11.11.2014 Views

Exploring Double Meanings in Geometric Figures

Exploring Double Meanings in Geometric Figures

Exploring Double Meanings in Geometric Figures

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

<strong>Explor<strong>in</strong>g</strong> <strong>Double</strong> <strong>Mean<strong>in</strong>gs</strong> <strong>in</strong><br />

<strong>Geometric</strong> <strong>Figures</strong><br />

Jen-chung Chuan<br />

Department of Mathematics<br />

National Ts<strong>in</strong>g Hua University<br />

Hs<strong>in</strong>chu, Taiwan 300<br />

jcchuan@math.nthu.edu.tw<br />

Abstract<br />

Mathematics is full of riddles. As a result, pictures describ<strong>in</strong>g mathematics often<br />

conta<strong>in</strong> double mean<strong>in</strong>gs. Mathematics is kept alive and stimulat<strong>in</strong>g <strong>in</strong> part due<br />

to the multiplicity of ideas represented by the geometric images. In what follows<br />

we are to reveal, through the dynamic geometry environment set up by<br />

CabriJava, double mean<strong>in</strong>gs hidden <strong>in</strong> a wide range of static geometric figures.<br />

Introduction<br />

Why is a geometric figure important? A geometric figure clarifies a theorem,<br />

motivates a proof, stimulates the th<strong>in</strong>k<strong>in</strong>g process, sums up a lengthy animation,<br />

provides a counterexample to a wild conjecture, or just pla<strong>in</strong>ly announces the<br />

existence of a significant piece of mathematics.<br />

Why is a geometric figure <strong>in</strong>terest<strong>in</strong>g? It is <strong>in</strong>terest<strong>in</strong>g often because it carries double<br />

mean<strong>in</strong>gs.<br />

"Given" and "To Construct" Switched<br />

A geometric construction problem has three parts: "Given", "To Construct", and the<br />

construction itself. Imag<strong>in</strong>e that we come across some ancient script on geometry <strong>in</strong><br />

which the written language is <strong>in</strong>decipherable but the illustration rema<strong>in</strong>s <strong>in</strong>tact as<br />

shown:<br />

By switch<strong>in</strong>g the "Given" and the "To Construct" parts, we see that the picture may<br />

have these two <strong>in</strong>terpretations:<br />

1) let the vertices of a pentagon be given, to construct a new pentagon by jo<strong>in</strong><strong>in</strong>g the<br />

midpo<strong>in</strong>ts;


2) given a pentagon, to construct another one whose midpo<strong>in</strong>ts co<strong>in</strong>cide with the<br />

corners of the given ones.<br />

This t<strong>in</strong>y example shows that dynamic geometry is at least twice as <strong>in</strong>terest<strong>in</strong>g as the<br />

traditional one.<br />

In the same ve<strong>in</strong>, consider the figure illustrat<strong>in</strong>g the Pascal theorem:<br />

The picture carries two messages:<br />

1) if a hexagon is <strong>in</strong>scribed <strong>in</strong> a conic, then the three pairs of opposite sides meet <strong>in</strong><br />

coll<strong>in</strong>ear po<strong>in</strong>ts;<br />

2) there is a conic pass<strong>in</strong>g through five given po<strong>in</strong>ts; the illustration shows how to<br />

construct all others po<strong>in</strong>ts of the curve.<br />

Evolute and Involute<br />

Involute is the path of a po<strong>in</strong>t of a str<strong>in</strong>g tautly unwound from the curve. Evolute of a<br />

curve is the locus of its center of curvature. Here is a figure consist<strong>in</strong>g of l<strong>in</strong>e<br />

segments each jo<strong>in</strong><strong>in</strong>g a po<strong>in</strong>t of a cardioid with its center of curvature:<br />

The figure may be <strong>in</strong>terpreted <strong>in</strong> two ways:<br />

1) the figure consists of normal l<strong>in</strong>es to the outer cardioid hav<strong>in</strong>g the length the radius<br />

of curvature; consequently an envelope (its evolute) appears <strong>in</strong> the form of the <strong>in</strong>ner


cardioid;<br />

2) the region <strong>in</strong>dicates where a str<strong>in</strong>g tautly unwound from the <strong>in</strong>ner cardioid has<br />

swept, the endpo<strong>in</strong>t sweep<strong>in</strong>g out the outer cardioid.<br />

The same phenomenon exists <strong>in</strong> other epicycloids and hypocycloids as well:<br />

S<strong>in</strong>ce the epicycloid and its <strong>in</strong>volute can be transformed <strong>in</strong>to one another by a central<br />

similarity, an <strong>in</strong>terest<strong>in</strong>g nested pattern may be constructed after this method:<br />

Cardioid and Perpendicular Tangents<br />

Here is a static figure show<strong>in</strong>g two perpendicular tangent l<strong>in</strong>es of the cardioid:<br />

There are two ways to regard the figure as a particular <strong>in</strong>stance of a sequence of shots:


