Prelude - Roland

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08: AUTO WAH }--*2 œ="2%-"=3B, 2.. -,ëü2! “ C!,%ä,÷“*,ì ,ƒì……,ì ÷=“2%2/. fig.MFX-08 L in Auto Wah 2-Band EQ L out 10: SPEAKER SIMULATOR hì,2=ö, *=K,…2= , ì,*!%-%…=. fig.MFX-10 L in Speaker L out R in o=!=ì2! g…=÷…, nC,“=…, Filter Type LPF, BPF Š,C -,ëü2!=. o=!=ì2! %C!äë 2 ä,=C=ƒ%… C!%C3“*=ì/. ÷=“2%2. LPF: ÷=“2%2/ …,› ÷=“2%2/ “!ƒ=. BPF: ÷=“2%2/ " %Kë=“2, ÷=“2%2/ “!ƒ=. Manual 0 $ 127 r“2=…%"*= ö…2!=ëü…%L ÷=“2%2/ .--*2= Peak 0 $ 127 cë3K,…= .--*2= " %Kë=“2, ö…2!=ëü…%L ÷=“2%2/. )ì "/ø ƒ…=÷…, C=!=ì2!=, 2ì 3› C%ë%“=. Sens 0 $ 127 )3"“2",2ëü…%“2ü -,ëü2!= Polarity UP, DOWN m=“2!%L*= C%ë !…%“2, LFO. UP: C!, ƒ=C3“* ä",›…, ,ä2 " “2%!%…3 3"ë,÷…, ÷=“2%2/. DOWN: C!, ƒ=C3“* ä",›…, ,ä2 " “2%!%…3 3ì…üø…, ÷=“2%2/. Rate 0.05 $ 10.00 Hz, note )=“2%2= ì%ä3ë ö,, Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, Phase 0 $ 180 ã!=ä qä",ã -=ƒ/ ì›ä3 C!="/ì , ë"/ì “2!%*=…=ë=ì, Low Gain -15 $ +15 äa r“,ë…, m). High Gain -15 $ +15 äa r“,ë…, b). Level 0 $ 127 nK?,L 3!%"…ü 09: HUMANIZER }--*2 ä%K="ë 2 ãë=“…/ ƒ"3*,, ,ì,2,!3 ÷ë%"÷“*,L ã%ë%“. fig.MFX-09 L in R in Auto Wah Overdrive 2-Band EQ Formant R out 2-Band EQ L out Pan L Pan R R out R in Speaker R out o=!=ì2! g…=÷…, nC,“=…, Speaker Type (“ì. 2=Kë,ö3) Š,C *=K,…2= Mic Setting 1, 2, 3 p=“C%ë%›…, ì,*!%-%…=, %2 …=,K%ë Kë,ƒ*%ã% (1) ä% …=,K%ë ä=ëü…ã% (3). Mic Level 0 $ 127 c!%ì*%“2ü ì,*!%-%…= Direct Level 0 $ 127 c!%ì*%“2ü C! ì%ã% “,ã…=ë= Level 0 $ 127 nK?,L 3!%"…ü u=!=*2!,“2,*, *=K,…2%" o=!=ì2! œd,…=ì,*B %C!äë 2 ä,=ì2! (" äþLì=.) , *%ë,÷“2"% ä,…=ì,*%" " *=K,…2. g…=÷…, j%!C3“ d,…=ì,* l,*!%-%… SMALL 1 ì=ë…ü*,L %2*!/2/L 10 ä,…=ì,÷“*,L SMALL 2 ì=ë…ü*,L %2*!/2/L 10 ä,…=ì,÷“*,L MIDDLE %2*!/2/L 12 x 1 ä,…=ì,÷“*,L JC-120 %2*!/2/L 12 x 2 ä,…=ì,÷“*,L BUILT-IN 1 %2*!/2/L 12 x 2 ä,…=ì,÷“*,L BUILT-IN 2 %2*!/2/L 12 x 2 *%…ä…“=2%!…/L BUILT-IN 3 %2*!/2/L 12 x 2 *%…ä…“=2%!…/L BUILT-IN 4 %2*!/2/L 12 x 2 *%…ä…“=2%!…/L BUILT-IN 5 %2*!/2/L 12 x 2 *%…ä…“=2%!…/L BG STACK 1 ƒ=*!/2/L 12 x 2 *%…ä…“=2%!…/L BG STACK 2 K%ëüø%L ƒ=*!/2/L 12 x 2 *%…ä…“=2%!…/L MS STACK 1 K%ëüø%L ƒ=*!/2/L 12 x 4 *%…ä…“=2%!…/L MS STACK 2 K%ëüø%L ƒ=*!/2/L 12 x 4 *%…ä…“=2%!…/L METAL STACK K%ëüø%L ä"%L…%L “2.* 12 x 4 *%…ä…“=2%!