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William Faulkner, SANCTUARY – WordPress.com - literature save 2

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"Then I thought about fastening myself up some way. There was a girl went<br />

abroad one summer that told me about a kind of iron belt in a museum a king or<br />

something used to lock the queen up in when he had to go away, and I thought if I just<br />

had that. That was why I got the raincoat and put it on. The canteen was hanging by it<br />

and I got it too and put it in the-"<br />

"Canteen?" Horace said. "Why did you do that?"<br />

"I dont know why I took it. I was just scared to leave it there, I guess. But I was<br />

thinking if I just had that French thing. I was thinking maybe it would have long sharp<br />

spikes on it and he wouldn't know it until too late and I'd jab it into him. I'd jab it all the<br />

way through him and think about the blood running on me and how I'd say I guess that'll<br />

teach you! I guess you'll let me alone now! I'd say. I didn't know it was going to be just<br />

the other way . . . I want a drink."<br />

"I'll get you one in a minute," Miss Reba said. "Go on and tell him."<br />

"Oh, yes; this was something else funny I did." She told about lying in the<br />

darkness with Gowan snoring beside her, listening to the shucks and hearing the darkness<br />

full of movement, feeling Popeye approaching. She could hear the blood in her veins, and<br />

the little muscles at the corners of her eyes cracking faintly wider and wider, and she<br />

could feel her nostrils going alternately cool and warm. Then he was standing over and<br />

she was saying Come on. Touch me. Touch me! You're a coward if you dont. Coward!<br />

Coward!<br />

"I wanted to go to sleep, you see. And he just kept on standing there. I thought if<br />

he'd just go on and get it over with, I could go to sleep. So I'd say You're a coward if you<br />

dont! You're a coward if you dont! and I could feel my mouth getting fixed to scream,<br />

and that little hot ball inside you that screams. Then it touched me, that nasty little cold<br />

band, fiddling around inside the coat where I was naked. It was like alive ice and my skin<br />

started jumping away from it like those little flying fish in front of a boat. It was like my<br />

skin knew which way it was going to go before it started moving, and my skin would<br />

keep on jerking just ahead of it like there wouldn't be anything there when the hand got<br />

there.<br />

"Then it got down where my insides begin, and I hadn't eaten since yesterday at<br />

dinner and my insides started bubbling and going on and the shucks begin to make so<br />

much noise it was like laughing. I'd think they were laughing at me because all the time<br />

his hand was going inside the top of my knickers and I hadn't changed into a boy yet.<br />

"That was the funny thing, because I wasn't breathing then. I hadn't breathed in a<br />

long time. So I thought I was dead. Then I did a funny thing. I could see myself in the<br />

coffin. I looked sweet--you know: all in white. I had on a veil like a bride, and I was<br />

crying because I was dead or looked sweet or something. No: it was because they had put<br />

shucks in the coffin. I was crying because they had put shucks in the coffin where I was<br />

dead, but all the time I could feel my nose going cold and hot and cold and hot, and I<br />

could see all the people sitting around the coffin, saying Dont she look sweet. Dont she<br />

look sweet.<br />

"But I kept on saying Coward! Coward! Touch me, coward! I got mad, because<br />

he was so long doing it. I'd talk to him. I'd say Do you think I'm going to lie here all<br />

night, just waiting on you? I'd say. Let me tell you what I'll do, I'd say. And I'd lie there<br />

with the shucks laughing at me and me jerking away in front of his hand and I'd think<br />

what I'd say to him, I'd talk to him like the teacher does in school, and then I was a

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