Finemusic ç¾Žæ¨‚é›†(08/2012) - é¦™æ¸¯é›»å°

FOREWORD 前言 

June 28 was Uncle Ray’s big day. In recognition of Uncle Ray’s 

contribution to music, the Hong Kong Academy for Performing Arts 

awarded him an Hononary Fellowship. Uncle Ray has been a DJ for 

more than 60 years and holds the Guinness World Record for his work. 

For years, on weekdays after midnight, we have listened to his familiar 

voice during Radio 3 and 4’s joint broadcast on FM97.6 – 98.9MHz. 

This year is his 88th birthday and he celebrates it with a brand new jazz 

programme especially for Radio 4. 

Uncle Ray usually plays pops and oldies in his programme. But, in 

fact, he is also a fervent jazz lover. In his early days as a DJ, Uncle Ray 

presented a programme entitled Progressive Jazz to high acclaims. He 

is particularly fond of Big Band music, and his collection of Big Band 

recordings is jaw-dropping! 

From August till his birthday month of December (December 12, and 

thus 12/12/12!), Uncle Ray will bring to you his Jazz favourites in 

Just Jazz with Uncle Ray – a programme recommended for both Jazz 

fans and beginners! A word of thanks to versatile musician Romy Diaz 

who has written a special signature tune for this new programme. You 

can also hear Christine Samson’s beautiful voice in it! 

On the subject of jazz, Debussy has made a contribution to the musical 

genre. Just listen to some of his piano preludes: the colourful chords 

in Brouillards are indeed quite jazzy, and des pas sur la neige simply 

reminds us of the blues. 

This month, we celebrate the 150th Anniversary of the birth of 

Debussy. Pianist Eunice Chow will host a series of programmes 

entitled Debussy’s Piano Works – A Century and a Half Later to look 

into Debussy’s wealth of music for the piano. In addition to that, on 

Live of 4, you can hear a number of Debussy’s works performed by 

musicians from different parts of the world, of course, including Asia 

and Hong Kong! As Radio 4’s regular August guest, the Asian Youth 

Orchestra will celebrate Debussy’s birth with the masterpiece La Mer 

recorded on 11 August at the Hong Kong Cultural Centre. Incidentally, 

the work has Asian roots. The Japanese artist Katsushika Hokusai’s print 

Under the Wave off Kanagawa was said to have inspired Debussy to 

create La Mer. 

6 月 28 日是 Uncle Ray 的大日子 , 為表揚他畢生對音樂事 

獻 , 香港演藝學院向他頒授榮譽院士銜。眾所週知 ,Uncle Ray 

是健力士紀錄保持者 , 有超過六十年的廣播經驗。多年來在星期 

一至五的午夜之後、第三台與第四台聯播的時分 , 第四台聽眾 

會在 FM97.6 至 98.9 兆赫中聽到他親切的聲線。今年是 

Ray 88 歲大壽 , 我們特別邀請壽星公以另一個身分亮相第四台。 

Uncle Ray 主要播放流行曲和懷舊金曲 , 但其實他也是爵士樂 

發燒友 ; 最初出道 , 已為聽眾主持深受歡迎的爵士樂節目 ─ 

Progressive 。他珍藏的 Jazz 爵士樂錄音 , 特別是 Big Band 

片 , 就更是「壯觀」。 

8 月起 , 直至 Uncle Ray 的生日月份 , 即 12 月 ( 註 : 他的 

12 月 12 日 , 今年是 2012 年 , 即 12/12/12!), 逢星期日 

時至午夜 ,Uncle Ray Just 會在 Jazz with ( 英語 ) Uncle 

節目中 , 與你分享他的至愛選擇 ; 無論你是爵士迷或門外漢 , 

都萬勿錯過。在這裡特別鳴謝多才多藝的音樂人戴樂民 , 他為 

Uncle Ray 的新節目度身訂造了主題音樂 ; 當中更可以聽到洛 

婷的美妙歌聲。 

提到爵士樂 , 眾多為爵士樂提供「養份」的作曲家包括了法國的 

德布西 ; 只要聽聽他的前奏曲《薄霧》, 便不難發覺 , 那些充滿 

色彩感的和弦 , 正是爵士樂的先驅。而另一首前奏曲《雪泥蹤 

跡》亦有不少藍調的感覺呢 ! 

本月正是德布西出生一百五十年 , 鋼琴家周婉婷在德布西的鋼琴 

音樂 ( 英語節目 ) 中 , 與你分享德布西為鋼琴所譜寫的美妙音 

樂。而在第四台音樂會中 , 你亦可以欣賞到來自世界各地的音樂 

家演繹德布西的作品 , 當中包括一班年青亞洲樂手 ! 每年 8 月 , 

亞洲青年管弦樂團都會亮相第四台。今年樂團將參與紀念德布 

西 , 在香港文化中心演出他著名的《大海》。事有湊巧 , 這套作 

品多少可以說是來自亞洲 , 據說德布西是受到由日本藝術家葛飾 

北齋所作的板畫《神奈川沖浪裡》啟發而譜寫出此曲 ! 

祝你有一個色彩繽紛 , 並充滿爵士味道的 8 月份。 

第四台節目總監 

SHARE Your LOVE of Music with US, 

Become a PATRON『美樂集』of ‘FM’ ! 

蕭樹勝 

Wishing you a jazzy and colourful August! 

Jimmy Shiu 

Head, Radio 4 

Radio 4 would like to thank the patrons 

for their generous support. If you would 

like to become a patron of ‘FM’ Fine 

Music, please call us on 9073 3474 for 

further information during office hours. 

香港電台第四台謹向以下贊助者的慷慨 

支持致以最深謝意。有興趣成為「美樂 

集」贊助者的朋友 , 可在辦公時間內致電 

9073 3474 查詢有關詳情。 

DIAMOND PATRON 鑽石贊助者 

Sir Gordon & Lady Wu 胡應湘 

PLATINUM PATRON 白金贊助者 

M Restaurant Group 

SILVER PATRON 白銀贊助者 

Ms. Rayne Chai Chih-hui 

August 2012 |FINE MUSIC 

1

CONTENTS 目錄 

01 FROM THE DESK OF HEAD, R4 

掌台人隨筆 

04 

SPECIAL FEATURES 特稿 

04 You Keep Coming Back Like A Song 

COVER STORY 封面故事 

06 Debussy - Pretty? Petty? Wishy-washy? 

德布西的鋼琴音樂 

COLUMNS 專欄 

10 Sunday Opera 歌劇世界 

13 Four for Classic 愛樂同盟 

17 Musical Exchange 談天論樂 

18 Classical Music ABC 古典音樂 ABC 

21 Songs of the Earth 大地之歌 

22 Friends’ News 第四台之友情報站 

23 New Releases 新唱片大本營 

24 Concert Highlights 音樂會轉播精選 

27 Main Programme Chart 節目時間表 

29 Programme Highlights 節目精華 

39 ‘FM’ Classified Board 《美樂集》分類廣告 

40 Coda 

06 

21 

Claude 

Debussy 

德布西 

150 

3 FINE MUSIC |August 2012

SPECIAL FEATURES 特稿 

© Oliver Chou 

Recognised in the Guinness World Records as ‘The World’s Most Durable Radio DJ’, Uncle Ray Cordeiro has devoted his 

life to broadcasting and the development of the local music scene. Starting in August, Radio 4’s listeners have the privilege 

of enjoying a new series on Jazz hosted by Uncle Ray. Jonathan Douglas talked to him about his new programme. 

J : Jonathan Douglas 

R : Ray Cordeiro - transcribed by Jacqueline Leung 

J : You are doing a series of programmes on jazz, but actually your 

love of music encompasses a huge range of different styles. 

R : Well, I’ve got to give credit to my older brother who is 10 years 

my senior. I grew up with the music he played. He was listening 

to Bing Crosby, the Mills Brothers, the Andrews Sisters, and 

the Boswell Sisters. He fell in love with a singer called Deanna 

Durbin, who was a sweetheart on the screen and had a beautiful 

voice. She sang classics like La Traviata. She was very cute and 

about 17, and she became a film star as well. I grew up with the 

music my brother loved and he became a musician. He could 

play any kind of saxophone from the soprano sax to the baritone 

sax. My brother-in-law is a Filipino who became a band leader 

in Shanghai, his name is Benny Constantino. They were swing 

masters. 

R : People listen to me from all corners of the world because I think I 

am the only DJ in the world who plays nostalgic music that goes 

back to the 30s, 40s, 50s, and so on. I don’t think there’s any disc 

jockey old enough to know about this kind of music because I 

play a lot of big band music not only from the US but also from 

the UK, and, in the end, I please a lot of people. 

J : But it’s not just the choice of music, the secret of your success has 

also to do with the style of your radio presentation. 

R : Yes, I’ve been asked many times for advice to new DJ s. I tell them 

that my only advice is don’t copy another DJ because then you’ll 

only be number two. You’ve got to have your own style. You can 

have others copying you but not you copying somebody else. 

J : What a great name! 

R : It’s a very attractive name, like a South American actor. My brother 

joined his band in Shanghai and he stayed with them for 20 years, 

learning to arrange for the whole band, not just playing in it. He 

was good. In the meantime I was here in Hong Kong and just 

came back from the Second World War in 1945. When it ended, 

my dad said, ‘Look, son, you better come and join me in a bank.’ 

I said ‘Alright… boring, while in the meantime I was trying to 

learn drumming. I managed to find myself a trio so we started 

to rehearse and make a lot of noise and the we got a job in the 

Chanticleer Restaurant. My brother came back from Shanghai and 

he was jobless so he joined the band and was working under me, 

and I was the leader. It was such a reverse. I looked up to him so 

much but in the end he was working for me. I became a mini star 

as a band leader. So he played sax, I played drums, and we got a 

pianist. 

J : What do you feel is the secret of your success and longevity on the 

radio? 

Uncle Ray as drummer in the late 40s. The bass drum painting 

of the man with his clarinet was painted by Uncle Ray. 


Arts Happenings 藝壇快訊 

J : And I guess your own style is to do with being sincere, being 

yourself. 

R : I find the only way you can reach the heart of listeners is to 

speak from your heart. When I dedicate a song to someone, I 

really mean it. The song has a meaning. I give a lot of credit to 

people like Irving Berlin, George Gershwin, Cole Porter all these 

big composers. Where do they find lyrics like ‘I’ll be loving you 

always, with a love that’s true always’? These are simple lines but 

it goes straight to your heart. 

J : I liked what you say about the way to reach people’s hearts is to 

speak from the heart. 

R : That’s the only way, to make the listeners feel as though you are 

their personal friend on the radio, not just a DJ. That’s the way I 

Kevin Lau 劉軼倫 

hope they feel. That’s how I like to put myself over the airwaves to 

them. 

Toronto Symphony Orchestra (TSO) announces Kevin Lau as the 

Orchestra’s Affiliate Composer, a position newly created under the 

J : A desert island question: if you were abandoned on a desert island 

umbrella of their ‘Emerging Artists Programme’. Lau, a Hong Kong– 

and you were only allowed one jazz CD, what would it be? 

born Canadian composer, is a recent graduate from the University 

of Toronto with a doctorate in music composition. He is an active 

R : The best song from a CD I will take with me to the desert island 

composer of contemporary orchestral and film music. His music 

would be Tony Bennett’s ‘The Very Thought of You’. The reason 

has been commissioned and performed by numerous ensembles 

is so simple. Tony Bennett really sings from the heart, and then 

including the Toronto Symphony Youth Orchestra, Orchestre de la 

you get Bobby Hackett on the cornet. He is such a wonderful 

Francophonie, and the Esprit Orchestra. His orchestral composition 

musician, he would never interfere with Tony’s voice, and when 

Fountain of Dreams was awarded winner of both the 2005 

Tony’s voice slides off, his cornet comes in and that’s what makes 

Mississauga Young Composers’ Competition and the 2008–2009 

University of Toronto Composer’s Competition. In 2010, he was 

the recording so good. If I have to pick a second one, I would 

awarded the Karen Kieser Prize in Canadian Music for his work 

probably pick Ella Fitzgerald in ‘You Keep Coming Back like a 

Starsail. His composition Joy, for solo violin and strings, will be 

Song’, an Irving Berlin song. Just from the title it will bring tears to 

featured in a soon-to-be-released CD by Canadian violinist Conrad 

your eyes. That’s the way I like people to remember me when I’m 

Chow. 

gone. 

