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Riverside Studios

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RIVERSIDECINEMA<br />

RIVERSIDESTUDIOSCINEMA<br />

fashions and good friends to help<br />

celebrate her wedding anniversary<br />

– if only her husband would<br />

remember. The woman who seems<br />

to have it all is about to have a<br />

midlife crisis.<br />

WEDNESDAY 24 OCTOBER<br />

Signore & Signore: Leading Ladies<br />

of Italian Cinema Single Bill –<br />

Stefania Sandrelli<br />

I KNEW<br />

HER WELL 15 9.00PM<br />

(Io la conoscevo bene)<br />

(Antonio Pietrangeli, Italy, 1965) 97m<br />

subtitles. With Stefania Sandrelli,<br />

Nino Manfredi, Ugo Tognazzi<br />

Vivacious and sexy in an<br />

androgynous sort of way Stefania<br />

Sandrelli is at her best starring<br />

as a lonely, sickly country woman<br />

trying to survive in a hostile post-<br />

World War II city.<br />

THURSDAY 25 OCTOBER<br />

Signore & Signore: Leading Ladies<br />

of Italian Cinema Single Bill –<br />

Silvana Mangano<br />

THEOREM 15 6.45PM<br />

(Teorema)<br />

(Pier Paolo Pasolini, Italy 1968) 98m<br />

subtitles. With Terence Stamp,<br />

Silvana Mangano, Laura Betti<br />

Starring two of the director’s<br />

favourite actresses Silvana<br />

Mangano and Laura Betti. On the<br />

tale of a mysterious stranger who<br />

enters a household and seduces<br />

each family member in turn TIME<br />

OUT comments: “Pasolini achieved<br />

his most perfect fusion of Marxism<br />

and religion with a film that is both<br />

political allegory and mystical<br />

fable.”<br />

THURSDAY 25 OCTOBER<br />

Signore & Signore: Leading Ladies<br />

of Italian Cinema Single Bill –<br />

Monica Vitti<br />

A DRAMA OF<br />

JEALOUSY 15 8.45PM<br />

(Dramma della gelosia)<br />

(Ettore Scola, Italy, 1970) 107m<br />

subtitles. With Monica Vitti, Marcello<br />

Mastroianni, Giancarlo Giannini<br />

A freewheeling satire of Italian<br />

mores, hilarious despite its<br />

outwardly morbid plotline. The<br />

murder of a flower girl (Vitti)<br />

triggers a long flashback involving<br />

18<br />

her, a middle-aged Communist<br />

bricklayer (Mastroianni) and a<br />

young pizza chef (Giannini).<br />

FRIDAY 26 OCTOBER<br />

Joe Wright Double Bill<br />

PRIDE AND<br />

PREJUDICE U 6.20PM<br />

(Joe Wright, UK, 2005) 125m<br />

With Keira Knightley, Matthew<br />

MacFadyen, Donald Sutherland<br />

Based on Jane Austen’s novel<br />

about the five Bennett sisters<br />

whose lives are turned upside<br />

down when a wealthy young man<br />

(Mr. Bingley) and his best friend<br />

(Mr. Darcy) arrive in town.<br />

PLUS<br />

ATONEMENT 15 8.45PM<br />

(Joe Wright, UK, 2007) 112m. With<br />

Keira Knightley, James McAvoy,<br />

Ramola Garai<br />

Fledgling writer Briony Tallis, as a<br />

13-year-old, irrevocably changes<br />

the course of several lives when<br />

she accuses her older sister’s<br />

(Knightley) lover (McAvoy) of a<br />

crime he did not commit. Based on<br />

a novel by Ian McEwan and<br />

handled with a great deal of skill.<br />

SATURDAY 27 OCTOBER<br />

Afternoon and Evening Joe Wright<br />

Double Bill<br />

PRIDE AND PREJUDICE<br />

U 1.40PM AND 6.20PM<br />

(Joe Wright, UK, 2005) 125m<br />

PLUS<br />

ATONEMENT 15<br />

4.05PM AND 8.45PM<br />

(Joe Wright, UK, 2007) 112m<br />

Please see Friday 26 October for<br />

synopses.<br />

SUNDAY 28 OCTOBER<br />

Three Colours Trilogy<br />

THREE COLOURS:<br />

BLUE 15 4.30PM<br />

(Krzysztof Kieslowski, France, 1993)<br />

110m subtitles. With Juliette Binoche<br />

The film movingly recounts the<br />

story of a woman’s reaction to the<br />

death of her husband and child in<br />

a car crash.<br />

PLUS<br />

THREE COLOURS:<br />

WHITE 15 6.40PM<br />

