June 2013 - Arts Ottawa East / Arts Ottawa Est
June 2013 - Arts Ottawa East / Arts Ottawa Est
June 2013 - Arts Ottawa East / Arts Ottawa Est
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OTTAWA CREATIVE SCENE<br />
Indigenous art<br />
lights a fire<br />
in <strong>Ottawa</strong><br />
This summer the National Gallery of<br />
Canada (NGC) hosts Sakahàn: International<br />
Indigenous Art, an ambitious exhibition of<br />
contemporary Indigenous art. Sakahàn<br />
will only be on display in <strong>Ottawa</strong>, despite<br />
drawing international interest. “Really, it’s too<br />
big to tour,” said NGC director Marc Mayer.<br />
“If we were to tour it, it would be much,<br />
much smaller. We really want people to<br />
experience the whole thing, the sheer size of<br />
it, in <strong>Ottawa</strong>.”<br />
The collection is so expansive that 13<br />
organizations, galleries and institutions<br />
have partnered with the NGC to showcase<br />
related installations across the city. Sakahàn<br />
means “to light a fire” in the language of the<br />
Algonquin peoples.<br />
More than 150 contemporary artworks<br />
in a variety of media will be presented,<br />
from performance art to installations,<br />
photography, paintings, drawings, sculpture<br />
and video. Artists from Australia, Colombia,<br />
Norway, Taiwan and other countries will<br />
be in <strong>Ottawa</strong> joining Canadian artists such<br />
as Annie Pootoogook, Brian Jungen, and<br />
Rebecca Belmore.<br />
Although many of the opening activities<br />
and presentations may have already taken<br />
place, there are still a few events not to be<br />
missed. One partner organization is the<br />
<strong>Ottawa</strong> School of Art (OSA), which has been<br />
hosting a lecture series with internationally<br />
recognized artists. In August, Regina José<br />
Galindo will be joining them from Guatemala<br />
to discuss her controversial “body art.”<br />
Galindo often uses her body to enact the<br />
themes and issues which lie beneath her<br />
artistic discourse. She is currently the only<br />
Central American artist to have received the<br />
Golden Lion award at the Venice Biennale.<br />
“This is one of the biggest international<br />
events OSA has been involved in,” says<br />
Jeff Stellick, OSA executive director. “These<br />
lectures and workshops will be great<br />
opportunities to discover new and exciting<br />
artists and at the same time discover new<br />
peoples and cultural traditions.”<br />
Sakahàn opened at the NGC along with the<br />
participating local organizations in May and<br />
will continue through to September.<br />
Lindsay Mann<br />
www.gallery.ca/sakahan<br />
1. Toru Kaizawa<br />
Identity 1, 2011<br />
Katsura tree<br />
Foundation for Research and Promotion of<br />
Ainu Culture, Sapporo<br />
2. Jamasee Padluq Pitseolak<br />
Handcuffs, 2011<br />
Stone and caribou antler<br />
National Gallery of Canada, <strong>Ottawa</strong><br />
Purchased 2012<br />
Photo © NGC<br />
3. Rebecca Belmore<br />
Fringe, 20089<br />
Cibachrome transparency in fluorescent<br />
lightbox<br />
National Gallery of Canada, <strong>Ottawa</strong><br />
Purchased 2011<br />
Photo © NGC<br />
4. Marie Watt<br />
Three Sisters: Cousin Rose, Sky Woman, Four<br />
Pelts and All My Relations (detail), 2007<br />
Wool blankets, satin binding, thread, salvaged<br />
industrial yellow cedar timber base<br />
Collection of Seattle Art Museum, Seattle<br />
Washington<br />
General Acquisition Fund, in honor of the 75th<br />
Anniversary of the Seattle Art Museum<br />
Photo: Courtesy of the artist<br />
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1<br />
http://artottawa.ca/sakahan-artistlectures-and-workshops-at-osa/<br />
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3<br />
ARTNEWS JUNE <strong>2013</strong> 11