…/L 2-STACK K%ëüø%L ä"%L…%L “2.* 12 x 4 *%…ä…“=2%!…/L 3-STACK K%ëüø%L 2!%L…%L “2.* 12 x 4 *%…ä…“=2%!…/L o=!=ì2! g…=÷…, nC,“=…, Drive Sw OFF, ON b*ëþ÷…,/%2*ëþ÷…, C!3“,ë…, Drive 0 $ 127 cë3K,…= C!3“,ë…, Vowel1 a, e, i, o, u Vowel2 a, e, i, o, u b/K%! ãë=“…/. ƒ"3*%" Rate 0.05 $ 10.00 Hz, note )=“2%2= “ì…/ ãë=“…/. Depth 0 $ 127 cë3K,…= .--*2= Input Sync Sw OFF, ON b*ëþ÷…, (ON)/%2*ëþ÷…, (OFF) “,….!%…,ƒ=ö,, ƒ=C3“*= LFO %2 ".%ä…%ã% “,ã…=ë=. Input Sync Threshold 0 $ 127 o%!%ã ã!%ì*%“2, C!ƒ=C3“*= LFO Manual 0 $ 100 o%!%ã C!*ëþ÷…, …=K%!%" ãë=“…/. Vowel 1/2 49 , ì…: cë=“…= 1 ƒ"3÷,2 ä%ëüø, ÷ì ãë=“…= 2. 50: cë=“…/ 1 , 2 ƒ"3÷=2 !="…% "!ì . 51 , K%ë: cë=“…= 2 ƒ"3÷,2 ä%ëüø, ÷ì ãë=“…= 1. Low Gain -15 $ +15 äa r“,ë…, m). High Gain -15 $ +15 äa r“,ë…, b). Pan L64 $ 63R o=…%!=ì= .--*2= Level 0 $ 127 nK?,L 3!%"…ü 60
11: PHASER q2!%-=ƒ!. qìø,"=…, ì%ä3ë,!%"=……%ã% “,ã…=ë= “ ,“.%ä…/ì. fig.MFX-11 L in R in o=!=ì2! g…=÷…, nC,“=…, Mode 4-STAGE, 8-STAGE, j%ë,÷“2"% “2=ä,L -=ƒ!= 12-STAGE Manual 0 $ 127 r“2=…%"*= K=ƒ%"%L ÷=“2%2/, …=÷,…= “ *%2%!%L ì%ä3ë,!32“ ƒ"3*. Rate 0.05 $ 10.00 Hz, note )=“2%2= ì%ä3ë ö,, Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, Polarity INVERSE, SYNCHRO r“2=…%"*= C%ë !…%“2, äë LFO C!="%ã% , ë"%ã% *=…=ë%". INVERSE: -=ƒ/ C!="%ã% , ë"%ã% *=…=ë= ,…"!2,!3þ2“ . o!, !=K%2 “ ì%…%“,ã…=ë%ì .2% C%ƒ"%ë 2 “%ƒä="=2ü “2!%.--*2. SYNCHRO: -=ƒ/ ë"%ã% , C!="%ã% *=…=ë%" “%"C=ä=þ2. h“C%ëüƒ3L2 C!, !=K%2 “% “2!%“,ã…=ë%ì. Resonance 0 $ 127 cë3K,…= !ƒ%…=…“= Cross Feedback o%“2C……% ,ƒì… þ?,L“ .--*2 -=ƒ!=. fig.MFX-12 Phaser Phaser -98 $ +98% cë3K,…= %K!=2…%L “" ƒ,. o!, %2!,ö=2ëü…/. (-) ƒ…=÷…, . -=ƒ= ,…"!2,!32“ . Mix 0 $ 127 r!%"…ü -=ƒ!= Low Gain -15 $ +15 äa r“,ë…, m). High Gain -15 $ +15 äa r“,ë…, b). Level 0 $ 127 nK?,L 3!%"…ü 12: STEP PHASER L in R in Step Phaser Step Phaser Mix Mix 2-Band EQ 2-Band EQ L out R out L out R out o=!=ì2! g…=÷…, nC,“=…, Mode 4-STAGE, 8-STAGE, 12-STAGE ),“ë% “2=ä,L -=ƒ!= Manual 0 $ 127 r“2=…%"*= K=ƒ%"%L ÷=“2%2/, …=÷,…= “ *%2%!%L ì%ä3ë,!32“ ƒ"3*. Rate 0.05 $ 10.00 Hz, note )=“2%2= ì%ä3ë ö,, Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, Mix Mix 2-Band EQ 2-Band EQ o=!=ì2! g…=÷…, nC,“=…, Polarity INVERSE, SYNCHRO r“2=…%"*= C%ë !…%“2, äë LFO C!