1) the cardioid rema<strong>in</strong>s stationary while the pair of orthogonal tangents travel<strong>in</strong>g<br />

around the curve;<br />

2) the cardioid slides along two fixed orthogonal straight l<strong>in</strong>es.<br />

The similar phenomenon exists <strong>in</strong> other epicycloids and hypocycloids as well:<br />

Peaucellier Cell<br />

The design of the l<strong>in</strong>kage known as the Peaucellier cell was the first mechanical<br />

<strong>in</strong>versor ever awarded:<br />

The device may be used <strong>in</strong> two ways:<br />

1) it transforms the l<strong>in</strong>ear motion <strong>in</strong>to a circular one;<br />

2) it transforms the circular motion <strong>in</strong>to a l<strong>in</strong>ear one.<br />

Evelyn Sander has a webpage devoted to the discussion of Peaucellier's cell.<br />

Construction with Ruler Only<br />

Stimulated by the theory of perspective, the study of the constructive power of a ruler<br />

was carried out <strong>in</strong> full dur<strong>in</strong>g the 19th century. <strong>Geometric</strong> figures so constructed<br />

usually consist of straight l<strong>in</strong>es only. Such figures can be borrowed to create amus<strong>in</strong>g<br />

puzzles by ask<strong>in</strong>g: what was the process of construction? Thus, for example, if we<br />

regard this figure as the solution,


what then, is the question? There are two possibilities:<br />

1) given the midpo<strong>in</strong>t of a l<strong>in</strong>e segment and given another po<strong>in</strong>t not on the segment, to<br />

construct, us<strong>in</strong>g the ruler alone, a straight l<strong>in</strong>e pass<strong>in</strong>g through the given po<strong>in</strong>t and<br />

parallel to the given l<strong>in</strong>e segment;<br />

2) given a l<strong>in</strong>e parallel to a l<strong>in</strong>e segment, to construct, us<strong>in</strong>g the ruler alone, the<br />

midpo<strong>in</strong>t of the l<strong>in</strong>e segment.<br />

Here is a book devoted to constructions of this sort:<br />

A. S. Smogorzhevskii, The Ruler <strong>in</strong> <strong>Geometric</strong>al Construction.<br />

For those who are curious, there is another book translated from Russian on the<br />

subject of geometric constructions with the compasses alone:<br />

Aleksandr Kostovskii, <strong>Geometric</strong> Constructions with Compasses Only<br />

Ellipse and Deltoid<br />

This picture does not appear impressive until turned <strong>in</strong>to a dynamic one:<br />

Depend<strong>in</strong>g how the "camera" is manipulated, we may build these two sequences of<br />

animation:<br />

1) the ellipse is shown to be rotate around rigidly while rema<strong>in</strong> tangent to the deltoid<br />

<strong>in</strong>ternally;<br />

2) the deltoid is to rotate around while touch<strong>in</strong>g the fixed ellipse all the time.<br />

Coaxal Systems


Can you make circles <strong>in</strong> this illustration of the coaxal system move?<br />

Based on two different pr<strong>in</strong>ciples of design, the static picture can be turned <strong>in</strong>to a<br />

dynamic one with<br />

1) all circles seem to march <strong>in</strong> one direction only;<br />

2) one half of the circles march towards left while the other half towards right.<br />

Deltoid and Three-Cusped Epicycloid<br />

This figure conveys two messages:<br />

1) between the deltoid and the 3-cusped epicycloid there are circles hav<strong>in</strong>g center on<br />

the base circle and tangent to both;<br />

2) there is a family of circles envelop<strong>in</strong>g both the deltoid and the 3-cusped epicycloid.<br />

Similar situations take place for the astroid and the 4-cusped epicycloid pair also:


Euclidean and Non-Euclidean Geometries<br />

Consider this <strong>in</strong>terest<strong>in</strong>g figure:<br />

The figure can be regarded as either an illustration of a theorem <strong>in</strong> Euclidean<br />

geometry, or an illustration of a theorem <strong>in</strong> Non-Euclidean geometry.<br />

1) as a figure <strong>in</strong> the Euclidean geometry, it shows the three arcs each orthogonal to the<br />

big circle and pass<strong>in</strong>g through the po<strong>in</strong>ts of <strong>in</strong>tersection of two circles, meet at one<br />

po<strong>in</strong>t;<br />

2) as a figure under the Po<strong>in</strong>care model of the Non-Euclidean geometry it shows the<br />

three common chords of pairs of circles meet are concurrent. This is the Non-<br />

Euclidean version of this illustration <strong>in</strong> Euclidean geometry:


2D Phenomena Expla<strong>in</strong>ed Through 3D<br />

There are <strong>in</strong>terest<strong>in</strong>g theorems who proofs can be given when the 2D figures so drawn<br />

be viewed as 3D figures. One such famous results is Monge Theorem:<br />

Here are the statements of the orig<strong>in</strong>al theorem and its three-dimensional counterpart:<br />