As an Affiliate Composer, Kevin Lau will work closely with Music 

Just Jazz with Uncle Ray, every Sunday at 11pm. 

Director Peter Oundjian, Composer Advisor Gary Kulesha and the 

artistic staff of the Orchestra. During his term he will compose at 

least two works and the first will be given its première in June 2013 

8 月起 , 逢星期日晚上 11 時至午夜 ,Uncle Ray 會在「Just in concerts which also feature Chinese pianist Yuja Wang. He will 

Jazz with Uncle Ray」( 英語節目 ) 與你分享一首又 also 一首 participate 的爵 in educational work with young audiences in the 

士名曲 , 其中不少版本更來自他的私人珍藏 , 萬勿錯過 !。 

TSO’s community outreach programmes. Kevin Lau will join the 

TSO this fall as Affiliate Composer for a two-year term. 

多倫多交響樂團宣佈 , 委任香港出生、多倫多成長的華裔青年作曲家 

劉軼倫 , 成為樂團的聯席作曲家。他將於 9 月上任。 

劉軼倫在香港出生 , 五歲開始習琴、七歲移民多倫多 , 上月剛在多倫 

多大學完成作曲博士課程。他表示能與多倫多交響樂團這支聲名顯赫 

的團隊合作 , 猶如夢想成真 , 而他亦視是次機會為音樂事業上的重要 

里程碑。 

© Oliver Chou 

劉軼倫擅長創作現代及電影音樂 , 並寫有十多部電影和紀錄片配樂。 

他亦經常為交響樂團及室樂組合譜曲 , 作品屢次獲獎。作為多倫多 

交響樂團聯席作曲家 , 劉軼倫要在兩年任期內為樂團創作最少兩套作 

品 , 而首部將於 2013 年 6 月演奏 , 演出者包括鋼琴家王羽佳。此外 , 

他曾和樂團音樂總監安震恆、作曲指導顧力沙和其他樂團成員緊密合 

作 , 並參與樂團的敎育及外展活動 , 提高青少年對音樂的興趣。 


5


Eunice Chow 



The first time my piano teacher tried to introduce Debussy’s 

music to me, he demonstrated La fille aux cheveux de lin (The 

Girl with the Flaxen Hair) on the piano and I fell asleep half way 

through, bored and uninspired. My teacher insisted that it was 

‘a deep work - a great piece of music!’ in a slightly annoyed 

tone but did not pursue the topic any further. Maybe I had hurt 

his pride with my lack of interest. He never played any more of 

Debussy’s music to me; nor did I get to play any. I was given a 

second chance when I moved to a boarding school in the UK and 

established my acquaintance with Debussy’s piano music afresh. 

I tried harder then, due to a renewed enthusiasm and passion for 

the piano through the guidance of my new piano teacher, Alan 

MacLean - a wonderful pianist and caring mentor. I attempted 

several preludes, the Arasbesques and the Suite Bergamasque (I 

requested to play it due to the popularity of Clair de Lune which 

comes from this set - I had heard it in the Brad Pitt film Seven Years 

in Tibet and fell in love with it, though I couldn’t tell if I was more 

in love with Brad Pitt or Clair de Lune). I gave those pieces my 

best shot and did well in school concerts and local competitions. 

These ‘successes’, however, did not fuel my interest in exploring 

the more complex and more mature works of Debussy. In my 

teens I came to the conclusion that Debussy’s music was nothing 

more than ‘pretty’, ‘petty’ and ‘wishy-washy’. ‘It’s pretty petty and 

lacks passion’, I thought. 

Layer of sound and texture 

And so I turned my attention to my preferred repertoire, indulging 

in the lush romantic works of Liszt, Chopin, and Rachmaninov, 

and put the ‘wishy-washy’ Debussy aside. Another few years 

went by before I was, for the first time, truly inspired by Debussy’s 

music. It happened in my first AS music class in which I heard 

the recording of the Prélude à l’après-midi d’un faune ‘ Wow. ’ 

I thought. ‘This is spine-tinkling and simply sensational - colourful 

and multi-dimensional.’ I was daydreaming about looking down 

from the top of a mountain as I listened to the different layers of 

sound and texture in the orchestra. 

Debussy’s daughter, Chouchou 

Successful career vs turbulent private life 

Regardless of what adjectives you would use to describe 

Debussy’s music, there is just one word to represent his private 

life: ‘turbulent’. In his youth he was attracted to the luxuries of 

life, for which he had to borrow money regularly to afford. He 

had several long relationships and overlapping affairs and was 

twice married: two of these relationships ended with a threatened 

suicide and an attempted suicide. His last marriage, with Emma 

Bardac, produced a much-loved daughter nick-named ‘Chou 

Chou’ - Debussy’s only child, who died just one year after his 

death. 

Perhaps it was precisely the ups and downs and the many affairs 

and relationships in Debussy’s life that helped to shape and 

develop his style of writing and inspire him at various stages 

of his life. Thanks to his protective heirs who hid many of his 

early unpublished works, including countless songs, cantatas, 

theatre music and an incomplete opera, the roots of Debussy’s 

inspiration remained unknown even to his biographers at the 

time of his centenary. But that has changed. Much progress has 

been made in the research of Debussy’s works in the last few 

decades as scholars gradually uncovered more and more of the 

composer’s letters and unpublished scores, some of which have 

yet to be recorded. 


7


‘Handle with care’ 

Debussy at the piano (1893) 

The more I listen to Debussy’s music (his piano music in 

particular), the more fragile I think it is - fragile, in the sense that it 

is like a beautiful crystal vase that has to be handled with extreme 

care. Regardless of the tempo or dynamics of his works, the 

music is relatively delicate. For me, a cough from the audience 

during a Chopin nocturne performance is not as disturbing as a 

small rattle during a performance of Debussy’s Image. When I 

listen to Debussy’s music, it draws my attention in such a way 

that I feel I am taken along the corridor of a museum or gallery - 

admiring each piece of antique and art work, always in awe, but 

cautious of keeping a distance from the exhibited work. Playing 

it is actually not all that different. The delivery requires much 

focus and self-control that you do not simply indulge yourself 

in the music à la Lang Lang. There is such a strong emphasis 

on the technical demands of voicing, overlapping overtones, and 

pedalling that you no longer play solely by instinct. You work as 

a painter, painting each stroke with extreme care. 

Join Eunice Chow in Debussy’s Piano Works – A Century and a Half Later 

on Sunday at 10am, exploring the sonic world of Claude Debussy, arguably the 

greatest French composer at the turn of the 20th century. 

8 月是法國作曲家德布西出生一百五十年 , 逢星期日上午 10 時 , 鋼琴家周婉婷會 

主持「德布西的鋼琴音樂」( 英語節目 ), 與你投入德布西的音樂意境。 

Eunice Chow 周婉婷 


9


Lo King-man 

Sundays 2:00pm 

In the month of August, Sunday Opera presents four exciting melodramas filled with suspense, intrigues, passion, 

and the inexorable hand of fate. 

5 August : Puccini’s Tosca 

Puccini’s Tosca is perhaps the most successful suspense thriller in 

operatic form ever created. At the same time, its musical quality 

from beginning to end remains on the highest artistic level, never 

descending to mere theatrical effects. With this work, Giacomo 

Puccini (1858-1924) arrived at his full maturity and demonstrated 

his complete mastery of compositional techniques, innovative use 

of harmony, orchestration, and superb melodies. Puccini’s rich 

musical invention provides some 60 dramatic motifs that propel the 

action swiftly on to the climax of each act with sensational effects. 

The intensely exciting plot was based on a popular stage play by the 

French master Victorien Sardou. The heroine is cruelly victimized 

by the sadistic police chief who, even though killed by Tosca in 

self-defense, manages to trigger a death-trap for the protagonist and 

her lover. 

In our recording, Katia Ricciarelli sings the title role. José Carreras 

is her lover, the painter Cavaradossi. The evil Baron Scarpia is 

portrayed by Ruggero Raimondi. Herbert von Karajan conducts the 

Berlin State Opera Chorus and the Berlin Philharmonic Orchestra. 

In 1892, Leoncavallo suddenly found himself world-famous when 

Pagliacci scored an overwhelming success, placing him in the 

forefront of the Italian verismo (realism) school of composers and 

enabling him to realize some of his dreams, most notably bringing 

I Medici to the stage. This historical drama in four acts had its 

premiere in Milan in November 1893, with a cast consisting of 

some of the best singers of the day. 

The story shows Giuliano de’ Medici, head of the rich and 

powerful Florentine family, divided between his ideal love, 

Simonetta, and the physical attraction of Fioretta who is pregnant 

with his illegitimate son. Simonetta fails in her attempt to warn 

Giuliano about the danger of the Pazzi conspiracy in which he is 

assassinated by murderers hired by the Pope. His brother Lorenzo 

escapes and wins the support of the people. 

Our unique recording has tenor 

Plácido Domingo in the role of 

Giuliano, baritone Carlos Alvarez 

as Lorenzo, lyric soprano Daniela 

Dessi as Simonetta, and dramatic 

soprano Renata Lamanda as 

Fioretta. They are supported by 

the chorus and orchestra of the 

Maggio Musicale Fiorentino (May 

Music Festival of Florence). Alberto 

Veronesi is the conductor. 

Ruggiero Leoncavallo 

12 August : Leoncavallo’s I Medici 

Giacomo Puccini 

After graduating from the Naples Conservatory at the age of 19, 

Ruggiero Leoncavallo (1857-1919) attended courses in literature 

and philosophy at the University of Bologna. There he came under 

the powerful influence of Richard Wagner’s music and writings 

and began to develop his own ambitious plan to create a trilogy of 

operas on national-historical subjects comparable to the Ring cycle 

of the great German master. He conceived the idea of composing 

three operas about key figures and events in Renaissance Italy, for 

which he would write the librettos and compose the music, and 

embarked on the first work of the cycle, I Medici, while working at 

the same time on other isolated or commissioned projects. 

19 August : Gershwin’s Porgy and Bess 

Considered by many to be the greatest and most original indigenous 

American opera, Porgy and Bess by George Gershwin (1898-1937) 

was inspired by Edwin DuBose Heywood’s novel Porgy which the 

composer had read in 1926. Gershwin knew immediately that this 

was the ideal subject for him to turn into an opera and the author 

was most happy to let him set it to music. 

It was not until 1932 that work could begin, with Heywood and 

George’s brother Ira Gershwin co-writing the script and the lyrics. 

It took the composer eleven months to complete the piano score 

and nine months to orchestrate the opera. 

The world premiere took place in Boston in 1935 and ran for 124 

performances. The work draws on folk idiom, popular tunes, jazz 

rhythms, and Negro spirituals, with all these elements ingeniously 

combined in an entirely original creation. This work of genius 

contains numerous pages that have become evergreen classics. Of 

these, the lullaby ‘Summertime’ is justly famous. 