="%ã% , ë"%ã% *=…=ë%". INVERSE: -=ƒ/ C!="%ã% , ë"%ã% *=…=ë= ,…"!2,!3þ2“ . o!, !=K%2 “ ì%…%“,ã…=ë%ì .2% C%ƒ"%ë 2 “%ƒä="=2ü “2!%.--*2. SYNCHRO: -=ƒ/ ë"%ã% , C!="%ã% *=…=ë%" “%"C=ä=þ2. h“C%ëüƒ3L2 C!, !=K%2 “% “2!%“,ã…=ë%ì. Resonance 0 $ 127 cë3K,…= !ƒ%…=…“= Cross Feedback l…%ã%“2=ä,L…/L -=ƒ! “ K%ëüø%L ãë3K,…%L .--*2=. fig.MFX-13 -98 $ +98% cë3K,…= %K!=2…%L “" ƒ,. o!, %2!,ö=2ëü…/. (-) ƒ…=÷…, . -=ƒ= ,…"!2,!32“ . Step Rate 0.10 $ 20.00 Hz, note )=“2%2= “ì…/ “2=ä,, -=ƒ!= Mix 0 $ 127 r!%"…ü -=ƒ!= Low Gain -15 $ +15 äa r“,ë…, m). o!, C%ë%›,2ëü…/. ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. ÷=“- 2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü- …/. $ “…,›=2“ High Gain -15 $ +15 äa r“,ë…, b). o!, C%ë%›,2ëü…/. ƒ…=÷…, . ã!%ì*%“2ü "/“%*,. ÷=“- 2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü- …/. $ “…,›=2“ Level 0 $ 127 nK?,L 3!%"…ü 13: MULTI STAGE PHASER L in R in Multi Stage Phaser Resonance Mix 2-Band EQ L out Pan L Pan R R out o=!=ì2! g…=÷…, nC,“=…, Mode 4-STAGE, 8-STAGE, 12-STAGE, 16-STAGE, j%ë,÷“2"% “2=ä,L -=ƒ!= 20-STAGE, 24-STAGE Manual 0 $ 127 r“2=…%"*= K=ƒ%"%L ÷=“2%2/, …=÷,…= “ *%2%!%L ì%ä3ë,!32“ ƒ"3*. Rate 0.05 $ 10.00 Hz, note )=“2%2= ì%ä3ë ö,, Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, Resonance 0 $ 127 cë3K,…= !ƒ%…=…“= Mix 0 $ 127 r!%"…ü -=ƒ!= Pan L64 $ 63R q2!%C=…%!=ì= .--*2= Low Gain -15 $ +15 äa r“,ë…, m). o!, C%ë%›,2ëü- …/. ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. ÷=“2%2 3“,ë,"=2“ , C!, %2!,- ö=2ëü…/. $ “…,›=2“ High Gain -15 $ +15 äa r“,ë…, b). o!, C%ë%›,2ëü- …/. ƒ…=÷…, . ã!%ì*%“2ü "/“%- *,. ÷=“2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ “…,›=2“ Level 0 $ 127 nK?,L 3!%"…ü 61
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Page 3 and 4:
o!=",ë= 2.…,*, Kƒ%C=“…%“2
Page 5 and 6:
=›…/ ƒ=ì÷=…, Ïîìèìî
Page 7 and 8:
n“…%"…/ .=!=*2!,“2,*, hä=
Page 9 and 10: K%! , C!%,ã!/"=…, %ä…%L Cü
Page 11 and 12: nC,“=…, C=…ëL 15. d,“CëL
Page 13 and 14: "ä…, n“…%"/ !=K%2/ “ Prelu
Page 15 and 16: "ä…, fig.codef.eps Òûëüíà
Page 17 and 18: "ä…, o!%“ë3ø,"=…, äì%…
Page 19 and 20: hã!= …= *ë=",=23! hã!= …= *
Page 21 and 22: hã!= …= *ë=",=23! o=!=ì2! nC,
Page 23 and 24: p=K%2= “ =**%ìC=…ì…2%ì b/K
Page 25 and 26: p=K%2= “ =**%ìC=…ì…2%ì o=!
