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714<br />

708.<br />

Lot of Five Works:<br />

French Gallery Exhibition Posters,<br />

Including Gino Severini at Berggruen &<br />

Cie; Fernand Leger at Musee des arts<br />

decoratifs; and Antoni Clave, Max Ernst,<br />

and Jean Piaubert at Galerie Creuzevault<br />

Each identified within the matrix.<br />

Color lithographs on paper, sheet sizes to 29<br />

1/2 x 18 1/2 in., each framed.<br />

Condition: Foxing, toning, not examined out<br />

of frames.<br />

$1,000-1,500<br />

709.<br />

Vasa Mihich (Yugoslavian/American, b.<br />

1933)<br />

#2485<br />

Titled, signed, and dated “...Vasa 85” l.r.<br />

Laminated and cast acrylic, 22 x 28 x 3 in.<br />

Condition: Surface abrasions.<br />

$700-900<br />

710.<br />

Robert Fachard (French, b. 1921)<br />

Untitled, c. 1960<br />

Unsigned, identified on a label from Brook<br />

Street Gallery, Hyde Park, London, affixed to<br />

the underside.<br />

Brass, 20 x 8 1/2 x 8 1/2 in.<br />

Condition: Surface grime.<br />

$700-900<br />

711.<br />

Vasa Mihich (Yugoslavian/American, b.<br />

1933)<br />

#2465<br />

Titled, signed, and dated “...Vasa 85” l.r.<br />

Laminated and cast acrylic, 26 x 12 1/4 x 2<br />

5/8 in.<br />

Condition: Surface abrasions.<br />

$600-800<br />

712.<br />

Kirk Tatom (American, b. 1955)<br />

Three Birds<br />

Incised signature “Tatom” on the reverse.<br />

Carved pink marble, 7 x 13 in.<br />

Condition: Minor surface grime.<br />

$400-600<br />

713.<br />

Tibor Freund (Hungarian/American, b.<br />

1910)<br />

Two Iridescent Works: Flowers #64115 and<br />

From the Platform...#6405<br />

Each signed, titled, and identified “TIBOR<br />

FREUND...” on the reverse.<br />

Mixed media (painted steel and wood), sizes<br />

to 18 1/4 x 18 5/8 in., both framed.<br />

Condition: Surface dust.<br />

$700-900<br />

714.<br />

Marion Huse (American, 1896-1967)<br />

Nightscape, c. 1960<br />

Signed “Marion Huse” l.l.<br />

Oil on canvas, 24 x 32 in., framed.<br />

Condition: Scattered minor paint losses and<br />

craquelure.<br />

Provenance: By descent in the artist’s family<br />

to the Fuller Museum of Art (Gift of the artist’s<br />

husband, Dr. Robert Barstow), to the New<br />

Britain Museum of American Art.<br />

Literature: Marion Huse, An Artist’s Evolution,<br />

Exhibition Catalogue, cat. 95, p. 81 (color<br />

illus.).<br />

Exhibitions: An Artist’s Evolution, Brockton<br />

Art Museum/Fuller Memorial, Brockton,<br />

Massachusetts, Marion Huse, June 2–August<br />

25, 1985.<br />

$300-500<br />

online bidding at www.skinnerinc.com<br />

137

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