The Campaigner

How Britain's Biggest
Racists Created Zionism
by Mark Burdman
There is one man who can properly be regarded as the
father of Zionism and Nazism: Benjamin Disraeli.
To omit Disraeli from a central place in the 19th century
development of Zionism, agent historian Barbara
Tuchman once said, "would be as absurd as to leave the
ghost out of Hamlet." As prime minister under Victoria
in the 1870s, Disraeli was the overseer of Britain's imperial
design to secure a "homeland" for Jews as a British
outpost in the Middle East, and a secret document
authored by Disraeli became the manifesto for early
Zionism in Europe. That much is admitted on the public
record.
What's hidden are Disraeli's motivations. In the 40
novels he also authored, Disraeli called for an Aryan-
Semitic alliance to form an organized superior "Caucasian
race" that was destined to rule the world with British
power and the Hebrew-centered "sacred mysteries of the
East." This was the counter-cult to the rising demand for
industrialization and progress throughout Europe, the
United States, and the Arab world. As we shall show,
Nazism and Zionism were the hideous twin offspring of
the same Anglican racist mother.
Disraeli himself was the son of an early British cultist,
Isaac D'Israeli, a dilettantish figure and literary critic
associated with circles around the Edinburgh Review and
Sir Walter Scott. Nominally a Jew by name, Isaac
D'Israeli was involved in the Isis cult worship of these
circles and encouraged his son to study Jesuit teachings
and explore other pagan anti-Christian teachings. The
Walter Scott clique was the originator of numerous
myths and cults conduited into Europe, including the
Odin cult in Germany that supplied a mythical history
for Nazism.
Early in his political literary career, Disraeli made two
important connections. The first was to the up-andcoming
Rothschild family. The most notable Hofjuden
("Court Jew") family of Britain patronized Disraeli's
activities and Disraeli wrote in a letter, "I have always
been of the opinion that there cannot be too many
Rothschilds."
Secondly, he was introduced to Edward Bulwer-
Lytton, an arch-priest of the Isis cult in Britain. Bulwer-
Lytton was the author of the Last Days of Pompeii which
promulgated the Isis cult and the novel Rienzi. The latter
supplied the story for one of Wagner's first operas
which became another manifesto of Nazism. Bulwer-
Lytton and his son were both to serve as Colonial and India
Office secretaries during the mid-nineteenth century.
Bulwer-Lytton's novels became the seminal tracts for a
whole variety of cults devoted to spreading the cult of
Isis directly or in other guises. Those included the 1848
creation of the Pre-Raphaelite Brotherhood, the 1860s
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