Course Handbook - Faculty of History
Course Handbook - Faculty of History
Course Handbook - Faculty of History
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Class 4 (17 Nov) Dating and Contents (Dr Webber) <strong>Faculty</strong><br />
Classes 5-6 (24<br />
Nov/1 Dec)<br />
Technical Description <strong>of</strong> a Manuscript<br />
(Dr Webber)<br />
Wren Library,<br />
Trinity College<br />
Lent Term<br />
Class 7 (19 Jan)<br />
Class 8 (26 Jan)<br />
Class 9 (2 Feb)<br />
Class 10 (9 Feb)<br />
Part II - Medieval Libraries, Manuscript Collections and Late<br />
Medieval Books<br />
Late Medieval and Renaissance Manuscripts – liturgy, history and<br />
literature (Dr S Panayotova, Fitzwilliam Museum)<br />
Medieval Libraries (Dr T Webber, <strong>Faculty</strong> <strong>of</strong> <strong>History</strong>)<br />
Roman and Canon Law manuscripts (Dr P Zutshi)<br />
Early modern and modern manuscript collections (Pr<strong>of</strong> David<br />
McKitterick, (Trinity College) venue to be confirmed).<br />
5.5.1 Introductory Reading List for Medieval Book Production, Codicology and<br />
Libraries<br />
ESSENTIAL READING AND CONSTANT USE: The handbook by Bernhard<br />
Bisch<strong>of</strong>f is the best single guide to the subject <strong>of</strong> the development <strong>of</strong> script and<br />
book production. Latin Palaeography: Antiquity and the Middle Ages, translated<br />
by David Ganz and Daibhi Ó Cróinin (1990). For later medieval books and<br />
handwriting, the essential guide is A. Derolez, The Palaeography <strong>of</strong> Gothic<br />
Manuscript Books from the Twelfth to the Early Sixteenth Century (2003). Both<br />
books are available in paperback from Cambridge University Press.<br />
Also useful (and very well illustrated): R. Clemens and T. Graham, Introduction to<br />
Manuscript Studies (2007).<br />
(i) Decoration and illumination<br />
Further reading: A.Grabar, Early Christian Art (1970)<br />
J. Hubert, J. Porcher and W. Volbach, Europe in the Dark Ages (1969)<br />
idem, Carolingian Art (1970)<br />
C. de Hamel, A <strong>History</strong> <strong>of</strong> Illuminated manuscripts (2nd edn London, 1994);<br />
R.G. Calkins, Illuminated Books <strong>of</strong> the Middle Ages (London, 1983);<br />
Pelican <strong>History</strong> <strong>of</strong> Art: relevant volumes.<br />
(ii) The monastic scriptoria <strong>of</strong> the earlier middle ages<br />
For general bibliography see Leonard Boyle, Medieval Latin Palaeography. A<br />
Bibliographical Introduction (Toronto, 1984) and revised version, Rome 1999.<br />
Further reading lists available at the Palaeography classes.<br />
THIS BIBLIOGRAPHY IS ALSO INVALUABLE FOR ALL ASPECTS OF THE<br />
COURSE.<br />
D. Ganz, Corbie in the Carolingian Renaissance (1988)<br />
(iii) The development <strong>of</strong> the Paris book trade<br />
R.H. Rouse and M.A. Rouse, Manuscripts and their Makers: Commercial Book<br />
Producers in Medieval Paris 1200-1500 (Turnhout and London, 2000)<br />
C. de Hamel, Glossed books <strong>of</strong> the Bible and the Origins <strong>of</strong> the Paris Book Trade<br />
(Woodbridge, 1984)<br />
Aliza Cohen-Mushlin, The Making <strong>of</strong> a Manuscript. The Worms Bible <strong>of</strong> 1148<br />
(Wiesbaden, 1983) and see the review by R. McKitterick in The Book Collector<br />
(1985) pp. 523-6.<br />
(iv) The pecia system in the universities<br />
Further reading: Graham Pollard, ‘The pecia system in the medieval universities’<br />
in M.B. Parkes and A.G. Watson eds., Medieval Manuscripts and Libraries, Essays<br />
presented to N.R.Ker (1978).<br />
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