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Ginger & Rosa - Filmhouse Cinema Edinburgh

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Restored classics<br />

7<br />

HUSBANDS F FOR FAKE THE SHINING<br />

RESTOREDCLASSIC<br />

Husbands<br />

Fri 12 to Tue 16 Oct<br />

John Cassavetes • USA 1970 • 2h11m • Digital projection<br />

12A – Contains domestic violence and moderate sex references<br />

Cast: Ben Gazzara, Peter Falk, John Cassavetes, Jenny Runacre,<br />

Jenny Lee Wright.<br />

The deceptively simple tale of three men’s nihilistic<br />

attempts to deal with the death of a friend, Husbands<br />

is a dissection of middle class suburban ennui like few<br />

others. Three friends – Gus (Cassavetes), Archie (Peter<br />

Falk) and Harry (Ben Gazzara) use the funeral of their<br />

friend as a jumping off point for a European bender to<br />

end all benders. There’s drunkenness, singing, basketball,<br />

gambling, picking up girls and making complete fools of<br />

themselves aplenty, but this is no ageing frat pack flick. For<br />

Husbands is actually a powerfully intuitive re-evaluation<br />

of male values (their instability and stupidity) in the age of<br />

change that was the end of the 1960s and early 1970s.<br />

Long overdue re-evaluation, Husbands is an important<br />

work by a major American filmmaker.<br />

RESTOREDCLASSIC<br />

F for Fake<br />

Fri 12 to Sun 14 Oct<br />

Orson Welles • France/Iran/West Germany 1973<br />

1h28m • Digital projection<br />

English, French and Spanish with English subtitles<br />

PG – Contains infrequent nudity<br />

Part essay, part prank, and one of the most inventive and<br />

invigorating non-fiction features ever made. At its heart are<br />

two of the world’s great fakers – Elmyr De Hory, a man who<br />

could dash off a Picasso in the time it takes to finish a cup<br />

of tea, and Clifford Irving, the crime author who claimed<br />

he’d been hired to write the biography of Howard Hughes.<br />

Rather than looking down his nose at the forgers, director<br />

Orson Welles dares to wonder whether what they do isn’t<br />

itself a form of art. He also contemplates the less noble<br />

moments of his own career – principally the infamous<br />

‘War Of The Worlds’ radio broadcast – leads us on a tour of<br />

great restaurants, and introduces us to everyone from his<br />

long-time partner and collaborator Oja Kodar to celebrity<br />

friends like Joseph Cotten and Laurence Harvey.<br />

As cheerfully subversive as Welles’ film is (he constantly<br />

refers to elisions at the request of his lawyers), it’s not a<br />

glib statement for the sake of irony itself, but a personal<br />

meditation on the nature of art and art’s audience, and the<br />

capricious nature of fame and fortune. Simply dazzling.<br />

RESTOREDCLASSIC<br />

The Shining<br />

Wed 31 Oct only<br />

Stanley Kubrick • UK/USA 1980 • 2h24m • Digital projection<br />

15 – Contains strong violence and language<br />

Cast: Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman<br />

Crothers, Barry Nelson.<br />

A stunning new digital transfer of the longer, US cut of<br />

Stanley Kubrick’s masterpiece of modern horror.<br />

Hired as caretaker for a mountain hotel cut off from civilisation<br />

by winter snowfall, struggling author Jack Torrance is haunted<br />

by his frustrated creative ambitions and fears of failure both as<br />

a husband and an artist. Nurtured by the claustrophobia and<br />

isolation of his surroundings, his underlying insanity gradually<br />

evolves into rampant madness.<br />

Nicholson’s startling performance, beginning with the<br />

overdone charm at his job interview already showing signs of<br />

inherent insanity, to the final maniacal beast on the rampage,<br />

is perfectly realised.<br />

A special Halloween preview of this new restoration,<br />

which will return for a short run from 2 November. And<br />

don’t miss the brilliant and entertaining documentary<br />

Room 237, also screening this month (see page 5).

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