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EXTRA EUROPA NORWAY<br />

Discussion, Performance, music<br />

Borders – control<br />

or rock’n’roll?<br />

SÁmi-Salami<br />

Transborder Café / Second Evening<br />

Transborder Café / Third Evening<br />

“Borders – Control or Rock’n’Roll?” is the slogan of<br />

the festival Barents Spektakel that is held in Kirkenes<br />

every winter, with a satellite festival in Russia.<br />

The slogan is supposed to convey that rock’n’roll<br />

or, more broadly speaking, arts and culture provide<br />

a non-state directed alternative to border controls.<br />

k Rune Rafaelsen, the leader of the Norwegian<br />

Barents Secretariat in Kirkenes, a dyed-in-the-wool<br />

Barents bureaucrat and Barents enthusiast, will<br />

start the evening by positioning us geographically<br />

and geopolitically into the Barents Cooperation model<br />

– a new security model based on regional political<br />

cooperation and cross-border human contacts.<br />

k Amund Sjølie Sveen, an artist and musician, will<br />

follow with a performance called “The United States<br />

of Barents”. He speaks to us from 2036, analyzing<br />

what has led to the establishment of the USB and<br />

demonstrates how the opening of IKEA in Haparanda<br />

Tornio (a border-town at the Swedish-Finnish<br />

border) is a major event in the history of the Barents<br />

Region. Welcome to the brave new world of the<br />

“United States of Barents”!<br />

We zoom to the heart of the Barents Region—the<br />

twin-cities Kirkenes (on the Norwegian side) and Nikel<br />

(on the Russian side). What happens when the<br />

region morphs from periphery to centre?<br />

38<br />

39<br />

k Olga and Alexander Florensky: Bringing charm<br />

and their sense of humour to bear on the two towns<br />

Kirkenes and Nikel, this artist duo from St Petersburg<br />

will present their take in “Advertisement for<br />

eternal values”.<br />

k Blue Noses, an artists’ group from Moscow,<br />

voices the stereotypes of “the Russian town” Kirkenes,<br />

exploring the potential of a cross-border labour<br />

market.<br />

k Screening of the film “Kirkenes & Nikel: Dedicated<br />

to Voiceless Immigrant Workers”. In Kirkenes<br />

the mines are about to be re-opened, whereas Nikel<br />

faces the closure of its nickel smelter which has<br />

made this place one of the most heavily polluted<br />

in the world.<br />

k Presentation of the outdoor performance “Control<br />

or Rock’n’Roll”, a sound event Rock’n’Roll<br />

sampler of the Barents Spektakel 2009.<br />

k Tequilajazzz, a rock band from St Petersburg will<br />

conclude Transborder Café two.<br />

Russian borscht will be served.<br />

DATE<br />

3.4.09 | 7 p.m.<br />

WHERE<br />

OK Offenes Kulturhaus,<br />

Mediendeck<br />

TICKETS<br />

Admission free<br />

PARTICIPANTS<br />

Olga and Alexander Florensky,<br />

Blue Noses, Rune Rafaelsen,<br />

Amund Sjølie Sveen, Tequilajazzz<br />

Tequilajazzz<br />

Sámi-Salami is a tribute to the endurance of the Sámi<br />

civilization as well as to its fragility.<br />

k “Anisja Sleeping” by Yvette Brackman (Copenhagen)<br />

pictures a Nenets girl (the Nenets are an indigenous<br />

group in Russia) clinging on to a reindeer<br />

sleigh. A strong wind is up yet the girl doesn’t fall<br />

off – she is even fast asleep! You might almost be<br />

tempted to call out to her: Hold fast!<br />

k “The Catalyst”: This is a project involving a place<br />

on the Kola peninsula in Russia’s North West that<br />

Yvette Brackman began in spring 2006. She established<br />

a contact between local craftsmen in Lovozero<br />

and the Spanish shoe company Camper. And<br />

the upshot – for Camper, for the people of Lovozero,<br />

for the artist? – The audience is not in for another<br />

case story. Instead, they are going to act it all out by<br />

assuming the parts of the local craftspeople, the representative<br />

of the shoe company, an entrepreneur,<br />

a lawyer, the artist, etc. “You will be part of a play<br />

written and directed by Yvette Brackman.”<br />

k “Wolf-yoiking” by Lawra Somby from Tromsø<br />

k Espen Sommer Eide, a musician from Bergen will<br />

present his “Language Memory Project”, in which<br />

he compiles a dictionary and a language databank<br />

documenting the Skolt Sámi language. The embrace<br />

by an archive kills a language in order to preserve<br />

it; at the same time it creates the almost alchemical<br />

possibility of a new lease of life.<br />

k Mun Rahkistan: a version of Serge Gainsbourg’s<br />

“Je t’aime” is performed by Norwegian artist Geir<br />

Tore Holm in the Sámi language.<br />

k “The Bridge”, with the queen of the Russian music<br />

world Inna Zhelannaya, Sámi guitar virtuoso Roger<br />

Ludvigsen, sax-player Oleg Mariakhin, and the<br />

Link trio, from the northernmost region of Norway,<br />

Finnmark, will make sure the Transborder Cafés<br />

end on a high note.<br />

Bidos, a Sámi soup, will be served.<br />

DATE<br />

4.4.09 | 7 p.m.<br />

WHERE<br />

OK Offenes Kulturhaus,<br />

Mediendeck<br />

TICKETS<br />

Admission free<br />

PARTICIPANTS<br />

Yvette Brackman, Geir Tore Holm,<br />

Link Trio, Roger Ludvigsen, Oleg<br />

Mariakhin, Lawra Somby, Espen<br />

Sommer Eide, Inna Zhelannaya<br />

Anisja<br />

Mun Rahkistan

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