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EXTRA EUROPA NORWAY<br />
Discussion, Performance, music<br />
Borders – control<br />
or rock’n’roll?<br />
SÁmi-Salami<br />
Transborder Café / Second Evening<br />
Transborder Café / Third Evening<br />
“Borders – Control or Rock’n’Roll?” is the slogan of<br />
the festival Barents Spektakel that is held in Kirkenes<br />
every winter, with a satellite festival in Russia.<br />
The slogan is supposed to convey that rock’n’roll<br />
or, more broadly speaking, arts and culture provide<br />
a non-state directed alternative to border controls.<br />
k Rune Rafaelsen, the leader of the Norwegian<br />
Barents Secretariat in Kirkenes, a dyed-in-the-wool<br />
Barents bureaucrat and Barents enthusiast, will<br />
start the evening by positioning us geographically<br />
and geopolitically into the Barents Cooperation model<br />
– a new security model based on regional political<br />
cooperation and cross-border human contacts.<br />
k Amund Sjølie Sveen, an artist and musician, will<br />
follow with a performance called “The United States<br />
of Barents”. He speaks to us from 2036, analyzing<br />
what has led to the establishment of the USB and<br />
demonstrates how the opening of IKEA in Haparanda<br />
Tornio (a border-town at the Swedish-Finnish<br />
border) is a major event in the history of the Barents<br />
Region. Welcome to the brave new world of the<br />
“United States of Barents”!<br />
We zoom to the heart of the Barents Region—the<br />
twin-cities Kirkenes (on the Norwegian side) and Nikel<br />
(on the Russian side). What happens when the<br />
region morphs from periphery to centre?<br />
38<br />
39<br />
k Olga and Alexander Florensky: Bringing charm<br />
and their sense of humour to bear on the two towns<br />
Kirkenes and Nikel, this artist duo from St Petersburg<br />
will present their take in “Advertisement for<br />
eternal values”.<br />
k Blue Noses, an artists’ group from Moscow,<br />
voices the stereotypes of “the Russian town” Kirkenes,<br />
exploring the potential of a cross-border labour<br />
market.<br />
k Screening of the film “Kirkenes & Nikel: Dedicated<br />
to Voiceless Immigrant Workers”. In Kirkenes<br />
the mines are about to be re-opened, whereas Nikel<br />
faces the closure of its nickel smelter which has<br />
made this place one of the most heavily polluted<br />
in the world.<br />
k Presentation of the outdoor performance “Control<br />
or Rock’n’Roll”, a sound event Rock’n’Roll<br />
sampler of the Barents Spektakel 2009.<br />
k Tequilajazzz, a rock band from St Petersburg will<br />
conclude Transborder Café two.<br />
Russian borscht will be served.<br />
DATE<br />
3.4.09 | 7 p.m.<br />
WHERE<br />
OK Offenes Kulturhaus,<br />
Mediendeck<br />
TICKETS<br />
Admission free<br />
PARTICIPANTS<br />
Olga and Alexander Florensky,<br />
Blue Noses, Rune Rafaelsen,<br />
Amund Sjølie Sveen, Tequilajazzz<br />
Tequilajazzz<br />
Sámi-Salami is a tribute to the endurance of the Sámi<br />
civilization as well as to its fragility.<br />
k “Anisja Sleeping” by Yvette Brackman (Copenhagen)<br />
pictures a Nenets girl (the Nenets are an indigenous<br />
group in Russia) clinging on to a reindeer<br />
sleigh. A strong wind is up yet the girl doesn’t fall<br />
off – she is even fast asleep! You might almost be<br />
tempted to call out to her: Hold fast!<br />
k “The Catalyst”: This is a project involving a place<br />
on the Kola peninsula in Russia’s North West that<br />
Yvette Brackman began in spring 2006. She established<br />
a contact between local craftsmen in Lovozero<br />
and the Spanish shoe company Camper. And<br />
the upshot – for Camper, for the people of Lovozero,<br />
for the artist? – The audience is not in for another<br />
case story. Instead, they are going to act it all out by<br />
assuming the parts of the local craftspeople, the representative<br />
of the shoe company, an entrepreneur,<br />
a lawyer, the artist, etc. “You will be part of a play<br />
written and directed by Yvette Brackman.”<br />
k “Wolf-yoiking” by Lawra Somby from Tromsø<br />
k Espen Sommer Eide, a musician from Bergen will<br />
present his “Language Memory Project”, in which<br />
he compiles a dictionary and a language databank<br />
documenting the Skolt Sámi language. The embrace<br />
by an archive kills a language in order to preserve<br />
it; at the same time it creates the almost alchemical<br />
possibility of a new lease of life.<br />
k Mun Rahkistan: a version of Serge Gainsbourg’s<br />
“Je t’aime” is performed by Norwegian artist Geir<br />
Tore Holm in the Sámi language.<br />
k “The Bridge”, with the queen of the Russian music<br />
world Inna Zhelannaya, Sámi guitar virtuoso Roger<br />
Ludvigsen, sax-player Oleg Mariakhin, and the<br />
Link trio, from the northernmost region of Norway,<br />
Finnmark, will make sure the Transborder Cafés<br />
end on a high note.<br />
Bidos, a Sámi soup, will be served.<br />
DATE<br />
4.4.09 | 7 p.m.<br />
WHERE<br />
OK Offenes Kulturhaus,<br />
Mediendeck<br />
TICKETS<br />
Admission free<br />
PARTICIPANTS<br />
Yvette Brackman, Geir Tore Holm,<br />
Link Trio, Roger Ludvigsen, Oleg<br />
Mariakhin, Lawra Somby, Espen<br />
Sommer Eide, Inna Zhelannaya<br />
Anisja<br />
Mun Rahkistan