August 2012 |FINE MUSIC 10

Arts Happenings 藝壇快訊 

Prof. Lo King-man, producer 

and director of numerous opera 

productions in Hong Kong. 

We will present a worldrenowned 

recording featuring 

some of the best black opera 

singers such as Willard White, 

Leona Mitchell and Barbara 

Hendricks, supported by the 

Cleveland Orchestra and Chorus 

conducted by Lorin Maazel. 

George Gershwin 

In the 2012 World Choir Games, the Diocesan Boys’ School Choir wins a Gold and the 

title of Champion in the ‘Young Male Choirs’ category. 

在第七屆世界合唱比賽中 , 拔萃男書院合唱團在「年青男聲合唱團」組別得金獎及冠軍錦標。 

26 August : Verdi’s La forza del destino 

Written for the Imperial Theatre of St. Petersburg, La forza 

del destino (The Force of Destiny), the twenty-fourth 

opera by Giuseppe Verdi (1813-1901), had its premiere 

in November 1862. The composer revised the work and 

presented it at La Scala, Milan, in February 1869. This 

was an important event as it marked Verdi’s reconciliation 

with a theatre in which he had not set foot in more than 

20 years. His main complaint had been with the quality 

of productions at La Scala, and he returned only when 

the management guaranteed him absolute control over 

his works, thus launching the final phase of his long and 

glorious creative life. 

The opera is set in Spain and Italy in the mid-1700s. 

During a failed attempt to elope with Leonora, Don Alvaro 

accidentally kills her father. Both lovers flee but become 

separated. She has taken refuge in a monastery and lives 

as a hermit in a mountain cave. Her brother Carlo tries 

to track down the lovers in order to revenge his father’s 

death. Destiny brings them together and leads the story to 

its tragic end. 

In the role of Leonora is the 

legendary Greek soprano diva 

Maria Callas. Don Alvaro is 

sung by the great American 

tenor Richard Tucker, and 

Carlo by Italian baritone Carlo 

Tagliabue. The chorus and 

orchestra of La Scala, Milan, 

perform under the inspired 

direction of maestro Tullio 

Serafin. 

Giuseppe Verdi 

The 2012 World Choir Games (WCG) ended with a high note as it closed on 

14 July 2012 in Cincinnati, Ohio, USA. This bi-annual event is based on the 

Olympic ideals, and seeks to unite people from all nations through singing 

in peaceful competition. The Game offers 23 categories in the Championship 

and Open competitions. This year, it attracted 348 teams from 64 nations 

comprising over 3,000 participants. Hong Kong teams won 10 Golds and 1 

Silver and one team was given the title of Champion in their category. 

Amongst the Hong Kong choirs, the Diocesan Boys’ School Choir won Gold 

and was awarded with the title of Champion in the ‘Young Male Choirs’ 

category. St. Paul’s Co-educational College Primary School Concert Choir 

and the Diocesan Girls’ Junior School Choir were awarded Gold in the 

‘Young Children’s Choirs’ category. Hong Kong Yuen Long Children’s Choir 

won Gold in the ‘Children’s Choirs’ category. In ‘Youth Choirs of Equal 

Voices’, Gold was given to the Diocesan Girls’ School Choir, while the 

Heep Yunn School Choir received a Silver. Wah Yan College Kowloon Boys 

Choir was also given Gold in the ‘Young Male Choirs’ category. SKH Lam 

Woo Memorial Secondary School was awarded Gold in the ‘Mixed Youth 

Choirs’ category. Diocesan Schools Choral Society and Wah Yan College 

Kowloon Boys Choir both won Gold in the ‘Musica Sacra’ division. St. Paul’s 

Co-educational College Senior Mixed Voice Choir was awarded Gold in the 

‘Musica Contemporanea’ category. 

A big congratulations to all the Hong Kong choirs! 

第七屆世界合唱比賽在 7 月 14 日於美國辛辛那提完滿結束。世界合唱比賽是每 

兩年舉辦一次的大型合唱盛事 , 意念以奧林匹克運動會作藍本 , 以和平的比賽 

團結喜愛歌唱的人及民族。 

世界合唱比賽共分二十三個組別 , 分錦標組和公開組兩個類別。是次比賽吸引 

了來自全球六十四個國家的三百四十八支合唱隊伍參加 , 參賽人數超過三千 

人。香港隊伍在比賽中共得十個金獎和一個銀獎。在「年青男聲合唱團」組 

別 , 拔萃男書院得金獎及冠軍錦標 , 九龍華仁書院男聲合唱團得金獎。聖保羅 

男女中學附屬小學和拔萃女小學均獲得「年青兒童合唱團」金獎、香港元朗兒 

童合唱團得「兒童合唱團」金獎。在「同聲部青年合唱團」組別 , 拔萃女書院 

得金獎、協恩中學得銀獎。聖公會林護紀念中學得「混聲青年合唱團」金獎 , 

聖保羅男女中學高級混聲唱團得「當代音樂」組別金獎。而在「聖樂」組別 , 

拔萃書院合唱協會及九龍華仁書院男聲合唱團各奪一個金獎。 


11


Jenny Lee 

李嘉盈 

Mondays to Fridays, 5:15pm 

星期一至五 5 時 15 分 

Hooked on Music returns this summer with passion and joy! Four friends, retired nurse Loretta Lau, 

ballerina and educator Jean Wong, Lingnan University’s Associate Professor Mike Ingham, 

and Deputy Postmaster General Ngai Wing-chit, share their music stories with you on Radio 4. 

「酷愛音樂」為夏日帶來熱情的感覺 ! 四位來自不同界別的朋友 , 包括退休護士劉復梨、芭蕾舞家和敎育家王仁曼、 

嶺南大學英文系副敎授 Mike Ingham, 和香港郵政副署長魏永捷 , 會與我們分享音樂的經歷和樂趣。 

6/8 - 10/8 : Loretta Lau 劉復梨 (Cantonese 粵語 ) 

A retired nurse, Loretta believes that beautiful music is a remedy for insomnia, pressure at work, and 

depression. She has encouraged her patients to bring a radio and listen to Radio 4 while they are 

staying in the hospital. Whenever she has time, she goes to concerts and queues up for autographs. 

Once, she waited for Seiji Ozawa backstage for more than an hour; suddenly, she saw the Maestro in 

his kimono and she immediately waved at him. Seiji Ozawa not only signed his autograph but also 

talked to her about his musical insights until midnight. Loretta has also travelled for concerts and 

often she makes new and long-lasting friendship on her musical trips. 

職業 : 退休護士 

音樂活動 : 從事醫護行業的劉復梨深信美妙的音樂是治療失眠、工作壓力和情緒抑鬱的良方 , 故特 

別鼓勵病人帶着收音機住院 , 收聽第四台的節目。當出外旅行時 , 她必定前往欣賞音樂 

會 , 還能在異地結識到熱愛音樂的新朋友 , 並透過書信來往 , 結下了十幾年的友誼。 

難忘的音樂會 

: 大概 20 年前 , 她欣賞完小澤征爾帶領波士頓交響樂團的演出後 , 往後台門外 , 苦等了個 

多小時 , 突然瞥見小澤征爾身穿和服走過 , 她連忙向大師揮手 , 除取得簽名外 , 還與他 

交談直至深夜。 

13/8 - 17/8 : Jean Wong 王仁曼 (English 英語 ) 

The distinguished ballerina and educator Jean Wong started learning the piano at an early age. 

Under her mother’s guidance, she often went to concerts. Because of ballet, she has fallen in love 

with ballet music, and is also fond of operas and jazz. Jean believes that it is necessary for a ballet 

company to have its own orchestra and the conductor should work closely with dancers in order to 

feel their movements, rhythm, and breathing. The best dancers are often those who can master the 

technique of dance and have a strong musical sense, so that they can truly move with the music. 

職業 

音樂活動 

音樂與舞蹈 

: 芭蕾舞家和敎育家 

: 王仁曼於童年時便開始學習鋼琴 , 並在母親的帶領下經常欣賞音樂會。後來 , 因為芭蕾舞 

的關係 , 而特別鍾情於芭蕾舞音樂 , 也喜愛歌劇和爵士樂。 

: 王仁曼認為芭蕾舞團是需要有一隊緊密合作的樂團 , 而指揮更需要了解舞者的動作 , 感應 

舞者的情緒和呼吸 , 作出相應的配合。最優秀的舞者 , 除了掌握舞蹈的技巧外 , 還需要有 

強烈的音樂感 , 讓音樂帶動身體起舞。 

(From left) Jean Wong and Jenny Lee 

( 左起 ) 王仁曼和李嘉盈 


13


20/8 - 24/8 : Mike Ingham (English 英語 ) 

Mike Ingham is not only an Associate Professor in the Department of English at Lingnan 

University but also is the founder and director of Theatre Action. Having played violin 

in a youth orchestra and conducted an ensemble in church, Mike continued his music 

activities at Oxford University, playing bass guitar in a band. He often travelled to London 

to attend the BBC Proms concerts with his family. He now brings music into his academic 

research, studying Vaughan Williams’ songs and how Shakespeare’s works have been a 

fount of inspiration for composers. When directing drama at Theatre Action, he likes to 

use classical music, for example Purcell’s work was featured in the 2003 production of 

Hamlet. Mike is also passionate about Mahler and Bruckner. 

職業 : 嶺南大學英文系副敎授、劇場導演 

音樂活動 : 少年時 ,Mike 曾在青年樂團中擔任小提琴手 , 並在敎堂中指揮合奏團。在牛 

津大學時 , 他在樂隊中彈奏低音結他 ; 後來更經常與家人前往倫敦的亞爾拔 

廳 , 欣賞英國廣播公司的夏季逍遙音樂會。今日 , 他將音樂帶進自己的學術 

領域 , 研究佛漢 • 威廉士的歌曲和歌詞 , 以及莎士比亞的文學作品如何影響 

音樂創作。在導演 Theatre Action 的話劇時 , 他經常會引用古典音樂 , 如 

2003 年的《哈姆雷特》便加插了浦賽爾的作品。 

喜愛的音樂家 

: 馬勒和布魯克納 

27/8 - 31/8 : Ngai Wing-chit 魏永捷 (Cantonese 粵語 ) 

Deputy Postmaster General Ngai Wing-chit is passionate about singing. He joined choir in 

secondary school and sang in Handel’s Messiah and Faure’s Requiem under the guidance 

of his music teacher. When studying in university, he even became the conductor of a 

choir. Although he has a hectic schedule, he still finds time to sing as a bass in the Hong 

Kong Oratorio Society. Among his many concerts, he remembers vividly how incredible 

it was to sing with the Learners Chorus and many singers in Mahler’s Symphony No. 8. 

