National Occupational Standards - Lighting for Film and ... - Skillset
National Occupational Standards - Lighting for Film and ... - Skillset
National Occupational Standards - Lighting for Film and ... - Skillset
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NATIONAL OCCUPATIONAL STANDARDS<br />
LIGHTING FOR FILM & TELEVISION<br />
JUNE 2006<br />
L15 MANAGE LIGHTING<br />
PRODUCTION LIAISON<br />
EFFECTIVELY<br />
UNIT OVERVIEW<br />
This unit is about communicating <strong>and</strong> working with<br />
colleagues such as the Director of Photography be<strong>for</strong>e<br />
<strong>and</strong> during shooting. It is about discussing <strong>and</strong> agreeing<br />
lighting requirements, communicating these to the team<br />
<strong>and</strong> putting <strong>for</strong>ward positive solutions to problems that<br />
may crop up during shooting.<br />
It also involves attending meetings to ensure the<br />
electrical requirements are accounted <strong>for</strong>, <strong>and</strong> that any<br />
change <strong>and</strong> their implications <strong>for</strong> lighting are considered.<br />
KNOWLEDGE AND UNDERSTANDING<br />
this is what you must know<br />
a) the scope, type <strong>and</strong> deadlines <strong>for</strong> the production<br />
b) the creative approach required by the DoP or<br />
similar <strong>for</strong> the production<br />
c) which solutions to recommend that accord with<br />
this approach <strong>and</strong> match the available equipment<br />
<strong>and</strong> expertise<br />
d) the importance of liaising with others, such as the<br />
Best Boy, about changes <strong>and</strong> outcomes of<br />
production meetings<br />
e) the importance of providing cover when you can<br />
not be available <strong>and</strong> ensuring that those who take<br />
on such responsibilities know the limits of their<br />
responsibilities<br />
f) the benefits of involving the production team in<br />
discussing constructive solutions to problems<br />
SKILLSET JUNE 2006<br />
34