Ginger & Rosa - Filmhouse Cinema Edinburgh
Ginger & Rosa - Filmhouse Cinema Edinburgh
Ginger & Rosa - Filmhouse Cinema Edinburgh
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New releases<br />
5<br />
GINGER & ROSA SWANDOWN ROOM 237<br />
NEWRELEASE<br />
<strong>Ginger</strong> & <strong>Rosa</strong><br />
Fri 19 Oct to Thu 1 Nov<br />
Sally Potter • UK/Denmark/Canada/Croatia 2012 • 1h30m<br />
Digital projection • 12A – Contains infrequent strong language<br />
and moderate sex and suicide references<br />
Cast: Christina Hendricks, Elle Fanning, Annette Bening,<br />
Alessandro Nivola, Alice Englert.<br />
Best friends forever, <strong>Ginger</strong> (Elle Fanning) and <strong>Rosa</strong> (Alice<br />
Englert) have grown up together and are now on the<br />
brink of adulthood, strutting their bathtub-shrunk jeans<br />
and flaunting their own brand of teenage existentialism.<br />
One fears annihilation, the other invites it. <strong>Ginger</strong> is<br />
preoccupied with the Cold War and the mounting threat<br />
of nuclear devastation. <strong>Rosa</strong> is defiant – her revolution is<br />
sexual – a form of protest that will irrevocably impact on<br />
their families, her future and ultimately, the girls’ friendship.<br />
While Sally (Orlando, The Tango Lesson) Potter’s intoxicating<br />
coming-of-age drama is historically specific in its 1960s<br />
London setting, its relevance to the current era of ill-defined<br />
protest and the question of generational legacy is palpable.<br />
The left-leaning adults – <strong>Ginger</strong>’s carefree bohemian<br />
father (Alessandro Nivola), her frustrated mother (Christina<br />
Hendricks) and her mother’s politically active friends<br />
(Annette Bening, Timothy Spall and Oliver Platt) all give<br />
lessons on freedom and responsibility that prove flawed and<br />
hypocritical when turbulent reality encroaches on idealism.<br />
Carlos Conti’s understated design and Robbie (Fish Tank,<br />
Wuthering Heights) Ryan’s moody cinematography amplify<br />
the sense of claustrophobic intimacy and underscore Potter’s<br />
choice to evoke the 60s through mood and sensibility rather<br />
than by overt design. (Clare Stewart, LFF programme)<br />
NEWRELEASE<br />
Swandown<br />
Tue 23 Oct only<br />
Michael Kötting • UK 2012 • 1h38m • Digital projection<br />
12A – Contains one use of strong language • Documentary<br />
Swandown is a travelogue and odyssey of Olympian<br />
ambition; a poetic film-diary about encounter, myth and<br />
culture. It is also an endurance test and pedal-marathon<br />
in which Andrew Kötting (the filmmaker) and Iain Sinclair<br />
(the writer) pedal a swan-shaped pedalo from the seaside<br />
in Hastings to Hackney in London, via inland waterways.<br />
With a nod to Herzog’s Fitzcarraldo and a pinch of Dada,<br />
Swandown documents their epic journey, on which they<br />
are joined by invited guests including comedian Stewart<br />
Lee, writer Alan Moore and actor Dudley Sutton.<br />
Matinee Special!<br />
If you’re a Senior Citizen you can now go to a<br />
matinee screening and get either soup of the day<br />
OR a cup of tea or coffee and a traycake for only £6!<br />
Offer runs from Mondays to Thursdays inclusive and<br />
only applies to screenings starting before 5.00pm. Ask<br />
for the Matinee Special deal at the box office and you’ll<br />
receive a voucher which can be exchanged in the café<br />
bar between 1.30pm and 5.00pm that day only. Offer is<br />
subject to availability and only available in person.<br />
NEWRELEASE<br />
Room 237<br />
Fri 26 Oct to Thu 8 Nov<br />
Rodney Ascher • USA 2012 • 1h42m • Digital projection<br />
15 – Contains strong violence, horror and nudity<br />
Documentary<br />
“One of the great movies about movies.” – Variety<br />
Room 237 dissects Stanley Kubrick’s The Shining in<br />
amazing and unexpected ways, looking at a host of<br />
conspiracy theories around secret codes and messages<br />
supposedly hidden within the film.<br />
Director Rodney Ascher has uncovered a thriving<br />
subculture of Kubrick fans, critics and film theorists<br />
– ranging from semi-obsessive to paranoid delusional<br />
– who ascribe a plethora of interpretations to The Shining.<br />
Is it about the Holocaust? Or the plight of the American<br />
Indians? Or is it a confession of Kubrick’s involvement with<br />
faking the moon landing?<br />
Screened at Sundance and Cannes, the film itself is about<br />
so much more than just obsessive fandom; it gets to the<br />
heart of what it is to find meaning in a film, and there, to<br />
discover one’s secrets.<br />
Catch the new restoration of The Shining at our special<br />
Halloween preview on 31 October (see page 7), or when<br />
it returns for a short run from 2 November.