ask<br />
for proof of age.<br />
LATECOMERS<br />
Cinema<br />
Latecomers admitted only within<br />
the first 15 minutes of the film.<br />
ACCESS<br />
There are no stairs to enter the<br />
building. Reception, Film Cafe and<br />
Bar & Kitchen are all ground level<br />
with one accessible toilet . There<br />
are 39 steps to the cinema and<br />
there is a lift to the cinema level.<br />
Wheelchair spaces are available,<br />
bookable through the Box Office on<br />
a first come, first served basis, and<br />
are not bookable online. The cinema<br />
also contains an induction loop.<br />
Please discuss any other mobility or<br />
special requirements at the time of<br />
booking.<br />
GETTING TO<br />
RIVERSIDE<br />
ROAD<br />
Find Hammersmith Broadway<br />
roundabout. Turn left by<br />
Hammersmith Carling Apollo into<br />
Queen Caroline Street, then left<br />
into Crisp Road.<br />
PARKING<br />
Street parking (limited), pay and<br />
display until 6.30pm. Free after<br />
6.30pm and all day Sunday.<br />
(Parking at Hammersmith<br />
Broadway recommended).<br />
TUBE AND FOOT<br />
District / Piccadilly Lines (inside<br />
Hammersmith Broadway Shopping<br />
Centre) Hammersmith & City Lines<br />
(across the road from<br />
Hammersmith Broadway Shopping<br />
Centre).<br />
From District / Piccadilly Lines –<br />
use south exit from Hammersmith<br />
Broadway Shopping Centre (by<br />
Tesco Metro) – left into underpass<br />
directly outside the doors, then<br />
first right – up stairs, pass in front<br />
of Hammersmith Carling Apollo<br />
and into Queen Caroline Street–<br />
then left into Crisp Road.<br />
From Hammersmith & City Line –<br />
walk towards Hammersmith<br />
Carling Apollo, keeping on the right<br />
side of the roads – then pass the<br />
right side of the Hammersmith<br />
Carling Apollo into Queen Caroline<br />
Street and left into Crisp Road.<br />
BUS<br />
To Hammersmith Broadway – 9,<br />
10, 27, 33, 72, 190, 209, 211, 266,<br />
267, 283, 295, 391, 419, H91<br />
LONDON TRANSPORT<br />
INFORMATION:<br />
020 7222 1234<br />
Online journey planner:<br />
www.tfl.gov.uk/journeyplanner<br />
THIS BROCHURE<br />
IS AVAILABLE<br />
IN LARGE PRINT<br />
19
CINEMA DIARY SEPTEMBER – OCTOBER 2007<br />
CINEMA DIARY – SEPTEMBER 2007<br />
Sat 1 Neil Young: Heart of Gold (PG) 2.25pm & 6.55pm plus<br />
Shut Up and Sing (PG) 4.30pm & 9.00pm<br />
Sun 2 Powell and Pressburger’s: A Matter of Life and Death (U) 1.00pm plus<br />
The Life and Death of Colonel Blimp (U) 3.05pm<br />
del Toro’s: The Devil’s Backbone (15) 6.30pm plus<br />
Pan’s Labyrinth (15) 8.35pm<br />
Mon 3 Inland Empire (15) 7.30pm<br />
Tue 4 An Inconvenient Truth (U) 7.00pm plus<br />
Black Gold (U) 9.00pm<br />
Wed 5 DocHouse Presents: Fires Were Started (15) 7.00pm plus<br />
Punishment Park (15) 8.45pm<br />
Thur 6 This is England (18) 6.45pm plus<br />
Half Nelson (15) 8.50pm<br />
Fri 7 Il Postino (PG) 6.30pm plus<br />
Molière (12A) 8.40pm<br />
Sat 8 Il Postino (PG) 2.00pm & 6.30pm plus<br />
Molière (12A) 4.10pm & 8.40pm<br />
Sun 9 Eastwood’s: Flags of our Fathers (15) 1.15pm plus<br />
Letters of Iwo Jima (15) 3.50pm<br />
Journey to Italy (PG) 6.30pm plus<br />
The Painted Veil (12A) 8.30pm<br />
Mon 10 Picnic at Hanging Rock (PG) 6.30pm plus<br />
Jindabyne (15) 8.45pm<br />
Tue 11 The Passing Show: The Life and Music of Ronnie Lane (12A) 6.30pm plus<br />
Joe Strummer: The Future is Unwritten (15) 8.40pm<br />
Wed 12 The Balanda and the Bark Canoes (15) 7.00pm plus<br />
Ten Canoes (15) 8.15pm<br />
Thur 13 Days of Glory (12A) 6.15pm plus<br />
