Ginger & Rosa - Filmhouse Cinema Edinburgh
Ginger & Rosa - Filmhouse Cinema Edinburgh
Ginger & Rosa - Filmhouse Cinema Edinburgh
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Restored classics<br />
7<br />
HUSBANDS F FOR FAKE THE SHINING<br />
RESTOREDCLASSIC<br />
Husbands<br />
Fri 12 to Tue 16 Oct<br />
John Cassavetes • USA 1970 • 2h11m • Digital projection<br />
12A – Contains domestic violence and moderate sex references<br />
Cast: Ben Gazzara, Peter Falk, John Cassavetes, Jenny Runacre,<br />
Jenny Lee Wright.<br />
The deceptively simple tale of three men’s nihilistic<br />
attempts to deal with the death of a friend, Husbands<br />
is a dissection of middle class suburban ennui like few<br />
others. Three friends – Gus (Cassavetes), Archie (Peter<br />
Falk) and Harry (Ben Gazzara) use the funeral of their<br />
friend as a jumping off point for a European bender to<br />
end all benders. There’s drunkenness, singing, basketball,<br />
gambling, picking up girls and making complete fools of<br />
themselves aplenty, but this is no ageing frat pack flick. For<br />
Husbands is actually a powerfully intuitive re-evaluation<br />
of male values (their instability and stupidity) in the age of<br />
change that was the end of the 1960s and early 1970s.<br />
Long overdue re-evaluation, Husbands is an important<br />
work by a major American filmmaker.<br />
RESTOREDCLASSIC<br />
F for Fake<br />
Fri 12 to Sun 14 Oct<br />
Orson Welles • France/Iran/West Germany 1973<br />
1h28m • Digital projection<br />
English, French and Spanish with English subtitles<br />
PG – Contains infrequent nudity<br />
Part essay, part prank, and one of the most inventive and<br />
invigorating non-fiction features ever made. At its heart are<br />
two of the world’s great fakers – Elmyr De Hory, a man who<br />
could dash off a Picasso in the time it takes to finish a cup<br />
of tea, and Clifford Irving, the crime author who claimed<br />
he’d been hired to write the biography of Howard Hughes.<br />
Rather than looking down his nose at the forgers, director<br />
Orson Welles dares to wonder whether what they do isn’t<br />
itself a form of art. He also contemplates the less noble<br />
moments of his own career – principally the infamous<br />
‘War Of The Worlds’ radio broadcast – leads us on a tour of<br />
great restaurants, and introduces us to everyone from his<br />
long-time partner and collaborator Oja Kodar to celebrity<br />
friends like Joseph Cotten and Laurence Harvey.<br />
As cheerfully subversive as Welles’ film is (he constantly<br />
refers to elisions at the request of his lawyers), it’s not a<br />
glib statement for the sake of irony itself, but a personal<br />
meditation on the nature of art and art’s audience, and the<br />
capricious nature of fame and fortune. Simply dazzling.<br />
RESTOREDCLASSIC<br />
The Shining<br />
Wed 31 Oct only<br />
Stanley Kubrick • UK/USA 1980 • 2h24m • Digital projection<br />
15 – Contains strong violence and language<br />
Cast: Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman<br />
Crothers, Barry Nelson.<br />
A stunning new digital transfer of the longer, US cut of<br />
Stanley Kubrick’s masterpiece of modern horror.<br />
Hired as caretaker for a mountain hotel cut off from civilisation<br />
by winter snowfall, struggling author Jack Torrance is haunted<br />
by his frustrated creative ambitions and fears of failure both as<br />
a husband and an artist. Nurtured by the claustrophobia and<br />
isolation of his surroundings, his underlying insanity gradually<br />
evolves into rampant madness.<br />
Nicholson’s startling performance, beginning with the<br />
overdone charm at his job interview already showing signs of<br />
inherent insanity, to the final maniacal beast on the rampage,<br />
is perfectly realised.<br />
A special Halloween preview of this new restoration,<br />
which will return for a short run from 2 November. And<br />
don’t miss the brilliant and entertaining documentary<br />
Room 237, also screening this month (see page 5).