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Wake Forest Magazine, June 2009 - Past Issues - Wake Forest ...

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two of<br />

“<br />

I realized that if I<br />

really wanted to push<br />

my own art I would<br />

need to expand my<br />

mind. Logic has<br />

certainly helped<br />

me to perceive the<br />

underling structures<br />

of an argument.<br />

”<br />

Antonina Whaples (’10)<br />

Winston-Salem, North Carolina<br />

Studio art and philosophy<br />

double major<br />

In art, there is style and there is content, and<br />

it is content that distinguishes the truly<br />

great artists from the merely great stylists.<br />

Already well on her way to becoming the latter, printmaker<br />

Antonina Whaples aspires to become the former and has tailored<br />

her scholastic program accordingly.<br />

“I finished my studio art major rather quickly so I was on<br />

the lookout for a second major,” says Antonina, a Presidential<br />

Scholar in art and the daughter of Professor of Economics<br />

Robert Whaples. “I happened to be lucky enough to take<br />

Introduction to Philosophy the summer before my sophomore<br />

year and something really clicked for me. I realized<br />

that if I really wanted to push my own art I would need to<br />

expand my mind and learn good arguments and how to think<br />

abstractly but critically.”<br />

It is the simplest and most abstract philosophical concepts<br />

that have helped to develop her art the most, she says. “Logic<br />

has certainly helped me to perceive the underlying structures<br />

of an argument,” she notes. “And being able to find flaws in<br />

arguments and soundness in structure has helped me in the<br />

cerebral processing of the intentions and executions of my<br />

[art] work. Philosophy also helps me to think very critically—<br />

to look at what an artist is doing (especially myself) and see<br />

if it matches up with what he/she is saying. When art is well<br />

executed, the dialogue between its formal qualities and its<br />

content establishes a cohesive argument that plays out on the<br />

picture-plane.”<br />

Her professional goal is to become a master printmaker<br />

and she is strongly considering pursuing bachelors and<br />

masters of fine arts degrees to that end after graduation<br />

next year. But she is sufficiently pragmatic to appreciate the<br />

prudency of having a second career, perhaps in library<br />

science. “I live in the library [where she is compiling a database<br />

of the University’s contemporary art collection],” she<br />

notes. “I just think the [library] culture fosters a positive<br />

intellectual environment.”<br />

28 wake forest magazine

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