職業香 : 港郵政副署長 

音樂活動中 : 學時 , 他積極地參加合唱團 , 並在啟蒙音樂老師的指導下 , 演出韓德爾的 

《彌賽亞》和佛瑞的安魂曲等。到大學時 , 他更成為合唱團的指揮。在繁忙 

的工作外 , 他仍堅持唱歌 , 並在香港聖樂團擔任男低音。 

難忘的音樂會 2009 : 年 , 他參加學士合唱團 , 與多位來自不同合唱團的成員 , 演出馬勒的第 

八交響曲。 


15


逢星期一晚上 10 時 

蕭樹勝 

8 月份的「談天論樂」有兩個承接上月的話題。7 月 16 日 , 周婉婷和何兆華談論過德布 

西的創作風格 , 周婉婷甚至即席在鋼琴上示範了好些德布西的招牌和聲。本月是這位 

法國音樂巨匠的 150 歲冥壽 , 我們請來兩位樂評人 , 談談德布西音樂的錄音版本 , 亦 

會提到德布西如何與中國的政治連結起來。此外 , 繼「音樂元素 ── 音高」之後 , 本 

月我們繼續探討另一個元素 ── 節奏。 

8 月 6 日德布西的錄音 

有不少音樂家灌錄過德布西的作品 , 當中的演繹可謂各異其 

趣。周光蓁和劉志剛將於節目中帶來多個精彩錄音 , 包括年 

輕指揮家杜達美於剛過去的 6 月在維也納夏夜音樂會指揮維 

也納愛樂演出的《大海》、以德布西身處年代的鋼琴 , 彈奏 

他的《夢幻曲》, 更有德布西彈奏自己作品的錄音 , 珍貴無 

比。 

節目的另一環節會探討華人音樂家演繹德布西的特色 , 談及 

的音樂家包括小提琴家薛偉、鋼琴家傅聰和吳樂懿 , 還有德 

布西的音樂曾在神州大地上被禁演的歷史。 

8 月 20 日仲夏頌樂 

炎炎夏日 , 汗流浹背 , 熱得人頭昏腦脹 , 哪裡還有心機譜 

曲作樂 ? 然而 , 在音樂史上卻有不少受到夏日所啟發的 

作品 , 最著名的固然有韋華第《四季》當中的《夏季》。 

俄羅斯作曲家葛拉祖洛夫亦譜寫了他的《四季》, 不過是 

芭蕾舞劇 , 次序由冬天開始 , 寫到秋天。海頓的《四季》 

則是一套神劇。歌劇也有夏天呢 ! 著名的 Summertime 

就是來自歌舒詠的歌劇《波姬與貝絲》。當然還少不了著 

名的劇樂 ─ 孟德爾遜的《仲夏夜之夢》。中國作曲家亦有 

以夏天為主題譜曲 , 很多樂迷都聽過林克昌演奏中國小 

提琴名曲《夏夜》, 至於盧亮輝的《夏》和彭修文的《夏 

之夜》也有不少捧場客。多謝作曲家陳永華和笙演奏家 

盧思泓與我們仲夏頌樂。 

8 月 13 日音樂與女性 

女性佔了世上人口的一半 , 為何女性作曲家卻是少數 ? 指揮 

亦然 , 都是男多女少。就算以學彈鋼琴的人數而言 , 當中 

女性比較多 , 但鋼琴家的比率 , 卻肯定是男性佔多。原因 

何在 ? 是性別歧視嗎 ? 常聽到這個說法 : 每個成功男人背後 

都有個默默支持他的女人 , 是否因為成功的女性音樂家背後 

卻缺乏了一位支持她的男人呢 ? 克拉拉 . 舒曼是成功的音樂 

家 , 在背後支持她的男人是她爸爸威克先生、她的丈夫 ─ 作 

曲家舒曼 , 還是對她一往情深 

的布拉姆斯呢 ? 其實 , 女性在 

音樂史上的地位舉足輕重 , 貢 

獻良多。兩位傑出音樂家羅乃 

新和葉詠詩與你分享女性在音 

樂世界中所扮演的角色。 

克拉拉 . 舒曼 , 活躍於十九世紀的女鋼琴家。 

8 月 27 日音樂元素知多少 ─ 節奏 

節奏、音符的長短和音樂的快慢 , 都能直接影響作品 

給人的感覺。很多時當一個旋律還未出現 , 我們會先 

聽到作品的節拍 ; 可以說 , 節奏能為作品定調。節 

奏可以千變萬化 , 兩位作曲家張珮珊和麥偉鑄與你細 

語道來 ── 音樂的快慢與音符的密度有必然關係嗎 ? 

除了探戈外 , 還有甚麼節奏具強烈的地域性 ? 二三四 

六拍子之外 , 還有其他較少出現的節拍嗎 ? 除圓舞曲 

外 , 還有甚麼音樂是以節奏命名 ? 節奏如何影響聽者 

的心理呢 ? 

聽眾對節目有甚麼迴響 , 又或者想建議講題 , 

歡迎電郵至 me@rthk.hk 


17


何兆華 

逢星期日中午 12 時 

提起古典音樂 , 很多朋友都會覺得是又長又悶 , 不知道正在聽什麼 ! 

其實 , 古典音樂是多層次和高層次的時間藝術 : 各種風格和表達手法多不勝數、音樂背後更可能包含了 

高深內涵。起初聽到古典音樂時 , 你可能被她豐富而多色彩的樂器聲音吸引 , 又可能被動人的旋律觸 

動、更可能被激昂澎湃的樂段帶動 , 還有火花四溢的超技片段同樣令人驚嘆 , 令人產生共鳴。不過 , 人 

的感觀集中力較弱 , 需要不斷的新刺激才能保持。當時間一長 , 人會適應了當前美麗的聲音 , 趣味就會 

減退 , 如果不明白所聽到的是什麼訊息 , 又不了解其中的表達手法 , 不論誰人都會發悶。 

解不清的術語 

正所謂「條條大路通羅馬」, 要進入奇妙的古典音樂世界 , 可以從情感、樂器、技巧、旋律、樂種、風 

格、地域 , 或作曲家入手 , 但遇上一些叫人摸不著頭腦的術語 , 卻容易令人生厭而卻步。 

事實上 , 不少古典作品都是純以樂器演奏 , 沒有歌詞 ; 音樂可以很抽象 , 而不同地域和時代都各有 

特色 , 要了解其中的精粹 , 正正可以從認識其中的術語開始。例如源用已久的意大利文表情記號 

「Vivace」, 它指示樂曲或樂章要活潑開朗、在速度上也使人聯想起快速。不少組曲和交響曲的最後樂 

章都以「Vivace」提示 , 為作品帶來一個精神抖擻的結尾。透過認識術語去了解古典音樂的表達手法、 

結構及寫作背景 , 就更能體會其中的奧妙。 


18

何兆華 

各有特色的作曲家 

學習古典音樂 , 我們更可以從認識重要作 

曲家起步。每位可以名留青史的作曲家 , 

總有其獨特風格和特色 , 認識他們能幫 

助我們選擇適合自己口味的作品類型。 

例如你喜歡色彩豐富的管弦樂 , 可留意幾 

位交響音樂配器大師如白遼士、華格納、 

李察 . 史特勞斯、馬勒和拉威爾 , 他們都 

將管弦樂團的威力發揮到淋漓盡致 , 一生 

寫下不少管弦樂名曲。又如果你喜歡動人 

的舞曲 , 可以尋找小約翰 . 史特勞斯的圓 

舞曲、柴可夫斯基的芭蕾舞曲、布拉姆斯 

的匈牙利舞曲和德伏扎克的斯拉夫舞曲。 

從標題入手 

對於初學欣賞古典音樂的朋友 , 形象鮮 

明又付有標題或文字解說的標題音樂就 

最容易掌握 , 如史密塔納的《我的祖 

國》中的《摩爾道河》、林姆斯基 – 高 

沙可夫的《天方夜譚》、杜卡的《魔法 

師的弟子》, 單看標題已經能夠引起無 

窮想象。 

在一連十三集的「古典音樂 ABC」, 讓我 

們從 A 到 Z, 講解常見的音樂術語、認識 

著名的作曲家和他們的名曲 , 必定可以讓 

你在欣賞音樂時更易體會當中的趣味。 

In Classical Music ABC (in Cantonese), 

Albert Ho will introduce to you the 

basic musical terms, the most important 

composers, and the most famous musical 

works in alphabetical order. It’s everything 

you need to know about classical music 

in a single series. Tune in to Radio 4 on 

Sunday at 12noon.


黄愛恩 

記得在大學一年級的時候 , 我開始接觸世界各地的音樂、歷史和文 

化。對於一貫接受傳統西方古典音樂訓練的我 , 有著不少的衝擊。 

當時 , 老師鼓勵我們暫時放下西方音樂的量尺 , 單純去感受異族音 

樂和嘗試擴闊自己的聆賞世界。從那一天起 , 我便開始參加學校的 

黑人靈歌合唱團 (Black Gospel Choir)。 

沒想到參加合唱團 , 一開始要重新學習的不是唱腔等唱歌技巧 , 而 

是打拍子 ; 更沒有料到整個身體都要投入節奏裡 , 甚至要學習怎 

樣搖擺身體 ( 頭、脖子、肩膀能獨立搖擺更理想 !) 來幫助打弱拍 

(upbeat) 以加強節奏感。 

樹葉聲音變成歌唱技巧 ? 

黄愛恩 

一切從非洲出發 

總括而言 , 非洲獨特的音樂文化對今日的世界音樂有著很深遠的影 

響。因著黑奴買賣的關係 , 使非洲人流亡到不同的地域 , 經歷了長 

達四百年的歷史洗禮。與各地異族文化交流後 , 今日非洲音樂文化 

已遍佈於大西洋附近的國家 , 包括拉丁美洲、美國和歐洲等地。在 

7 月的節目中 , 我們開始了非洲音樂旅程 , 介紹非洲不同地區的傳 

統音樂 , 包括中非原住民匹美人 (Pygmies) 的複音音樂 ; 不同 

擊樂器如非洲鼓 (Djembe)、馬林巴木琴 (marimba 

器如非洲豎琴 (kora) 和拇指琴 (mbira) 等。同時我也 

音樂 , 及一些取自非洲音樂元素的現代敎會音樂。 

剛巧在那個學年 , 學校舉行非洲音樂節 , 邀請了南非著名的男聲無 

伴奏組合 - 雷村黑牛斧頭合唱團 (Ladysmith Black Mambazo) 來指 

導我們唱歌技巧。記得當日他們用了一個特別方法來介紹自己 : 他 

們搖擺著身體 , 一邊進入課室 , 一邊清唱著。雖然他們唱的是非洲 

土語 , 但其攝人的歌聲和「舞蹈」令我們十分雀躍。 

團長 Joseph Shabalala 跟我們分享他歌曲創作和歌唱技巧的特色 : 

話說有一天他到森林散步 , 祈求上天賜下靈感。忽然間起了大風 , 

樹林中響起樹葉「悉悉沙沙」的聲音 , 他深深感受到神的同在。於非洲豎琴 

拇指琴 

是靈機一動 , 嘗試用吹氣的發聲來模仿風吹樹葉的響聲 , 除了讓受 

眾欣賞他們的歌聲外 , 也感受到從上天來的愛與和諧。從此以後 , 

他們就改用吹氣的方式發聲 , 成為這個合唱團的獨特歌唱方法。 

踏上拉丁美洲與美國 

如果你已錯過了 , 就趕快趕上 8 月份的拉丁美洲與美國音樂之旅 , 我 

Mambazo 合唱團所帶來的啟迪 , 不止於他們優美的歌聲 , 還有他 

會為你送上阿根廷著名音樂大師皮亞蘇拉 (Astor Piazzola) 

們歌聲背後的故事。對我來說 , 這種「原汁原味」的音樂也是最觸 

戈、Bossa Nova 靈魂人物 Antonio Carlos Jo 

動心弦的音樂。 

當然也不會忘記介紹美國的黑人靈歌 (Negro Spiritual)、 

非洲人眼中的音樂 

調 (Blues) 和節奏怨曲 (Rhythm & Blues) 等 

暑假 ! 

非洲是全世界第二大洲 , 有超過一千種地方語言。在許多非洲文化 

In August’s Songs of the Earth (in Cantonese), world music specialist 

中 , 沒有一個字彙可以直譯為音樂或舞蹈。但在非洲人眼中 , 音樂 

Connie Wong will bring you music from Latin America and North 

是他們生活中不可缺的部份 ; 因此「音樂」的定義相比於我們來 

America. Get ready to join our music excursion on Saturdays from 

得更廣泛 : 不單是演奏樂器 , 還包括地方語言、講故事、唱歌和舞 

蹈。所以 , 他們的樂手又是歌手、又是舞蹈者 ; 他們的歌唱像講 

10pm to midnight. 

