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Ginger & Rosa - Filmhouse Cinema Edinburgh

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New releases<br />

5<br />

GINGER & ROSA SWANDOWN ROOM 237<br />

NEWRELEASE<br />

<strong>Ginger</strong> & <strong>Rosa</strong><br />

Fri 19 Oct to Thu 1 Nov<br />

Sally Potter • UK/Denmark/Canada/Croatia 2012 • 1h30m<br />

Digital projection • 12A – Contains infrequent strong language<br />

and moderate sex and suicide references<br />

Cast: Christina Hendricks, Elle Fanning, Annette Bening,<br />

Alessandro Nivola, Alice Englert.<br />

Best friends forever, <strong>Ginger</strong> (Elle Fanning) and <strong>Rosa</strong> (Alice<br />

Englert) have grown up together and are now on the<br />

brink of adulthood, strutting their bathtub-shrunk jeans<br />

and flaunting their own brand of teenage existentialism.<br />

One fears annihilation, the other invites it. <strong>Ginger</strong> is<br />

preoccupied with the Cold War and the mounting threat<br />

of nuclear devastation. <strong>Rosa</strong> is defiant – her revolution is<br />

sexual – a form of protest that will irrevocably impact on<br />

their families, her future and ultimately, the girls’ friendship.<br />

While Sally (Orlando, The Tango Lesson) Potter’s intoxicating<br />

coming-of-age drama is historically specific in its 1960s<br />

London setting, its relevance to the current era of ill-defined<br />

protest and the question of generational legacy is palpable.<br />

The left-leaning adults – <strong>Ginger</strong>’s carefree bohemian<br />

father (Alessandro Nivola), her frustrated mother (Christina<br />

Hendricks) and her mother’s politically active friends<br />

(Annette Bening, Timothy Spall and Oliver Platt) all give<br />

lessons on freedom and responsibility that prove flawed and<br />

hypocritical when turbulent reality encroaches on idealism.<br />

Carlos Conti’s understated design and Robbie (Fish Tank,<br />

Wuthering Heights) Ryan’s moody cinematography amplify<br />

the sense of claustrophobic intimacy and underscore Potter’s<br />

choice to evoke the 60s through mood and sensibility rather<br />

than by overt design. (Clare Stewart, LFF programme)<br />

NEWRELEASE<br />

Swandown<br />

Tue 23 Oct only<br />

Michael Kötting • UK 2012 • 1h38m • Digital projection<br />

12A – Contains one use of strong language • Documentary<br />

Swandown is a travelogue and odyssey of Olympian<br />

ambition; a poetic film-diary about encounter, myth and<br />

culture. It is also an endurance test and pedal-marathon<br />

in which Andrew Kötting (the filmmaker) and Iain Sinclair<br />

(the writer) pedal a swan-shaped pedalo from the seaside<br />

in Hastings to Hackney in London, via inland waterways.<br />

With a nod to Herzog’s Fitzcarraldo and a pinch of Dada,<br />

Swandown documents their epic journey, on which they<br />

are joined by invited guests including comedian Stewart<br />

Lee, writer Alan Moore and actor Dudley Sutton.<br />

Matinee Special!<br />

If you’re a Senior Citizen you can now go to a<br />

matinee screening and get either soup of the day<br />

OR a cup of tea or coffee and a traycake for only £6!<br />

Offer runs from Mondays to Thursdays inclusive and<br />

only applies to screenings starting before 5.00pm. Ask<br />

for the Matinee Special deal at the box office and you’ll<br />

receive a voucher which can be exchanged in the café<br />

bar between 1.30pm and 5.00pm that day only. Offer is<br />

subject to availability and only available in person.<br />

NEWRELEASE<br />

Room 237<br />

Fri 26 Oct to Thu 8 Nov<br />

Rodney Ascher • USA 2012 • 1h42m • Digital projection<br />

15 – Contains strong violence, horror and nudity<br />

Documentary<br />

“One of the great movies about movies.” – Variety<br />

Room 237 dissects Stanley Kubrick’s The Shining in<br />

amazing and unexpected ways, looking at a host of<br />

conspiracy theories around secret codes and messages<br />

supposedly hidden within the film.<br />

Director Rodney Ascher has uncovered a thriving<br />

subculture of Kubrick fans, critics and film theorists<br />

– ranging from semi-obsessive to paranoid delusional<br />

– who ascribe a plethora of interpretations to The Shining.<br />

Is it about the Holocaust? Or the plight of the American<br />

Indians? Or is it a confession of Kubrick’s involvement with<br />

faking the moon landing?<br />

Screened at Sundance and Cannes, the film itself is about<br />

so much more than just obsessive fandom; it gets to the<br />

heart of what it is to find meaning in a film, and there, to<br />

discover one’s secrets.<br />

Catch the new restoration of The Shining at our special<br />

Halloween preview on 31 October (see page 7), or when<br />

it returns for a short run from 2 November.

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