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EXTRA EUROPA TURKEY<br />
dance<br />
Taldans company:<br />
Dokuman<br />
Taldans’s new collaborative piece is like a fissure<br />
in time, a series of reversible strands that add<br />
up to form images or vistas, sounds, voices,<br />
functions or processes.<br />
It invites you to toy with the question where the<br />
piece is going to head next, with its wordless<br />
but powerful leaps, its disruptions and deficiencies<br />
that are all part of an ostensibly seamless<br />
whole.<br />
The point of departure for this project is a series of<br />
questions concerning (artistic and material) quality.<br />
What decides the quality of artistic and material products?<br />
Can a dysfunctional system maintain itself?<br />
And what, come to think of it, do we understand by<br />
function in the first place? Is it permissible to think of<br />
choreography in terms of a system of functions? DATE<br />
29.4.09 | 8 p.m.<br />
30.4.09 | 8 p.m. (Post-performance<br />
Thoughts like these have led Taldans to explore modulations<br />
in movement and sound. Adding sound WHERE<br />
discussion, Host: Airan Berg)<br />
and voice resulted in enlarging the territory of the Hafenhalle09<br />
body and in throwing light on the relationship between<br />
inside and outside on several different levels. see page 58<br />
TICKETS<br />
PARTICIPANTS<br />
Taldans and the artists involved in the project have<br />
Concept, Direction: Mustafa<br />
Kaplan, Filiz Sizanli; Interpretation<br />
contributed substantially to reflecting on the relationship<br />
between material and artistic production Abramovici, Cevdet Erek,<br />
& artistic collaboration: Loup<br />
by adding their own plot elements. A wide array of Kerem Gelebek, Mustafa Kaplan,<br />
issues of specific realisation forms and the manifold Filiz Sizanli, Erki de Vries<br />
connections that exist between production, process<br />
and product are addressed.<br />
PARTNERS<br />
0090 Kunsten Festival, Festival<br />
Montpellier Danse 2009, De Singel<br />
Internationale Kunstcampus,<br />
Productiehuis Rotterdam<br />
50<br />
51<br />
Music, Jazz<br />
EXTRA EUROPA NORWAY SWITZERLAND<br />
On a visit to<br />
jazzatelier<br />
ulrichsberg<br />
On day three of “Kaleidophon”, Urs Leimgruber<br />
will present Six Plus One and Frode Gjerstad’s<br />
Circulasione Totale Orchestra.<br />
The ensemble Six Plus One will design and perform<br />
a concert customized for the weaving workshop of<br />
the Leitner linen weaving mill. While the six instrumentalists<br />
will approach this theme in an improvised<br />
and intuitive fashion, Thierry Simonot will prepare an<br />
acoustic work at the Swiss sound laboratory Ameg.<br />
A system of loudspeakers designed especially for<br />
this room will add the “seventh instrument” for the<br />
concert. Frode Gjerstad is among the pioneers of<br />
Norwegian free jazz. The European Cultural Capital<br />
2008 in Stavanger provided Gjerstad with an opportunity<br />
to organise an electro-acoustic Big Band<br />
according to his own wishes, which became the<br />
Frode Gjerstad Circulasione Totale Orchestra. “The<br />
Ulrichsberg Kaleidophon” provides a sequel to that<br />
project with a slightly changed musical cast.<br />
DATE<br />
2.5.09 | ab 3 p.m.<br />
WHERE<br />
Jazzatelier Ulrichsberg<br />
TICKETS<br />
see page 58<br />
PARTICIPANTS<br />
Frode Gjerstads Circulasione<br />
Totale Orchestra, Six plus One<br />
PARTNERS<br />
Jazzatelier Ulrichsberg/Kaleidophon<br />
www.jazzatelier.at/va/kal09.htm<br />
Frode Gjerstad<br />
Charlotte Hug<br />
Music<br />
Festival 4020:<br />
Trio Accanto<br />
The Swiss group Trio Accanto performs contemporary<br />
Swiss music and a work by composer<br />
Bernhard Lang from Linz.<br />
Trio Accanto will interpret “Song Book” rendering an<br />
estranged, broken echo of romantic music. “Song<br />
Book” is a key work by composer Bernhard Lang<br />
(born 1957), one of Austria’s internationally renowned<br />
composers.<br />
In addition to poems by Robert Creeley and experimental<br />
texts by Dieter Sperl, Lang uses pop songs<br />
as a point of departure for his compositions. He<br />
shatters these songs into pieces and puts them<br />
together anew; they are like fragments of a mirror<br />
reflecting “the original as a multitude”.<br />
A debut performance by Jens Joneleit and works<br />
by the Vienna-based Swiss composer Beat Furrer<br />
and Helmut Lachenmann supplement and offset<br />
Lang’s cycle of songs with additional contemporary<br />
interpretations.<br />
DATE<br />
7.5.09 | 7 p.m.<br />
WHERE<br />
Brucknerhaus<br />
TICKETS<br />
see page 58<br />
PARTICIPANTS<br />
Christian Dierstein, Schlagzeug<br />
Yukiko Sugawara, Klavier<br />
Marcus Weiss, Saxophon<br />
Agata Zubel, Mezzosopran<br />
PARTNERS<br />
Festival 4020<br />
www.festival4020.at<br />
EXTRA EUROPA SWITZERLAND