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Emotion representation and physiology assignments in digital systems

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Appendix B. (cont<strong>in</strong>ued)<br />

Murray/Arnott (1993) Banse/Scherer (1996)<br />

162<br />

High freq. energy<br />

Speech/art. rate<br />

DecreaseC<br />

Banse/Scherer (1996)<br />

Contempt<br />

Intensity<br />

F 0 floor/mean<br />

F 0 variability<br />

F 0 range<br />

Pitch contour (phrase)<br />

High freq. energy<br />

Speech/art. rate<br />

Decrease<br />

Decrease<br />

a Has also been found for milder forms of fear, such as worry or anxiety.<br />

b Decrease, downward directed; <strong>in</strong>crease, upward directed.<br />

c In Banse/Scherer (1996) <strong>and</strong> <strong>in</strong> Burkhardt/Sendlmeier (2000), basic emotions are split <strong>in</strong>to pairs, differ<strong>in</strong>g by the extent of arousal.<br />

d ‘In comb<strong>in</strong>ation with a fast speech rate, a raised mean pitch leads to a lower identification rate of anger. It seems that this comb<strong>in</strong>ation of features tends to express cold<br />

anger, a category not explicitly def<strong>in</strong>ed <strong>in</strong> this exp.’ (Burkhardt/Sendlmeier (2000)).<br />

e Decrease, downward directed; <strong>in</strong>crease, upward directed.<br />

f High, cry<strong>in</strong>g despair; low, quiet sorrow.<br />

g Decrease, downward directed; <strong>in</strong>crease, upward directed.<br />

h Most studies have <strong>in</strong>vestigated the low-arousal form.<br />

i<br />

High, joy/elation (German ‘Freude’).<br />

j<br />

Low, happ<strong>in</strong>ess (German ‘Zufriedenheit’, ‘Wohlbef<strong>in</strong>den’), see Burkhardt/Sendlmeier (2000) for more speech variables.<br />

C. Peter, A. Herbon / Interact<strong>in</strong>g with Computers 18 (2006) 139–170

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