話 , 好像跟樂器對話 , 形成對唱呼應 (call and response)。 


21

www.finemusic.org.hk 

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商戶折扣 

Friends’ Discounts 

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繆斯琴行 .Muse Music Company 

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華偉音樂藝術中心 .S T Music & Art Centre 

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Please allow 3 weeks for processing of membership and 5 weeks for delivery on the first issue of Fine Music. 

會員證將於三星期內寄到府上 ; 而第一期《美樂集》將於五星期內郵寄至閣下地址。 

Friends of Radio 4 Society Limited 

第四台之友協會有限公司


Mondays 8:00pm 

Tina Ma, Phil Whelan 

Tina Ma and Phil Whelan guide you through some of the most interesting new releases to keep you in touch with the 

latest in fine music recordings. The programmes are also available on Radio 4’s website for streaming: radio4.rthk.hk 

逢星期一晚上 8 時 

馬盈盈 , Phil Whelan 

馬盈盈和 Phil Whelan 邀請你加入「新唱片大本營」, 一同欣賞市面上新近推出的影音製作 ; 

節目更可於網上重溫 :radio4.rthk.hk。 

6/8 

20/8 

13/8 

27/8 


23


Date 日期 Highlights 重點推介 

24/8 

(Fri 五 ) 

8:00pm 

29/8 

(Wed 三 ) 2:00pm 

Repeat 重播 

© Sean Puckett 

Edwin Outwater, 

conductor 

愛華特 , 指揮 

Wong Wai-yin, piano 

黃蔚然 , 鋼琴 

© Leo Yu (The Blue Hydrant) courtesy of HKAF 

Summer Classics 

Dancing music by Mozart and Beethoven comes to you like a cool 

summer breeze! The concert begins with Mozart’s ever-popular 

Eine kleine Nachtmusik, followed by his exquisite Piano Concerto 

No. 23 in A major, with 19-year-old Hong Kong pianist Wong Waiyin 

as soloist. It ends with Beethoven’s Symphony No. 7, a work 

described by Wagner as the ‘apotheosis of the dance’. Leading the 

Hong Kong Sinfonietta is Edwin Outwater, Music Director of the 

Kitchener-Waterloo Symphony in Ontario, Canada. 

至情至聖 : 莫扎特與貝多芬 

香港小交響樂團以悠揚樂曲帶來一陣夏日涼風 ! 音樂會以莫扎特經典的 

《弦樂小夜曲》開始 , 然後有 19 歲本地鋼琴家黃蔚然加入 , 演奏莫扎特 

的 A 大調第 23 鋼琴協奏曲 , 另外 , 還有貝多芬的第 7 交響曲 ; 此曲被華格 

納譽為「舞蹈的神化」。音樂會指揮愛華特來自加拿大 , 現任安大略省 

基秦納 — 滑鐵盧交響樂團的音樂總監。 

31/8 

(Fri 五 ) 

8:00pm 

A Sedan Chair for the Bride - 

The Wonderful Winds of Guo Yazhi II 

Regarded as ‘China’s Louis Armstrong’ by the Boston Radio, the 

suona player Guo Yazhi re-creates a Chinese traditional wedding 

banquet with joyful music, including The Wedding Song from 

5/9 

Shandong and the Henan folk tune Going to Meet the Bride, 

(Wed 三 ) 2:00pm 

Repeat 重播 

together with members of the Hong Kong Chinese Orchestra 

led by Yan Huichang. Guo Yazhi also brings you Dave Brubeck 

Quartet’s greatest hit Take Five and Ng Cheuk-yin’s Soar. 

抬花轎 ‧ 迎新娘 - 郭雅志的吹管世界 2 

閻惠昌帶領的香港中樂團 , 以一系列喜慶音樂 , 重現傳統中國婚嫁的 

熱鬧情景 , 曲目包括山東民間樂曲《婚禮曲》及河南民間樂曲《迎 

新娘》等。另外 , 郭雅志還會送上布魯貝克四重奏的經典《五拍隨想 

曲》和伍卓賢的《躍》。 

© HKCO 

Yan Huichang, 

conductor 

閻惠昌 , 指揮 

Guo Yazhi, suona 郭雅志 , 嗩吶 

© HKCO 

3/8, 1/9 

(Fri 五 , Sat 六 ) 

8:00pm 

8/8, 6/9 

© Michelangelo String Quartet 

(Wed 三 , Thu 四 ) 

2:00pm 

Repeat 重播 

Michelangelo String Quartet 

米高安哲羅四重奏 

© Josep Molina 

Andreas Staier, forte-piano 

史泰拿 , 古鋼琴 

Live at Wigmore Hall 

With a cupola painting depicting the soul of music, 

Wigmore Hall in London has been home for world-class 

chamber music making since 1917. Radio 4 brings you 

two wonderful recitals from this prestigious hall: the 

Michelangelo Quartet plays quartets by Shostakovich and 

Beethoven, and the forte-pianist Andreas Staier performs 

an all-Schumann program, including Kinderszenen. 

威格摩音樂廳的迴響 

在倫敦的威格摩音樂廳內 , 曾有無數著名音樂家踏足台 

上 , 而其半圓屋頂則繪上音樂的靈魂。第四台會帶你去到 

這座世界頂級的室樂演奏場地 , 欣賞兩場音樂會 , 包括米 

高安哲羅四重奏演繹蕭斯達高維契和貝多芬的四重奏 , 以 

及古鋼琴家史泰拿送上舒曼的作品 , 包括《童年情景》。 


24


Date 日期 Highlights 重點推介 

10, 17/8 

(Fri 五 ) 

8:00pm 

15, 22/8 

(Wed 三 ) 

2:00pm 

Repeat 重播 

© AYO 

Asian Youth Orchestra 亞洲青年管弦樂團 

Richard Pontzious and James Judd, conductors 

龐信及朱特 , 指揮 

© AYO 

Asian Youth Orchestra 

An ensemble of excellence for the past 21 years, the Asian Youth 

Orchestra returns this summer with more brilliant young players from 

Asia. Under its Artistic Director Richard Pontzious and conductor James 

Judd, the AYO brings you two exciting concerts: the first concert features 

only one work, Mahler’s majestic Symphony No. 9; the second concert 

includes French music by Berlioz and Debussy. 

亞洲青年管弦樂團 

在過去二十一年 , 亞洲青年管弦樂團努力不懈地追求音樂的高峰。今年 

夏天 , 這班來自亞洲各地的年青人 , 在藝術總監龐信和指揮朱特的帶領 

下 , 送上兩場音樂會 - 第一場只演繹馬勒的第九交響曲 ; 第二場則帶來 

法國情懷 , 演奏白遼士和德布西的作品。 

4,11,18 

25/8, 

(Sat 六 ) 

8:00pm 

9,16, 23 

30/8 

(Thu 四 ) 

2:00pm 

Repeat 重播 

Live at Carnegie Hall 

For over 120 years, the Carnegie Hall has staged 

performances by the world’s best artists and orchestras. 

Every Saturday night in August, Radio 4 transports you to this 

prestigious hall in New York to hear wonderful concerts: the 

Berlin Philharmonic Orchestra under Simon Rattle performing 

Mahler’s Symphony No. 2, ‘Resurrection’, and the Vienna 

Philharmonic Orchestra with Lorin Maazel playing Mozart’s 

Symphony No. 40. Also scheduled is an early music concert 

by the Barbara Furtuna Vocal Ensemble and a performance 

of J. S. Bach’s St. John Passion featuring tenor Ian Bostridge. 

卡內基音樂廳的迥響 

於 1891 年啟用的卡內基音樂廳是當今的演出殿堂。逢星期 

六晚 , 第四台會轉播紐約卡內基音樂廳的精彩演出 , 包括 

力圖指揮柏林愛樂樂團演繹馬勒的第二交響曲「復活」、 

馬錫爾帶領維也納愛樂樂團演奏莫扎特的第四十交響曲、 

芭芭拉 • 科圖拿合唱團的早期音樂演出 , 和巴赫的《聖約翰 

受難曲》, 獨唱陣容包括男高音博斯烈茲。 

© Simon Fowler / Berliner Philharmoniker 

© Barbara Furtuna 

4/8 

Simon Rattle, conductor 

力圖 , 指揮 

© Lorin Maazel 

18/8 

Barbara Furtuna Vocal Ensemble 

芭芭拉 • 科圖拿合唱團 

11/8 

Lorin Maazel, conductor 

馬錫爾 , 指揮 

25/8 

Ian Bostridge, tenor 

博斯烈茲 , 男高音 

© Ben Ealovega 

– be in touch in 3 minutes – 三分鐘錦囊 

Topic 內容 

Host 主持 

Mon : Debussy’s Piano Works Eunice Chow 

星期二 : 古典音樂 ABC 何兆華 

Wed : Arts News 

Jenny Lee 

Thu : Arts News 

Jonathan Douglas 

星期五 : 今日話當年馬盈盈 

Sat : Operetta 

Lo King-man 

Sun : New Releases 

馬盈盈 

Mon- Fri 星 : 期一 7:55am, 至五 

12:55pm, 5:55pm, 10:55pm 

Weekends 週 : 末 9:55am, 4:55pm, 10:55pm 


25

RTHK Radio 4 香港電台第四台 

FM Stereo 97.6-98.9MHz 

http://www.rthk.org.hk 

MAIN PROGRAMME CHART 節目時間表 

6:00am 

Monday 

星期一 

Tuesday 

星期二 

Wednesday 

星期三 

Thursday 

星期四 

Friday 

星期五 

Saturday 

星期六 

Sunday 

星期日 

Aubade 晨曲 E 

7:00am 

8:00am 

9:00am 

Morning Call 

清晨妙韻 

Jonathan Douglas / Stacey Rodda 

杜格尊 / 盧廸思 

E 

Music Infusion 

樂樂無窮 

Ben Pelletier 

彭禮傑 

E 

Sunday Morning 

on 4 

週日早晨 

Stacey Rodda 

盧迪思 

E 

10:00am 

11:00am 

12:00pm 

1:00pm 

2:00pm 

3:00pm 

4:00pm 

5:00pm 

6:00pm 

7:00pm 

8:00pm 

9:00pm 

10:00pm 

11:00pm 

12:00am 

Minutes That Matter 

Non-stop Classics 

美樂無休 

Ben Pelletier / Stacey Rodda 

彭禮傑 / 盧廸思 

News at One 

Music à la Carte 午間精點 

Daphne Lee / Jenny Lee / Tina Ma / Dennis Wu 

Live on 4 

第四台音樂會 

(Repeat 重播 ) 

Play by Ear 

週末隨想 

Synthia Ko 

高德儀 

李德芬 / 李嘉盈 / 馬盈 C盈 / 胡銘堯 

International Rostrum 

of Composers 2012 

2012 國際作曲家交流會議 

Hui Cheung-wai 許翔威 

(Repeat 重播 ) 

(1st b/c: Wed) (1st b/c: Thu) (1st b/c: Fri) (1st b/c: Sat) 

Music from China 

樂在神州 C 

( 首播 : 星期三 ) ( 首播 : 星期四 ) ( 首播 : 星期五 ) ( 首播 : 星期六 ) 