(Krzysztof Kieslowski, France, 1993)<br />

92m subtitles<br />

A Polish hairdresser is unable to<br />

cope with life in Paris. Smuggled<br />

back to Poland he rebuilds his life<br />

there in an attempt to win back<br />

his estranged French wife.<br />

PLUS<br />

THREE COLOURS:<br />

RED 18 8.15PM<br />

(Krzysztof Kieslowski, France, 1994)<br />

99m subtitles<br />

A young woman runs over a dog.<br />

This sets off a chain of events<br />

which are devastating to all<br />

concerned. Kieslowski’s final<br />

romantic salute.<br />

Tickets £8.00/£7.00 concessions<br />

MONDAY 29 OCTOBER<br />

British Classics Double Bill<br />

BILLY LIAR PG 6.45PM<br />

(John Schlesinger, UK, 1963) 94m<br />

With Tom Courtenay, Julie Christie,<br />

Wilfred Pickles<br />

Billy Fisher (Courtenay) dreams of<br />

escape from his dull working-class<br />

family and his job as an<br />

undertaker’s assistant.<br />

Unfortunately he regularly escapes<br />

into a fantasy world and blurs the<br />

time between fantasy and reality,<br />

hence his name. Based on the play<br />

by Keith Waterhouse, the film<br />

launched Julie Christie’s career.<br />

PLUS<br />

WITHNAIL AND I 15 8.40PM<br />

(Bruce Robinson, UK 1986) 107m<br />

With Richard E. Grant, Paul McGann,<br />

Richard Griffiths<br />

Withnail and I are two waiting-tobe<br />

actors. Withnail is a<br />

cadaverous upper middle-class<br />

man with an acid wit who is totally<br />

selfish, and I is an innocent<br />

paranoid abroad. They share a flat<br />

and live on a diet of booze, pills<br />

and fags in 60s Camden. A film<br />

truly deserving of the muchabused<br />

word, “cult”.<br />

TUESDAY 30 OCTOBER<br />

Double Bill<br />

RED ROAD 18 6.45PM<br />

(Andrea Arnold, UK, 2006) 113m<br />

With Katie Dickie, Tony Curran,<br />

Martin Compston<br />

Jackie (Dickie) works as a CCTV<br />

operator. Each day she watches over<br />

a small part of Glasgow protecting<br />

the people living their lives under<br />

her gaze. One day a man who she<br />

thought she would never see again<br />

appears on her monitor. A haunting<br />

revenge drama.<br />

PLUS<br />

HALLAM FOE 18 9.00PM<br />

(Daniel Mackenzie, UK, 2007) 95m<br />

With Ciaran Hinds, Jamie Bell<br />

Hallam’s (Bell) talent for spying on<br />

people reveals his darkest fears<br />

and his most peculiar desires.<br />

Driven to expose the true cause of<br />

his mother’s death he instead finds<br />

himself searching the rooftops of<br />

the city for love.<br />

WEDNESDAY 31 OCTOBER<br />

Signore & Signore: Leading Ladies<br />

of Italian Cinema Single Bill –<br />

Mariangela Melato<br />

THE SEDUCTION<br />

OF MIMI 18 6.20PM<br />

(Mimi’ metallurgico ferito<br />

nell’onno)<br />

(Lina Wertmuller, Italy, 1972) 121m<br />

subtitles. With Giancarlo Gianni,<br />

Mariangela Melato, Turi Ferro<br />

Carmelo Mardocheo (Giannini)<br />

considers himself a socialist, so<br />

when the local elections in Sicily<br />

are held he rejects the local right<br />

wing candidate as he thought the<br />

Mafia were controlling him. He<br />

goes to work in Turin where he<br />

meets someone who will change<br />

his life.<br />

WEDNESDAY 31 OCTOBER<br />

Signore & Signore: Leading Ladies<br />

of Italian Cinema Single Bill –<br />

Ornella Muti<br />

THE BISHOP’S<br />

BEDROOM 15 8.40PM<br />

(La stanza del vescovo)<br />

(Dino Risi, Italy, 1977) 100m subtitles<br />

With Ugo Tognazzi, Ornella Muti,<br />

Gabriella Giacobbe<br />

An exceptional 1977 dramatic film<br />

from Dino Risi, a director known<br />

mainly for his social satires. The<br />

almond-eyed Ornella Muti finds<br />

herself at the centre of a romantic<br />

triangle involving her older<br />

brother-in-law (Tognazzi) and<br />

a young drifter.

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