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introduction<br />

The european<br />

Question<br />

European Capital of Culture<br />

Linz, with its 190,000 inhabitants Austria’s third largest<br />

city, shares in 2009 the honorific title of European<br />

Capital of Culture with Vilnius, the Lithuanian<br />

capital. In the eyes of some people, this is above all<br />

a privilege, which will boost the city’s development<br />

and earn it a great deal of attention. Others stress<br />

the challenge and the enormity of the task that is<br />

involved. Both are of course right. This becomes<br />

particularly apparent, when the European dimension<br />

is taken into account: Linz presents itself to Europe,<br />

and Europe presents itself in Linz.<br />

Addressing the issue of Europe is quite obviously<br />

one of the tasks that devolve on a culture capital.<br />

The first question to be raised is what Europe we<br />

are actually referring to here. The European Culture<br />

Capital format was born from an initiative put forward<br />

in 1985 by the then Greek Minister of Culture, Melina<br />

Mercouri. EU members were to take turns annually<br />

in a predetermined order in nominating a city which,<br />

pending approval by the EU Commission, would<br />

then be designated European Capital of Culture by<br />

the Council. An EU resolution adopted in 2000 made<br />

also non-EU members eligible for this process during<br />

the period of 2005-2010. This brought us the benefit<br />

of Stavanger assuming the role of Culture Capital in<br />

2008, and in 2010 the 12-million metropolis Istanbul<br />

will in that capacity attract flocks of curious visitors.<br />

European Identity<br />

Europe’s internal division into “EU Europe” and<br />

“non-EU Europe” draws attention to the question<br />

of what consequences the respective status entails<br />

and leads us to the Linz09 project EXTRA EUROPA.<br />

Is there such a thing as a shared “European identity”,<br />

a shared “European culture”? Or is it perhaps<br />

one of Europe’s strong points that it has no homogenized<br />

identity and no shared culture and that it<br />

has no wish to develop anything of the sort, preferring<br />

cultural diversity instead?<br />

Terms such as “European identity and culture” are<br />

used a great deal in common parlance. It is true<br />

that we intuitively tend to use them above all in<br />

the context of the EU package. How European do<br />

non-EU states feel? What reasons are there for not<br />

wanting to join the EU or for not being allowed to<br />

join? EXTRA EUROPA deliberately flirts with such<br />

questions – primarily because it wants to trigger a<br />

debate about them. We want the word “extra” to<br />

be understood not only in the sense of “outside”<br />

or “excluded” but also in its other sense as a kind<br />

of honorific, in an affirmative/emphatic sense, in the<br />

sense of “particularly/especially”. Is it not the case<br />

that some non-EU states are in fact particularly European,<br />

that they represent values and qualities that<br />

are especially associated with Europe?<br />

Norway, Switzerland, Turkey<br />

To pursue our investigations we have selected three<br />

exemplary countries that we want to look at in detail<br />

in EXTRA EUROPA: Norway, Switzerland, and<br />

Turkey. We want Linz09 to serve as a platform for<br />

these countries to present samples of their political<br />

and scientific discourse and of their artistic and cultural<br />

activities. Arranged along a line from Europe’s<br />

remotest South East to the heart of Central Europe<br />

and on to its furthest North West, these countries<br />

are about as diverse as possible in political, geographical<br />

and cultural terms. This choice looked like a<br />

challenge to us, as it is quite unique. Perhaps it is<br />

also surprising or counterintuitive: at first sight there<br />

appears to be little these three countries have<br />

in common apart from the fact that none of them<br />

belongs to the EU.<br />

EXTRA EUROPA: the Programme<br />

The two main components of the project are a<br />

symposium at the Linz Wissensturm (20/21 March)<br />

with high-profile panels comprising experts from<br />

the three countries plus Austria, for which access<br />

will be free; and the EXTRA EUROPA FESTIVAL (19<br />

March – 3 May). With 60 or so different projects the<br />

festival will feature an artistic and cultural programme<br />

that includes dance, theatre, music, literature,<br />

film, cartoons, and fine arts from the three EXTRA<br />

EUROPA countries.<br />

Before and during the symposium the “Forum09”<br />

will take place. It will provide the framework for a<br />

meeting of 80 pupils from the three EXTRA EUROPA<br />

countries plus Austria and the Czech Republic, who<br />

will be discussing the same issues addressed by<br />

the participants of the symposium.<br />

EXTRA EUROPA Partners<br />

The Swiss cultural foundation Pro Helvetia proved<br />

a strong and committed partner and sponsor from<br />

our first beginnings. In the course of two years of<br />

intensive collaboration we have put together an<br />

EXTRA EUROPA: SWITZERLAND programme that<br />

assembles 30 projects. During and after the EXTRA<br />

EUROPA FESTIVAL in Linz, selected projects will<br />

also be shown in several Swiss cities. For the programming<br />

of EXTRA EUROPA: TURKEY we found<br />

a congenial partner and sponsor in Istanbul 2010,<br />

whose team has provided invaluable help in all<br />

questions related to content. For EXTRA EUROPA:<br />

NORWAY we are deeply indebted to Norway’s Ministry<br />

for Foreign Affairs (Section for Global Cultural<br />

Cooperation) and to the Arts Council Norway for<br />

their trust and support.<br />

From the beginning, the three countries’ embassies<br />

in Vienna have provided invaluable support. They<br />

have been patient companions, advisors and mediators<br />

without whose help EXTRA EUROPA could<br />

not have been realized. We have also received substantial<br />

assistance from oiip (Österreichisches Institut<br />

für Internationale Politik) in terms of the contents<br />

and conceptual framework of EXTRA EUROPA.<br />

We are particularly pleased that the following wellknown<br />

journalists and writers from the EXTRA EU-<br />

ROPA countries and Austria have taken up our suggestion<br />

that they contribute essays to the project:<br />

Morten Stroksnes (Norway), Lukas Bärfuss (Switzerland),<br />

Cengiz Aktar (Turkey), and Klaus Stimeder<br />

(Austria).<br />

We would also like to express our gratitude to partners<br />

and organisers in Linz and its environs whose<br />

enthusiastic commitment to the idea of EXTRA EU-<br />

ROPA has led them to either organise related projects<br />

of their own or pool their efforts with the three<br />

countries involved.<br />

Susanne Puchberger,<br />

Project developer and editor of EXTRA EUROPA<br />

06<br />

07

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