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SPRING 2012 - Delaware Center for the Contemporary Arts

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ture<br />

Under Construction: Part II<br />

Curated by J. Susan Isaacs<br />

DuPont II Gallery<br />

February 17 – June 10, <strong>2012</strong><br />

Artists in Part II: Alexis Granwell, Ron<br />

Longsdorf, Michael Jones McKean, and<br />

Yoonmi Nam.<br />

Ron Longsdorf, 2011<br />

Contraption: Devices in Art<br />

Curated by Maiza Hixson<br />

DuPont I Gallery<br />

February 17 – June 24, <strong>2012</strong><br />

C. Grant Cox, III, 2011<br />

Contraption is a <strong>the</strong>matic exhibit featuring<br />

ingeniously playful sculptural works that<br />

invite interactivity. Wearable, audible, and<br />

usable, <strong>the</strong>se works encourage audience<br />

participation. Artists: Tim Eads, Tracy<br />

Fea<strong>the</strong>rstone, C. Grant Cox, III, Tyler Held,<br />

Cynthia Norton, Lauren Ruth, and Joanie<br />

Turbek.<br />

Rebecca Murtaugh<br />

Intimate Constructions<br />

E. Avery Draper Gallery<br />

February 28 – May 20, <strong>2012</strong><br />

Rebecca Murtaugh, <strong>2012</strong><br />

Intimate Constructions seeks to create a<br />

sense of of e<strong>the</strong>reality through <strong>the</strong> use of<br />

repurposed Styrofoam packaging and<br />

discarded house paints. The insular nature<br />

of Styrofoam is used both metaphorically<br />

and literally. The installation places <strong>the</strong><br />

viewer in a position to question scale, <strong>the</strong><br />

nature of structures, and our place within<br />

our environment.<br />

Erin Murray<br />

Municipalia<br />

Beckler Family Members’ Gallery<br />

March 2 – June 3, <strong>2012</strong><br />

Erin Murray, <strong>2012</strong><br />

In her paintings and drawings, Murray<br />

investigates <strong>the</strong> architecture of<br />

bureaucracy through <strong>the</strong> stripped down<br />

buildings of Modernism’s municipal<br />

structures, revealing <strong>the</strong> protocols of<br />

officialdom by careful observation and<br />

interpretation of what she believes to be<br />

<strong>the</strong> underappreciated beauty of<br />

buildings of authority and procedure.<br />

Working with flat planes of color and<br />

contrasting textures, <strong>the</strong> artist creates<br />

powerful images of <strong>the</strong> American<br />

architectural scene, revealing an<br />

architecture that exclaims its purpose.<br />

A <strong>for</strong>um <strong>for</strong> new ideas, new ART<br />

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