ISBN 978-81-925489-2-0 - ramniranjan jhunjhunwala college
ISBN 978-81-925489-2-0 - ramniranjan jhunjhunwala college
ISBN 978-81-925489-2-0 - ramniranjan jhunjhunwala college
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But for her conservative father putting his foot down and threatening to even end her singing, the young<br />
woman might have even become a film star. When he refused to send her from Lahore to Bombay to sing for<br />
Mehboob Khan’s Taqdeer, the veteran director went to her house and ticked off the father: “You’ve made<br />
her a frog in a pond. Throw her into the ocean and she’ll learn to swim.”<br />
The Golden Age of Indian Cinema<br />
In 1950s Indian film industry positioned itself as a form of art. This period is rightly called the golden age of<br />
Indian films (Wadhwani 14). As India is versatile country with a number of languages spoken, hence, films<br />
were produced in major languages. Legendary singer, Shamshad Begum ji was the dominating singer in the<br />
1940s and is one of the few artists today who were singing even in the 1930s. Her style of singing was<br />
unique and was loved by millions all over the world. Her major output was in the forties with the mid-fifties<br />
seeing a gradual decline in output. Her singing career started tapering off in mid-fifties with her singing her<br />
last song probably around 1971 although some songs continued to release as late as 19<strong>81</strong>. She has been away<br />
from the media/public arena since seventies.<br />
On the male side, there was only one - unparalleled Saigal. On the female side, there were many voices -<br />
Noor Jehan, Shamshad Begum, Kanan Devi, Suraiyya, AmirbaiKarnataki, Khursheed, Rajkumari and<br />
ZohrabaiAmbalewali. For some reason, Noor Jehan's singing (except for a few songs) did not make a<br />
significant impact on me.<br />
Two voices which struck me most were those of Shamshad Begum and KananDevi.Shamshad Begum's voice<br />
was relatively heavy but it had an inherent extreme sweetness about it. Her style of singing was unique and<br />
no one has ever been able to clone her. She clarified that she stuck to her principle of following the music<br />
director's instructions rather than attempting to develop her own “style”.<br />
Objectives of research<br />
To study how Ms. Begum began her singing career.<br />
To study the trend of her music era.<br />
To understand what made her bows out from music politics?<br />
To inculcate awareness of the legendary singer in today’s youth their importance and their contribution to the<br />
society.<br />
Research methodology<br />
Primary survey of 100 samples with the age group of 15 years to 25 years was collected through questioner<br />
which was the tool for collecting the data.<br />
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