William Faulkner, SANCTUARY â WordPress.com - literature save 2
William Faulkner, SANCTUARY â WordPress.com - literature save 2
William Faulkner, SANCTUARY â WordPress.com - literature save 2
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somebody else's wife, you start off maybe ten years behind, from somebody else's scratch<br />
and scratching. I just wanted a hill to lie on for a while."<br />
"The fool," the woman said. "The poor fool." She stood inside the door. Popeye<br />
came through the hall from the back. He passed her without a word and went onto the<br />
porch.<br />
"Come on," he said. "Let's get it loaded." She heard the three of them go away.<br />
She stood there. Then she heard the stranger get unsteadily out of his chair and cross the<br />
porch. Then she saw him, in faint silhouette against the sky, the lesser darkness: a thin<br />
man in shapeless clothes; a head of thinning and ill-kempt hair; and quite drunk. "They<br />
dont make him eat right," the woman said.<br />
She was motionless, leaning lightly against the wall, he facing her. "Do you like<br />
living like this?" he said. "Why do you do it? You are young yet; you could go back to<br />
the cities and better yourself without lifting more than an eyelid." She didn't move,<br />
leaning lightly against the wall, her arms folded. "The poor, scared fool," she said.<br />
"You see," he said, "I lack courage: that was left out of me. The machinery is all<br />
here, but it wont run." His hand fumbled across her cheek. "You are young yet." She<br />
didn't move, feeling his hand upon her face, touching her flesh as though he were trying<br />
to learn the shape and position of her bones and the texture of the flesh. "You have your<br />
whole life before you, practically. How old are you? You're not past thirty yet." His voice<br />
was not loud, almost a whisper.<br />
When she spoke she did not lower her voice at all. She had not moved, her arms<br />
still folded across her breast. "Why did you leave your wife?" she said.<br />
"Because she ate shrimp," he said. "I couldn't-You see, it was Friday, and I<br />
thought how at noon I'd go to the station and get the box of shrimp off the train and walk<br />
home with it, counting a hundred steps and changing hands with it, and it-"<br />
"Did you do that every day?" the woman said.<br />
"No. Just Friday. But I have done it for ten years, since we were married. And I<br />
still dont like to smell shrimp. But I wouldn't mind the carrying it home so much. I could<br />
stand that. It's because the package drips. All the way home it drips and drips, until after a<br />
while I follow myself to the station and stand aside and watch Horace Benbow take that<br />
box off the train and start home with it, changing hands every hundred steps, and I<br />
following him, thinking Here lies Horace Benbow in a fading series of small stinking<br />
spots on a Mississippi sidewalk."<br />
"Oh," the woman said. She breathed quietly, her arms folded. She moved; he gave<br />
back and followed her down the hall. They entered the kitchen where a lamp burned.<br />
"You'll have to excuse the way I look," the woman said. She went to the box behind the<br />
stove and drew it out and stood above it, her hands hidden in the front of her garment.<br />
Benbow stood in the middle of the room. "I have to keep him in the box so the rats cant<br />
get to him," she said.<br />
"What?" Benbow said. "What is it?" He approached, where he could see into the<br />
box. It contained a sleeping child, not a year old. He looked down at the pinched face<br />
quietly.<br />
"Oh," he said. "You have a son." They looked down at the pinched, sleeping face<br />
of the child. There came a noise outside; feet came onto the back porch. The woman<br />
shoved the box back into the corner with her knee as Goodwin entered.