Tina Ma 馬盈盈 

New Releases 

新唱片大本營 

Phil Whelan /Tina Ma 

Phil Whelan / 馬盈盈 

B 

Musical 

Exchange 

談天論樂 

Jimmy Shiu 蕭樹勝 

C 

* Reflections 晚禱 Mon-Fri ( 星期一至五 )11:57pm 

B 

E 

Four for Classics with Jenny Lee 

愛樂同盟李嘉盈 

News at Six 

Arts News 藝壇快訊 

Happy Hour with Kathy Lam 

歡樂時光林家琦 C 

B 

Live on 4 

第四台音樂會 

Nocturne with Calvin Lai 

夜心曲賴建群 

C 

B 

C 

C 

B Bilingual 雙語 

E 

Debussy’s Piano Works 

德布西的鋼琴音樂 

Eunice Chow 周婉婷 E 

Church Service 

主日崇拜 E 

Artbeat Classical Music ABC 

Jonathan Douglas 杜格尊古典音樂 ABC 

E 

R4 Buddies 

四台插班生 

Raymond Chung / 

Carmen Leung 

鍾子豪 / 梁倍嘉 

C 

Collage 

點指美樂 

All or Nothing 

情有獨鍾 B 

Albert Ho 何兆華 C 

Sunday Opera 

歌劇世界 

Lo King-man 

盧景文 

Rupert Chan 

陳鈞潤 

(1st Sunday 首個週日 ) 

Children’s Corner 

親親童樂日 C 

Tina Ma /Phil Whelan 

馬盈盈 / Phil Whelan Nancy Loo 羅乃新 

All or Nothing 

情有獨鍾 B 

Cantilena 

自投羅網 

C 

C 

Nancy Loo 羅乃新 

Songs of the 

Earth 

大地之歌 

Connie Wong 黃愛恩 

C 

C Cantonese 粵語 

E 

C 

Tunes to 

Remember 

人約黄昏後 

Emma Liu 

廖碧楨 

C 

International Rostrum 

of Composers 2012 

2012 國際作曲家交流會議 

Hui Cheung-wai 許翔威 C 

Sunday 

Divertimento 

星夜樂逍遙 

Wendy Ng 

伍穎文 

C 

Just Jazz with 

Uncle Ray 

Ray Cordeiro 

E 

E English 英語 

# 22/7, 29/7 (Sun 日 ) 8pm 

(repeated 重播 : 27/7, 3/8 (Fri 五 ) 2pm) 

International Rostrum of Composers 2012 (in Cantonese), 

hosted by Hui Cheung-Wai 

2012 國際作曲家交流會議 , 由許翔威主持 

Music for All 

適合所有樂迷 

Music Exploration 

擴闊音樂領域 

Concerts 

音樂會時段 

Artnews 

藝術資訊 

Education 

敎育節目 

Religion 

宗敎節目 


News 

新聞 

27

PROGRAMME HIGHLIGHTS 節目精華 

1/8/2012 (Wed 星期三 ) 

11:00am PARRY 柏利 

Songs of Farewell 31’ 

Roger Judd (o) 

Cho. of St. Georges Chapel / Christopher Robinson 

離別之歌 

祖德 ( 管風琴 ) 

聖喬治敎堂合唱團 / 基斯杜化 ‧ 羅便臣 

2:00pm LIVE ON 4 (REPEAT) 

第四台音樂會 ( 重播 ) 

London Sym. Orch. / Bernard Haitink 

Mahler: Symphony No. 9 88’ 

倫敦交響樂團 / 凱亭 

馬勒 : 第九交響曲 

8:00pm LIVE ON 4 第四台音樂會 

Gran Teatre del Liceu Sym. Orch. / Josep Pons 

Wagner: Overture to ‘Die Meistersinger von 

Nürnberg’ 11’ 

Good Friday Music from ‘Parsifal’ 13’ 

Prelude and Liebestod from 

‘Tristan und Isolde’ 19’ 

Götterdämmerung (excerpts) 29’ 

利塞奧大歌劇院交響樂團 / 龐士 

華格納 :《紐倫堡之名歌手》序曲 

受難日音樂 , 選自《帕西發爾》 

序曲及「愛的死」, 選自《崔斯坦與 

伊索爾德》 

神界的黃昏 ( 選段 ) 

Josep Pons 

龐士 



Leif Ove Andsnes (p) 

Haydn: Piano Sonata No. 33 in C minor, 

Hob. XVI:20 17’ 

Bartók: Piano Suite, Op. 14 9’ 

Debussy: Images, Book 1 15’ 

Chopin: Four Waltzes 11’ 

Ballade No. 3 in A flat major, Op. 47 7’ 

Nocturne No. 17 in B major, Op. 62, 

No. 1 7’ 

Granados: Andaluza, from ‘Twelve Spanish 

Dances’, Op. 37, No. 5 4’ 

Rachmaninov: Étude-Tableau No. 2, Op. 35 2’ 

安涅斯 ( 鋼琴 ) 

海頓 :C 小調第三十三鋼琴奏鳴曲 , 

Hob. XVI:20 

巴托 : 鋼琴組曲 , 作品 14 

德布西 : 意象 , 第一冊 

蕭邦 : 四首圓舞曲 

降 A 大調第三敘事曲 , 作品 47 

降 B 大調第十七夜曲 , 作品 62 第 1 首 

格拉納多斯 : 安達盧西亞舞曲 , 選自《十二首 

西班牙舞曲》, 作品 37 第 5 首 

拉赫曼尼諾夫 : 第二素描練習曲 , 作品 35 


Ralph van Raat (p) 

Netherlands Phil. Orch. / Etienne Siebens 

Van Delden: Symphony No. 3 20’ 

Bosmans: Concertino 20’ 

Van Gilse: Symphony No. 1 in F major 38’ 

拉特 ( 鋼琴 ) 

荷蘭愛樂樂團 / 席本斯 

范 ‧ 德爾登 : 第三交響曲 

玻斯曼絲 : 小協奏曲 

范 ‧ 吉爾斯 :F 大調第一交響曲 

Etienne Siebens 

席本斯 

2:00pm INTERNATIONAL ROSTRUM OF 

COMPOSERS 2012 (REPEAT) 

2012 國際作曲家論壇 ( 重播 ) 

Peter Kerelov (Bulgaria): Attempt at 

Screaming 14’ 

Anna Romashkova (Russia): In Aria 7’ 

Eric Gaudibert (Switzerland): Gong 21’ 

克瑞羅夫 ( 保加利亞 ): 嘗試尖叫 

羅瑪什科娃 ( 俄羅斯 ): 詠嘆中 

戈迪拜爾 ( 瑞士 ): 鑼 


Michelangelo Quartet 

Shostakovich: String Quartet No. 1 in C major, 

Op. 49 16’ 

Beethoven: String Quartet in F major No. 7, 

Op. 59, No. 1, ‘Rasumovsky’ 40’ 

米高安哲羅弦樂四重奏 

蕭斯達高維契 :C 大調第一弦樂四重奏 , 

作品 49 

貝多芬 :F 大調第七弦樂四重奏 , 

作品 59 第 1 首 ,「拉蘇莫夫斯基」 

Michelangelo Quartet 

米高安哲羅弦樂四重奏 

4/8/2012 (Sat 星期六 ) 


Camilla Tilling (s) 

Westminster Symphonic Cho. 

Berlin Phil. Orch. / Simon Rattle 

Wolf: Frühlingschor 6’ 

Elfenlied 5’ 

Der Feuerreiter 4’ 

Mahler: Symphony No. 2 in C minor, 

‘Resurrection’ 84’ 

© Michelangelo String Quartet 

2/8/2012 (Thu 星期四 ) 

11:00am HAYDN 海頓 

Symphony No. 94 in G major, ‘Surprise’ 24’ 

Bavarian Radio Sym. Orch. / Carlo Maria Giulini 

G 大調第九十四交響曲 ,「驚愕」 

巴伐利亞電台交響樂團 / 茲奧連尼 

29 FINE MUSIC |August 2012 

© Rafa Martin 

3/8/2012 (Fri 星期五 ) 

11:00am RACHMANINOV 拉赫曼尼諾夫 

Symphony No. 3 in A minor, Op. 44 41’ 

Philadelphia Orch. / Charles Dutoit 

A 小調第三交響曲 , 作品 44 

費城樂團 / 杜托華 

© Marco Borggreve 

狄玲 ( 女高音 ) 

西敏寺交響合唱團 

柏林愛樂樂團 / 力圖 

胡爾夫 : 春之合唱團 

精靈之歌 

火騎士 

馬勒 :C 小調第二交響曲 ,「復活」 

5/8/2012 (Sun 星期日 ) 

2:00pm SUNDAY OPERA 歌劇世界 

Puccini: Tosca 120’ 

Floria Tosca: Katia Ricciarelli (s) 

Mario Cavaradossi: José Carreras (t) 

Baron Scarpia: Ruggero Raimondi (b) 

Cho. der Deutschen Oper Berlin 

Berlin Phil. Orch / Herbert von Karajan


浦契尼 : 托斯卡 

托斯卡 : 力卓韋莉 ( 女高音 ) 

馬里奧 ‧ 卡華拉多施 : 卡里拉斯 ( 男高音 ) 

斯卡皮亞男爵 : 盧格路 ‧ 雷蒙第 ( 男低音 ) 

柏林德國歌劇合唱團 

柏林愛樂樂團 / 卡拉揚 


COMPOSERS 2012 

2012 國際作曲家論壇 

Jon Øivind Ness (Norway): Swan’s Foetus 13’ 

Vito Zuraj (Slovenia): Warming Up 10’ 

Krisztina Megyeri (Hungary): Claire-obscure 8’ 

Robin Fox (Australia): Three Studies for the 

Bionic Ear 12’ 

楊 ‧ 艾雲特 ‧ 尼施 ( 挪威 ): 天鵝的胚胎 

維圖 ‧ 敘拉 ( 斯洛文尼亞 ): 熱身中 

姬思汀娜 ‧ 美基利 ( 匈牙利 ): 隱晦的克萊 

羅賓 ‧ 霍士 ( 澳洲 ): 仿生耳的練習曲三首 

6/8/2012 (Mon 星期一 ) 

11:00am SZYMANOWSKI 史曼諾夫斯基 

Violin Concerto No. 1, Op. 35 27’ 

Nicola Benedetti (v) 

London Sinfonietta Soloists / Daniel Harding 

第一小提琴協奏曲 , 作品 35 

賓納迪堤 ( 小提琴 ) 

倫敦小交響樂團獨奏者 / 哈丁 



Prog. as 1/8/2012, 8pm 

節目與 2012 年 8 月 1 日晚上 8 時相同 

7/8/2012 (Tue 星期二 ) 

11:00am BEETHOVEN 貝多芬 

Piano Sonata in F minor, Op. 57, ‘Appassionata’ 25’ 

Emil Gilels (p) 

F 小調鋼琴奏鳴曲 , 作品 57,「熱情」 

艾美 ‧ 基利斯 ( 鋼琴 ) 






David Fray (p) 

Sao Paulo Sym. Orch. / Marin Alsop 

Assad: Terra Brasilis 6’ 

Mozart: Piano Concerto No. 22 in E flat major, 

K. 482 34’ 

Shostakovich: Symphony No. 5, Op. 47 44’ 

法拉爾 ( 鋼琴 ) 

聖保羅交響樂團 / 艾爾梭 

阿薩 : 巴西土地 

莫扎特 : 降 E 大調第二十二鋼琴協奏曲 , 

K. 482 

蕭斯達高維契 : 第五交響曲 , 作品 47 


11:00am SHOSTAKOVICH 蕭斯達高維契 

String Quartet No. 6, Op. 101 25’ 

Borodin String Quartet 

第六弦樂四重奏 , 作品 101 

鮑羅丁弦樂四重奏 






Robert Casadesus (p) 

Debussy: 24 Preludes (excerpts) 37’ 

Masques 5’ 

Estampes II, ‘La soiree dans Grenade’ 6’ 

