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William Faulkner, SANCTUARY – WordPress.com - literature save 2

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"And go on back to Kinston until the whole thing is over," Narcissa said. "These<br />

people are not your people. Why must you do such things?"<br />

"I cannot stand idly by and see injustice--"<br />

"You wont ever catch up with injustice, Horace," Miss Jenny said.<br />

"Well, that irony which lurks in events, then."<br />

"Hmmph," Miss Jenny said. "It must be because she is one woman you know that<br />

dont know anything about that shrimp."<br />

"Anyway, I've talked too much, as usual," Horace said. "So I'll have to trust you<br />

all-"<br />

"Fiddlesticks," Miss Jenny said. "Do you think Narcissa'd want anybody to know<br />

that any of her folks could know people that would do anything as natural as make love<br />

or rob or steal?" There was that quality about his sister. During all the four days between<br />

Kinston and Jefferson he had counted on that imperviousness. He hadn't expected her-any<br />

woman -to bother very much over a man she had neither married nor borne when she had<br />

one she did bear to cherish and fret over. But he had expected that imperviousness, since<br />

she had had it thirty-six years.<br />

When he reached the house in town a light burned in one room. He entered,<br />

crossing the floors which he had scrubbed himself, revealing at the time no more skill<br />

with a mop than he had expected, than he had with the lost hammer with which he nailed<br />

the windows down and the shutters to ten years ago, who could not even learn to drive a<br />

motor car. But that was ten years ago, the hammer replaced by the new one with which<br />

he had drawn the clumsy nails, the windows open upon scrubbed floor spaces still as<br />

dead pools within the ghostly embrace of hooded furniture.<br />

The woman was still up, dressed <strong>save</strong> for the hat. It lay on the bed where the child<br />

slept. Lying together there, they lent to the room a quality of transience more<br />

unmistakable than the makeshift light, the smug paradox of the made bed in a room<br />

otherwise redolent of long unoccupation. It was as though femininity were a current<br />

running through a wire along which a certain number of identical bulbs were hung.<br />

"I've got some things in the kitchen," she said. "I wont be but a minute."<br />

The child lay on the bed, beneath the unshaded light, and he wondered why<br />

women, in quitting a house, will remove all the lamp shades even though they touch<br />

nothing else; looking down at the child, at its bluish eyelids showing a faint crescent of<br />

bluish white against its lead-colored cheeks, the moist shadow of hair capping its skull,<br />

its hands uplifted, curl- palmed, sweating too, thinking Good God. Good God.<br />

He was thinking of the first time he had seen it, lying in a wooden box behind the<br />

stove in that ruined house twelve miles from town; of Popeye's black presence lying upon<br />

the house like the shadow of something no larger than a match failing monstrous and<br />

portentous upon something else otherwise familiar and everyday and twenty times its<br />

size; of the two of them--himself and the woman--in the kitchen lighted by a cracked and<br />

smutty lamp on a table of clean, spartan dishes and Goodwin and Popeye somewhere in<br />

the outer darkness peaceful with insects and frogs yet filled too with Popeye's presence in<br />

black and nameless threat. The woman drew the box out from behind the stove and stood<br />

above it, her hands still hidden in her shapeless garment. "I have to keep him in this so<br />

the rats cant get to him," she said.

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