The Battle of Algiers (18) 8.40pm<br />
Fri 14 Central Station (15) 6.45pm plus<br />
Sat 15<br />
Sherrybaby (15) 9.00pm<br />
Cinema closed in the afternoon<br />
Central Station (15) 7.00pm plus<br />
Sherrybaby (15) 9.15pm<br />
Sun 16 Powell and Pressburger’s : The Red Shoes (U) 2.00pm plus<br />
Black Narcissus (PG) 4.35pm<br />
Apocalypse Now – Redux (15) 7.00pm<br />
Mon 17 The US vs John Lennon (12A) 7.00pm plus<br />
Taking Liberties (12A) 8.50pm<br />
Tue 18 Goodbye Lenin! (15) 6.00pm plus<br />
The Lives of Others (15) 8.20pm<br />
Wed 19 Haroun’s: Abouna (15) 7.00pm plus<br />
Daratt (PG) 8.40pm<br />
Thur 20 3rd UK Brazilian Festival: Drained/O Cheiro do Ralo (15) 7.00pm<br />
Fri 21<br />
Sat 22<br />
3rd UK Brazilian Festival: Estamira (15) 6.30pm<br />
The Conception/A Concepcao (15) 9.00pm<br />
3rd UK Brazilian Festival: My Voice (15) 3.00pm<br />
Straight to the Point/ Onde a Coruja Dorme (15) 5.15pm<br />
The Machine/A Maquina (15) 6.45pm<br />
Almost Brothers/Quase dois Irmaos (15) 8.35pm<br />
Sun 23 3rd UK Brazilian Festival: Teen Mothers/As meninas (15) 3.00pm<br />
For a Better Day/Pro Dia Nascer Feliz (15) 4.30pm<br />
Lisboetas (15) 6.30pm<br />
Wood & Stock – Sex, Oregano and Rock and Roll (15) 8.30pm<br />
Mon 24 Factotum (15) 6.45pm plus<br />
Waitress (12A) 8.40pm<br />
Tue 25<br />
Delicatessen (15) 6.45pm plus<br />
Paris, je t’aime (15) 8.45pm<br />
Wed 26 The Pianist (18) 6.00pm plus<br />
Copying Beethoven (12A) 8.50pm<br />
Thur 27 Signore & Signore: Leading Ladies of Italian Cinema – Claudia Cardinale:<br />
The Girl With A Suitcase/La ragazza con la valigia (15) 8.30pm<br />
Fri 28<br />
Sat 29<br />
Sun 30<br />
Cassavetes’: Shadows (12A) 6.30pm<br />
Cassavetes’: Opening Night (15) 8.20pm<br />
Cassavetes’: A Woman Under the Influence (15) 2.30pm<br />
Cassavetes’: Faces (15) 5.45pm<br />
Cassavetes’: Opening Night (15) 8.20pm<br />
Cassavetes’: The Killing of a Chinese Bookie (15) 1.15pm<br />
Cassavetes’: A Woman Under the Influence (15) 3.30pm<br />
Tarantino’s: Kill Bill: Volume 1 (18) 6.30pm plus<br />
Kill Bill: Volume II (18) 8.45pm<br />
CINEMA DIARY – OCTOBER 2007<br />
Mon 1 Hasta Siempre (15) 7.25pm plus<br />
With Fidel or Without Fidel (12) 8.45pm<br />
Tue 2 Me You and Everyone We Know (15) 7.00pm plus<br />
Eagle vs Shark (15) 8.50pm<br />
Wed 3 Signore & Signore: Leading Ladies of Italian Cinema – Alida Valli: Old-<br />
Fashioned World/Piccolo mondo antico (15) 6.30pm<br />
Signore & Signore: Leading Ladies of Italian Cinema – Anna Magnani:<br />
Bellissima (15) 8.35pm<br />
Thur 4 Signore & Signore: Leading Ladies of Italian Cinema Divas – Gina<br />
Lollobrigida: Bread, Love and Dreams/Pane amore e fantasia (12) 7.00pm<br />
Signore & Signore: Leading Ladies of Italian Cinema – Lucia Bosé: The Lady<br />
Without Camelias/La signora senza camelie (15) 8.50pm<br />
Fri 5 Not Here to be Loved (15) 6.45pm plus<br />
Private Fears in Public Places (12A) 8.40pm<br />
Sat 6 Not Here to be Loved (15) 2.30pm & 6.45pm plus<br />
Private Fears in Public Places (12A) 4.25pm & 8.40pm<br />
Sun 7 Spirited Away (PG) 2.00pm plus<br />
Tales from Earthsea (PG) 4.25pm<br />
Whisky Galore (PG) 6.45pm plus<br />
The Man in the White Suit (U) 8.30pm<br />
Mon 8 Forman’s: A Blonde in Love (15) 7.00pm plus<br />
Goya’s Ghosts (15) 8.45pm<br />
Tue 9 Kusturica’s: Underground (15) 7.30pm<br />
Wed 10 Black History Month: The Harder They Come (15) 7.00pm<br />
Black History Month: Babylon (18) 9.05pm<br />
Thur 11 Closer Croatia: A Life Opportunity (15) 8.00pm plus<br />
Border Post/Karaula (15)<br />
