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EXTRA EUROPA TURKEY<br />

dance<br />

Taldans company:<br />

Dokuman<br />

Taldans’s new collaborative piece is like a fissure<br />

in time, a series of reversible strands that add<br />

up to form images or vistas, sounds, voices,<br />

functions or processes.<br />

It invites you to toy with the question where the<br />

piece is going to head next, with its wordless<br />

but powerful leaps, its disruptions and deficiencies<br />

that are all part of an ostensibly seamless<br />

whole.<br />

The point of departure for this project is a series of<br />

questions concerning (artistic and material) quality.<br />

What decides the quality of artistic and material products?<br />

Can a dysfunctional system maintain itself?<br />

And what, come to think of it, do we understand by<br />

function in the first place? Is it permissible to think of<br />

choreography in terms of a system of functions? DATE<br />

29.4.09 | 8 p.m.<br />

30.4.09 | 8 p.m. (Post-performance<br />

Thoughts like these have led Taldans to explore modulations<br />

in movement and sound. Adding sound WHERE<br />

discussion, Host: Airan Berg)<br />

and voice resulted in enlarging the territory of the Hafenhalle09<br />

body and in throwing light on the relationship between<br />

inside and outside on several different levels. see page 58<br />

TICKETS<br />

PARTICIPANTS<br />

Taldans and the artists involved in the project have<br />

Concept, Direction: Mustafa<br />

Kaplan, Filiz Sizanli; Interpretation<br />

contributed substantially to reflecting on the relationship<br />

between material and artistic production Abramovici, Cevdet Erek,<br />

& artistic collaboration: Loup<br />

by adding their own plot elements. A wide array of Kerem Gelebek, Mustafa Kaplan,<br />

issues of specific realisation forms and the manifold Filiz Sizanli, Erki de Vries<br />

connections that exist between production, process<br />

and product are addressed.<br />

PARTNERS<br />

0090 Kunsten Festival, Festival<br />

Montpellier Danse 2009, De Singel<br />

Internationale Kunstcampus,<br />

Productiehuis Rotterdam<br />

50<br />

51<br />

Music, Jazz<br />

EXTRA EUROPA NORWAY SWITZERLAND<br />

On a visit to<br />

jazzatelier<br />

ulrichsberg<br />

On day three of “Kaleidophon”, Urs Leimgruber<br />

will present Six Plus One and Frode Gjerstad’s<br />

Circulasione Totale Orchestra.<br />

The ensemble Six Plus One will design and perform<br />

a concert customized for the weaving workshop of<br />

the Leitner linen weaving mill. While the six instrumentalists<br />

will approach this theme in an improvised<br />

and intuitive fashion, Thierry Simonot will prepare an<br />

acoustic work at the Swiss sound laboratory Ameg.<br />

A system of loudspeakers designed especially for<br />

this room will add the “seventh instrument” for the<br />

concert. Frode Gjerstad is among the pioneers of<br />

Norwegian free jazz. The European Cultural Capital<br />

2008 in Stavanger provided Gjerstad with an opportunity<br />

to organise an electro-acoustic Big Band<br />

according to his own wishes, which became the<br />

Frode Gjerstad Circulasione Totale Orchestra. “The<br />

Ulrichsberg Kaleidophon” provides a sequel to that<br />

project with a slightly changed musical cast.<br />

DATE<br />

2.5.09 | ab 3 p.m.<br />

WHERE<br />

Jazzatelier Ulrichsberg<br />

TICKETS<br />

see page 58<br />

PARTICIPANTS<br />

Frode Gjerstads Circulasione<br />

Totale Orchestra, Six plus One<br />

PARTNERS<br />

Jazzatelier Ulrichsberg/Kaleidophon<br />

www.jazzatelier.at/va/kal09.htm<br />

Frode Gjerstad<br />

Charlotte Hug<br />

Music<br />

Festival 4020:<br />

Trio Accanto<br />

The Swiss group Trio Accanto performs contemporary<br />

Swiss music and a work by composer<br />

Bernhard Lang from Linz.<br />

Trio Accanto will interpret “Song Book” rendering an<br />

estranged, broken echo of romantic music. “Song<br />

Book” is a key work by composer Bernhard Lang<br />

(born 1957), one of Austria’s internationally renowned<br />

composers.<br />

In addition to poems by Robert Creeley and experimental<br />

texts by Dieter Sperl, Lang uses pop songs<br />

as a point of departure for his compositions. He<br />

shatters these songs into pieces and puts them<br />

together anew; they are like fragments of a mirror<br />

reflecting “the original as a multitude”.<br />

A debut performance by Jens Joneleit and works<br />

by the Vienna-based Swiss composer Beat Furrer<br />

and Helmut Lachenmann supplement and offset<br />

Lang’s cycle of songs with additional contemporary<br />

interpretations.<br />

DATE<br />

7.5.09 | 7 p.m.<br />

WHERE<br />

Brucknerhaus<br />

TICKETS<br />

see page 58<br />

PARTICIPANTS<br />

Christian Dierstein, Schlagzeug<br />

Yukiko Sugawara, Klavier<br />

Marcus Weiss, Saxophon<br />

Agata Zubel, Mezzosopran<br />

PARTNERS<br />

Festival 4020<br />

www.festival4020.at<br />

EXTRA EUROPA SWITZERLAND

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