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The Discipline of Pious Reason: Goethe, Herder, Kant Daniel ...

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Let me flesh this out by returning to François Hemsterhuis and his context.<br />

Hemsterhuis was the leading thinker <strong>of</strong> the ‘Münster circle’—a group <strong>of</strong> mystics and<br />

theologically-inclined thinkers residing in Münster on the patronage <strong>of</strong> the Princess<br />

Gallitzen. ‘A neoplatonist in the tradition <strong>of</strong> the Cambridge Platonists and<br />

Shaftesbury’ (Gusdorf, 1976, p. 280), Hemsterhuis’ blend <strong>of</strong> empiricism and<br />

neoplatonism became representative <strong>of</strong> this group’s work. <strong>The</strong> circle was particularly<br />

influential during the late eighteenth century: Hamann moved to Münster in the last<br />

year <strong>of</strong> his life to participate in the group, Jacobi was also closely involved and<br />

<strong>Goethe</strong> and <strong>Herder</strong> were regular visitors. 16 As late as the 1790s, Novalis claimed<br />

Hemsterhuis as his favourite philosopher and devoted a ‘study’ to his work (1988,<br />

2:360-78). Indeed, Gusdorf has concluded, ‘Through the intermediary <strong>of</strong> Jacobi<br />

[among others], Hemsterhuis’ influence spread to Lessing, <strong>Herder</strong>, <strong>Goethe</strong>, Schiller<br />

and the young Romantics.’ (1976, p. 281)<br />

Hemsterhuis’ legacy was so great, I contend, precisely because his neoplatonism<br />

chimed in so well with the intellectual currents <strong>of</strong> the time. As Arthur Lovejoy has<br />

claimed, ‘a revival <strong>of</strong> the direct influence <strong>of</strong> neoplatonism was one <strong>of</strong> the conspicuous<br />

phenomena <strong>of</strong> German thought in the 1790s’ (1936, pp. 297-8) 17 ; however, this<br />

revival should be antedated by at least thirty years. Beiser, for example, has shown<br />

how the German reception <strong>of</strong> Plato began in the 1750s:<br />

It was in 1757 that Winckelmann read Plato who became one <strong>of</strong> the central<br />

influences on his aesthetics. By the 1760s interest in Plato had grown enormously.<br />

<strong>The</strong> writings <strong>of</strong> Rousseau and Shaftesbury, which were filled with Platonic<br />

themes, began to have their impact. It was also in the 1760s that Hamann, <strong>Herder</strong>,

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