Page 27 and 28: p=K%2= “ =**%ìC=…ì…2%ì d=
Page 29 and 30: p=K%2= “ =**%ìC=…ì…2%ì 4.
Page 31 and 32: p=K%2= “ =**%ìC=…ì…2%ì MP3
Page 33 and 34: p=K%2= “ =**%ìC=…ì…2%ì pä
Page 35 and 36: o!-%!ì=…“/ , .--*2/ t3…*ö,
Page 37 and 38: o!-%!ì=…“/ , .--*2/ 4. j…%C*
Page 39 and 40: o!-%!ì=…“/ , .--*2/ o=!=ì2! g
Page 41 and 42: o!-%!ì=…“/ , .--*2/ q2!. nC,
Page 43 and 44: p=K%2= “ MIDI MIDI Parameters o=!
Page 45 and 46: q,“2ì…/ …=“2!%L*, o=!=ì2!
Page 47 and 48: q,“2ì…/ …=“2!%L*, q2!=…,
Page 49 and 50: p=K%2= “ USB-…=*%C,2ëì rä=ë
Page 51 and 52: n -3…*ö,, V-LINK o=!=ì2! g…=
Page 53 and 54: Appendices r“2!=……, …C%ë=
Page 55 and 56: q%%K?…, %K %ø,K*=. b “ë3÷= %
Page 57 and 58: g…=÷…, 4Note’ g…=÷…, %C
Page 59: 05: SUPER FILTER t,ëü2! “ %÷
Page 63 and 64: 18: AUTO PAN 0,*ë,÷“*% C=…%!=
Page 65 and 66: 24: FLANGER q2!%-%…,÷“*,L -ë.
Page 67 and 68: 30: 3D FLANGER Š!.ì!…/L .--*2 -
Page 69 and 70: 35: OVERDRIVE l ã*,L C!ã!3ƒ (%"!
Page 71 and 72: 43: DELAY q2!%-%…,÷“*,L .--*2
Page 73 and 74: 49: MULTI TAP DELAY }--*2 ,ƒ ÷2/!
Page 75 and 76: 55: TAPE ECHO hì,2=ö, ë…2%÷
Page 77 and 78: 62: d"%L…%L “ä",ã "/“%2/
Page 79 and 80: 69: DISTORTION → CHORUS o=!=ì2!/
Page 81 and 82: 77: CHORUS → FLANGER fig.MFX-77 7
Page 83 and 84: o=!=ì2!/ !"!K!=2%!= q C%ì%?üþ .
Page 85 and 86: 1. hì j=2ã%!, MSB LSB PC 151 Chap
Page 87 and 88: 1. hì j=2ã%!, MSB LSB PC 459 Stim
Page 89 and 90: 1. hì j=2ã%!, MSB LSB PC 767 Meta
Page 91 and 92: 1. hì j=2ã%!, MSB LSB PC 1075 Met
Page 93 and 94: c!3CC= Preset 1153 GW Std Kit 1154
Page 95 and 96: 1165 Limiter Kit 1166 HipHop Kit 1
Page 97 and 98: 1177 Snare Menu 1178 Snr/Rim Menu 1
Page 99 and 100: c!3CC= GM Note No. 27 28 29 30 31 3
Page 101 and 102: dk“ g`leŠnj 101
Page 103 and 104: p=“C%ƒ…="=…, =**%!ä%" ● =
Page 105 and 106: Š.…,÷“*, .=!=*2!,“2,*, Prel
Page 107 and 108: Äàííûé ïðîäóêò îòâ
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