Ginger & Rosa - Filmhouse Cinema Edinburgh
Ginger & Rosa - Filmhouse Cinema Edinburgh
Ginger & Rosa - Filmhouse Cinema Edinburgh
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4 New releases<br />
HOLY MOTORS UNTOUCHABLE BARBARA<br />
NEWRELEASE<br />
Holy Motors<br />
Showing until Thu18 Oct<br />
Leos Carax • France/Germany 2012 • 1h56m • Digital projection<br />
French, English and Chinese with English subtitles<br />
18 – Contains strong nudity<br />
Cast: Denis Lavant, Edith Scob, Eva Mendes, Kylie Minogue, Elise<br />
Lhomeau.<br />
French filmmaker Leos Carax (Les amants du Pont-Neuf,<br />
Pola X) took Cannes by storm this year with this cyclone of<br />
cinematic invention, receiving rapturous praise from critics<br />
and audiences alike and making a dark-horse charge at the<br />
Palme d’Or.<br />
An intoxicating blend of science fiction, song and dance,<br />
romance and carnival funhouse dada pranksterism, Holy<br />
Motors is confounding and dazzling in equal measure,<br />
earning comparisons to David Lynch, Lewis Carroll, Tron<br />
and Metropolis. With vaudevillian genius (and the help of<br />
elaborate costumes and makeup), French character actor<br />
Denis Lavant inhabits no less than eleven roles as he is<br />
driven about a digitally transformed fantasy Paris by his<br />
chauffeur (the brilliant Edith Scob) in an odyssey that is<br />
both espionage and performance, and overtly a metaphor<br />
for our ever-changing online existences.<br />
Gorgeously shot by Caroline Champetier, with an inspired<br />
supporting cast including Kylie Minogue and Eva Mendes,<br />
Holy Motors enchants with its stunning imagery, entertains<br />
like a cyberpunk cabaret act, and provokes with its howl of<br />
rage against our enslavement to technology.<br />
NEWRELEASE<br />
Untouchable Intouchables<br />
Showing until Thu 18 Oct<br />
Olivier Nakache & Eric Toledano • France 2011 • 1h52m<br />
Digital projection • French with English subtitles<br />
15 – Contains strong language and soft drug use<br />
Cast: François Cluzet, Omar Sy, Anne Le Ny, Audrey Fleurot.<br />
Move over Jean Dujardin and The Artist: France’s most<br />
talked-about performance and film this year comes in<br />
the shape of this fuse-lighting comedy that’s become the<br />
country’s second-biggest box-office hit of all time with its<br />
portrait of friendship across the racial and economic divide.<br />
Paralysed from the neck down after an accident, gloomy<br />
millionaire Philippe (François Cluzet) finds little in life worth<br />
living for, until the arrival of his new assistant, Driss (Omar<br />
Sy), a Senegalese rowdy from the downtrodden banlieues.<br />
Not quite on doctor’s orders, Driss takes Philippe as far out<br />
of his comfort zone as possible and into a world he never<br />
knew existed – or rather always tried to avoid.<br />
A slapstick, gleefully politically incorrect throwback to ’80s<br />
culture-clash comedies like Trading Places, only played<br />
out across contemporary France’s ever-palpable racial<br />
and class tensions, Untouchable hit a nerve with French<br />
audiences, critics hailing it as a cultural milestone.<br />
NEWRELEASE<br />
Barbara<br />
Showing until Thu 11 Oct<br />
Christian Petzold • Germany 2012 • 1h45m<br />
Digital projection • German with English subtitles • cert tbc<br />
Cast: Nina Hoss, Ronald Zehrfeld, Rainer Bock, Christina Hecke.<br />
In the paranoiac nightmare of East Germany, 1980,<br />
Barbara, a physician from Berlin, has been sent to a small<br />
country town as punishment for a crime against the state.<br />
Tormented by the Stasi, she dreams of escape to the West<br />
but finds herself being drawn inexorably, disastrously into<br />
a relationship with a fellow doctor.<br />
Subtly drawn and impeccably acted, Barbara is the assured<br />
new offering from German master Christian Petzold, who<br />
deservedly won the Best Director award at this year’s Berlin<br />
Film Festival. A film of glancing moments and dangerous<br />
secrets, Barbara paints a haunting picture of a young<br />
woman being slowly crushed between the irreconcilable<br />
needs of desire and survival.<br />
After the 5.50pm screening on Monday 8 October there<br />
will be an open discussion on the issues raised by the<br />
film, led by a representative of the Humanist Society of<br />
Scotland.<br />
Humanism is an ethical stance which asserts that we<br />
can lead good lives guided by compassion and reason,<br />
rather than religion or superstition. Humanists are vitally<br />
concerned with issues that affect our world.