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302<br />

299.<br />

Ziggurat Console Table<br />

Steel and glass<br />

Manufactured in the United States, Purchased at Jazz Green St., New<br />

York, c. 1989<br />

Rectangular etched glass top on stepped square tubular steel base, ht.<br />

32, wd. 54, dp. 16 in.<br />

$600-800<br />

300.<br />

Art Deco Hall Stand<br />

Wrought iron<br />

France, retailed by ABC Home Furnishings, New York<br />

Top rack over framed horizontal mirror with hooks below, open base for<br />

holding umbrellas or walking sticks, ht. 74, wd. 31 1/2 in.<br />

$600-800<br />

301.<br />

Massier Jardinière<br />

Art pottery<br />

France, early 20th century<br />

Wide form decorated with four winged female figures around rim, in<br />

turquoise shading to dark blue glaze imprinted with Massier mark,<br />

raised on a circular foot, drilled, hairline on base, ht. 10, dia. 16 in.<br />

$500-700<br />

302.<br />

Art Deco Demilune Desk and Chair<br />

Mahogany, walnut, and maple veneers, mohair<br />

United States<br />

Demilune shape with bookmatched walnut veneer writing surface in a<br />

fan pattern over three drawers with maple veneer fronts; accompanied<br />

by a barrel-back chair in caramel-brown mohair upholstery, split on<br />

chair arm, wear, chair ht. 29 1/2, desk ht. 34, wd. 38, dp. 21 1/2 in.<br />

Provenance: Inherited from a descendant of the Lindeberg family.<br />

Note: Most probably designed by renowned country house architect<br />

Harrie T. Lindeberg, as it came from his house, for which he designed<br />

most of the furniture.<br />

Lindeberg’s career spanned from the Progressive Era of Teddy<br />

Roosevelt to the beginning of Modernism at the end of World War II.<br />

Well-known as a gentleman architect, he was more of an innovative<br />

traditionalist compared to his contemporaries Frank Lloyd Wright,<br />

William Adams Delano, and George Howe. Between 1906-1914,<br />

Lindeberg and his partner, Lewis Albro, successfully built a new type<br />

of country home which was both pastoral and sophisticated. As the<br />

railroad moved into suburban areas, Lindeberg and Albro built many<br />

alluring country homes. By the mid-1920s, Lindeberg’s clients were<br />

found in metropolitan New York, as well as throughout the United<br />

States. In the mid-1930s, with the shift toward Modernism, Lindeberg’s<br />

sleek cellular architectural designs won little acclaim among his peers.<br />

Lindeberg lived quietly on his Long Island estate with his third wife,<br />

Angeline Krech James, during World War II.<br />

$700-900<br />

62 additional information and photos at www.skinnerinc.com

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