L’isle joyeuse 5’ 

卡沙迪舒 ( 鋼琴 ) 

德布西 : 前奏曲二十四首 ( 選段 ) 

面具 

第二版畫 ,「格拉納達的黃昏」 

歡樂島 


11:00am HANDEL 韓德爾 

Concerto for Double Orchestra in F major, 

HWV333 16’ 

La Chambre du Roy / Jean-Claude Malgoire 

F 大調雙樂隊協奏曲 ,HWV333 

國王弦樂及管樂團 / 馬顧華 






Leonidas Kavakos (v) 

Royal Concertgebouw Orch. / Karel Mark Chichon 

Verdi: Overture to ‘La forza del destino’ 8’ 

Tchaikovsky: Violin Concerto in D major, Op. 35 37’ 

Borodin: Symphony No. 2 in B minor 27’ 

卡伐確斯 ( 小提琴 ) 

阿姆斯特丹音樂廳樂團 / 奇尚 

威爾第 : 命運的力量序曲 

柴可夫斯基 :D 大調小提琴協奏曲 , 作品 35 

鮑羅丁 :B 小調第二交響曲 

Karel Mark Chichon 

奇尚 


11:00am HOFFMEISTER 賀夫米士特 

Concerto for Two Clarinets 23’ 

Walter and Anne Boeykens (cl) 

New Belgian Ch. Orch. / Jan Caeyers 

雙單簧管協奏曲 

華爾特 ‧ 布健士 , 安妮 ‧ 布健士 ( 單簧管 ) 

新比利時室樂團 / 斯雅士 

© Karel Mark Chichon 







Asian Youth Orch. / James Judd 

Mahler: Symphony No. 9 in D major 70’ 

Presented by the Asian Youth 

Hong Kong Cultural Centre Con 

亞洲青年管弦樂團 / 朱特 

馬勒 :D 大調第九交響曲 

亞洲青年管弦樂團主辦。香港文化中心音樂廳 

現場直播。 



Vienna Phil. Orch. / Lorin Maazel 

Mozart: Symphony No. 40 in G minor, K. 550 31’ 

Wagner (arr. Maazel): The Ring without Words 77’ 

維也納愛樂樂團 / 馬錫爾 

莫扎特 :G 小調第四十交響曲 ,K. 550 

華格納 ( 馬錫爾編 ):「指環」無詞歌 

Lorin Maazel 

馬錫爾 



Leoncavallo: I Medici 100’ 

Giuliano: Plácido Domingo (t) 

Lorenzo: Carlos Álvarez (br) 

Simonetta: Daniela Dessi (s) 

Cho. and Orch. of the Maggio Musicale Fiorentino / 

Alberto Veronesi 

利安卡法洛 : 美第奇家族 

祖利亞奴 : 杜鳴高 ( 男高音 ) 

羅蘭蘇 : 艾爾華雷 ( 男中音 ) 

西門妮塔 : 迪茜 ( 女高音 ) 

佛羅倫斯馬茲奧古樂團及合唱團 / 韋羅涅西 




Maria H.M. Sigfusdottir (Iceland): 

Sleeping Pendulum 10’ 

Lotta Wennäkoski (Finland): Soie 20’ 

Sarah Nemtsov (Germany): Luftmacumba / Rio 12’ 

瑪莉亞 ‧ 施夫多提 ( 冰島 ): 睡夢中的鐘擺 

洛他 ‧ 芬拿可斯基 ( 芬蘭 ): 絲綢 

莎拉 ‧ 尼姆索夫 ( 德國 ): 盧夫他馬括姆巴 / 

里約 


© Chris Lee 

31



11:00am MILHAUD 米堯 

Le Carnaval de Londres 28’ 

New London Orch. / Ronald Crop 

倫敦嘉年華會 

新倫敦樂團 / 哥立普 






11:00am BACH 巴赫 

Lute Suite No. 2 in C minor, BWV997 22’ 

Göran Söllscher (g) 

C 小調第二魯特琴組曲 ,BWV997 

蘇舒亞 ( 結他 ) 






Sao Paulo Sym. Orch. / Isaac Karabtchevsky 

Albuquerque: Evocation of Augusto Meyer 5’ 

Villa-Lobos: Symphony No. 10, ‘Amerindia’ 66’ 

聖保羅交響樂團 / 卡拉切夫斯基 

阿步其爾奇 : 喚起奧古斯托 ‧ 美亞 

魏拉 — 羅伯士 : 第十交響曲 ,「阿美利印第亞」 

Isaac Karabtchevsky 

卡拉切夫斯基 


11:00am VORISEK 霍里錫克 

Symphony in D major, Op. 24 28’ 

Prague Phil. Orch. / Jiří Bělohlávek 

D 大調交響曲 , 作品 24 

布拉格愛樂樂團 / 貝勞拿域 






Jean Louis Steuerman (p) 

Brussels Phil. / Matthias Bamert 

Debussy (arr. Brewaeys): Preludes, Book I 

(excerpts) 17’ 

Beethoven: Piano Concerto No. 5 in 

E flat major, ‘Emperor’ 39’ 

Tchaikovsky: ‘1812 Overture’ 16’ 


© Isaac Karabtchevsky 

斯圖爾曼 ( 鋼琴 ) 

布魯塞爾愛樂樂團 / 巴敏特 

德布西 ( 布魯韋斯編 ): 前奏曲 , 第一冊 

( 選段 ) 

貝多芬 : 降 E 大調第五鋼琴協奏曲 ,「皇帝」 

柴可夫斯基 :「1812」序曲 

Matthias Bamert 

巴敏特 


11:00am TELEMANN 泰利文 

Suite in A minor, TWV55 30’ 

Peter Holtslag (r) 

Parley of Ancient Instruments / Peter Holman 

A 小調組曲 ,TWV55 

賀斯勒 ( 牧童笛 ) 

帕利合奏樂團 / 賀文 






Hannes Minnaar (p) 

Netherlands Radio Phil. Orch. / Damian Iorio 

Grieg: Peer Gynt Suite No. 1, Op. 46 17’ 

Beethoven: Piano Concerto No. 5 in E flat major, 

Op. 73 40’ 

Nielsen: Symphony No. 5, Op. 50 38’ 

米納 ( 鋼琴 ) 

荷蘭電台愛樂樂團 / 艾歐里奧 

葛利格 : 第一培爾 ‧ 金特組曲 , 作品 46 

貝多芬 : 降 E 大調第五鋼琴協奏曲 , 作品 73 

尼爾遜 : 第五交響曲 , 作品 50 

Hannes Minnaar 

米納 

© Matthias Bamert 

© Merlijn Doomernik 


11:00am BERNSTEIN 伯恩斯坦 

Ballet from ‘Fancy Free’ 28’ 

Baltimore Sym. Orch. / David Zinman 

《自由的想象》芭蕾舞曲 

波爾的摩交響樂團 / 冼文 







Asian Youth Orch. / Richard Pontzious 

Berlioz: Symphonie Fantastique 50’ 

Le Corsaire Overture, Op. 21 9’ 

Debussy: La Mer 24’ 

Presented by the Asian Youth 

at the Hong Kong Cultural Ce 

11/8/2012. 

亞洲青年管弦樂團 / 龐信 

白遼士 : 幻想交響曲 

海盜序曲 

德布西 : 大海 

亞洲青年管弦樂團主辦。2012 年 8 月 11 日香港 

文化中心音樂廳錄音。 



Lucilla Galeazzi (vocal) Raquel Andueza (s) 

Barbara Furtuna Vocal Ensemble 

L’Arpeggiata / Christina Pluhar 

Traditional: Maria, le sette spade 7’ 

Ninna, nanna sopra la romanesca 4’ 

Suda sangue 3’ 

Merulo: Hor ch’é tempo di morire 7’ 

Monteverdi: Laudate Dominum 4’ 

and more 

嘉利亞茲 ( 聲樂 ) 安杜爾查 ( 女高音 ) 

芭芭拉 ‧ 科圖拿合唱團 

琶音古樂團 / 普盧哈 

傳統 : 瑪利亞 , 七劍 

尼娜 , 娜娜在羅馬之上 

汗血 

梅露奴 : 死亡之時 

蒙台威爾第 : 讚美上主 

以及更多曲目 



Gershwin: Porgy and Bess 155’ 

Porgy: Willard White (b) 

Bess: Leona Mitchell (s) 

Clara: Barbara Hendricks (s) 

Cleveland Orch. and Cho. / Lorin Maazel 

歌舒詠 : 波姬與貝絲 

波姬 : 偉特 ( 男低音 ) 

貝絲 : 米齊爾 ( 女高音 ) 

克萊拉 : 巴巴拉 ‧ 韓迪絲 ( 女高音 ) 

克里夫蘭樂團及合唱團 / 馬錫爾





Santa Ratniece (Latvia): Shant Nadi 20’ 

Jacques Zafra (Mexico): Xochitepec from 

my bedroom 6’ 

Thomas Agerfeldt Olesen (Denmark): 

Der Wind bläset wo er will 25’ 

拉德尼思 ( 拉脫維亞 ): 慢河 

薩華 ( 墨西哥 ): 睡房中的索池堤皮克 

奧里信 ( 丹麥 ): 風隨心而吹 


11:00am CHERUBINI 凱魯碧尼 

‘Gloria’ from Missa Solemnis in D minor 28’ 

Bavarian Radio Sym. & Cho. / Riccardo Muti 

榮耀頌 , 選自 D 小調《莊嚴彌撒曲》 

巴伐利亞電台交響樂團及合唱團 / 梅狄 






11:00am BRIDGE 布里奇 

Oration for Cello and Orchestra 30’ 

Steven Isserlis (vc) 

London Sinfonia / Richard Hickox 

演說 , 為大提琴及樂隊而寫 

伊瑟利斯 ( 大提琴 ) 倫敦小交響樂團 / 希覺斯 






Anne Schwanewilms (s) 

Sao Paulo Sym. Orch. / Rossen Milanov 

Mozart: Ballet Music from ‘Idomeneo’, K. 367 13’ 

R. Strauss: Four Last Songs 29’ 

Debussy: Images 36’ 

舒華尼瑋姆斯 ( 女高音 ) 

聖保羅交響樂團 / 米蘭諾夫 

莫扎特 :「伊多美尼奧」芭蕾舞樂曲 ,K. 367 

李察 ‧ 史特勞斯 : 最後四首歌曲 

德布西 : 意象 

Anne Schwanewilms 

舒華尼瑋姆斯 


11:00am SCHUMANN 舒曼 

Symphony No. 4 in D minor, Op. 120 31’ 

Vienna Phil. Orch. / Herbert von Karajan 

D 小調第四交響曲 , 作品 120 

維也納愛樂樂團 / 卡拉揚 






Xavier de Maistre (h) 

Orch. della Svizzera Italiana / Howard Griffiths 

Haydn: Overture to ‘L’isola disabitata’ 7’ 

Dohnányi: Concertino for harp and orchestra, 

Op. 45 16’ 

Debussy: Danses sacrée et profane 10’ 

Haydn: Symphony No. 48 in C major 23’ 

梅斯特 ( 豎琴 ) 

瑞士意大利語區樂團 / 葛夫斯 

海頓 :「荒漠之島」序曲 

杜南意 : 豎琴及管弦樂團小協奏曲 

德布西 : 神聖與凡俗之舞 

海頓 :C 大調第四十八交響曲 

Xavier de Maistre 

梅斯特 


11:00am KUHLAU 古樓 

Flute Quintet No. 1 in D major 28’ 

Eyvind Rafn (f) Kim Sjogren (v) 

Bjarne Boye Rasmussen & 

Georg Svendsen Andersen (va) 

Lars Holm Johansen (vc) 

D 大調第一長笛五重奏 

拉分 ( 長笛 ) 史約雲 ( 小提琴 ) 

利斯慕遜、安德遜 ( 中提琴 ) 約夏遜 ( 大提琴 ) 





© Felix Broede 


11:00am MENDELSSOHN 孟德爾遜 

String Quartet No. 5 in E flat major, Op. 44/3 30’ 

Melos Quartet 

降 E 大調第五弦樂四重奏 , 作品 44 第 3 首 

米路士四重奏 







Wong Wai-yin (p) 

Hong Kong Sinfonietta / Edwin Outwater 

Mozart: Eine kleine Nachtmusik, K. 525 6’ 

Mozart: Piano Concerto No. 23 in A major, 

K. 488 24’ 

Beethoven: Symphony No. 7 in A major, 

Op. 92 40’ 

Presented by the Hong Kong Si 

at Hong Kong City Hall Concer 

黃蔚然 ( 鋼琴 ) 

香港小交響樂團 / 愛華特 

莫扎特 : 小夜曲 ,K. 525 

莫扎特 :A 大調第 23 鋼琴協奏曲 ,K. 488 

貝多芬 :A 大調第七交響曲 , 作品 92 

香港小交響樂團主辦。2012 年 7 月 7 日香港大會 

堂音樂廳錄音。 



Karina Gauvin (s) Damien Guillon (countertenor) 

Ian Bosrtridge, Nicholas Phan (t) 

Hanno Müller-Brachmann, Neal Davies (b-br.) 