Cinema tickets: All films are shown in Double Bills unless stated otherwise. Please Note: Where a programme contains films with different age ratings, the highest rating<br />
governs all films in the programme, as the films are sold on a single ticket. Patrons younger than the highest rating will not be admitted to the Cinema. <strong>Riverside</strong> <strong>Studios</strong><br />
reserves the right to ask for proof of age.<br />
Fri 12<br />
Closer Croatia: The Big Time (15) 7.00pm plus<br />
Armin (15)<br />
Closer Croatia: My Month (15) 8.50pm plus<br />
A Wonderful Night in Split/Ta divna splitska noc (18)<br />
Sat 13 Closer Croatia: Life of the Artist in One Minute (15) and Film with a Girl (15)<br />
6.45pm plus<br />
What is a Man Without a Moustache?/Sto je muskarac bez brkova? (15)<br />
Closer Croatia: A Date (15) 9.05pm plus<br />
I Love You/Volim te (15)<br />
Sun 14 Closer Croatia: Duplex (15) 4.45pm plus<br />
All for Free/Sve Dzaba (15)<br />
Closer Croatia: Gipsy Song (15) and Abolition of the Apple (15) 6.45pm plus<br />
The Melon Route/Put lubenica (18)<br />
Closer Croatia: The Market (PG) 8.45pm plus<br />
What Iva Recorded on October 21st 2003/Sto je Iva snimila 21. listopada<br />
2003 (PG)<br />
Mon 15 Kusturica’s: Black Cat, White Cat (15) 6.00pm plus<br />
Time of the Gypsies (15) 8.30pm<br />
Tue 16 Cinema Closed for Private Event<br />
Wed 17 Signore & Signore: Leading Ladies of Italian Cinema – Tina Pica: Oh<br />
Sabella!/Le Nonna Sabella (15) 7.00pm<br />
Signore & Signore: Leading Ladies of Italian Cinema – Franca Valeri: The<br />
Widowed/Il Vedovo (15) 8.55pm<br />
Thur 18 Signore & Signore: Leading Ladies of Italian Cinema – Sandra Milo: The<br />
Visitor/La Visita (15) 6.45pm<br />
Signore & Signore: Leading Ladies of Italian Cinema – Sophia Loren: Two<br />
Women/La Ciociara (18) 8.45pm<br />
Fri 19 Lady Chatterley (18) 7.30pm<br />
Sat 20 Lady Chatterley (18) 3.00pm & 7.30pm<br />
Sun 21 Sweet Smell of Success (PG) 2.00pm plus<br />
Citizen Kane (PG) 4.00pm<br />
Bergman’s: Persona (15) 7.00pm plus<br />
The Seventh Seal (PG) 8.40pm<br />
Mon 22 Almodovar’s: All About My Mother (18) 6.30pm plus<br />
Talk to Her (15) 8.30pm<br />
Tue 23 My Best Friend (12A) 6.30pm plus<br />
La Vie en Rose (12A) 8.25pm<br />
Wed 24 Signore & Signore: Leading Ladies of Italian Cinema – Giulietta Masina:<br />
Giulietta of the Spirits/Giulietta degli spiriti (15) 6.30pm<br />
Signore & Signore: Leading Ladies of Italian Cinema – Stefania Sandrelli: I<br />
Knew Her Well/Io la conoscevo bene (15) 9.00pm<br />
Thur 25 Signore & Signore: Leading Ladies of Italian Cinema – Silvana Mangano:<br />
Theorem/Teorema (15) 6.45pm<br />
Signore & Signore: Leading Ladies of Italian Cinema – Monica Vitti: A Drama<br />
of Jealousy/Dramma della gelosia (15) 8.45pm<br />
Fri 26 Wright’s: Pride and Prejudice (U) 6.20pm plus<br />
Atonement (15) 8.45pm<br />
Sat 27 Wright’s: Pride and Prejudice (U) 1.40pm & 6.20pm plus<br />
Atonement (15) 4.05pm & 8.45pm<br />
Sun 28 Kieslowski’s: Three Colours Blue (15) 4.30pm plus<br />
Three Colours: White (15) 6.40pm plus<br />
Three Colours: Red (18) 8.15pm<br />
Mon 29 Billy Liar (PG) 6.45pm plus<br />
Withnail and I (15) 8.40pm<br />
Tue 30 Red Road (18) 6.45pm plus<br />
Hallam Foe (18) 9.00pm<br />
Wed 31 Signore & Signore: Leading Ladies of Italian Cinema – Mariangela Melato:<br />
The Seduction of Mimi/Mimi metallurgico ferito nell’onno (18) 6.20pm<br />
Signore & Signore: Leading Ladies of Italian Cinema – Ornella Muti: The<br />
Bishop’s Bedroom/La stanza del vescovo (15) 8.40pm