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EXTRA EUROPA SWITZERLAND<br />

EXTRA EUROPA SWITZERLAND<br />

EXTRA EUROPA SWITZERLAND<br />

EXTRA EUROPA TURKEY<br />

DANCE<br />

TheatRE<br />

DANCE<br />

MusiC, DANCE<br />

Alias:<br />

APPROCHER<br />

la poussière<br />

Hernan / Leuenberger:<br />

enter<br />

My bubble<br />

Cie7273:<br />

LAÏ LAÏ laÏ laÏ<br />

Ahmet Özhan<br />

& Ensemble<br />

A change of perspective radically transforms<br />

the most mundane of workaday stories.<br />

The kind of day when nothing special happens from<br />

the moment you get up in the morning until the time<br />

you go to bed at night. A thumb sketch of a wellplanned<br />

day. A day spent at home, at work, in the<br />

street, at the doctor’s, meeting people. A day with<br />

unexpected hitches, waiting around, boredom … a<br />

day like any other.<br />

However, if you allow for a change of perspective,<br />

the same little story appears in an entirely different<br />

light. All of a sudden we see more than the mere<br />

outlines; we zoom in on the skin and see the skeleton<br />

underneath as if with X-ray eyes. Another point<br />

of view – et voilà: new pictures, additional details, a<br />

different story altogether.<br />

Contemporary barn dancing? A marketing slogan<br />

for Swiss tourism? A balancing act between<br />

cliché and profundity?<br />

Viewers are invited to join a western Swiss female<br />

dancer and a German Swiss male dancer for a trip<br />

to where each of them hails from. Katy and Chris<br />

search for their roots while taking the audience on<br />

a tour through a picturesque landscape of lush<br />

grassy meadows and snow-covered peaks. They<br />

divest themselves of layer upon layer of their identities,<br />

discovering their lost innocence, memories of<br />

fondue dinners and, inevitably, the Röstigraben. All<br />

of this is done in the hope of retrieving a sense of<br />

belonging.<br />

The concept for this piece was awarded the<br />

premio förderpreis 2007. In its present realisation<br />

it is a co-production between Dampfzentrale Bern<br />

and the hetveem theater Amsterdam, with support<br />

from Migros-Kulturprozent, Ernst Göhner Foundation,<br />

Paul Schiller Foundation and Oertli Foundation.<br />

Why not join the choreographers Laurence Jadi<br />

and Nicolas Cantillon for a nostalgic imaginary<br />

journey back to the 70s?<br />

The cue is a song. Bob Dylan or someone who<br />

looks a lot like him gets up on the stage and starts<br />

to perform. This concert situation morphs into an<br />

intensely sensuous world of playful innocence: a<br />

world full of things dating from a period that the<br />

participants do not remember from their own experience,<br />

even though the courses of their lives were<br />

largely shaped by it.<br />

Laï laï laï laï is an expression of the Cie 7273’s desire<br />

experimentally to transcend the borders of one’s<br />

own experience and of normal artistic practice.<br />

Dance is taken out of its comfortably established<br />

routine context and combined with other art forms<br />

in a naive and pleasurable manner to create windows<br />

into an unknown world.<br />

Ahmet Özhan is a renowned musician of classical<br />

Turkish and Sufi works. The Dancing<br />

Dervishes will accompany his performance at<br />

Hafenhalle09.<br />

Ahmet Özhan began performing at a very young<br />

age. Following his musical education at the Istanbul<br />

Conservatory and the Uskudar Classical Turkish<br />

Music Society he became a popular performer of<br />

classical Turkish music in the 1970s and 80s. In the<br />

following years, he worked with the great masters<br />

one-on-one, while also making his own albums.<br />

Ever since the early eighties he has been considered<br />

a pioneer of new Sufi music in Turkey. Özhan<br />

has received many awards in the field of classical<br />

Turkish music and has cultivated an appreciation of<br />

Turkish music throughout the world. He is the founder<br />

and musical director of the Istanbul Historical<br />

Music Ensemble.<br />

DATE<br />

4.4.09 | 8 p.m.<br />

WHERE<br />

Posthof / Dance Festival<br />

TICKETS<br />

see page 58<br />

PARTICIPANTS<br />

Alias<br />

Choreography:<br />

Alias_Guilherme Botelho in collaboration with the dancers<br />

Performing artists: Stéphanie Bayle, Fabio Bergamaschi,<br />

Guillaume Marie, Sung Im Her, Christos Strinopoulos<br />

PARTNERS<br />

Posthof<br />

ALIAS - Compagnie de danse contemporaine<br />

40<br />

41<br />

DATE<br />

6.4.09 | 8 p.m.<br />

7.4.09 | 8 p.m. (Post-performance<br />

discussion, Host: Airan Berg)<br />

WHERE<br />

Hafenhalle09<br />

TICKETS<br />

see page 58<br />

PARTICIPANTS<br />

Concept and performance:<br />

Cie Katy Hernan & Christoph<br />

Leuenberger;<br />

Assistant dramaturge: Nicole Beutler<br />

Lighting: Daniel Müller<br />

PARTNERS<br />

Cie Katy Hernan & Christoph Leuenberger<br />

Cie Katy Hernan & Chris<br />

Leuenberger<br />

DATE<br />

9.4.09 | 8 p.m.<br />

WHERE<br />

Posthof / Dance Festival<br />

TICKETS<br />

see page 58<br />

PARTICIPANTS<br />

Nicolas Cantillon, Alexandre Joly,<br />

Régis Marduel, Laurence Yadi<br />

PARTNERS<br />

Compagnie 7273 (Geneva)<br />

Posthof<br />

Cie 7273<br />

DATE<br />

11.4.09 | 8 p.m.<br />

WHERE<br />

Hafenhalle09<br />

TICKETS<br />

see page 58<br />

PARTICIPANTS<br />

Ahmet Özhan Ensemble<br />

Tanzende Derwische<br />

Ahmet Özhan

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