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June 2013 - Arts Ottawa East / Arts Ottawa Est

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OTTAWA CREATIVE SCENE<br />

Indigenous art<br />

lights a fire<br />

in <strong>Ottawa</strong><br />

This summer the National Gallery of<br />

Canada (NGC) hosts Sakahàn: International<br />

Indigenous Art, an ambitious exhibition of<br />

contemporary Indigenous art. Sakahàn<br />

will only be on display in <strong>Ottawa</strong>, despite<br />

drawing international interest. “Really, it’s too<br />

big to tour,” said NGC director Marc Mayer.<br />

“If we were to tour it, it would be much,<br />

much smaller. We really want people to<br />

experience the whole thing, the sheer size of<br />

it, in <strong>Ottawa</strong>.”<br />

The collection is so expansive that 13<br />

organizations, galleries and institutions<br />

have partnered with the NGC to showcase<br />

related installations across the city. Sakahàn<br />

means “to light a fire” in the language of the<br />

Algonquin peoples.<br />

More than 150 contemporary artworks<br />

in a variety of media will be presented,<br />

from performance art to installations,<br />

photography, paintings, drawings, sculpture<br />

and video. Artists from Australia, Colombia,<br />

Norway, Taiwan and other countries will<br />

be in <strong>Ottawa</strong> joining Canadian artists such<br />

as Annie Pootoogook, Brian Jungen, and<br />

Rebecca Belmore.<br />

Although many of the opening activities<br />

and presentations may have already taken<br />

place, there are still a few events not to be<br />

missed. One partner organization is the<br />

<strong>Ottawa</strong> School of Art (OSA), which has been<br />

hosting a lecture series with internationally<br />

recognized artists. In August, Regina José<br />

Galindo will be joining them from Guatemala<br />

to discuss her controversial “body art.”<br />

Galindo often uses her body to enact the<br />

themes and issues which lie beneath her<br />

artistic discourse. She is currently the only<br />

Central American artist to have received the<br />

Golden Lion award at the Venice Biennale.<br />

“This is one of the biggest international<br />

events OSA has been involved in,” says<br />

Jeff Stellick, OSA executive director. “These<br />

lectures and workshops will be great<br />

opportunities to discover new and exciting<br />

artists and at the same time discover new<br />

peoples and cultural traditions.”<br />

Sakahàn opened at the NGC along with the<br />

participating local organizations in May and<br />

will continue through to September.<br />

Lindsay Mann<br />

www.gallery.ca/sakahan<br />

1. Toru Kaizawa<br />

Identity 1, 2011<br />

Katsura tree<br />

Foundation for Research and Promotion of<br />

Ainu Culture, Sapporo<br />

2. Jamasee Padluq Pitseolak<br />

Handcuffs, 2011<br />

Stone and caribou antler<br />

National Gallery of Canada, <strong>Ottawa</strong><br />

Purchased 2012<br />

Photo © NGC<br />

3. Rebecca Belmore<br />

Fringe, 20089<br />

Cibachrome transparency in fluorescent<br />

lightbox<br />

National Gallery of Canada, <strong>Ottawa</strong><br />

Purchased 2011<br />

Photo © NGC<br />

4. Marie Watt<br />

Three Sisters: Cousin Rose, Sky Woman, Four<br />

Pelts and All My Relations (detail), 2007<br />

Wool blankets, satin binding, thread, salvaged<br />

industrial yellow cedar timber base<br />

Collection of Seattle Art Museum, Seattle<br />

Washington<br />

General Acquisition Fund, in honor of the 75th<br />

Anniversary of the Seattle Art Museum<br />

Photo: Courtesy of the artist<br />

4<br />

1<br />

http://artottawa.ca/sakahan-artistlectures-and-workshops-at-osa/<br />

2<br />

3<br />

ARTNEWS JUNE <strong>2013</strong> 11

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