SPRING 2012 - Delaware Center for the Contemporary Arts
SPRING 2012 - Delaware Center for the Contemporary Arts
SPRING 2012 - Delaware Center for the Contemporary Arts
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ture<br />
Under Construction: Part II<br />
Curated by J. Susan Isaacs<br />
DuPont II Gallery<br />
February 17 – June 10, <strong>2012</strong><br />
Artists in Part II: Alexis Granwell, Ron<br />
Longsdorf, Michael Jones McKean, and<br />
Yoonmi Nam.<br />
Ron Longsdorf, 2011<br />
Contraption: Devices in Art<br />
Curated by Maiza Hixson<br />
DuPont I Gallery<br />
February 17 – June 24, <strong>2012</strong><br />
C. Grant Cox, III, 2011<br />
Contraption is a <strong>the</strong>matic exhibit featuring<br />
ingeniously playful sculptural works that<br />
invite interactivity. Wearable, audible, and<br />
usable, <strong>the</strong>se works encourage audience<br />
participation. Artists: Tim Eads, Tracy<br />
Fea<strong>the</strong>rstone, C. Grant Cox, III, Tyler Held,<br />
Cynthia Norton, Lauren Ruth, and Joanie<br />
Turbek.<br />
Rebecca Murtaugh<br />
Intimate Constructions<br />
E. Avery Draper Gallery<br />
February 28 – May 20, <strong>2012</strong><br />
Rebecca Murtaugh, <strong>2012</strong><br />
Intimate Constructions seeks to create a<br />
sense of of e<strong>the</strong>reality through <strong>the</strong> use of<br />
repurposed Styrofoam packaging and<br />
discarded house paints. The insular nature<br />
of Styrofoam is used both metaphorically<br />
and literally. The installation places <strong>the</strong><br />
viewer in a position to question scale, <strong>the</strong><br />
nature of structures, and our place within<br />
our environment.<br />
Erin Murray<br />
Municipalia<br />
Beckler Family Members’ Gallery<br />
March 2 – June 3, <strong>2012</strong><br />
Erin Murray, <strong>2012</strong><br />
In her paintings and drawings, Murray<br />
investigates <strong>the</strong> architecture of<br />
bureaucracy through <strong>the</strong> stripped down<br />
buildings of Modernism’s municipal<br />
structures, revealing <strong>the</strong> protocols of<br />
officialdom by careful observation and<br />
interpretation of what she believes to be<br />
<strong>the</strong> underappreciated beauty of<br />
buildings of authority and procedure.<br />
Working with flat planes of color and<br />
contrasting textures, <strong>the</strong> artist creates<br />
powerful images of <strong>the</strong> American<br />
architectural scene, revealing an<br />
architecture that exclaims its purpose.<br />
A <strong>for</strong>um <strong>for</strong> new ideas, new ART<br />
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