1) the common external tangents to each pair of three different-sized circles meet <strong>in</strong><br />

three coll<strong>in</strong>ear po<strong>in</strong>ts;<br />

2) the envelop<strong>in</strong>g tangent cones of each pair of three different-sized spheres have<br />

coll<strong>in</strong>ear vertices.<br />

You may consult Ogilvy's charm<strong>in</strong>g book "Excursions <strong>in</strong> Geometry" pp. 115-117 to<br />

see the complete explanation.<br />

Here is another theorem belong<strong>in</strong>g to the same category, known as Desargues' Two-<br />

Triangle Theorem:


Depend<strong>in</strong>g on the 2D or the 3D po<strong>in</strong>t of view, the figure says:<br />

1) copolar triangles are coaxial, and conversely;<br />

2) copolar triangles <strong>in</strong> space are coaxial, and conversely.<br />

This is just one of the four different proofs of Desargues' Two-Triangle Theorem<br />

given <strong>in</strong> Howard Eves' masterpiece "A Survey of Geometry".<br />

<strong>Double</strong> Generation<br />

Question: which of the follow<strong>in</strong>g two statements is correct?<br />

1) the deltoid is the locus of a po<strong>in</strong>t on the circumference of a circle which rolls round<br />

the <strong>in</strong>side of a fixed circle triple the radius;<br />

2) the deltoid is the locus of a po<strong>in</strong>t on the circumference of a circle which rolls round<br />

the <strong>in</strong>side of a fixed circle 3/2 the radius.<br />

Answer: Both are correct!<br />

With the traditional pr<strong>in</strong>t<strong>in</strong>g technology this is all that can be illustrated:<br />

Under the dynamic geometry environment it is highly stimulat<strong>in</strong>g to construct the<br />

phenomenon known as the "double generation" which states that every cycloidal<br />

curve may be generated <strong>in</strong> two ways: by two roll<strong>in</strong>g circles the sum, or difference, of<br />

whose radii is the radius of the fixed circle.<br />

Ste<strong>in</strong>er Porism, Poncelet Porism<br />

Accord<strong>in</strong>g to the Webster's 1828 dictionary, a porism is def<strong>in</strong>ed this way:


"a proposition affirm<strong>in</strong>g the possibility of f<strong>in</strong>d<strong>in</strong>g<br />

such conditions as will render a certa<strong>in</strong> problem<br />

<strong>in</strong>determ<strong>in</strong>ate or capable of <strong>in</strong>numerable<br />

solutions." It is not a theorem, nor a problem, or<br />

rather it <strong>in</strong>cludes both.<br />

So much for an attempt to def<strong>in</strong>e a respectable mathematical result! One th<strong>in</strong>g is clear:<br />

any statement qualified to be named a "porism" must have double mean<strong>in</strong>gs.<br />

This illustration of the Ste<strong>in</strong>er porism<br />

carries double mean<strong>in</strong>gs as follows:<br />

1) If two circles admit a Ste<strong>in</strong>er cha<strong>in</strong>, they admit an <strong>in</strong>f<strong>in</strong>ite number, and any one of<br />

the direct tangent circles is a member of one cha<strong>in</strong>;<br />

2) under the Po<strong>in</strong>caré's model of non-Euclidean geometry, if two circles are so<br />

related that a polygon can be <strong>in</strong>scribed to one and circumscribed to the other, then<br />

<strong>in</strong>f<strong>in</strong>itely many polygons can be so drawn.<br />

Statement 1) is known as the Ste<strong>in</strong>er's porism, while statement 2) is known as the<br />

Poncelet's porism.


Front and Back<br />

When the graph of the plane graph of the function y = s<strong>in</strong> 2x were wrapped around a<br />

cyl<strong>in</strong>der, it appears as:<br />

The reason a primitive draw<strong>in</strong>g such as this appears as a three-dimensional object is<br />

because <strong>in</strong> our m<strong>in</strong>d we have assigned the notion "front" and "back" to the crucial<br />

portions of the figure. But then, there are two such possibilities!<br />

References<br />

1. H. S. M. Coxeter, Introduction to Geometry<br />

2. He<strong>in</strong>rich Dorrie, 100 Great Problems of Elementary Mathematics<br />

3. Howard Eves, A Survey of Geometry<br />

4. Roger A. Johnson, Advanced Euclidean Geometry<br />

5. A.B. Kempe, How to draw a straight l<strong>in</strong>e; a lecture on l<strong>in</strong>kage, repr<strong>in</strong>ted by<br />

Chelsea <strong>in</strong> the collection "Squar<strong>in</strong>g the Circle"<br />

6. Aleksandr Kostovskii, <strong>Geometric</strong> Constructions with Compasses Only<br />

7. E. H. Lockwood, A Book of Curves<br />

8. A. S. Smogorzhevskii, The Ruler <strong>in</strong> <strong>Geometric</strong>al Construction<br />

9. David Wells, Hidden Connections, <strong>Double</strong> <strong>Mean<strong>in</strong>gs</strong><br />

10. Robert C. Yates, A Handbook on Curves and Their Properties<br />

11. Robert C. Yates, <strong>Geometric</strong>al Tools, a mathematical sketch and model book

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!