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Ginger & Rosa - Filmhouse Cinema Edinburgh

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4 New releases<br />

HOLY MOTORS UNTOUCHABLE BARBARA<br />

NEWRELEASE<br />

Holy Motors<br />

Showing until Thu18 Oct<br />

Leos Carax • France/Germany 2012 • 1h56m • Digital projection<br />

French, English and Chinese with English subtitles<br />

18 – Contains strong nudity<br />

Cast: Denis Lavant, Edith Scob, Eva Mendes, Kylie Minogue, Elise<br />

Lhomeau.<br />

French filmmaker Leos Carax (Les amants du Pont-Neuf,<br />

Pola X) took Cannes by storm this year with this cyclone of<br />

cinematic invention, receiving rapturous praise from critics<br />

and audiences alike and making a dark-horse charge at the<br />

Palme d’Or.<br />

An intoxicating blend of science fiction, song and dance,<br />

romance and carnival funhouse dada pranksterism, Holy<br />

Motors is confounding and dazzling in equal measure,<br />

earning comparisons to David Lynch, Lewis Carroll, Tron<br />

and Metropolis. With vaudevillian genius (and the help of<br />

elaborate costumes and makeup), French character actor<br />

Denis Lavant inhabits no less than eleven roles as he is<br />

driven about a digitally transformed fantasy Paris by his<br />

chauffeur (the brilliant Edith Scob) in an odyssey that is<br />

both espionage and performance, and overtly a metaphor<br />

for our ever-changing online existences.<br />

Gorgeously shot by Caroline Champetier, with an inspired<br />

supporting cast including Kylie Minogue and Eva Mendes,<br />

Holy Motors enchants with its stunning imagery, entertains<br />

like a cyberpunk cabaret act, and provokes with its howl of<br />

rage against our enslavement to technology.<br />

NEWRELEASE<br />

Untouchable Intouchables<br />

Showing until Thu 18 Oct<br />

Olivier Nakache & Eric Toledano • France 2011 • 1h52m<br />

Digital projection • French with English subtitles<br />

15 – Contains strong language and soft drug use<br />

Cast: François Cluzet, Omar Sy, Anne Le Ny, Audrey Fleurot.<br />

Move over Jean Dujardin and The Artist: France’s most<br />

talked-about performance and film this year comes in<br />

the shape of this fuse-lighting comedy that’s become the<br />

country’s second-biggest box-office hit of all time with its<br />

portrait of friendship across the racial and economic divide.<br />

Paralysed from the neck down after an accident, gloomy<br />

millionaire Philippe (François Cluzet) finds little in life worth<br />

living for, until the arrival of his new assistant, Driss (Omar<br />

Sy), a Senegalese rowdy from the downtrodden banlieues.<br />

Not quite on doctor’s orders, Driss takes Philippe as far out<br />

of his comfort zone as possible and into a world he never<br />

knew existed – or rather always tried to avoid.<br />

A slapstick, gleefully politically incorrect throwback to ’80s<br />

culture-clash comedies like Trading Places, only played<br />

out across contemporary France’s ever-palpable racial<br />

and class tensions, Untouchable hit a nerve with French<br />

audiences, critics hailing it as a cultural milestone.<br />

NEWRELEASE<br />

Barbara<br />

Showing until Thu 11 Oct<br />

Christian Petzold • Germany 2012 • 1h45m<br />

Digital projection • German with English subtitles • cert tbc<br />

Cast: Nina Hoss, Ronald Zehrfeld, Rainer Bock, Christina Hecke.<br />

In the paranoiac nightmare of East Germany, 1980,<br />

Barbara, a physician from Berlin, has been sent to a small<br />

country town as punishment for a crime against the state.<br />

Tormented by the Stasi, she dreams of escape to the West<br />

but finds herself being drawn inexorably, disastrously into<br />

a relationship with a fellow doctor.<br />

Subtly drawn and impeccably acted, Barbara is the assured<br />

new offering from German master Christian Petzold, who<br />

deservedly won the Best Director award at this year’s Berlin<br />

Film Festival. A film of glancing moments and dangerous<br />

secrets, Barbara paints a haunting picture of a young<br />

woman being slowly crushed between the irreconcilable<br />

needs of desire and survival.<br />

After the 5.50pm screening on Monday 8 October there<br />

will be an open discussion on the issues raised by the<br />

film, led by a representative of the Humanist Society of<br />

Scotland.<br />

Humanism is an ethical stance which asserts that we<br />

can lead good lives guided by compassion and reason,<br />

rather than religion or superstition. Humanists are vitally<br />

concerned with issues that affect our world.

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