Les Violons du Roy 

La Chapelle de Québec / Bernard Labadie 

Bach: St. John Passion, BWV245 111’ 

高份 ( 女高音 ) 桂龍 ( 假音男高音 ) 

博斯烈茲、尼古拉斯 ‧ 范 ( 男高音 ) 

梅拉 — 布勒曼、戴維斯 ( 低音男中音 ) 

皇帝的提琴 

魁北克禮拜堂合唱團 / 拉巴地 

巴赫 : 聖約翰受難曲 ,BWV245 

Bernard Labadie 

拉巴地 

© Anne Schwanewilms 


Royal Concertgebouw Orch. / Pierre Boulez 

Webern: Six Orchestral Pieces, Op. 6 13’ 

Mahler: Symphony No. 7 77’ 

阿姆斯特丹音樂廳樂團 / 布萊茲 

魏本 : 六首管弦樂小品 , 作品 6 

馬勒 : 第七交響曲 

© Bernard Labadie 





Verdi: La forza del destino 

(The Force of Destiny) 155’ 

Donna Leonora: Maria Callas (s) 

Don Alvaro: Richard Tucker (t) 

Don Carlo di Vargas: Carlo Tagliabue (br) 

Cho. and Orch. of La Scala, Milan / Tullio Serafin 

威爾第 : 命運的力量 

里奧娜拉 : 卡拉絲 ( 女高音 ) 

唐 ‧ 艾華盧 : 杜加 ( 男高音 ) 

唐 ‧ 卡盧 : 塔爾亞保 ( 男中音 ) 

米蘭斯卡拉歌劇院樂團及合唱團 / 薩拉芬 




Liis Viira (Estonia): Book of Sand Grit 7’ 

Jirí Kadarabek (Czech Republic): 

Technological Progress 12’ 

Andres Fortunato (Argentina): El Ouroboros 

Primordial 8’ 

Chiu Hao-yuan (Taiwan): Yang-Shui 7’ 

瑋拉 ( 愛沙尼亞 ): 沙粒之書 

卡打拉壁 ( 捷克 ): 技術進展 

夫圖拿托 ( 阿根廷 ): 原始的銜尾蛇 

邱浩源 ( 台灣 ): 羊水 


11:00am RAVEL 拉威爾 

Mother Goose Suite 30’ 

London Sym. Orch. / Michael Tilson Thomas 

鵝媽媽組曲 

倫敦交響樂團 / 狄遜 — 湯瑪士 






11:00am SCHMITT 舒密特 

Psalm 47, Op. 38 30’ 

BBC Phil. Orch. & Cho. / Thierry Fischer 

詩篇四十七篇 , 作品 38 

英國廣播公司管弦樂團 / 費殊 






Sergio Burgani (cl) 

Sao Paulo Sym. Orch. / Marin Alsop 

Guarnieri: Abertura Festiva 7’ 

Mignone: Concertino for Clarinet and 

Chamber Orchestra 18’ 

Tchaikovsky: Symphony No. 4, Op. 36 44’ 


布加尼 ( 單簧管 ) 

聖保羅交響樂團 / 艾爾梭 

寡奈里 : 阿貝圖拉節日 

米農尼 : 單簧管及室樂團小協奏曲 

柴可夫斯基 : 第四交響曲 , 作品 36 

Marin Alsop 

艾爾梭 


11:00am DEBUSSY 德布西 

Nocturnes 25’ 

Ulster Orch. / Yan Pascal Tortelier 

夜曲 

奧斯特樂團 / 托替利亞 






Collegium Novum, Zurich / Michael Wendeberg 

Boulez: Derive II (1988) 8’ 

Debussy: Les chansons de Bilitis 18’ 

Maderna: Juilliard Serenade 14’ 

Boulez: Derive II (2006) 48’ 

蘇黎世新學院 / 文德貝格 

布萊茲 : 第二衍生 (1988) 

德布西 : 比利緹斯之歌 

麥丹拿 : 茱利亞小夜曲 

布萊茲 : 第二衍生 (2006) 


11:00am MOZART 莫扎特 

Piano Trio in B flat major, K. 502 25’ 

Luba Edlina (p) Rostislav Dubinsky (v) 

Yuli Turovsky (vc) 

降 B 大調鋼琴三重奏 ,K. 502 

艾迪蓮娜 ( 鋼琴 ) 杜邊斯基 ( 小提琴 ) 

圖洛夫斯基 ( 大提琴 ) 





© Kym Thomson 


Eugene Ugorsky (v) 

Netherlands Radio Phil. Orch. / 

Pablo Heras-Casado 

Prokofiev: Overture on Hebrew Themes, Op 34 10’ 

Weinberg: Violin Concerto in G minor, Op. 67 20’ 

Shostakovich: Symphony No. 10 in E minor, 

Op. 93 60’ 

烏戈爾斯基 ( 小提琴 ) 

荷蘭電台愛樂樂團 / 謝拉斯 — 卡薩多 

浦羅歌菲夫 : 希伯來主題序曲 , 作品 34 

米奇斯瓦夫 ‧ 韋恩堡 :G 小調小提琴協奏曲 , 

作品 67 

蕭斯達高維契 :E 小調第十交響曲 , 作品 93 

Eugene Ugorsky 

烏戈爾斯基 


11:00am HAYDN 海頓 

Symphony No. 7 in C major, ‘Le Midi’ 25’ 

Concentus Musicus Wien / Nikolaus Harnoncourt 

C 大調第七交響曲 ,「中午」 

維也納古樂團 / 亞奴閣 







Guo Yazhi (suona) 

Jinzhong Municipal School of Arts, Shanxi 

Hong Kong Chinese Orch. / Yan Hiuchang 

Shandong Folk Music (arr. Ren Tongxiang): 

The Wedding Song 

Wang Gaolin: A Toasting Song of Joy 

Ng Cheuk-yin: Soar 

Shandong Folk music: Birds Paying Homage to 

the Phoenix 

Paul Desmond (arr. Yard Guo & Guo Yazhi): 

Take Five 

Henan Folk Tune (arr. Zhang Yibing): 

Going to Meet the Bride 

Shandong Folk Music (arr. by Ngai Kwun-wa): 

One Night in Beijing 

Presented by the Hong Kong C 

Recorded at Hong Kong Cultur 

Hall on 13/7/2012. 

© Sussie Ahlburg


郭雅志 ( 嗩吶 ) 

山西省晉中巿藝術學校 

香港中樂團 / 閻惠昌 

山東民間樂曲 ( 任同祥編 ): 婚禮曲 

王高林 : 喜酒歌 

伍卓賢 : 躍 

山東民間樂曲 ( 任同祥整理 ): 百鳥朝鳳 

保羅 ‧ 戴斯蒙德 ( 郭亞慶及郭雅志編 ): 

五拍隨想曲 

河南民間樂曲 ( 張一兵編 ): 迎新娘 

陳昇 ( 魏冠華編 ): 北京一夜 

Schumann: 7 pieces from ‘Album for the Young’, 

Op. 68 13’ 

4 Klavierstücke for piano, Op. 32 28’ 

Kinderszenen, Op. 15 16’ 

史泰拿 ( 鋼琴 ) 

舒曼 :《少年曲集》七首選曲 , 作品 68 

四首鋼琴曲 , 作品 32 

童年情景 , 作品 15 



Puccini: Manon Lescaut 120’ 

Manon Lescaut: Mirella Freni (s) 

Lescaut: Dwayne Croft (br) 

Il cavaliere Renato des Grieux: Luciano Pavarotti (t) 

Cho. and Orch. of the Metropolitan Opera / 

James Levine 

浦契尼 : 曼儂 ‧ 雷斯高 

曼儂 ‧ 雷斯高 : 費蘭妮 ( 女高音 ) 

雷斯高 : 高夫 ( 男中音 ) 

格雷爾的騎士 : 巴筏諾堤 ( 男高音 ) 

香港中樂團主辦。2012 年 7 月 13 日香港文化大中都會歌劇院樂團及合唱團 / 利雲 

心音樂廳錄音。 

8:00pmMUSIC OF FRIENDS 室樂雅聚 



Andreas Staier (p) 

Juyeon Kang (p) 

Mozart: Allegro in B flat major, K. 400 5’ 

Rondo in F major, K. 494 6’ 

Liszt: Grandes études de Paganini No. 4 & 

No. 6 8’ 

Piazzolla (arr. Yamamoto): Tango Suite 19’ 

姜珠姸 ( 鋼琴 ) 

莫扎特 : 降 B 大調快板 ,K. 400 

F 大調迴旋曲 ,K. 494 

李斯特 : 第四號及第六號巴格尼尼大練習曲 , 

S. 141 

皮亞蘇拉 ( 山本京子編 ): 探戈組曲 


11:00am SHCHEDRIN 蕭卓倫 

Cello Concerto 28’ 

Mstislav Rostropovich (vc) 

London Sym. Orch. / Seiji Ozawa 

大提琴協奏曲 

羅斯卓波維契 ( 大提琴 ) 

倫敦交響樂團 / 小澤征爾 





A 

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PC 

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39


賴建群 

Calvin Lai 

《美樂集》電子雜誌版即將推出 , 最近我開始測試有關內容和運作。同事見我顯示器上的模擬 

書架 , 興之所至 , 竟然扮起曾江 , 在我身邊碎碎唸 :「一本《美樂集》在手 , 立即 download 又 

得 , 遲 D download —— 得咗。」又得 

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電子閱讀器上寫意閱讀《美樂集》。 

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集》搜羅第四台的節目資訊、樂壇的重要消息、各音樂團體的節目動向 , 更刊載不同主題的音樂 

文章 , 廿多年來每月一冊 , 從未間斷 , 為香港樂迷提供不少重要的美樂資訊。忽發奇想 , 究竟曾 

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日後若聽到我們大喊「得咗」, 請從速下載 ! 

Fine Music Magazine has been serving the community in Hong Kong for more than twenty years, 

providing programme highlights on Radio 4, and also key information about Hong Kong’s music scene. 

We are pleased to announce that the e-magazine version of Fine Music will be launched soon. You 

will be able to download the free app and read the magazine on your iPad or Android Tablet, anytime, 

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